Articles | Page 6 of 59 | Small Boats

A Civilized Adventure

"Non, absolument pas!” The French woman’s crossed arms and set jaw conveyed little room for negotiation. As immobile as the granite walls of the lock she controlled, this graying lockkeeper in shapeless dress and old leather shoes was not going to allow two tourists in a kayak to pass. “Non.

A couple stand beside a Klepper Kayak on the bank of the Yonne River in AuxerrePhotographs by the author

Still dressed in our travel clothes, we were happy to have the kayak fully assembled and ready to launch in the Yonne River. We were tired but excited to be heading off on our leisurely exploration of the Canal du Nivernais. Little did we know we were destined to be thwarted in our plans by the very first lockkeeper.

The warm afternoon sun and flat water promised perfect paddling. We had launched in high spirits only a quarter of an hour before. Now, her rejection deflated us. Taking a stroke here and there to maintain position, just downstream of the Batardeau Lock on the Yonne River, I was making no headway in my schoolboy French. So much for our letter to the Office National de la Navigation in Paris. We had inquired diligently about regulations. Monsieur Viannay’s reply had assured us all would be well, and the rules brochure he enclosed said nothing about kayaks in locks. This veteran lockkeeper had her own interpretation. “Non.”

The Batardeau Lock was the first of dozens of locks we had anticipated in a languid three-week summer cruise through Burgundy and Nivernais. The lure had been quaint villages and majestic chateaux, punctuated by romantic camping in sunflower fields or under the towpaths’ trees, all fueled by fabulous Burgundian food and wine, amidst the region’s rich history.

Dejected and beat, our 36-hour day was catching up to us. It had begun with a transatlantic flight from New York to Paris, then a taxi from Orly Airport to the Austerlitz Station, and two trains south to Auxerre, capital of the Yonne department and fourth largest city in Burgundy, where we had assembled our folding double kayak on the banks of the Yonne River. Weighing just 75 lbs, our 17′ Aerius II Klepper packed into two durable green canvas bags. One held the skin, seats, sprayskirts, and miscellaneous frame parts. The other, shaped like a golf bag, held longer frame pieces and the two-part paddles. The longest piece measured 4′ 3″. For overseas travel, we simply checked the bags on commercial flights as oversize baggage.

Now, tails between legs, we reversed course and headed back toward Auxerre. I sat aft, controlling the rudder with foot pedals. Molly had the bow seat. Experienced paddlers, we were proud of our blade work, tight and in unison. Over Molly’s head I could see the majestic Cathedral of Saint Etienne with its Gothic flying buttresses. Framed by trees along each side of the river, it grew closer with every stroke.

A young woman paddles a kayak towards the cathedral in Auxerre, France

“We’re not in Kansas anymore!” Despite being rejected by the keeper of the Batardeau Lock, the view as we paddled back toward the cathedral of St-Etienne in Auxerre lifted our spirits.

Along the city’s waterfront, pleasure canal cruisers (squat, low-powered houseboats) were moored in a row. Péniches, the standard 38.5m-long motorized commercial barges, passed by in the channel; a few historic ones had been tastefully converted into luxury hotel barges. Beyond them sprawled medieval Auxerre. Thwarted by an unhelpful lockkeeper, we were, even so, in France, surrounded by picture-postcard scenery. All would be well.

I was coming off 10 years of knocking about the North Atlantic and Caribbean Sea in big traditional schooners where stunning voyages were always marked by higher highs and lower lows. The thought of a boat trip abroad with no squalls or gales, no wind against tide, no threatening shoals, when the toughest decision might be the choice between Chablis and Chardonnay, had real appeal.

Young and in love in an old French town, we nevertheless needed sleep. A river’s-edge clump of trees and brush would suffice, we hoped, to hide our boat. Rather than disassembling, packing, and lugging the boat with us as we went in search of a bed, we locked it to a tree and took the risk. Near Auxerre’s clocktower, above what had been a gate in the medieval city wall, we found a two-star pension with rooms for 84 francs ($13). It was 1987; neither the Euro nor the internet yet existed.

Auxerre to Canal de Bourgogne

Next morning, drinking coffee near a statue of Saint Nicholas, patron saint of watermen, we changed the plan. We had researched and intended to paddle Canal du Nivernais, supposedly one of the loveliest canals in France, which began in Auxerre, and appropriated the Yonne River as it proceeded south.

Roger Siebert

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Now, hoping for more understanding lockkeepers, we decided to paddle north on the Yonne toward Canal de Bourgogne. Part of the waterway route connecting the Mediterranean Sea and the English Channel, the Yonne flows into the Seine, which then flows through Paris. We knew little about Canal de Bourgogne, but it was meant to be charming.

The first lock on the Yonne lay only 500 yards away. No lockkeeper appeared as we landed along the bulkhead, unsure of our reception. Portaging might be the answer. Our as-yet-untested Bavarian bootswagen (boat cart) proved itself straight away. Molly pulled the camping gear out of the kayak’s forward section, piling it amidships. We placed the stern over the cart and secured it with straps. This allowed me to heft the bow and push the well-balanced rig easily along the path. We had only 125′ to go; it seemed like a snap.

And so it was, until relaunching time. On the far side of the lock, the water level was 4′ lower. To launch, I perched on a toehold along the top of the sloping lock wall. Heaving together, we launched with a splash. As the boat plunged, I tried to check its momentum with the bow line, and promptly tore the forward eye from the canvas deck. Damn! Lesson learned, from then on, we used our tightly rolled foam sleeping pads as rollers, and took the weight with a strap while relaunching.

The next lockkeeper, an older man, talked on the telephone as we approached. He ignored us. We portaged. A couple fished intently near the lock, without a glance in our direction. No one seemed to care about us or our kayak.

A man pushes a Klepper kayak on a boat cart beside the Yonne River in Auxerre, France

When portaging—as here, early on in the trip while we were still on the Yonne River—I found it easier to push the kayak ahead of me rather than pull it behind. With all our gear moved into the cockpit, the bow became light enough for me to tip the boat back onto the cart and start wheeling.

Intervals between locks were short, no more than a mile or two. We would just get going and then need to stop. A very young woman had charge of the third lock of the day, at Boisseaux. We smiled and waved, but made no attempt to lock through. These Yonne River locks were big. In such a tiny boat it might have been insulting to request an opening. A chatty fisherman offered help, which we accepted, and though the portage was the longest so far—several hundred yards—all worked well. Again, until the relaunch. The drop was simply too far to slide the kayak into the water, even with the rollers, and we didn’t dare pitch it over the edge. We unloaded it entirely, rigged a strap as a sling aft, and attached a bow line forward, right around the boat, before lowering; it worked.

On we paddled with barely a breeze, the summer sun warming the bare skin on our arms and legs. Mallards dabbled along the river’s edges. A cheerful young couple with a six-month-old baby, to whom Molly paid a great deal of attention, staffed the next lock, on the outskirts of Monéteau. When I requested drinking water the man smiled broadly, then insisted that we empty all of our water bottles in exchange for his water—better water, fresher water! A bedraggled 24′ fiberglass sloop whose rig was long gone hove into sight, going our way. It needed to lock through, so we joined them. Finally! Locking was far easier than portaging.

Central Burgundy was our kind of place, a kingdom of waterways where the past was never more than a stone’s throw away. A pastoral landscape that bundled old-fashioned human ingenuity, such as cast-iron lock gear, with remnants of nature. And we liked our teamwork, being dependent on each other. We swung together, feeling a new energy. Paddling north under the bridge carrying the Paris–Lyon A6 highway, with cars and trucks whizzing overhead, modernity intruded, but only briefly. Spirits rising, we paddled on, past the shallow Serein River flowing into the Yonne from the right. Shortly before the road bridge linking the villages of Bassou and Bonnard, a lovely wooden punt lay moored along the bank in water so still it perfectly mirrored the boat. Venerable with age, but well-kept, the little craft’s pumpkin-colored sheerstrake set off its dark green hull; it rode quietly, almost timelessly, a serene scene worthy of Claude Monet.

Nearby, a gentle stretch of level bank presented itself between the waterway and a farmer’s field. It was time to call it a day. A good one, we thought: almost 13 miles with seven locks, two of which we had paddled through.

A young woman picnicking beside a canal in Burgundy, France

Our first night’s canal-side campsite amid the tall grass and Queen Anne’s lace beneath the trees was typical of most of our overnight resting spots.

Tall grass and Queen Anne’s lace made a natural cushion for our tent, pitched near a row of old poplar trees, sentinels guarding the canal. It looked tranquil. Boat traffic stopped at night, so we would be undisturbed. Out came the food bag. Voilà! A bottle of Beaujolais would pair nicely with the Époisses, a pungent Burgundian cheese. There were fresh green beans to steam on our camp stove, and slices of Charolais beef in butcher’s paper. My vegetarian paddling partner passed on the beef, but happily tucked into the baguette. It was the perfect end to a fine day.

Of Péniches and a World War

From the tent door next morning we watched the mist rising off the water, filtering the early light. Packing up to the chattering of blackcaps and chaffinches, we discussed the locks: The engineering and ingenuity were impressive; their history intriguing. By frequently interrupting our paddling we would avoid “paddler’s elbow” and wrist problems, but the hassles were real. We had not realized how many locks we would have to portage. Getting out of the boat and stretching a bit was satisfying, but a kayak loaded with camping gear is cumbersome. Steep banks and sloping lock walls had to be negotiated; it compromised the charm.

Transiting our final lock on the Yonne, near its confluence with the Armançon River, we paddled through Laroche-Saint-Cydroine. The town marked the beginning of the Canal de Bourgogne, which stretched 150 miles ahead. If we wanted a goal, there was a 2-mile-long tunnel in Pouilly-en-Auxois 96 miles away along the canal. Carved through solid rock 1,837′ above sea level, it went through a mountain, and to reach it required climbing that mountain—in our boat! I suddenly itched to try.

A former competitive rower, I thought that with determination and luck climbing to Pouilly-en-Auxois might be possible. Molly considered our choices: a slow exploration of Burgundian charms or paddling hellbent uphill for 96 miles, through 102 locks. It was, she said, a no-brainer. And I couldn’t argue. Slow and steady won the day.

A commerical péniche navigates a lock on the Canal de Bourgogne, in Burgundy, France

This was one of the last commercial péniches still hauling freight on the canals. At one time, a massive fleet existed, all built to conform to the locks’ dimensions. Horse-drawn barges were outlawed in 1970, and the towpaths quickly became the domain of walkers and cyclists.

Miles later, in Brienon-sur-Armançon, we watched grain loading from a modern silo into a stout old péniche, one of the last vessels using this canal commercially. For centuries péniches carried grain, firewood, building materials, timber pit props for mines, and other bulk cargoes crucial to pre-modern France. Built to specifications, one peniche filled an entire lock. Back in the day, some péniches even had a stable aboard (or at least a stall) for their draft animals. But the future was elbowing its way on to the canal. Seventeen years before our trip, horse-drawn barges were outlawed—they impeded motorized vessels—and the towpaths became the domain of walkers and cyclists.

We camped by the canal every night and rarely hauled the kayak. There was no traffic on the canal after dark, and besides, the serene pace at which all canal boats traveled meant there were no troubling wakes—we would pick a place to stop, drive in two tent pegs, one for the bow line, the other astern, and tie up. That was it.

With each passing day we locked through more frequently. As we approached each lock we held back, exchanging pleasantries with the crews of entering powerboats. Once they were settled, we paddled in, tying up to the lock wall, or (with permission) simply hanging on to the rail of a boat as the lock filled and we all rose. Lockkeepers, whom we occasionally tipped, took no special notice of us so long as we went through in the company of motorized pleasure boats.

Charmed by huge fields of sunflowers, sweet villages and imposing estates, and by the wonderful wines, we lost track of the days until one morning when we arrived at the first lock of the day and found it closed. Wednesdays were keepers’ day off. Sufficiently adept now at portaging, this was no hardship for us, but hire-boat crews had to amuse themselves otherwise for a day. We landed, stretched, and scoped out the portage as several older men approached in the sunshine.

Three men pulling a Klepper kayak down a road in France

Our boat cart worked well, but when offered assistance I was never too proud to accept.

Determining that we were Americans, one fellow boldly asked, “Were your fathers in the war?” (They meant, of course, World War II.)

“Yes,” we replied.

“Then we will carry your boat!”

They insisted. It would have been churlish to refuse. Their appreciation for America’s intervention in the war some 40 years earlier, was still very real.

Cafés, Restaurants, and Boulangeries

Taking our time and pausing at cafés was a happy alternative to sprinting for a distant mountain tunnel. It seemed that rural French folk spent a lot of time in local cafés. They smoked unfiltered Gauloises, drank coffee and kir—two measures white wine, one measure Cassis de Dijonchatted, and argued. They were joined by cats and dogs: fashionably attired elderly ladies brought cats on leashes; dogs lay docilely at their masters’ feet; other dogs came and went through the open door.

And the café crowds welcomed the silly Americans—warmly, at times.

“You are doing what?”

“We are kayaking the canal to Dijon.”

We provoked laughter and protestations; were offered free drinks or occasionally just shrugs. Temporarily being the center of attention was fine, and memories of the first day’s lockkeeper receded.

We grew to like bivouacking in the wilds along that civilized canal. On the outskirts of Saint-Florentin, however, we pitched our tent in a bona fide campground. Saint-Florentin was the biggest city we had seen since Auxerre, though with only 4,000 inhabitants it presented more as a town. People had lived here a long time. We strolled compact streets under the imposing church, built over several centuries throughout the late Medieval and early Renaissance periods. Two- and three-story homes and shops roofed in brown tiles prevailed, with plenty of trees and flowers.

The town flag laid out in flowers in Saint-Florentin, France

In Saint-Florentin we came across this rendering of the town’s municipal logo. It was easily 20′ by 40′, re-created in flowering annuals.

On a steep bank of grass, next to an ancient tower, gardeners had planted a rendering of the town logo with red, yellow, purple, and white annuals in bloom. Easily 20′ by 40′, weed-free and precise, it conveyed local pride. Burgundians connected to place in ways we could not fathom. As visitors whose siblings and cousins and aunts and uncles were scattered to the winds back in the United States, we found those rooted inter-generational connections intriguing.

Next morning, insistent roosters greeted the day. I liked the French vernacular for rooster, rendered in English since the Middle Ages as “chanticleer,” literally to sing clearly, from chanter (to sing.) We went in search of café au lait and fresh pastries. On past trips, kayak-camping in Chesapeake Bay, we had been quite content without nice china cups of café au lait. And the 10-day Klepper tour we would make the following summer among Maine’s spruce-clad islands was stunning without fresh pastry. But why do without when Burgundy extended its bounty?

Cozy lockkeepers’ cottages, with well-raked gravel in the dooryard, flowers in profusion, and pollarded poplars were the norm—homes that seemed to scale as if they had always been there. Lockkeepers occasionally offered fresh eggs or vegetables for sale. Some had rabbits in hutches, not as pets, but destined for the pot. No one hurried, the welcome was genuine.

The locks had vertical granite walls and iron mooring posts. A boat heading upstream would enter through the open downstream doors. Ahead of it the closed upstream doors held back canal waters whose surface was higher, sometimes 6′ higher. After the boat was securely tied, the lockkeeper closed the lower doors, then opened a valve to flood the lock, raising its water level to that in the canal ahead. With the downstream doors remaining closed, the upstream ones were opened, and the boat proceeded. All of the gear was operated manually by the lockkeeper, sometimes assisted by boat operators.

A young woman laughing with a group of small children

For the most part we were given warm welcomes by the locals—none more so than the excited greeting extended by this group of children with whom Molly quickly made friends.

Of Children and Bureaucrats

Stopping along the towpath in one town we were immediately befriended, even swarmed, by a bunch of children six to eight years old. There were no adults in sight, this was their domain, and they had the run of it. The girls wanted to touch Molly’s long light-brown hair. One boy posed on the path, holding my paddle upright and saluting. Full of questions and laughter, they told us that kayakers were not a typical sight.

Straddling the canal ahead, the town of Tonnerre appeared, about the size of Saint-Florentin, but much older. Bronze Age burials preceding the Romans have been uncovered here. Two thousand years ago the Romans called this spot Tornodorum. It oozed antiquity. We could see small houses roofed in thin stone; others with rusty-red roof tiles. As we approached Lock 95 a female lockkeeper, about the age of our mothers, stood near the gate.

Her harangue made the chilly reception of day one seem mild. No, we were not going through the lock! No, we were not going to portage around the lock! I remonstrated, telling her that we had transited about 30 locks so far, paddling or portaging without incident. It did not matter! We could not do this! Our very presence affronted her. She did not care a whit about our welcoming letter from the national office. I asked if I might speak to her supervisor. Through the torrent that followed I determined that the Chef Subdivisionnaire had an office in city hall and would be there later that afternoon. We thanked her, turned back downstream, found a place to leave the boat, and walked into town.

A man paddles a Klepper kayak through a lock on the Canal de Bourgogne, France

The lockkeepers’ cottages were typically small and neat, with abundant floral displays and well-trimmed lawns. The locks themselves were faced with granite-block walls and often equipped with centuries-old iron mooring bollards, as seen here.

Late in the day, we found the supervisor in his office. About my age, he listened, smiled, asked a few questions, then invited us to his home in two hours to meet his wife and kids and have a drink. “Merci, monsieur. That would be very nice.”

The magical hours we spent in the supervisor’s family garden were to be some of the most memorable of the trip. As crickets chirped and birds settled in to roost, the kids overcame their shyness, befriended by Molly’s smile. Monsieur’s wife served appetizers. He poured wine. They could not have been more gracious. Conversation rolled on, a hybrid of French and English. Mentioning nothing about the keeper at Lock 95, he pointed out that what we were doing was not “conventional.” He did not say it was forbidden.

I repeated that we had transited nearly 30 locks so far without incident; then elaborated. Molly and I had done a lot of sailing and kayak touring. I was a professional seaman, a licensed master mariner who had commanded grandes goélettes (big schooners) in the Atlantic and Caribbean. His eyes widened. I knew that the Tall Ships reference was my ace. People always thought it was romantic.

I extolled the glories of overseas France—Martinique, Guadeloupe, Saint Martin, and Saint Barts in the Caribbean; Saint Pierre and Miquelon in the North Atlantic, near Newfoundland. Had I been to those places, he wanted to know? “Yes, monsieur.” All of them. He knew very few people who had seen those far-flung outposts. As a patriotic Frenchman he was proud of overseas France, and this laughing American sitting in his garden brought those romantic territories closer to home.

A power boat waiting for a lock opening on the Canal de Bourgogne, France

When our passage through a lock coincided with one or more powerboats going our way, we would make the most of the company and pass through unchallenged by the lockkeeper. At such times we would always hang back and let the much-larger boats enter the lock ahead of us.

The wine went around. Madame put the children to bed and still we talked, with Molly asking about his career on the canal. He was a functionary in the Ministry of the Environment in charge of that section, he said, a secure government job on which to raise a family.

We left with his promise that if we came to City Hall in the morning, he would issue a permit. He was true to his word.

Next morning, the woman at Lock 95 did not make eye contact. She looked at the permit, and stamped our newly issued passage card. We tipped her 10 francs (about $1.50). Effectively a “Get Out of Jail Free” card, our new customized permit meant no more obstructive lockkeepers.

From a Burgundy Chateau to a Dentist

Five miles beyond Tonnerre, the size and grandeur of the Château de Tanlay surprised us. It is considered the finest great house in Burgundy. Accessed by a bridge over a moat, the sumptuous limestone buildings were constructed in fits and starts between 1555 and 1649. Cylindrical towers on the main house set off the corners of a grand courtyard, all luxury and elegance. One wall on the grounds consisted of a row of shell-headed niches, each easily 25′ tall, flanked by classic pillars.

Tradesmen on scaffolding were working on several stonework sections and the slate roof. I speculated that repairs never ceased; that these men could be the great-great-great-grandsons of masons who had built the chateau. Men from 400 years earlier, who might not have been honored with gravestones, but whose creation endured.

A couple paddle a Klepper kayak on the Canal de Bourgogne, France

Johann Klepper of Rosenheim, Germany, began marketing collapsible kayaks in 1907, capitalizing on the lure of waterways inaccessible with conventional wooden boats. Sales boomed. By the 1980s, his brilliant design had evolved into a one-piece skin with a Hypalon rubber bottom and canvas deck. Using snap-lock fittings, paddlers could assemble the varnished hardwood skeleton of the boat, and slip it into the skin. My favorite step was the final one, inflating the sponsons that ran the length of the boat, one on each side. Inflation, by mouth, stretched the skin tautly over the frame. Total assembly time: about 15 minutes.

Still ascending the Armançon Valley, we occasionally swam and splashed and fished in the nearby Armançon River, whose waters were clean, cleaner than those of the canal they fed. Though I cast with a light spinning rod, I never landed a fish.

Days slipped by on placid summer waters; there was never much wind. One afternoon, however, a fresh following breeze inspired us to rig Molly’s jacket as a spinnaker. She trimmed, I steered, and we scooted. Pastures of grazing Charolais cattle, wooded stretches, and open fields slipped by effortlessly, punctuated by villages and farms. Secluded campsites were always plentiful, bird life abundant, and the night sky an awning overhead. Life was easy, with simple pleasures.

But the day before we arrived in Buffon—a village I wanted to visit because of the correspondence between the 18th-century naturalist Comte de Buffon and Thomas Jefferson—Molly mentioned a toothache. She never complained, not just on this trip, but in life as a whole. By Buffon, she hurt. During a quick visit to the estate and workrooms of the Comte, we learned that 4 1⁄2 miles ahead, beyond the villages of Saint-Remy and Blaisy, the town of Montbard had a dentist. We double-timed it.

The provincial examination room was not quite a museum, but close. The antiquated dental chair, a bulky porcelain spit-basin, and old-fashioned implements would have been familiar in our grandparents’ youth. For the first time in weeks, we would have preferred a place where the past was not so present. The genial dentist spoke no English. I hoped he had good training. Dictionary in hand, I scrambled to translate.

A woman using a rain jacket as a sail

On most days there was little or no wind, but one afternoon a fresh breeze picked up. Molly’s rain jacket made an effective, if rudimentary, sail, and for a while the paddles were put aside and nature propelled us on our way.

Her situation was rare, he said. The root of her tooth was growing sideways through the gum; he would need to do a root canal.

Molly was firm: “Get pain killers and antibiotics,” she said, “and ask him to stabilize it. No root canal until we’re back in the 20th century.” By the time we left, she was loopy with pain and pills. I tucked her into a nearby hotel and went to retrieve our boat.

We had paddled for more than two weeks, transiting 60 locks and about 80 miles; it had been a pastoral idyll, hassles and all. There were no regrets. But now the paddling was done. I disassembled and packed the Klepper, marveling again at its design, and wheeled it to the hotel on our boat cart.

The Canal de Bourgogne, France

Work on the 150-mile-long Canal de Bourgogne was started in 1774 and completed in 1832. It links the Yonne River at Migennes to the Saône at Saint-Jean de Losne, and at its highest point at Pouilly-en-Auxois passes through a 2-mile-long tunnel. Once a busy commercial thoroughfare, by the late 20th century the waterway was quiet, and much of the time we had it all to ourselves.

By the time we boarded the train to Dijon next day, Molly’s pills had kicked in and she had reverted to her noncomplaining self. She was up for more adventure, and there would be time for a wonderful tour and wine tasting at Château du Clos Vougeot on the Côte d’Or, and sightseeing in Dijon. But, we agreed, days later as we waited to board the flight back to New York, the real treasures of Burgundy and Nivernais were best accessed by paddling on ancient canals, where charms awaited around every bend.

Jeff Bolster has been afloat in everything from single kayaks to 300-ton schooners, exploring far-flung corners of the North Atlantic, the Caribbean, and the South Pacific. Inspired by a lifetime afloat, his books include Black Jacks: African American Seamen in the Age of Sail and The Mortal Sea: Fishing the Atlantic in the Age of Sail. He lives with his wife, Molly, in Portsmouth, New Hampshire.

French Canals in 2025

I have been asked if one might do a similar trip today. An internet search for the Fédération Française de Canoë Kayak suggests that while canoeing and kayaking are thriving on French rivers as never before, such craft are generally not allowed to pass through locks. Portaging around locks is permitted. Some canal locks, however, appear to be surrounded by thick woods or brush, which would make the hauling and relaunching of a kayak challenging. But rural France is still replete with picturesque villages, vineyards, chateaux, and natural scenes, charmingly presented from the vantage point of a kayak, and intrepid adventurers seeking those charms might do better to investigate paddling rivers such as the Dordogne, the Allier, or the Loire, rather than the canals.—Jeff Bolster

If you have an interesting story to tell about your adventures with a small boat, please email us a brief outline and a few photos.

Oiling Plywood

Wood encapsulation is an almost universal principle in modern boatbuilding. As amateur builders, we feel reassured when our labor of love can be encased in a protective plastic barrier. It just seems wrong to spend hundreds of hours building a boat out of wood only to toss it into water like a sponge into the sink—yet ancient boatbuilding techniques worked with, not against, water absorption.

For seafaring boats of the Pacific Northwest, the enemy is rain rather than salt water. With approximately 80″ of rain per year, freshwater pooling in wooden boats is a microbe haven whereas salt water, in this relatively cool climate, is inherently a preservative. Here, unless a wooden boat is hauled into a shop, it will be bathed in rain or water vapor for eight to nine months per year, and tarping it can spell disaster. Coverings wrapped tightly over the gunwales trap humidity like a greenhouse, promoting new cracks in the wood and fungal stains across the brightwork, under the varnish.

To Coat or Not to Coat

It’s natural to assume that paint or varnish, or especially a few coats of epoxy, will waterproof wood. And to an extent, this approach does work for lightly used pleasure boats. Full encapsulation is inherent in a stitch-and-glue boat where plywood planking has fiberglass-and-epoxy protection inside and out. But for the traditional plywood-on-frame design, ’glassing an interior is unrealistic, and a boatbuilder will struggle to apply a barrier that penetrates all the cracks and crevices created by extensive and awkward framing joints. Once a boat is complete and in use, a proliferation of unseen dings, scratches, rubs, and pokes will perforate a coating of paint, varnish, or epoxy-varnish.

Oiling plywood protects tight damp spaces such as bilgesPhotographs by the author

Applying water-barrier protection such as ’glass and epoxy to a complicated interior structure is not always practical. For working boats like this Pacific City dory, applying boat soup on an annual basis is an affordable and long-lasting approach. The bilges of KAPETAN, seen here, were treated when new and have been re-treated annually for the past 10 years.

In the Pacific Northwest, many ply-on-frame boats are built of fir marine plywood on fir framing. The materials are easy to work, widely available, and more or less affordable. But fir is soft, and a varnish- or paint-over-epoxy coating is vulnerable due to the softer underlying wood matrix that provides less support to the thin barrier layer. The day-to-day grind will, one way or another, penetrate the coating and, once entrance points are created, water creeps in and under.

Untreated, Douglas fir is rot resistant and can withstand countless cycles of absorption and drying. But around a small puncture a barrier coat will trap water and prevent normal cycles of evaporation.

“Poison It and Oil It”

The life of an Oregon beach-launched semi-dory (or drift boat, on Oregon’s coast-range rivers) is about as hard as it gets, and traditional-boat owners in the region long ago gravitated to a simple approach to preserving the life of their craft: “Don’t paint it, don’t epoxy it, don’t varnish it—poison it and oil it.”

Ideally, the treatment is first applied to bare wood surfaces, when the boat is new, but it can be applied whenever there is bare, untreated wood to be protected.

Oiling plywood in sunshine helps the product's saturation

An important trick when applying boat soup is to warm the boat so that the oil retains its low viscosity, reaching into nooks and crannies, and penetrating deep into the plywood to achieve maximum saturation. A warm sunny day can often provide enough heat to make a significant difference.

Since an oil-and-wood matrix can, by itself, be a beneficial environment for some microorganisms, the local prescription is first to saturate a boat’s interior plywood and framing with an antimicrobial/antifungal preservative—to “poison it.” I use the iodine-based (iodopropynl butylcarbamate, IPBC) Woodlife Classic Clear. Next, once the wood is completely dry, the boat is warmed in the sun or a heated shop to prepare it for oiling. (The warmer wood temperature will help to maintain the oil’s lower viscosity as it penetrates, and also create a temperature gradient that pulls the oil inward.)

Now the boat is ready for the “boat soup” to be applied.

What’s in the Soup?

Boat soup refers to a variety of recipes that include oils and turpentine. In my region, it is commonly a mix approximating 45% turpentine, 45% raw linseed oil, and 10% pine tar and/or tung oil, or similar. Raw linseed oil penetrates far better than boiled, which tends to cure like a varnish, an outcome fundamentally at odds with the goal of oiling plywood. Pine tar promotes a darkening of the plywood over time until, after decades of use, it is essentially black, while tung oil only accentuates the wood grain’s natural color. The boat soup has a low viscosity allowing it to penetrate beyond the surface grain to provide protection while still allowing the wood to breathe.

How to Apply the Boat Soup

Typically, the mix is applied with a large brush. Working on bare wood, a dory owner may apply several coats, requiring two gallons or more for a new 22′ dory’s interior. After this first multi-coat application, the grain begins to fill, and thereafter usually requires only one coat per season.

Oiled plywood fishing boat on trailer

In damp conditions, such as those experienced in the Pacific Northwest where annual rainfall on the coast can exceed 80″, wrapping a wooden boat in a waterproof tarpaulin can trap humidity in the boat’s interior. To avoid this, it is often better simply to leave the boat uncovered and tilted so that rainwater flows out through an open drain plug.

Does It Hold Up?

Of the oiled Pacific dories I have examined, interior plywood that has been treated with boat soup generally looks remarkably clean for its age, with limited or no checking. In contrast, plywood surfaces that have been painted, varnished, or even epoxy-coated, show significant checking. My assumption is that low viscosity, non-curing boat soup allows the plywood to go through countless temperature and moisture cycles more evenly, in a way that supports the stability of the plywood’s surface layer, and thus mitigates checking. Some local dorymen have suggested that the quality of the plywood also plays a significant role. True AA marine fir plywood would seem to be a thing of the past, and most modern AB plywood does seem to check more easily. Nevertheless, boats whose wood has been saturated with numerous coats of soup early, show significantly less checking and any checking that does appear, appears later in life.

As I enter my sixth season in the Pacific City Dory fishery, my appreciation for this low-tech approach to wood protection has only grown—for its simplicity, its aesthetics, and its longevity. Scores of 50-year-old Pacific City Dories are still in regular use with beautiful, oiled plywood interiors—a tried and tested local adaptation to a challenging environment.

John Goodell is a museum director and wildlife biologist. In 2019 he built his boat, TSHAWYTCHA, a 23′ Glen-L Hunky Dory. He oiled her interior when new, and has continued to renew the oil treatment every year since. He has worked TSHAWYTCHA in the Pacific City Fishing Dory fleet since her launching.

You can share your tips and tricks of the trade with other Small Boats readers by sending us an email.

Kirby’s Marine Topside Hull and Deck Paint

"Best colors—standard goods since 1846… We custom match an endless selection of classic, as well as modern, colors in a variety of finishes. We have always handcrafted all of our marine paint … premium ingredients and small, handmade batches.” When you see such words on a website, you know you’re in the right place to find a quality boat finish. And, indeed, for the past 179 years, the Kirby family has been mixing some of the world’s finest marine paints, all handmade in small batches. Today, the George Kirby Jr. Paint Company (Kirby’s for short) is run by George Kirby IV (seventh generation) and his wife, Shari, who continue to offer great products and exceptional technical assistance and customer service from their facility in New Bedford, Massachusetts.

Audrey and I came across Kirby’s Marine Topside Hull and Deck Paint about 10 years ago when we were in search of a custom color for a special paint scheme for our Sunfish. George mixed up an international-orange color with just the right amount of red, blue, and yellow pigments, and also sent us a color-chip card of Kirby’s traditional colors.

Kirby’s Topside paints come in three levels of sheen—gloss, semigloss, low-luster—and three sizes—gallon, quart, and pint. They are described by George as “old school” paints blended from alkyd resin, titanium dioxide, zinc oxide, talc, mineral spirits, and bentonite. Thicker than most modern one-part marine topside paints, which have considerably more solvent, Kirby’s Topside is user-friendly, but if you’re new to the product it can take a coat or two to get used to the viscosity.

Person painting upturned hull with Kirby's Topside Hull and Deck PaintPhotographs by the author

When rolling and tipping, we thin the paint with conditioner to keep a wet leading edge. Here we’re applying the first coat of low-luster Maynard Bray Off White—one of Kirby’s many custom colors made available to all customers—over a single coat of Kirby’s white marine primer.

Applying Kirby’s Topside Paint

Topside can be brushed, rolled, or sprayed on wood, metal, and fiberglass that is properly prepared, dry, and clean. On most of our boats we apply a single coat of Kirby’s White Marine Primer as a bridge coat to ensure proper adhesion, unless we are going over an old coat of Kirby paint, in which case only a light scuff with 120-grit sandpaper is in order. The paint is easy to sand and, if properly hardened, does not clog the paper.

The Kirby gloss paints have fewer solids than the low-luster and, as a result, are typically thinner, but in any of the three available sheens, the opacity is excellent. A fine uniform color finish that completely hides the substrate can usually be achieved with two coats of Topside over one coat of Primer, although if you thin the paint—as we do to get the best viscosity to match specific brushes or roller covers—you may need three. When rolling and tipping we use a 9:1 mix of paint to Kirby’s Conditioner and find that the paint self-levels to a smooth finish with rarely a run or sag; where there are flaws, they are typically due to application error rather than any problem with the paint. A well-applied coat will cure in about 24 hours if temperatures are in the low 70s and humidity is moderate.

The paint has a durable finish. On the Kirby website one happy customer writes that they have not needed to repaint their kayak for 10 years, and we, too, have at least one boat that was painted a decade ago and still looks good. Of course, longevity will vary according to use—a boat on a swinging mooring, exposed to the weather year-round, will need to be repainted sooner than our boats that are stored on land and under cover when not in use. One high-profile customer, the 114′ Sailing School Vessel ERNESTINA-MORRISSEY, was painted three years ago and is still looking shipshape after continuous exposure to the harsh maritime elements of New Bedford, Massachusetts.

Cans of Kirby's paint and conditioner

Whether standard, existing-custom, or new-custom colors, Kirby paints can be ordered in pints, quarts, or gallons. The conditioner, described by Kirby as a “special, pre-blended solution of thinning agents formulated to control the consistency and flow of paint,” can be ordered in half-pints, pints, and quarts. The Skipper Bahamas Blue seen here, was custom-made for Audrey; the board behind the cans has two coats of the low-luster (satin) finish.

Topside paint is available in 67 standard colors but can be custom-made to just about any color. We recently created Skipper Bahamas Blue for our Bahamian dinghy—having found a color we liked in a range of interior house paints, we sent George the RGB color numbers from that paint’s card and he went to work. Kirby accepts orders for as little as a single pint—popular among modelmakers—and in most cases George will mix the paint the day he receives the order, and ship it the next business day. George keeps records of orders so custom colors can be matched for reordering later.

With nearly two centuries of service behind the company, the depth of knowledge at Kirby’s is second to none. Whether you call seeking advice on how to prepare a surface, apply a paint, or retouch a finish, George is there to help. He can advise on paint, prep tools, or the best brush-and-roller system for any given project. And, while Kirby’s does offer a variety of tools, brushes, and rollers at very competitive prices, there is no hard sell when you call.

Whether you’re looking for that perfect pint of a premium custom color for your historic model, or a couple of quarts for your sailboat, kayak, canoe, or rowboat, give Kirby’s a call—George or Shari will be happy to help.

Kent and Audrey “Skipper” Lewis love the smell of Kirby marine paint and pine tar soap. Their adventures are logged at smallboatrestoration.blogspot.com.

Kirby’s Marine Topside Hull and Deck paints are available in gallons, quarts, and pints, $122.99, $47.99, and $29.99 respectively. Shipping is free on paint orders over $150 within the contiguous U.S.

For tips from Kent and Audrey on hull painting, see “Using the Roll and Tip Method.”

Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.

Flextail Max Shower

It’s well known that meals taste better outdoors. For many of the same reasons—fresh air, heightened senses, and reduced stress among them—taking a shower at the end of a day’s cruising, whether at anchor or in camp, is much more enjoyable and restorative than showering at home. As I get older, and perhaps wiser, I have become less eager to make miles and more interested in being comfortable while afloat or ashore. Flextail, the company that makes an air pump that quickly inflates my thickest and most comfortable sleeping pads, has made a submersible water pump that is at the heart of my new system for taking a shower anywhere I might cruise.

The pump, hose, and showerhead of a Flextail Max ShowerPhotographs by the author

The Max Shower has three parts—pump, showerhead, and hose—with quick-release connections that make the system easier to pack. While this photograph was taken on a sandy beach, it’s best to keep the system out of sand and dirt to minimize the chances of clogging the water outlet holes.

Flextail’s Max Shower pump measures 4 3⁄4″ × 3 1⁄8″ × 1 5⁄8″ and weighs 11 oz. The hose is 7′ 3″ long, and the showerhead is 2 7⁄8″ across and 3 3⁄4″ front to back and has a folding clip so that the shower can be hung and used hands-free. A 7.4V, 2500mAh battery supplies the power and is recharged via an included type-C USB cable. Fully charged, the battery should power the pump for 70 minutes on high flow or 110 minutes on low.

Flextail’s website specifies the Max Shower’s flow rate as between 2.2 and 3 liters (0.58 and 0.79 gallons) per minute. (The manual included with the device specifies 6–10L/min 1.36–2.27gal/min, which is evidently incorrect.) With the showerhead positioned at the same level as the pump, I measured 2.97 liters (0.78 gallons) per minute on low flow and 3.3 liters (0.87 gallons) per minute on high flow. Typical domestic showerheads deliver a maximum of 6.8 liters (1.8 gallons) per minute. The Max Shower’s rate of flow diminishes the higher the showerhead is above the pump, and while it doesn’t provide the pressure one expects at home, it delivers plenty of satisfying flow for bathing.

A Flextail Max Shower with its pump in a water-filled bucket.

The pump is waterproof—its motor, switch, and charging port are rated IPX7—and operates by being fully immersed. I use a collapsible bucket as the reservoir. The pop-up shower tent I use is as much for retaining warmth as it is for privacy.

The Max Shower web page notes the water outlet holes in the showerhead have a diameter of 0.012″, which produce “a strong and invigorating water flow for a truly refreshing and enjoyable shower experience.” While this is true, the holes can get clogged and reduce that flow. The pump’s intake has a stainless-steel-mesh filter, but its openings are about 0.05″ wide, and can allow the passage of particles large enough to block the water outlet holes. The Max Shower is still functional even if some streams are blocked; clogged holes are quickly evident because they either deflect a stream or block it. With the showerhead disconnected, I was able to clear most of the grit by blowing air through a soda straw at the face of the showerhead, or poking the grit back through the holes with a needle, and then flushing it out of the housing with a strong faucet stream. While the showerhead can be disassembled by unscrewing the ring that holds it together, it’s not a good way to remedy clogged outlet holes—it’s difficult to put the head back together so that the interior parts are aligned to provide the proper flow of water.

A working Flextail Max Shower

The Max Shower can be used for more than showers: it can wash dirt off feet, children, dogs, and gear, to mention but a few. While the manual doesn’t specify if the Max Shower can be used with salt as well as fresh water, when queried, Flextail replied it can but they recommend rinsing the system with fresh water after use with salt water.

A pop-up shower tent and a collapsible 2.6-gallon bucket complete my shower system. The shower tent serves not only for privacy but also to retain the warmth provided by the shower spray and eliminate any chilling breeze. With the bucket filled with warm water, heated by camp stove or campfire, there’s more than enough for two thorough showers if you stop and restart the flow between soaping and rinsing. The water can be turned off by either closing the valve on the showerhead or switching off the pump. Using the whole bucketful for one shower is a soothing indulgence.

At the end of a long day on the water, the Max Shower can make the difference between collapsing into bed feeling worn out, or turning in happy, relaxed, and restored.

Christopher Cunningham is editor at large of Small Boats.

The Max Shower is available from Flextail for $56.99 and from online and retail outdoor equipment retailers.

Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.

PETRICHOR

Of all human senses, it is said that smell is the most evocative: the unexpected waft of perfume that brings back the long-missed presence of a loved one, the subtle odor of mustiness that transports you to a little-used summer camp of childhood, the lingering hint of newly baked bread that recalls a grandmother’s kitchen…. For Dylan Spaulding, the smell of fresh-cut cedar carries him straight back to childhood memories of his father.

Dylan grew up in rural New Mexico, a state with little association with boats or boatbuilding, but from an early age he shared a love of woodworking and then of boats with his father. His father had grown up in New England and before moving to New Mexico in the 1970s had worked as a carpenter at South Street Seaport and the Metropolitan Museum of Art in New York. When he moved west, he continued working with wood but, says Dylan, “mostly doing carpentry and shop displays; work that didn’t satisfy his creative side.”

A Northeaster Dory under constructionPhotographs by Dylan Spaulding

There is an old adage among boatbuilders that you can never have too many clamps and when it came to fitting the outwales and inwales on his Northeaster Dory, Dylan proved the saying true, using a combination of long bar clamps and individual spring clamps. The puzzle joints—visible in the starboard strakes—are standard in CLC kits; they are easy to align, and require minimal clamping pressure during assembly.

When Dylan was in third grade, the family moved to Essex, England, to live on a 31′ 6″ Maurice Griffiths–designed Golden Hind his parents had bought there. For a year, the four of them—Dylan, his mother, father, and 15-year-old brother—sailed the cutter up and down England’s East Coast, across the English Channel, north to Copenhagen, and, for the winter, to northern Holland to tie up alongside a sailing barge in a canal. “My brother hated being cooped up on a  boat with us, and my mother, who was a New Mexico native and had no prior sailing experience, had had ideas of Mediterranean cruising, not Baltic winters. In retrospect, I realize my father also had very little experience. It was before the digital age, and our only source of weather forecasts was the crackly BBC radio broadcasts; navigation was all dead-reckoning and paper; and we had an analog depthsounder on which the needle went round—and round—and if you didn’t know how many rotations it had done you couldn’t be sure if you were about to hit bottom or were in deep water. We frequently ran aground.”  For eight-year-old Dylan, the year on that wooden boat in Europe was “a formative adventure.”

a Northeaster Dory being painted upside down

Once construction was complete, Dylan turned the boat over to paint the hull and fit a bronze half-round strip to protect the skeg when beaching.

Some five years after their return to New Mexico, when Dylan was 13, he and his father decided to build a Rushton Wee Lassie. The building process had been documented in a 1991 article by Mac McCarthy published in WoodenBoat magazine, and they had found a table of offsets in Atwood Manley’s book, Rushton and His Times in American Canoeing. Dylan lofted the patterns for the molds, and he and his father built the canoe of strip-planked cedar. “I spent much of my eighth-grade spring break gluing cedar strips together,” recalls Dylan. “To this day, the smell of freshly sawn cedar takes me back to my dad’s shop and that project.” Dylan still owns the canoe. It hangs in his garage, above his own boatbuilding workspace.

A few years after they built the canoe, father and son tried their hands at some stitch-and-glue construction and built a Cape Charles Sea Kayak, referencing two more articles in WoodenBoat magazine. When finished, they used the boats together, forging memories far beyond the workshop. “One of the memorable trips,” says Dylan, “was to the upper lakes of Glacier National Park, where my father and I floated silently, the lake to ourselves, watching bald eagles in the trees, and camping.”

A Northeaster Dory on a rocky beach with a small child

On launching day in November 2024, Dylan’s son—who had not been born when Dylan embarked on the building project—was proud to be PETRICHOR’s first passenger.

Twenty years later, in 2015, Dylan’s father passed away from cancer. Almost immediately Dylan decided to build another boat. “It felt like something I needed to do, partly in his memory.” He wanted to build something more substantial than a canoe or kayak, but remembered the enjoyment gleaned from a small boat. “I wanted to sail, but also recalled how great it was to cartop a lightweight boat and travel to locations farther from home,” he says.

He settled on the Chesapeake Light Craft (CLC) Northeaster Dory. Although it would need to be transported by trailer rather than on top of a car, Dylan believed the design ticked the rest of his boxes: it would be suitable for use on the various bodies of water within a few hours’ drive of his home in northern California, and was large enough for “serious boat camping and bigger water” but light for its size and capacity. He ordered a bare-hull kit from CLC.

Mast, boom, and bottom of sail set up in a varnished Northeaster Dory

During the years spent on the project there were periods when Dylan was unable to work on the hull itself. He used those times to pay attention to the details and to learn new skills: metalwork so he could fashion his own hardware; marquetry so he could add complementary padauk inlays in the thwarts and mast partner; and sparmaking.

“I hadn’t done any real woodworking since I was a teenager, so I decided to assemble the hull from the kit but make the rest from scratch to allow room for customization and creativity, and to challenge and develop my skills. I started out with very few tools, but finished with the equivalent of a simple woodshop crammed into a single-car garage.” Much of the work, he says, spilled out into the driveway, “to the amusement and confusion of our neighborhood.”

For the most part, when fitting out the bare hull, Dylan followed CLC’s design—spacered inwales, balanced lug rig, daggerboard and rudder assembly—but added his own touches to suit his taste and to give the boat traditional appeal. “In a way, stitch-and-glue felt like cheating, because the CLC kits go together so easily, even for beginners. I wanted to reacquaint myself with the skills my dad had taught me as a child but also to learn hand-tool skills that I hadn’t gotten from him. It led me to overthink at times and render some parts of the project more elaborately than they needed to be. For instance, I didn’t like how the CLC outwales were simply rounded off at the bow, so instead I brought them together with a compound miter joint.” He installed wooden belaying pins for the lugsail’s halyard and downhaul, wrapped the tiller with decorative knotwork, leathered the mast collar, and used bronze cleats where cleats were necessary. His spars came out of a single spruce pole—“salvaged from a San Francisco fireman’s ladder and gifted by a friend.”

A bronze-cheeked block with braided sheet passing through beneath a varnished boom

To achieve a more traditional look, Dylan fashioned silicon-bronze-cheeked blocks, handworked anti-chafing leather parts, and used Duckworks’ Raid Braid for the running rigging; elsewhere he stained three-strand synthetic line to simulate manila rope.

Inspired by correspondents on CLC’s online forum, and by articles in Small Boats, he added sliding side seats to create a sleeping platform. The seats can also be removed so that, following designer John Harris’s advice, Dylan can sit on the floor to steer; he has yet to decide whether he prefers the seats or the floor. He added extra tiedowns for dry bags, stained synthetic line for his painter and anchor rode, made his own bronze-cheeked blocks, and fashioned a leather bailer as described by Ben Fuller.

Dylan began building his Northeaster Dory in 2017, but it would be 2024 before he was finished. Life, it seems, rather than lack of skills, was the prime delayer in the project. “I enjoyed the building, but I couldn’t always find uninterrupted blocks of time to work on it.  I got married, we purchased our first home and had a child, I changed jobs, and then, like everyone else, waded through the pandemic.” At times, he says, the slow pace was frustrating, but it was also good to have the project in times of stress—“coming back to the boat was always a relief.” In the beginning, he reflects, it was “somewhat daunting to take on a project of this magnitude without my woodworking father behind me,” and when he found himself adjusting to fatherhood in his own right, building the boat seemed all the more poignant. And, says Dylan, when he wasn’t physically working on the boat, he was mentally planning next steps. “Building the finicky parts from scratch required honing my skills, learning many new techniques, and mastering tools my father had managed, one by one as they became necessary.”

Northeaster Dory under sailCourtesy of David Leonard

PETRICHOR and Dylan making the most of a gentle breeze at the start of their first summer together.

The boat was launched in Sacramento, California, in November 2024. Dylan’s son, who had grown up enough to help with some of the final sanding, was proud to be the boat’s first passenger. The aroma of wood, glue, and paint no longer hangs in the garage, but when Dylan came to name the dory, it was another scent from childhood that came to mind. “Growing up in the desert, the scent of earth after rain brings me a sense of relief; this build did that too. The scientific name for that scent is Petrichor—it seemed appropriate.

Jenny Bennett is editor of Small Boats.

Do you have a boat with an interesting story? Please email us. We’d like to hear about it and share it with other Small Boats readers.

11′ 6″ Guillemot

The 11′ 6″ Guillemot design (pronounced gilly-mot) is a shorter cousin to the 15′ 2″ Tammie Norrie. Designer Iain Oughtred drew this robust little boat along the lines of a nineteenth-century ship’s boat or large yacht tender. He tells us, “She floats on her designed waterline with three adults aboard, and can carry a load of gear as well…. Two [adults] plus two children might be a comfortable maximum for pottering about.”

Line drawings of the Guillemot design.

This hull shows a slight hollow at the forefoot. The lines then flow smoothly through particularly firm bilges in the mid-section. Finally they sweep up easily to a nice wineglass transom. This is a burdensome yet shapely hull. Compared to many dinghies, Guillemot has flatter floors, firmer bilges, and more carrying capacity. The designer explains that, while she might not prove so fast as some other tenders, this boat will be “a lot steadier in the water and less flighty.” He notes that she will perform well whether rowing or sailing, and “can happily take a light outboard motor as well.”

Guillemot’s drawings include three sail plans: a standing lug, a balance lug, and a sloop. The boomless standing lug will be the simplest to build and to set up. It might be considered as auxiliary propulsion for a boat that will be driven primarily by oars.

The balance lug offers fine all-around performance and more precise control of sail set. You can vary the amount of twist in the sail by adjusting where the boom and yard secure to mast. Farther aft along the boom and farther up the yard will result in less twist. In light air you can ease up on the main downhaul, which will give fuller shape to the sail. When it breezes on, tighten the downhaul. The resulting “flatter” sail will make for a safer and better handling boat.

The more complex sloop rig might be a good choice for builders who plan to set aside oar and outboard in favor of sailing exclusively.

Guillemot design arrangement drawing.

Guillemot’s hull will go together in glued-lapstrake fashion with high-quality plywood strakes and epoxy. The well-detailed six-sheet plans set includes full-sized patterns for the stem and all molds. For builders who prefer working with solid cedar strakes and bent-oak frames, the designer includes specifications for traditional lapstrake construction.

When drawing this good little boat, Oughtred successfully combined robust stability and pleasant appearance in a small package. Guillemot will earn her keep along most any waterfront.

Read our Guillemot profile for more on the history of this design. 

11′ 6″ Guillemot Design Details

DESCRIPTION
Hull type: Round-bottomed, transom-sterned
Rig: Balance lug, standing lug, or sloop
Construction: Glued lapstrake plywood

PERFORMANCE
Suitable for protected waters
Intended capacity: 1-3
Trailerable
Propulsion: Sail, oars

BUILDING DATA
Skill needed: Basic to Intermediate
Lofting required: No

PLANS DATA
No. of sheets: 6
Supplemental information: 17 pages
Level of Detail: Above average
Plans Format: Print
Cost per set: $168
Related Publications:
Clinker Plywood Boatbuilding Manual
How to Build Glued-Lapstrake Wooden Boats

Particulars

LOA: 11′ 6″
Beam: 4′ 5″
Draft:
–(cb up) 7″
–(cb down) 2′ 8″
Weight about 140 lbs
Sail area:
–balanced lug 64 sq ft
–standing lug 55 sq ft
–sloop 72 sq ft

Completed Guillemot Images

The mast for the gunter sloop rig is supported by shrouds and a forestay, not a mast partner.

The mast for the gunter sloop rig is supported by shrouds and a forestay, not a mast partner.

The sloop rig here carries 72 sq ft of sail. The plans include options for single sails: a balanced lug rig, with boom, carrying 64 sq ft of sail; and a standing lug, loose footed, carrying 55 sq ft.

The sloop rig here carries 72 sq ft of sail. The plans include options for single sails: a balanced lug rig, with boom, carrying 64 sq ft of sail; and a standing lug, loose footed, carrying 55 sq ft.

Beg-Meil

Man in white hat aboard a small sailboat.François Vivier

Inspired by the workboats of Brittany, France, François Vivier designed Beg-Meil as a safe and seaworthy daysailer. She can be singlehanded even in windy conditions.

The latest design by French small-craft designer François Vivier (see WoodenBoat No. 212) is called Beg-Meil, a name that derives from a famous fishing village in Brittany, a region whose historic work-boats have deeply inspired the designer over the years. The design is not completely new—it inherits the same hull lines and dimensions of Vivier’s earlier Ilur, of 1988—but it fulfills a very different purpose.

Ilur was designed as an elegant and seaworthy day-sailing and rowing boat, inspired by the traditional lines of small fishing boats of Brittany. The design has proven to be Vivier’s most popular. Nearly a thousand plans have been sold, some of them for use in places as far-flung as lakes in the Alps and islands in the Pacific. Her generous freeboard makes her very able in choppy seas, and her seaworthiness has been demonstrated by some tremendous passages (which the designer does not recommend!) along Brittany’s coastline, which is renowned for rough seas. With 55 gallons of built-in flotation, the boat is unsinkable—but it is still an open boat, without any decking.

Beg-Meil, instead of merely copying Ilur, builds on the earlier design’s concepts of safe and seaworthy sailing but takes them a bit further. To begin with, the new design’s half-decks make it less prone than Ilur to taking on water in rough seas. At the same time, the volume of built-in flotation has been increased to a hefty 100 gallons. The flotation is divided between one water-tight compartment at the stern and a second one at the bow, which leaves room forward of the mast for a locker.

Greater sailing safety was also Vivier’s objective in reconfiguring the centerboard. Instead of the light laminated plywood centerboard of Ilur, Beg-Meil uses a 97-lb steel plate that functions effectively as ballast, not only increasing the boat’s stiffness and stability under sail but also improving her windward sailing abilities.

Man working on boat design plans.François Vivier

The designer has the amateur builder in mind. An option for full-sized mold patterns in the plans set allows the builder to bypass lofting, the otherwise necessary task of drawing the plans out full-sized.

The Ilur sail plan, honing closely to her Brittany roots, has always been a variation on traditional lug sails common in France: standing lug (without a boom) or balance lug (with a boom), sometimes in combination with a jib. The standing-lug version became very popular because of its simplicity and efficiency: it has one freestanding mast, one halyard, and only one sheet to handle.

There is no boom nor standing rigging to take care of when sailing with a family or going fishing, although a whisker pole is useful when running downwind. In comparison, Beg-Meil’s sail plan is a gaff sloop rig, and although it offers greater sail area it has a bowsprit and standing rigging supporting its mast, taking it further away from her distant French working-boat origins. The boat has a more “yachty” appearance in comparison with her elder sister. As usual, the penalty for this luxury comes with greater weight—110 lbs more than the earlier design. The free-standing mast of the lug rig also has the advantage of being easily struck to lessen windage under oars—an option not available to the gaff rig, with its shrouds and forestay.

As with most of Vivier’s designs, Beg-Meil, like Ilur, was designed with amateur construction in mind. Both call for either strip-planking or glued-lapstrake plywood construction, in either case with the extensive use of epoxy throughout. Structurally, however, instead of following traditional practice of having steam-bent or laminated frames, Beg-Meil’s planking is glued over plywood bulkheads. Since it is designed to be quite full, the hull has convex outboard surfaces throughout, with no hollows in the forefoot or in her run. This shape makes the planking work comparatively simple, requiring only moderate twist in the planks or strips during installation.

Small sailboat with red and white sails.François Vivier

With a high-peaked gaff rig, Beg-Meil looks and handles more like a small yacht than like the workboats that helped inspire her hull design.

To avoid the intricacies of lofting—that task of drawing out the hull lines full-sized, which can sometimes prove daunting to amateurs—Vivier’s plans offer optional full-sized patterns, computer-drawn on very stable polyester sheets. These address critically important shapes, such as the forms of the stem, transom, bulkheads, and many other structural parts, including their bevels. For the plywood-lapstrake version, extremely accurate profiles of every strake are also
drawn out full-size, leaving enough length so that their ends can be trimmed during final installation.

Vivier was one of the founders of Le Chasse-Marée, and that French maritime magazine’s catalog has been carrying his building plans for more than 20 years. He has himself built boats to several of his own designs in order to fully understand the needs and limits of amateur builders. Because of their limited experience, these builders often need more technical and practical information than professionals. By building the boats, Vivier has learned to refine his plans and supplement them with numerous detailed drawings and instructions—for example, details on building the centerboard trunk. Various additional resources, such as a chronological guide, a list of materials and fittings, and step-by-step instruction booklets, help guide beginners safely through to launching day. Vivier also offers help, advice, and consultation by telephone or e-mail without charge.

Wooden boat hull framing.François Vivier

Hull framing consists entirely of athwartships bulkheads made of plywood. The shallow cutouts alongside the centerboard trunk allow oar stowage below the floorboards.

Beg-Meil is among a number of Vivier designs also available in kit form. The suppliers are various, including Icarai and Grand-Largue in France; in the United States, the supplier is Clint Chase Boat Builder in Portland, Maine; and in Australia, it is South Pacific Boat Company. All kit parts are cut out of marine plywood panels by computer numerically controlled (CNC) routing machines. In addition to plywood pieces, kits can be shipped (based on the individual builder’s preference) either with or without the necessary solid-wood pieces, epoxy resin, sails, and fittings. Plans and instructions sheets have to be ordered separately. The pieces are marked—for example, specifying the plank overlap in the case of lapstrake construction—or they have specific joining systems to aid positioning and alignment. Some scarf joints, however, have to be made on site. Epoxy and paint quantity calculations are based on average estimates. Substitutions for such things as the type of wood used can be made on request.

Deck of a wooden sailboat.François Vivier

The “yacht” influence in Beg-Meil’s rig can certainly be taken through her appointments and finishes—which in this instance are far from her workboat roots.

On the water, Beg-Meil inherits all of Ilur’s seakeeping abilities. She’s an excellent choice as a family boat for sailing a few miles for an island picnic or for crossing a bay under oars when the wind dies. She is light enough to be launched and recovered effortlessly from any launching ramp.

She is easy to sail, even singlehanded. Instead of reefing the jib with reef nettles, a roller-furler could be fitted, and the transom can accommodate a small outboard motor if desired. Purists will certainly favor rowing or sculling, and a pair of oars can be stored under the floorboards on each side of the cockpit. The centerboard’s span helps the boat point well to windward when sailing closehauled, and the board lowers easily on a pivot to adjust to any point of sail. Instead of using a steel plate—which is simple but not too hydrodynamically efficient because a flat plate provides little additional lift—the rudder and centerboard both could be given foil cross-sectional shapes. The much higher lift of centerboards so shaped provides better maneuver-ability under sail, more speed in high wind, and less drag in light air.

Two sailors aboard a small sailboat with white sails.François Vivier

Beg-Meil sails well on all points of sail, and her rig is easy to reef when the wind pipes up.

Beg-Meil is a perfect companion for all-around navigation. The design promises an affordable little yacht that will still please the eye of a traditionalist. Bronze fittings and varnished coamings may distance her from the working boats of her inspiration, but finished out that way she will have a lot of appeal to anyone with an eye for a boat.

François Vivier Architecte Naval, 7 avenue des Courtils, 44380 Pornichet, France; +33 (0)2 28 54 97 86; www.vivierboats.com.

Beg-Meil Particulars

LOA:  14′ 7″ (4.46m)
Beam:  5′ 6″ (1.68m)
Draft
centerboard up:   10″ (0.25m)
centerboard down: 2′ 10″ (0.86m)
Weight:   772–860 lbs (350–390 kg)
Sail area:   10.76 sq ft (14.3 sq m)

Profile drawing of a Beg-Meil sailboat.François Vivier

With a generous flotation in chambers, a steel centerboard in effect adding ballast, and ample freeboard, Beg-Meil is intended as a safe and seaworthy all-around daysailer.

Line drawings of Beg-Meil sailboat arrangements.François Vivier

The seafaring traditions of Brittany are attractively echoed in the design, but her construction, materials, and performance are all modern.

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats readers would enjoy? Please email us your suggestions.

Deer Isle Koster Boat

Woman sails a small green daysailer.Bruce Elfstrom

The double-ended jolles of Denmark and koster boats of Sweden inspired the hull form of the glued-lapstrake plywood Deer Isle Koster Boat, designed by Bruce Elfstrom to be a safe and enticing daysailer for his daughters on Deer Isle, Maine.

Norwegian faerings, those centuries-old, slender, four-oared fishing boats that are fast under oars and surprisingly nimble under sail, have provided a wealth of inspiration for numerous modern small-craft designers. Built lightly using plywood glued-lapstrake construction, designs based on the historical type have proved to be excellent trailerable daysailers that sail well and handle beautifully under oars. They are also beautiful to look at. But there’s no reason why translating the Scandinavian inspiration should stop with faerings.

I think Bruce Elfstrom of East Haddam, Connecticut, is on to something when he looks to the jolles of Denmark (see MARCUS NOER, from Small Boats Annual 2009) and double-enders, such as the koster type from Sweden, for more ideas about how workboat types with generations of success behind them can be reinterpreted for modern uses and construction techniques. This branch of the family may well go on to its own phenomenal success.

Elfstrom is a novice as a designer, but his affair with wooden boats started long ago on Deer Isle, Maine, where his family has long had a summer place. Half Norwegian and half Swedish, he grew up mostly on Deer Isle after running there at the age of 15 to find peace after having lived for four years in Beirut, Lebanon, where his mother worked first as a journalist and later as a United Nations diplomat during that country’s civil war.

Boats became an integral part of the life that Elfstrom found on Deer Isle. Later, he went on to restore a 34′ cutter, and he found himself believing in the process enough to found the Wooden Boat Rescue Foundation, which puts endangered old boats in the hands of those hoping to save them.

Adventure, too, has been part of Elfstrom’s life—he runs a company that leads advanced four-wheel-drive backcountry adventure treks in places like Mongolia, Labrador, and Iceland, and trains drivers (among them Navy Seals) in the finer arts of handling vehicles in rough terrain. So he took notice when “Raids”—a new type of small-craft event involving weeklong series of races for self-contained sail-and-oars boats along scenic coastlines or through archipelagoes—started in Europe (see WoodenBoat No. 187).

He recognized the potential instantly. He has been a regular at the annual Small Reach Regatta in Maine, and soon he was designing his own faering-inspired boats, seeking a fusion of new and old technologies. The first was the NorseWater 19. The second was Raider 18, a slender, glued-lapstrake plywood boat outfitted for trekking.

Watertight circular hatch to a stowage compartment on a sailboat.Tom Jackson

Watertight compartments under the sternsheets not only provide flotation with the hatches locked shut but also provide dry stowage when camp-cruising.

But back at the family place, his daughters, Petra, 14, and Oaklea, 12, began to put Elfstrom in mind of something other than an on-the-edge raceboat that would be safe and yet fun for them. Once again, he found a gap between the performance he wanted and the appearance of the boats he found available, and once again he looked to Scandinavia to find a bridge between function and form.

“I love them,” he said of the boats of that region. “They’re just in my blood. I’ve always loved the stern of a double-ender.

“They outgrew their Optimist dinghies real quick,” Elfstrom said of his daughters. “Oaklea, at 5′10″—you should have seen her in an Opti. She was like a spider in a jar. She didn’t get that she’s grown, like, 3′.”

Designing and Building the Deer Isle Koster Boat

For what became known as the Deer Isle Koster Boat, Elfstrom had in mind a hull form that would be safe and stable and a rig that would be simple and provide an adequate but safe amount of power.

This boat, he thought, needed to be something that the girls would find enjoyable for daysailing, captivating for adventuring as they gained confidence, and attractive enough to keep them interested for many years to come. If they find themselves more daring as they gain years and experience, perhaps the rig could be expanded later.

The resulting boat has a bit of everything in its lineage. “It’s like that Raider boat fused with a jolle, a koster, with a bit of Beetle Cat mixed in,” Elfstrom said. That’s a faering, a beamy double-ender, a large coasting double-ender, and a small New England catboat. At 14′ long, the resulting fusion has an ample beam of 6′, but draws only 5″ with the centerboard up, and about 4′ with the centerboard down.

Woman brings deer isle koster boat ashore.Tom Jackson

A broad and burdensome hull can still have shallow draft, and the koster boat is readily put ashore.

Too committed to his own business to take the time to build them himself, he ordered a pair from builder Eric Friberg of Bellingham, Washington, whose work he had seen in the WoodenBoat Launchings section, and the test sails came in August 2010. “The underwater profile is more along the lines of a racing dinghy,” Elfstrom said. “It’s kind of a planing hull,” and in its second outing, the boat comfortably made more than 7 knots with the breeze steady at 15 knots and gusting to 20.

The boat has a long foredeck, short afterdeck, and modest sidedecks, with a low-profile coaming. The mast is stepped through the foredeck, which keeps the construction simple. Below the foredeck, a bulkhead with a fitted hatch is installed forward of the mast to provide ample dry storage and built-in flotation. More flotation chambers are situated aft and to the sides below the sternsheets and side seats, doubling as additional dry storage accessed through gasketed hatches.

Bronze-rod mainsheet traveler.Tom Jackson

The shaped bronze-rod mainsheet traveler has the distinctive curvature used in Danish jolles.

Some details, notably the high oarlock pads and the curvaceous bronze-rod horse traveler, are taken directly from the jolle type of Denmark. The boat has no exterior keel, instead being strengthened by an inner keelson, but it has a short skeg. The centerboard and rudder are both weighted and will kick up should the boat ground out. With her shallow draft, the boat beaches easily and at about 350 lbs all-up, she’ll be comparatively easy to manhandle up the shore if need be. Elfstrom designed the floorboards to remove and fit between the seats to make a large sleeping platform for adventure cruising.

The rig is not Scandinavian—it’s a balance-lug with a small jib. It’s easy to handle, easy to reef, easy to strike, and easy to stow. The jib is set on a small roller-furler, making it easy to strike from the cockpit. The lug yard hoists on a leathered bronze ring with a hook welded to it. All of the rigging gear is simple. The masts require no stays, so if the boat were trailered it would be quick to set up at the boat ramp ahead of launching or afloat afterward. The hull has no ballast, relying instead on its great beam, crew weight to weather, and conservative sail area to keep her on her feet.

I sailed with Elfstrom—and neither of us is as lithe as a 14-year-old girl—and found the boat stable and responsive in conditions ranging from light air to puffs of up to 10 knots or so. She remained steady as we shifted crew weight, which speaks well of her stability. The boat came about handily and seemed weatherly and responsive. Elfstrom says that he can walk on the foredeck without danger of destabilizing the boat, and the cockpit is uncommonly roomy and comfortable for a 14-footer, giving the sense of being in a much larger boat.

Kick-up rudder on the stern of a green sailboat.Tom Jackson

A kick-up rudder makes easy work of venturing into shallows.

Elfstrom considers the two boats he had built for his daughters to be prototypes. The planking lines are still being finalized: One boat is built with nine planks per side, the other ten. Some pieces, such as belaying pins and the lines, he selected because they were off-the-shelf and time was running short for the season. The tillers ended up too short. The hulls are built with 6mm okoume plywood covered with Dynel set in epoxy, and they are decked with 3⁄8″ meranti plywood.

Some elements of the initial design and construction were chosen deliberately to keep costs under control. Elfstrom intends to revise and perfect these details— together with finalizing the placement of such things as cam cleats. He and boatbuilder Clint Chase of Portland, Maine, are working to finalize plans and they hope by early 2011 to develop a prototype kit, something that Chase has been doing with his own designs. An experienced builder working from lines could make his own judgments about such things as lining off for planking—which is critical to get right in a boat of this type—or deciding the proportions of the coaming, but a novice might be well advised to await the promise of a kit.

As for the boats themselves, however, their worth is already being proven by Elfstrom’s daughters. “I wanted them to have a big deck to jump off of, climb up on, swim off of—to go out and just Swallows and Amazons stuff,” he said. The side decks are wide enough to sit on, the coaming low enough so it doesn’t interfere with the comfort of sitting that way or hiking out when need be. The cockpit side seats are comfortable, too, and wide enough to grow into—“They can use this boat when they’re 40.”

Plans and kits for the Deer Isle Koster are available Chase Small Craft.

Deer Isle Koster Particulars

LOA:  14′
LWL:  12′ 6″
Beam:  5′ 10″
Draft:
–board up:  5″
–board down 3′
Weight
bare hull:  175 lbs
with rig:   250 lbs
Sail area:  121 sq ft
–main: 101 sq ft
–jib:  20 sq ft

Rendering of the Deer Isle Koster boat.Bruce Elfstrom

The Deer Isle Koster Boat’s designer, Bruce Elfstrom, an amateur with an eye for small-craft design, describes the design as a fusion of Swedish koster boats, Danish jolles, and modern lightweight “Raid” boats, “with a little Beetle cat thrown in.” Some details have been altered—for example, the rudder profile has changed from the one shown in the rendering.

Deer Isle Koster boat line drawings.Bruce Elfstrom

Elfstrom worked up his lines in DELFTship software after sketching profiles freehand. (Atypically, these body sections are shown full-width, with forward sections on the left and after sections on the right.)

Check Out These Other Faering Designs

The faerings of western Scandinavia have inspired designs from the likes of Clint Chase, Iain Oughtred, and Joel White. If you like the look of these handsome double-enders, here are a few other articles you might enjoy, including a boat built by one of our readers.

Elfyn: Iain Oughtred’s other faering

Drake: A faering for today’s oarsman

IRONBLOOD: An enlarged Joel White Shearwater

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats Magazine readers would enjoy? Please email us!

12′ 3″ Spike Skiff

Here’s a classic flat-bottomed skiff updated for modern trouble-free materials. The Spike Skiff design has all the hallmarks of American sharpie-skiffs from a couple of centuries ago—the straight, slightly raking stem; the two wide lapstrake side planks; the bottom’s quick sweep up to the transom, the jaunty sheer.

Line drawings for two variations of the Spike skiff boat.

We can propel Spike with a spritsail (left) or a “sprit-boom bermudan” or a pair of oars.

In the past this skiff would feature solid cedar or pine planks on the topsides, clench-nailed together, and a cross-planked bottom—sturdy and economical, but heavy and prone to drying out if left ashore for any amount of time. Oughtred’s Spike uses marine plywood for a lighter-weight, more dimensionally stable solution. For the weekend builder and boater, the advantages are great—the materials are easily sourced and the boat is much more trailer-friendly.

With her single lap joining the two topside planks on each side, Spike is an excellent entry-level project. She’s not much more complex to build than a box, but she gives her creator the opportunity to learn lapstrake techniques on a simple level. And the end result is far more attractive than a box—shapely enough for a real sense of accomplishment.

This good-looking skiff shows us plenty of flare and a pleasing sheerline.

Spike’s shape reflects a time before the invention of the internal-combustion engine—the rocker of her bottom will make her easy and rewarding to row, but she’ll resist planing under power. If your plans include using an outboard motor, you’ll find the best results with low power—say, a lightweight, 2-hp gasoline motor or a small electric motor. Just don’t expect her to zoom around like a hard-bottomed inflatable tender. At 12′ in length she is big to serve as a tender, but empty, with a bow eye low on the stem to keep her forefoot up, she will tow effortlessly.

The plywood hull goes together inverted on a “building box.”

Oughtred has drawn a nice leg-’o-mutton rig for Spike—simple and in keeping with her sharpie heritage. Her relatively narrow bottom and considerably flared topsides make her easy to row and well-balanced under sail, but her initial stability will be relatively low—you will want to keep the mainsheet in hand in a breeze.

Her daggerboard is a simple and effective choice for a boat in which the space taken up by a pivoting centerboard would be better appreciated for cargo or passengers.

We can build Spike with watertight compartments…

Oughtred’s plans for the Spike Skiff design include full-sized patterns so lofting is unnecessary. The reward versus effort quotient is quite high for this one.

…or as a traditional open skiff.

12′ 3″ Spike Skiff Design Details

DESCRIPTION
Hull type: Flat-bottomed, transom-sterned
Rigs: Sprit or leg-o’-mutton
Construction: Glued-lapstrake plywood

PERFORMANCE
Suitable for protected waters
Intended capacity: 1-2
Trailerable
Propulsion: Sail, oars, 2-hp outboard

BUILDING DATA
Skill needed: Basic
Lofting required: No

PLANS DATA
No. of sheets: 3
Supplemental information: 17 pages
Level of Detail: Above average
Plans Format: Print
Cost per set: $123
Related Publications:
Clinker Plywood Boatbuilding Manual
How to Build Glued-Lapstrake Wooden Boats

Particulars

LOA:  12′ 3″
Beam:  4′ 2″
Draft:
–(db up) 6″
–(db down) 2′ 6″
Weight about 130 lbs
Sail area:
–sprit 59 sq ft
–leg-’o-mutton 55 sq ft

Completed Spike Skiff Images

More Boat Designs from Iain Oughtred

Once you’ve got your first Iain Oughtred design built, we have a feeling you will be ready to tackle more. Check out these other popular Oughtred designs to see what strikes your fance.

7′ 10″ Acorn Tender: A versatile little gem

16′ Beaver Canoe: Iain Oughtred’s “Canadian Canoe”

19′ 6″ Caledonia Yawl: A clean, frameless, glued-lapstrake plywood hull makes this a handsome double-ender

10′ 2″ Acorn Dinghy

The Acorn 10-footer by Iain Oughtred is intermediate in size and shape between his longer skiff (WoodenBoat Plan No. 43) and his shorter 7′ 10″ Acorn tender. She is a dinghy designed for seaworthy service and multiple use—in tow behind a yacht, in harbor as a lighter, and in protected waters as a lugger. Alternatively, she can be rigged for added performance under sail, or simply employed as a businesslike utility under oars or outboard power.

Acorn Dinghy Puffin design drawing.

Her type is that of a traditional ship’s boat-beamy and burdensome, with good stability and carrying capacity for her length, and a hull that is easily driven if properly handled and trimmed. She is an all-around craft, as versatile a vessel as can be found in this difficult-to-design size range.

Oughtred has not only achieved a good-looking, multi-purpose small-boat design, he has done a great deal to relieve the builder of the difficulty commonly associated with round-bottomed lapstrake construction. And he has managed this in his usual manner: by producing a very comprehensive set of plans (lofting is not required), and by selecting a building system that lends itself to amateur construction.

The building method—glued-seam lapstrake plywood—is further enhanced by a frameless interior that permits faster assembly, reduced maintenance, and adjustable thwart locations.

The basic single-sail rig for the Acorn 10 can be a balanced or standing lug-either one being an easy and efficient sail plan to set up, stow, and operate. A second, enlarged sail plan calls for a gunter-rigged sloop, thereby converting this dinghy into a lively sailer and enabling it to serve as an excellent graduated trainer through the various levels of small-boat handling and seamanship.

Planking drawing for the Acron Dinghy Puffin.

Oughtred saves you from guess work by showing precisely how her planking should be lined off.

Choices within the sailing options include leeboard, daggerboard, or centerboard, and a fixed or pivoting rudder. Gunwale and transom choices are also presented in the plans, as are general data and scantlings for those wishing to construct this boat traditionally of solid wood.

The plans packet for the 10′ 2″ Acorn Dinghy design contains: five sheets of drawings, lines, construction, full-sized patterns, lug and sloop rigs; materials list; construction notes for both modern and traditional methods; and a booklet illustrating the plywood building procedure for the Acorn boats. WoodenBoat Plan No. 88.

10′ 2″ Acorn Dinghy Design Details

DESCRIPTION
Hull type: Round-bottomed
Rig: Balanced lug or gunter sloop
Construction: Glued lapstrake plywood

PERFORMANCE
* Suitable for: Protected waters
* Intended capacity: 2-3
Trailerable: Cartop
Propulsion: Sail, oars, outboard
Speed (knots): 3

BUILDING DATA
Skill needed: Basic to intermediate
Lofting required: No
*Alternative construction: Traditional lapstrake

PLANS DATA
No. of sheets: 5 plus instruction booklet
Level of detail: Above average
Cost per set:
WoodenBoat Plan No. 88

Particulars

LOA:  10′ 2″
LWL:  9′ 10″
Beam:  4′ 2″
Draft:
– (db up)  6″
– (db down) 2′ 5″
Weight:  around 100 lbs
Sail area:
– Balanced lug:  48 sqft
– Gunter sloop:  65 sq ft

Completed Acorn Dinghy Images

A white rowboat sitting in grass in front of a red barn.

White Acorn Dinghy Puffin with oars stowed sitting on a sandy beach.

Resembling her 8′ cousin more than the sleeker 12′ Acorn, the chunky 10′ 2″ Acorn Dinghy will be a good load carrier for her length.

Two people ride aboard a white rowboat.

Mornings on the Water

As signs of summer slowly but surely come to Maine, I have taken to beginning each day with a short, leisurely row around the harbor. It reminds me why I do what I do and that there is life with considerable reward beyond the desk and the computer. My own rowboat not yet quite ready, I have been borrowing one of the sailing club’s courtesy dinghies, a much-used molded-plastic pram of some 8′ in length, with oarlocks that rock precariously in cracked holes, and mismatched oars that, if too much effort is exerted, pop out of their locks when least convenient. No matter, the point of my brief visits to the harbor is not to get exercise (though, truth be told at the end of this long winter, exercise is sorely needed) but rather to enjoy being on the water once more and while I can still have the harbor to myself.

Lobster trap and day marker in calm morning water.Photographs by the author

Come July, the narrows that lead from Cozy Harbor to the Sheepscot River will be busy with boats, and the shoreline will be a maze of trap buoys of various colors.

Soon, the summer visitors will return to Cozy Harbor, here on Southport Island, and this small body of water sheltered between three islands will become a hive of activity. Seasonal residents of David’s Island to the west will be calling out to one another as they make their way across the water; families will gather on the public dock full of eagerness to be off for their day afloat; the sailing-club floats will be weighed down by enthusiastic young sailors, clamoring to be first into the motorboats that will ferry them to their dinghies. As the weeks come and go, my morning wanderings through the mooring field will be enjoyed ever earlier as I seek the peace and solitude. But for now, between Memorial Day and mid-June, even as late as 8 a.m. I am typically alone.

Some mornings, when a light wind funnels through the narrows to the south, it brings with it a chill from the cold waters of the Gulf of Maine, a freshness that still bites and reminds me that the days on land may be warmer, but on the water, we still have a long way to go. Other mornings, while the sun is still climbing into a blue sky, and the air is still, I pull out into the narrow channel that leads to the Sheepscot River, ship my oars, close my eyes, and listen. The louder, isolated sounds come first: the sudden raucous cry of a gull, the high-pitched staccato whistle of an osprey, the discordant deep-throated bark of a shag. But then I hear the backing chorus from the trees on David’s Island—the songs of American robins, chickadees, yellow warblers—that mingle together in a deconstructed symphony. And beneath it all is the ever-present whispered rhythm of water caressing rocks, an imperceptible swell revealed only where ocean meets land.

Osprey soaring above granite shoreline

The osprey’s departure was effortless and silent, save for one short sharp cry.

This morning, as I opened my eyes to take stock of my position, I was met by the sight of an osprey, barely 50 yards away, perched on a stark-white driftwood branch that had been trapped in a fissure in the granite ledge of David’s Island. I dipped the oars and rowed cautiously sternward to the shore. The bird stood, immobile, its head locked in my direction. I gave one final extended push to the oars and at that glide, the bird rose effortlessly from its perch, and with a single flap of its wings, soared away.

A lobsterman works his traps in the early morning

The lobsterman, busy about his work, wanted little to do with conversation.

Early in the summer, the harbor remains the province of the fishermen, but the lobster season has barely begun, and the larger boats still swing to their moorings. Some days, a small one-man boat joins me in the narrows, arcing from trap buoy to trap buoy, the gently purring outboard making little noise. The fisherman works in silence, my presence ignored. A week or so back, I endeavored to engage: “Is there much of a catch, yet?” I asked. “Not much,” he said, and steered his boat away. Of late, I have shared a wave with the elderly couple who have taken up their summer positions in the covered porch of their house overlooking the channel. Each morning, they sit and watch the comings and goings in a view that has remained constant for decades but which, no doubt, is never the same from one day to the next.

Early summer mornings on the water

Year after year, the ospreys return to their nests on the day markers.

These, then, are my mornings, and will be my mornings for a while. Mornings when, blue skies or grey, nothing seems more worthwhile or necessary than spending a half hour doing almost nothing in a small well-worn boat.

Selway-Fisher Heron 15

I have built a number of boats over the years, including two designed by John Welsford and one by Arch Davis. My most recent build is the Heron 15, a design by Paul Fisher of Selway-Fisher in the U.K. Some time ago Paul designed the Heron 14, a compact cruiser, and the 15 is a more recent larger version that provides a bit more cabin space. At 15′ 4″, it is one of the smallest pocket cruisers I’ve seen, but it has a substantial cockpit, and enough interior space for two berths, a small galley, and a head. To my knowledge, mine is only the second Heron 15 to be built.

As well as building boats, I’ve owned several cruising boats, including a Flicka 20 that I sailed for many years. My wife and I cruised extensively up and down the Salish Sea in the Flicka, and I once sailed it on a solo circumnavigation of Vancouver Island. Moorage around northern Vancouver Island where we live has become very precious, so I was looking for a boat that was small enough to trailer and launch easily, yet comfortable enough for two people to stay out on for several days at a time. The Heron 15 appealed because it met these requirements and had a traditional look.

Building the Heron 15

Selway Fisher’s plans (supplied through Duckworks in the U.S.) were detailed. The Heron 15 hull is V-bottomed with a hard chine and straight sides—which makes construction relatively straightforward. The original design has a fixed keel with an external-pivot centerboard within it. The centerboard trunk stands a few inches above the cabin sole, and I worried that this would present a tripping hazard. Initially I thought about removing the centerboard completely and increasing the depth of the keel; the draft would still be under 2′ and the hull and keel construction would be simplified. To achieve the same weight, I would install some steel or lead plates in the keel. I discussed my ideas with Paul Fisher. He said my proposed modifications would work but suggested bilge keels as an alternative. I could keep the original keel profile, without the centerboard, but fit 3⁄8″ mild-steel-plate bilge keels welded to a 3⁄8″ × 4″ flange through-bolted to a 3⁄4″ × 8″ wooden backing board. Each keel would be 48″ long at its upper edge and would weigh 62 lbs, which would introduce ballast down low, and its lateral plane would help to reduce any rolling effect in a swell.

Part-finished Selway-Fisher Heron 15 on trailerPhotographs by the author

The hull was built in my basement, but space was tight, so I moved it out into the yard as soon as possible. Several months later, the exterior was complete. Framing the deck and cabin was time-consuming but once complete everything came together quickly. Note the starboard bilge keel visible behind the trailer fender; bilge keels were not featured in Paul Fisher’s original plan but are now offered as an alternative to the drop keel.

I liked the idea of having a boat with a very shallow draft and the ability to stand upright if beached. I do not plan to beach the boat often, but I did have an experience in my Flicka when I underestimated the drop in the tide and woke up in the middle of the night to find the boat lying on its side. Fortunately, the bottom was soft, and by morning she was floating again, no harm done.

The Heron 15’s build starts with a strongback frame and a set of six molds. Of these, three become permanent bulkheads, and three remain as simple ring frames. I used yellow cedar for most of the structural parts (buying it in 2×6 boards, which I could resaw and plane at home). The sides and bottom of the hull were of 9mm marine plywood (the plans call for 18 sheets) bent over the frames. The hardest part of the hull construction was getting the planks to bend in at the stem; indeed, this proved impossible working with the 9mm ply that was called for in the plans. After several attempts, I built this section with two layers of 4mm plywood, laminated in place. The resulting curve in the forefoot is appealing and cuts nicely through the water when underway. For adhesives, I used Titebond III above the waterline and WEST System epoxy below.

Selway-Fisher Heron 15 interior

Despite the hull being only 15′ 4″ long, the Heron’s cabin is a decent size for two. The cabinets aft of the berths serve as the galley and storage, and there is further locker space beneath the berths. Thanks to the new bilge-keel configuration, the sole of the cabin is unobstructed.

Building the boat took me a little over a year, working on it for at least a few hours a day. I built the hull upside down in my basement workshop, and when it was complete, friends came over to help haul it out into the yard where I would build the decks and cabin.

Fitting out the interior was fun but time consuming. The basic structure is covered in the plans. The layout is conventional with twin settee berths coming together in the forepeak, a stove aft to port, and a head to starboard. For details, the builder is given a lot of latitude. I followed the designed layout but was particularly pleased with my design and installation of a folding table and shelving for dishes and other odds and ends. The shelf is mounted on the forward bulkhead and the hinges of the folding table are suspended on a wooden cleat below the shelf. When the table is lowered, two people can sit facing each other, one on each of the twin berths; when folded up it encloses the shelf and protects the chinaware behind it. When the table is raised, there is plenty of space beneath for the berths to be used for sleeping.

Selway-Fisher Heron 15 forward cabin

The forward end of the cabin extends past the aft end of the foredeck, creating a built-in shelf, which lends itself well to storing place settings.

There is ample storage in the cabin. Lockers run the full length of both berths, and aft there are lockers to either side of the companionway. The plans suggest the steps should be removable, but I was unsure where I would stow them, so instead built the bottom step as a storage box and the upper step as a removable step-stool that doubles as an extra seat at the table. To starboard I installed a stainless-steel sink with a 1-gallon water jug with spigot, and a locker beneath. This is where Paul Fisher suggests installing a head, but we use a portable version that we keep stowed forward between the berths. When the table is lowered the head is out of the way; when the table is raised the head can be used. To port at the foot of the companionway there is an unpressurized-alcohol two-burner stove with another locker beneath. There is 4′ 6″ headroom in the center of the cabin. (Fisher has designed an alternative raised coach roof that increases headroom to 4′ 10″, but I prefer the look of the lower profile.) There are no electronics or wired electrics on board; I installed two overhead cabin lights that are battery powered with a timer in case they are left on by mistake.

In the cockpit, I replaced the suggested washboards of the companionway with hinged doors; I like the convenient access, and it solves the problem of where to stow the washboards. I made the doors out of leftover 9mm plywood from the build. I also removed the designed bridge deck and instead built a simple box with hinged lid that does double duty as a companionway step and storage. Auxiliary power is from an ePropulsion Spirit Plus transom-mounted outboard for which the batteries are stowed beneath the cockpit benches.

Sail Plan and Performance

The Heron 15 has a high-peaked 85.7-sq-ft gaff main, with a 33.3-sq-ft jib. I installed a roller furler as I often singlehand and don’t want to go forward to raise or lower the jib; for this same reason, all the running rigging is led back into the cockpit. I also added some lazyjacks, and raising and lowering the mainsail from within the cockpit works well. After some trial sails in light airs (quite common in our area) I also added an asymmetric spinnaker. There is a short bowsprit (about 32″) to which I added a retractable aluminum pole to take the spinnaker’s tack about 1′ forward of the jib fitting.

Selway-Fisher Heron 15 on trailer with sails up

I tested the rig in the yard before heading out. All the lines—halyards, roller-furling controls, and sheets—lead back to the cockpit for easy handling. The boom and the loose foot of the mainsail are high above the cockpit, providing ample headroom and good visibility beneath them.

I’m fortunate to live right next to a decent boat ramp. Having launched other boats here, I know the exact height required to clear any overhanging wires on the way to the ramp. So, when I built the Heron I made sure the mast could go under the wires. This allows me to keep the boat fully rigged through the sailing season, which saves time when launching and retrieving. For the most part, I hook up the trailer, drive over to the ramp, and launch as soon as I arrive. After parking the truck, I get aboard and, using the outboard, back away from the ramp, and I’m ready to start sailing.

 The boat handles well on the water, combining small-boat feel with big-boat stability. In early trials there was a touch of lee helm, but after doubling the forward ballast (I had originally installed 54 lbs of movable sandbags under the foredeck, accessed from within the cabin) and introducing a slight aft rake to the mast, the lee helm was replaced by a more reassuring touch of weather helm. The rudder on the Heron 15 is quite large for such a small boat, so she tracks well while also responding quickly to the helm. I have yet to make use of the drop rudder blade that is part of the design, and doubt that it will ever need to be deployed, except perhaps in a heavy following sea when the stern is being lifted.

Selway-Fisher Heron 15 under sail

The first outing was in light airs—not unusual in my local waters—but the Heron 15 sailed well, slipping along in a mere breath of wind. It is easily handled by one person but there’s plenty of room for two.

Toward the end of 2024, I went out for a sail with a good friend who is an experienced sailor. The wind was light, probably 6–8 knots at best, but we got the sails up and headed off on a close reach. The boat moved along nicely in the light airs maintaining a consistent 3–4 knots. As the day wore on, the wind became even lighter, and we decided to try out the asymmetric spinnaker. After a little fumbling with the lines—I have since simplified the leads—we got it flying, and it looked beautiful. We were sailing on a broad reach, and the wind had dropped to less than 5 knots, but the boat was still moving along at 1 1⁄2 knots.

Light airs may not be the most exciting for sailing, but I do think they’re an opportunity to get a feel for a boat, and both my friend and I observed that the Heron 15 felt comfortable, moved easily through the water, and the cockpit was roomy. It is, surely, quite an accomplishment to design a boat of only 15′ 4″ length complete with a sizable cockpit and a cozy but very usable cabin that sleeps two, has plenty of storage, and some basic amenities, and which performs well, even in the lightest of airs. I am looking forward to getting out there this summer for some extended cruising.

Growing up in Annapolis, Maryland, Ram Sudama spent his summers as a kid racing and cruising in boats from 6’ to 60’ on Chesapeake Bay and later around the coast of New England with his family. He started building small boats after he moved to Vancouver Island, British Columbia, where he has cruised up and down the Salish Sea as well as completing a solo circumnavigation of the island.

Selway-Fisher Heron 15 Particulars

LOA:  15′ 4″
Waterline length:  13′ 8″
Beam:   6′ 5″
Draft:   1′ 4″ (board up/bilge keel option); 3′ 4″ (board down)
Sail area:   119 sq ft
Approximate dry weight:   1,500 lbs

Plans for the Heron 15 are available in the U.K. from Selway Fisher Design, price £195 for full printed plans, £25 for study plans, plus shipping; and £175/£25 for electronic files; and in the U.S. from Duckworks, price $203 for full plans, $34 for study plans.

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Gartside’s Design 206

While waiting to find space to build a 22′ motoryacht based on a Lake Union Dreamboat and custom-designed by Paul Gartside, I decided to build the tender that would ultimately be needed to accompany it. The larger boat would be of traditional design and construction, and it was important to me that the tender matched it in style. I was also looking for a boat that would tow well and was small enough to carry on deck.

Paul Gartside’s Design 206 for an 8′ clinker pram of traditional construction suited my requirements exactly, and the beaminess created by the two transom ends provides good space in a small package.

Gartside 8' pram, Design 206, under constructionCecil Rhodes

The pram is built upside down over a plug. Once the transoms and keel are set in place, the plank locations are lined off with battens. Even at this early stage the graceful arcs of the planks as they tuck up to the bow transom are evident.

As a devotee of wooden boats, I have built several designs from varied sources and appreciate detailed plans that include what is necessary for the builder, illustrated with clear drawings and notations. Paul Gartside’s work not only achieves this standard but is guided by many years of building and using boats as well as designing a wide range of craft of all sizes. For this particular design, his five sheets of hand-drawn plans are a joy to use or just to look at.

Design 206 is a pram dinghy of traditional lapstrake construction, which requires a high level of skill and considerable time to complete. The investment of time demands that the project be completed with the best possible materials.

Man ties painter onto Gartside 8' pram, Design 206Tyler Rhodes

An eyebolt, placed low on the bow transom, serves well for towing the pram. Inside, the 8mm sprung floorboards are removable, making it easy to clean the hull after mud and sand are tracked aboard when launching the boat from a beach.

I followed Gartside’s recommendation of white oak—quarter-sawn for the transoms and other fittings, green for the 13mm x 11mm steam-bent frames—and old-growth fine-grained western red cedar for the 8mm planks, nine per side. Here in the Pacific Northwest good cedar is available, but for builders in other parts of the world Gartside recommends alternative planking material such as spruce or pine. Scantlings are only as large as is necessary to create a strong but lightweight shell—just over 100 lbs. Fastenings are copper boat nails and roves with a few bronze screws. The advent of the internet has greatly improved the ability to source bronze and copper fastenings of good quality from suppliers now few and far between; I bought Davey & Co. copper boat nails and roves from Fisheries Supply in Seattle.

Building Gartside’s Pram

Assembly of the keel, transoms, and planking takes place upside down on a form comprising three molds. The lining-off of the plank locations is done with battens followed by spiling plank shapes. Shaping the individual planks and cutting the laps and gains needs to be done with patience, using planes dedicated to the job and kept sharp. The planks are nailed to each other at the laps—with bedding compound at the gains and transoms—until the boat is turned over when roves can be added, and the steam-bent frames can be installed and riveted to the planks. As the hull slowly comes together the structure is somewhat unstable until the gunwales and bilge stringers are installed, then the boat becomes stiffer and ready to receive seats, knees, and trim. A word of caution: most of the build can be done by one person working alone, but when it comes to riveting (the boat takes about 850) and installing the 19 steam-bent frames, a second pair of hands is needed. It is at such times that you’ll find out who your friends are.

Gartside pram dinghy in back of pick-up truckCecil Rhodes

Given its traditional construction, the pram is not especially light. Yet, it is small enough to be transported in the back of a pickup truck, from which it can be launched by one person if the truck is backed up close to the water.

The finished pram is light enough to be easily transported in a pickup truck, or lifted onto a deck or dock. The design calls for 9mm × 8mm oak reinforcing strips to be added to the lower edge of the lowest four planks to protect the boat during beaching or loading operations; they have already saved some scarring of the bottom paint and planks. It is possible for one person to load and unload the pram into the water from a truck bed if the vehicle is backed up close to the water, but to move it any distance on land requires either a dolly or two people.

The boat can be rowed from either of two locations—amidships or forward—depending on load or number of passengers. Rowing alone with light loads is effortless and maneuverability is immediate. With two people, not much changes except that the rower moves to the forward seat. The pram’s broad, deep shape can carry a considerable load if required. The tightly spaced 8mm sprung floorboards protect the bottom of the boat and spread the load while standing, boarding, or distributing cargo. The boards are held in place by wooden buttons and can easily be removed when necessary.

Man rowing lapstrake pram dinghy, Gartside Design 206Tyler Rhodes

Even in a small pram it’s important to maintain the right fore-and-aft trim. For that reason, there are two rowing stations. When rowing alone, sitting on the center thwart is optimal, but when joined by a passenger or if carrying heavy cargo, the rower can move to the forward thwart.

I have used the pram for some time, and it has taken on no water. This suggests that the planking installation is well done and that the tightly spaced rivets are working to keep everything sealed—an important factor if the boat is to spend any time sitting on deck or otherwise out of the water.

For the oars and oarlock placements I followed Gartside’s directions, and they work well—oarlock location is extremely important to the long-term ergonomic satisfaction of using any rowboat. The 6′ 6″ oars are fine-grained old-growth Douglas fir as specified in the plans and are light and strong; the collars are leather, and the oars work quietly and smoothly.

Varnished lapstrake pram dinghy pulled up to muddy foreshoreCecil Rhodes

The plans show a traditional rope fender installed in a cove beneath the oak gunwale and turning onto the transoms by 150mm. More than just decorative, the fender works well to protect the pram’s gunwales and upper planks.

Using this boat is a pleasure. Even children can easily row it in safety and comfort. The benefits of the classic design and traditional construction will appeal to those who appreciate fine workmanship, don’t mind refinishing from time to time, or have a traditional parent ship that requires a complementary tender. It may be small, but such a boat will always get more than its fair share of attention; perhaps because of its rarity in this day of the ubiquitous inflatable boat, or simply because we have an unconscious appreciation of a good design well built.

If you’re looking for a pretty tender of traditional appeal, you surely won’t go wrong with Gartside’s Design 206.

Cecil Rhodes is a retired architect living on Vancouver Island; he has built many small wooden boats over the years.

Gartside Design 206 Particulars

LOA:   8′
Beam:   3′ 10″
Depth amidships:   1′ 3″
Weight:   100 lbs

 

Full plans for Design 206 are available from Paul Gartside Boatbuilder and Designer, price $120 (electronic delivery) or $150 (printed and shipped). A detailed description of the design and the larger 206a can be found in Gartside’s book, Plans & Dreams Volume II, available from Paul Gartside and from The WoodenBoat Store, price $55.

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Paddling the Susquehanna River

It was August 23, 2024, when I launched my 14′ 6″ Northstar composite solo canoe at midday in Cooperstown, New York, on the tree-lined banks of Lake Otsego, the source of the North Branch of the Susquehanna River. As I set out for Chesapeake Bay, 444 miles downriver, my progress was slow. The river was shallow and narrow enough to be spanned by fallen trees, which I had to crawl through or clamber over. Cornstalks littering the river’s edge had been cut by beavers from fields behind the riverbanks. One beaver, startled as I went by, raced down the bank, tripped, and rolled into the river with a great splash.

Canoe alongside in Cooperstown, NY, at head of Susquehanna River.Photographs by the author

I set off from the dock at Lake Front Park in Cooperstown, New York. Before I left, my wife “reviewed” my packing job.

After five hours of paddling, I was 11 miles downstream and hunting for places to camp; another hour and I found a cobble bar overhung by a large willow tree where I could set up a tent. A half dozen mosquitoes whined around me as I got dinner down and settled in the tent. During the night I was roused several times by the slaps of beaver tails on water, but each time I quickly fell back asleep, gazing up at the willow-tree leaves silhouetted on the tent in the silver moonlight.

I had read several descriptions of paddling this river and anticipated it would take me close to three weeks to reach Chesapeake Bay, doing 20–25 miles a day. The river should be mostly slow-moving (with a maximum current of about 2 mph), but there were a number of low and high dams to get around, as well as a few Class II rapids to deal with. While fairly wide for much of its length, the river is generally shallow and rocky, so I would need to be attentive to my position in the current. There are few designated campsites along the river, so I would be finding suitable sites where I could.

August 24

In the murky light of early dawn, the opposite bank was a dark blur in the morning fog. I dressed in layers and dragged myself into the cold morning to start packing. When I got underway, the serpentine river was just deep enough to float the canoe, but I chafed at my slow progress in the gentle current and shallow water. Silver maple and willow trees towered over me. After three hours the river opened up into the mile-long Goodyear Lake. At the south end, a 220-yard trail led through open second-growth forest around the dam to the river below. The first 50 yards of portage were too steep and uneven to allow me to wheel the laden canoe. I unloaded everything and walked back and forth several times, first carrying the 30-lb canoe, then the gear. Safely down on the far side, I repacked and pushed off. Over the next couple of miles, the river shallowed half a dozen times, forcing me to get out and walk the canoe over the rocky riverbed in the pleasantly cool water.

Man carrying canoe along creek.

I had to carry the canoe around the dam at the south end of Goodyear Lake and then follow a trail along a creek to the river to find water deep enough to paddle in.

By 2 p.m., I had paddled a total of 19 miles and reached a second portage at the Southside Dam near the town of Oneonta. The trail entrance was poorly marked and obscured by foliage, and while I knew it was there, it was only after I had paddled back upstream, away from the dam, that I realized I had paddled right by it, mistaking it for a small fishing spot. The portage was a narrow trail through bushes and small trees, but a fisherman kindly helped me carry the canoe and gear in a couple of trips.

Four miles past the dam, there was a short, rocky 12″ drop extending across the river. It was fairly obvious, but came up sooner than I expected—I had been making good time. It was straightforward to run without problems down the right side where the drop was spread over a distance of about a dozen feet.

Rapids seen over stern of canoe on Susquehanna River.

Four miles beyond Southside Dam near Oneonta, I encountered a rocky ledge, which created a 12″ drop across the river (seen here as I looked back from downstream). I successfully ran it along the right side (at left in the picture). Rocky ledges spanning substantial breadths of the river were common, even as the river became much wider.

At 5:30 p.m. I pulled to the side of the river to camp on another cobble bar. By the time I had the tent pitched and dinner eaten, the bats were out, flitting back and forth overhead. I tried to stay awake long enough to see the stars come fully out but was lulled to sleep by the gentle murmur of the river.

August 25

In the pre-dawn dark a great blue heron, flying low over the tent, croaked loudly. It was only 3:50 but I was now thoroughly awake and got out of my sleeping bag. Though everything was damp, I broke camp, loaded the canoe, and was soon launched under clear skies.

By noon I was beyond the town of Unadilla. It had been a relaxing, smooth morning but as I took the inside corner of a bend in the river, the bow of the canoe caught on a barely submerged log sticking out of a wood pile by the water’s edge. The canoe flipped and I was dumped into the water, losing contact with the boat but not my paddle. I swam to shore in the deep, swift-moving water, clawed my way up the steep rocky bank and looked upstream. The upside-down canoe had hung up on another log. I crawled out on the log to the canoe, got it off, swam it to shore, pulled everything out, and bailed it dry. I had lost only my pride and my shoes, which I had kicked off to let my feet dry. I fashioned some sandals out of my foam sit-pad and some duct tape; they would have to do until I could find a shoe store. Everything else was in drybags so mostly stayed dry, and the clothes I was wearing would drip-dry as I paddled on. Another 15 miles down the river, I made camp on the cobblestone shoreline and spread out the maps to dry—my map case was not totally waterproof.

Fallen tree across river blocking way of canoe.

For the first three days, woody debris occasionally spanned the river, adding challenges to my downstream progress, and at times, causing me to struggle to stay both safe and dry.

August 26

When I set out the next morning, the river was noticeably wider, perhaps several hundred feet wide on occasion, where the water was so calm it felt more like a lake than a river. Between these quiet areas were small rapids and 30′-wide back-eddies wherever the current picked up.

Eighteen miles downstream I came to Windsor, the first town I had been through since leaving Cooperstown. At a store near the river, I bought flip-flops, water, duct tape, and some chocolate. By day’s end, I was good and tired—the physical and mental exertion of focusing on river conditions had taken a toll—and when I saw the primitive campsite with a picnic table atop a small bluff, 30′ above the water, I was only too happy to stop. The landing was mud and rocks with a steep trail up to the campsite. I carried some logs from the campsite down to the bank and dropped them in the mud to make the footing less treacherous while unloading the canoe. I tied the canoe to a bush along the bank, carried the gear up to the campsite, and settled in at the picnic table.

August 27

Mist insinuated itself everywhere as I arose the next morning, and the dampness slowed my packing up. The mosquitoes from the adjacent wetlands were relentless, and I decided to take a walk. A trail through the woods behind the campsite was perfectly straight and followed a retired turnaround for locomotives that had once moved trains through the nearby mountain pass. I walked the trail for 15 minutes before heading back to camp. By the time I had all my gear down the slope, across the rocks, and over the logs, the fog had burnt off.

House atop eroding bank on Susquehanna River.

Many houses along the Susquehanna are either built on stilts or hide behind substantial dikes. Flood waters may not have reached this house at the top of a bluff, but they had significantly eroded the bank underneath it.

Three miles downstream near Oakland was a 2′-high rocky weir with a narrow chute to the left. I saw no portage, took a close look at the chute, decided it appeared clean, and carefully paddled through, happy to find no hidden rocks. Downstream of the weir the river slowed and widened again, the slack current giving me little forward motion under sunny skies.

Another 10 miles and a gently sloping riverbank and mown field provided easy access to Great Bend, Pennsylvania. I pulled ashore, and walked into town for groceries and cheap shoes; a sandwich rounded out my shopping. Farther downriver, at a park in Kirkwood, I found drinking water and bathrooms.

That evening, less than a mile downstream of Kirkwood, I pulled ashore at a 5′-wide strip of cobbles between the water and a copse of young sycamore trees. I made camp in the company of a little green heron fishing and a killdeer darting around and piping.

August 28

I paddled through the outskirts of Binghamton, tied up just past the city’s first bridge, and walked into town, stopping first at a sporting-goods store to buy some real shoes—the cheap shoes had served their purpose, but they were giving me blisters. I had thought of exploring the town, but indications of people living under the bridges and in the bushes along the river made me nervous about leaving the boat for long. I bought what I needed and hurried back.

The 5-mile stretch of river that runs through Binghamton and adjacent Johnson City had been weighing on my mind since I left Cooperstown. Beyond the bridge where I’d stopped, I would encounter four low-head dams and had scant information about either the conditions I’d encounter or the portage details. The first dam was straightforward; the right bank had an easily-accessed wide dirt road—along which I could pull the fully loaded canoe on the set of portage wheels I had brought along—but on the downstream side, the riverbank was muddy; stepping aboard without getting everything dirty was tricky. At the second and third dams there wasn’t much of a drop in the water level, and I was able to line the loaded canoe through as I walked along the bank. The last dam required a portage along a couple hundred yards of trail too narrow and uneven to use the wheels. I unloaded, carried the canoe and gear in several trips, and, at the downstream side, spent several minutes negotiating a rock-and-mud foreshore to get back in the water.

All told, it took four hours to transit the four dams, and it felt good to be able to focus again on just moving down the river. The heat hung on as the day waned, and by the time I was ashore once more and making dinner, I had stripped down to my shorts but was still bathed in sweat. I decided to trust the no-rain forecast for the night and turned in without the fly on the tent, hoping to catch any breeze.

Man portaging canoe around dam.

I wheeled my canoe and gear around the first dam below Binghamton. This was one of the two longest portages of the trip, and I was happy to have wheels.

August 29

The river was wide and still, with the occasional short reach of swift water. A gray sky and no wind made for contemplative padding, enlivened by an encounter with five otters that raced along the bank; two swam out to check me out. Even in the middle of the river, the mergansers, little green herons, kingfishers, great blue herons, cormorants, and bald eagles were readily visible and kept me company. At day’s end I found the established campsite but it was little more than a tree-root-laced mud hollow on the riverbank and I decided to set up camp on the adjacent cobblestone bar, grateful that the river was low and not likely to rise overnight unless there was a heavy rainfall. The clouds threatened rain, but it held off until I was in bed and asleep. There was, indeed, an overnight shower, but by morning it had passed through.

August 30

The day began calm and misty, but soon transitioned to a blowing mist with a headwind ruffling the Susquehanna, now at least several hundred yards wide. Close to lunchtime, I pulled in to walk up a short path and into Towanda, a quiet town of two- to four-story buildings offering social services, tourist souvenirs, restaurants, and shuttered shops. I scarfed down some faux-Mexican food and a bagel before heading back to the river.

Map of Susquehanna River.Roger Siebert

.

I was now well into the northeast corner of Pennsylvania, a region called the Endless Mountains, although it might more aptly be named the Endless Meanders. The river wound its way through a steep landscape that often towered 500′ above me on one or both sides. The slopes were blanketed in dark-green pine trees that contrasted with the large sycamores and maples along the river’s floodplain. Below me, a massive fish, some 7″ across and more than 2′ in length, slipped away beneath the canoe.

The current was minimal, adding only about 1 mph to my speed, so I was grateful for the gray skies that kept the sun off as I worked the paddle. When I arrived at the marked campsite near 5 p.m. (more than eight hours after setting off that morning), it was to find another unappealing mud-hole, this time among the trees at the top of the riverbank. Disappointed, I scrambled back down to the boat and set up camp alongside the river.

August 31

Through the following morning, a thick layer of stratocumulus clouds and even a light rain kept the sun off. As I approached a shallow side channel that branched off to parallel the river, a black bear splashed across it some 200′ ahead of me. I cautiously approached to see where it had gone but, hearing it in the knotweed close by, decided that paddling in the main channel, well away from shore, would be safer.

The river now averaged 500′ in width and houses occupied the occasional low flat spots scattered among the steep tree-covered slopes. The slower sections had numerous gravel bars just below the surface, and I had to get out and walk the canoe through to the next deep spot more than a few times.

I set up camp on a gravel bar, choosing a spot beneath overhanging silver-maple branches, which I hoped would keep the worst of the morning dew off. A cicada chose the same tree, and around dusk, it started chirruping so loudly it drowned out the sounds of the river. It kept it up until around 4 a.m. Had I been less tired I would have moved the tent, but the rhythm of its song did at least allow some sleep, albeit not too deep.

September 1

It was Labor Day weekend and there was an increase in river traffic. For days I’d had the waters mostly to myself, but on that Sunday I passed 20 fishing boats and four kayaks.

Anchored fishing boat with patio umbrella.

I usually had the river to myself, encountering only a handful of boats each day. This fisherman was creative about dealing with sun exposure and had mounted a patio umbrella on his boat.

The hilltops were lower now, dropping to about 350′, but from my vantage point on the river they were still impressive, and some were shrouded in cumulus clouds. I stopped in Tunkhannock, a small town with a single main street. I climbed up an aluminum ladder on the riverbank’s steep slope to begin the walk into town. The afternoon was hot and, after shopping for lunch and supplies, I was happy to sit and linger beside the creek at the edge of town. Finally, I roused myself and paddled on for eight more lazy miles to another riverside cobblestone camp.

September 2

A toad wandered around the campsite as I packed up and launched; I followed my usual pattern of eating breakfast after I’d gotten some miles in. As I paddled downstream the hills grew ever lower and the landscape more expansive with the river less sheltered. By afternoon rolling clouds had appeared and winds shifted from behind to ahead and back again. From the east, the Susquehanna was joined by the Lackawanna River, laden with mine runoff that for days after stained the Susquehanna’s rocks a dusky orange.

Five minutes downstream of Nanticoke, I encountered the first continuous rapids of the trip. It was little more than faster water moving over a shallow riverbed, but it took work to keep my sluggish, fully loaded boat lined up where I wanted it.

September 3

Overnight the temperature plummeted into the low 40s, but clear skies and sunshine soon warmed the day. By midday, scattered boulders broke the water’s surface, and the river was no longer flanked by hills; instead, gentle tree-covered slopes or simply a line of riverside trees dominated the scenery. Upstream from Berwick, I avoided the worst of a couple of turbulent rocky drops and on both occasions had to work my way close to the right bank where the gradient was more gradual.

I camped in Berwick in a large, well-tended green space with a bathroom, running water, and trash cans. That evening, at the sound of a whistle, 20 boats sped away from the ramp in a timed fishing competition, all seeking favorite spots from which to try their luck. They returned before darkness fell. In my tent, I dropped off to sleep listening to the fishing awards ceremony in the parking lot.

September 4

Packing up the next morning was made easier thanks to the picnic table, and I was eager to get going, if only to fend off the morning chill by paddling. The landscape had changed again: low wooded hills threaded with powerlines came right to the water’s edge and as I left Berwick astern, I once again had the river to myself. The water was deep and for the first time in days I didn’t have to worry about scraping bottom.

I settled for the night on a cobble bar backed by a steep poison-ivy-covered bank that rose to a working railroad. I slept well and woke with no memory of hearing trains passing in the night.

September 5

The river was now wide and unsheltered, and I expected higher winds as the day went on, so started early. As I approached Lake Augusta, I maneuvered around long, jagged rock ridges angling across the river. The West Branch of the Susquehanna merged from the right at the top of Lake Augusta reservoir—formed by the Adam T. Bower Dam—a 2,100′-long inflatable dam, the longest of its type in the world. There was a 1⁄2-mile portage along a dike starting just upstream of the dam. I wheeled the canoe full of gear on the dike-top road and then cut down steeply through a grass field to a boat ramp to get back on the river. A second portage around a low-head dam a mile farther downstream involved just a 10-yard walk along the shore. The short but untrampled grass suggested few people ever came this way.

Adam T. Bower inflatable dam on Susquehanna River.

The Adam T. Bower inflatable dam was a mandatory portage. The take-out for it was no more than, perhaps, 20′ upstream from the lip, so I paddled tight to the shore as I neared the drop. Approaching dams like this was a tense part of the trip.

Beyond the dams, the river was abundant with eelgrass that swayed in the current. Spotted lanternflies, a large and colorful invasive plant-hopper, floated on the water and large patches of knotweed lined the bank.

McKees Half Falls is formed by two lines of boulders stretching diagonally across the river. The drops were less than 1′ and required just lining up in the water passing between the rocks (although I did have to maneuver a little to avoid one messy hole below the second drop). Farther on I set up camp below the railroad tracks. As I drifted off to sleep, a crescent moon shone through the silver maple behind me and the Big Dipper was bright in the sky.

September 6

I was now in the 50-mile middle-section of the Pennsylvania River Water Trail. The river was dotted with tree-covered islands with plentiful designated campsites and, after 8 1⁄2 hours of almost constant paddling, I chose a site that overlooked the water but was out of the mud and away from several standing dead trees. It looked like the rain would hold off, so I went without the tent fly and fell asleep to the sounds of busy insects.

September 7

The rapids by the town of Dauphin were the first challenge of the day. For the previous couple of days, decaying organic matter in the river had been churned by dams and rapids into finger- to hand-sized foam blobs on the water. It tracked the surface-water currents and helped me pick a course through the rapids and around rocks. Unfortunately, the day was windy, and wind-blown foam added some confusion, but I made my best guesses and hoped I would spot all the rocks before I hit them; I mostly succeeded.

The forecast rain held off until noon, by which point I was almost to the portage around the drop beneath an interstate bridge in Harrisburg. I pulled the canoe out of the water and waited out the worst of the rain under the bridge. At last, it eased up enough for a damp walk into New Market for groceries. By evening the rain was well gone, and after I made camp on the cobblestone beach below the train tracks, I sat on a boulder and watched the day’s last light yield to darkness.

September 8

Between the cicadas, the midnight trains, and the roar of jets at the Harrisburg airport across the river, my sleep had been spotty. I began the day by paddling toward the narrow mile-long channel that passed behind Hill Island. It was shallow and choked with boulders, but I took more epoxy off the paddle than the canoe. Beyond the island, I paddled through a maze of eelgrass that reached the surface and swept against the hull.

Boulders and ledges in fast-moving river

I threaded my way between the boulders that choked the channel between Hill Island and the right bank of the river. The visible boulders were of little consequence to my progress, but the barely visible submerged ones forced many last-minute course corrections.

The 30′-high White Cliffs of Conoy were bright and unmistakable on the left side of the river. I beached below this scar left by a 19th-century limestone and dolomite quarry, and followed an easy trail to the top so that I could survey the river and look for a channel through the upcoming river-wide ledge. Returning to the river, I was happy to find that the channel I had selected was, indeed, clean and I continued downstream unscathed.

I stopped on the left shore above the 120-year-old Shock’s Mill Bridge to examine the rapids just beyond. The arch nearest shore (the bridge has 28) was dry, the current in the second split around boulders, but the third and fourth arches led to a smooth wave train undisturbed by rocks. Back in the canoe, I wove around the rocks in the shallows at the top of the rapid and then had a straight shot at the third arch in the 4-mph current. Waves splashed in over the bow briefly, but there were no hidden rocks. Past the waves, I let the current carry me while I bailed. There was a long straight stretch beyond, and I ran downwind keeping an eye out for rocks masked by the wind-ruffled water.

A dozen miles beyond the bridge, I paddled through the backwaters behind the islands of the Conejohela Flats Birding Area to look for wildlife. The water shallowed. I didn’t want to go back and around so kept going, stopping regularly to wash bottom mud off the paddle and fuss about my slow progress through water 3″ to 12″ deep. As I cleared the islands, a good half mile of mudflats covered in gulls, terns, and ducks stretched off into the distance. I followed the deepest channel through the flats, hoping it wouldn’t broaden and shallow out. After a nail-biting half-hour I was clear of the worst and could relax.

Tent site on cobblestone beach by river.

Many of my campsites looked like this. After making landfall my priority was always to unload the canoe, pitch the tent, and get organized before making dinner. The low water levels during my trip meant that cobblestone bars were common along the river, and I much preferred to camp there than among the dense bushes (often knotweed) that grew on the riverbanks.

Beyond the flats, the railroad shoulder dropped straight into the water with no beaches for camping. After another hour of paddling, I at last found a narrow stretch of beach. By sunset a pale moon had risen, and the setting sun banded the clouds in the western sky purple and orange.

September 9

I broke camp only to discover half of the tent floor was wet. This stretch of the Susquehanna is a reservoir created by the Safe Harbor Dam downstream which must have reduced the flow through the dam and caused the water level to rise 3″ overnight.

I had called Safe Harbor the previous day to schedule a shuttle around the dam at 10 a.m., but when I arrived at the take-out, the concrete boat ramp was clogged with driftwood. I scrambled up onto the adjacent concrete dock and unloaded there; vultures watched me from the mobile crane used to pull debris out of the water above the dam. The portage crew showed up on time to drive me around to the put-in. At the next dam, Holtwood, 8 miles downstream, there was no cell reception, so I walked up the road to the dam’s call box to check in. The portage crew showed up shortly to collect me.

Below Holtwood, as I paddled along the west side of the Conowingo Reservoir, I became increasingly worried about finding a place to camp. The few level spots had houses on them and everywhere else was a steep rocky wooded slope that fell straight into the water. I spied a small level spot right at the water’s edge, but mindful of the previous night, I paddled on. Finding nothing better after 20 minutes, I turned around. As I paddled back along the shore, a black bear burst out of the water 50′ away and scrambled up the slope. I could hear it paralleling me as I kept paddling toward the place I’d intended to camp. It was no good. If I stayed there, I wouldn’t sleep. I headed downriver to Glen Cove marina, two hours away. After dusk at 8 p.m., the marina entrance light was a welcome sight. No one was around, so I bedded down in my sleeping bag on the dock. Through the night, carp gulped at the surface; it was worse than the regular song of cicadas, but better than hearing a bear in every noise.

September 10

Drowsy at 5:30 a.m. I watched what I thought was a meteor, but a post-trip search online pointed to a Falcon 9 rocket lift-off. Soon a fisherman motored out. Expecting a busy morning at the marina, I packed up and went paddling in search of ripe pawpaws for breakfast. These greenish-yellow fruits grow wild along the bank and usually range from boring to good, depending on the tree; hunger that day made them delicious. Back at the marina I saw no one until the Conowingo Dam portage crew showed up. They told me about a human-habituated bear in the area: my campsite selection was vindicated.

The mouth of the Susquehanna River

A different world: as I approached Concord Point Park and my takeout point on Chesapeake Bay in Havre de Grace, buildings and marinas lined the right bank.

Beyond the Conowingo Dam, I spent half an hour dodging mostly submerged boulders in 1⁄2–1 mph of current as the final four bridges spanning the mouth of the Susquehanna came into view. Clearing the bridges took two hours in the bright sun, and the light sparkled on the small wind-driven waves covering the wide open expanse of Chesapeake Bay. I turned south to finish at Concord Point Park in Havre de Grace, enjoying the feel of open water, but also wanting to be ashore before the afternoon winds picked up. I had made it. Thanks to mother nature and lady luck I had avoided the high waters left from Hurricane Debby in early August, and the September 22 sewer-line rupture that would close 20 miles of the river north of Harrisburg of Selinsgrove for recreational use. It had not always been an easy trip, but the weather had been kind, allowing me the privilege to experience the wildness that still survives along one of the major U.S. East Coast rivers, despite the impacts of our modern world.

Hugh Rand lives in Maryland where paddling gets him out into nature and provides some much-needed exercise. During his trip down the Susquehanna, he learned from the portage crews that as few as ten people a year paddle the entire length of the river in one go. For more of Hugh’s adventuring read “The Erie Canal by Canoe.”

If you have an interesting story to tell about your adventures with a small boat, please email us a brief outline and a few photos.

Mounting an Electric Outboard on Rudder Fittings

There is no perfect solution for mounting an outboard motor on a small boat; it must be tailored to the boat and the needs of the sailor. Modifications to any of my boats must be aesthetically pleasing as well as functional. Aesthetics and functionality need not be in conflict, and in my case, the motor is not used enough to warrant the weight and complications of having it permanently mounted on the transom. Recent advances in electric outboards have allowed for options not practical for heavier and bulkier gas-powered outboards.

My Torqeedo 1003 is about 10 years old and has been adapted for several boats. It was originally used on AUNT LOUISE, a William Gardner–designed Eel. For this double-ender, the motor was mounted on a bracket attached to the side of the hull; it could be quickly removed and stored once under sail. AUNT LOUISE sold without the motor and, not having a small skiff in my fleet, I decided to see if the Torqeedo could turn my sharpie into a serviceable power skiff.

Outboard mounting board for rudder fittingsPhotographs by the author

MALU’s rudder is mounted on two pintles on the transom. To make use of those pintles, the motor mount has two drilled-out Delrin blocks, which are bolted to a teak board and serve as gudgeons. Below the upper gudgeon, I through-threaded a bolt that will prevent the board from rising up and off the pintles.

MALU, my 17′ sharpie, has a transom but it also has an afterdeck that prevents simply clamping the Torqeedo to the stern. To avoid modifying the boat, I made a motor mount that fixes on the rudder pintles. I fashioned it from a teak board onto which I bolted drilled-out blocks that serve as gudgeons to the boat’s pintles. The mount sits snugly against the transom, cannot pivot, and rises above the transom to achieve the correct height for the long-shaft motor. With a long tiller extension that allows me to keep my weight well forward, the boat becomes a handy utility skiff.

Using the existing pintles works perfectly for my use of the outboard on this boat. But if you wish to use it on a sailboat where the rudder is not easily shipped and unshipped, you could fit a second set of pintles or gudgeons mounted to one side of the existing rudder hardware on the transom, making sure to offset the motor enough that it does not interfere with the rudder.

Electric motor bracketed to outboard mounting board

Because bad things can happen and a motor can be dropped on its way on or off the mounting board, a safety line is attached to the motor and connected to the boat.

Making the Mounting Board

To make the gudgeon blocks, I used Delrin, a dimensionally stable high-strength plastic that is easily worked using woodworking tools. Other high-strength plastics, or a good hardwood block, would also work, provided you take proper precautions to prevent splitting. The fabrication is quite simple. All that is needed is a hole drilled to match the diameter of the pintle. The center of the hole should be the same distance from the edge of the block as the center of the pin is from the boat’s transom. It is important to have a snug fit, with no rocking movement when the board is in place. Another solution would be to use a manufactured gudgeon bolted to the board, with blocking down each side to keep it parallel and fit tightly against the transom. If installing a set of pintles and gudgeons to use the motor on a sailboat without having to remove the rudder, mount the gudgeons on the boat and the pintles on the board—this will avoid having the more obtrusive pintles on the transom when the outboard is not in use.

Outboard motor mount showing indents for bracket stops

Once the motor is mounted to the board it’s important to keep it there. The simplest way to prevent a motor from working its way off the board is to create a recess for the screw pads. This recess can be two indents, made with a Forstner bit (as seen here), for a specific motor or a single larger area suitable for a range of motors.

It is always important to make sure both mount and engine stay attached to the boat. First, just like securing the rudder, you need to prevent the mount from lifting off the pintles. I threaded a bolt through the mounting board just below the gudgeon. If the mount begins to rise up, the bolt prevents the pintle from lifting out of the gudgeon and keeps it securely in place.

After making sure the mount will stay in place, we then need to ensure the motor stays connected to the mounting board. Perhaps the simplest solution is to create a recessed area for the screw pads to fit into; this will prevent the motor from “walking” off due to vibration or simply because the screws have not been sufficiently tightened. You can make either two recessed holes to fit a particular motor or a recessed area for more universal use. While I chose the former, a larger recess could be created by routing out a small area, or simply by adding a block or cleat above the screw pad area. Finally, it is always a good idea to attach a safety line to the motor, for retrieval if the unexpected happens.

Electric outboard hung on a small-boat transom

The Torqeedo motor is free to turn for steering while the board mount, fit snug against the transom, remains stationary.

Francis Herreshoff is often quoted as saying, “Simplicity afloat is the surest guarantee of happiness.” It could also be said that simplicity afloat is the surest guarantee of safety. Having your gear and systems set up to be easily accessed and deployed makes for a successful, enjoyable day on the water.

A lifelong resident of Florida’s Gulf Coast, Michael Jones spent his career as a boat carpenter working on the full spectrum of yachts from traditional to high-end luxury cruisers to sportfishing boats. Past president of the Traditional Small Craft Association he is a collector of small craft and is, he says, “still (boat) crazy after all these years.”

 

Putting the Pintles on the Board and Not the Boat

Notes by Christopher Cunningham

Michael’s sharpie, MALU, has pintles on the transom, so his motor-mounting board required fixtures with holes—the equivalent of gudgeons. All my rudder-equipped boats have gudgeons on the transom, and so, instead, require some sort of pintles on the mounting board.

 

Michael’s homemade gudgeons could be converted into a pintle by driving a short length of brass, bronze, or stainless-steel rod into a hole drilled to give it a tight fit in the block. Delrin would work well, as would a dense hardwood that’s not prone to splitting. I used a piece of local honey locust, a wood that I often use for making cleats. The hole for the metal pin is located to match the distance between the face of the transom and the hole in the gudgeon. To keep the motor-mounting board from swinging as a rudder does, the block is sized to fill the space between the transom and the rudder fitting. To taper the pin, I chucked it in a drill and spun it against a grinding wheel, then a 1×30 belt sander with a fine grit, and finally a buffing wheel. Note the cross cleat at the top of the board. Like the circular depressions in Michael’s board, it serves to keep the motor from slipping off.

 

One of the gudgeons I have, a commercial model made in cast bronze, has its hole very close to the surface on which it’s mounted, and I wouldn’t have confidence in a motor-mount pintle installed so close to the edge of the block of wood. A metal pintle would be stronger and, while commercial transom pintles aren’t as common as rudder pintles, they are available. I opted instead to make a pintle out of bits of brass joined by brazing them with silver solder. (See “Fillet Brazing for Custom Boat Hardware.”) To increase the space between the pin and the strap, I added a short piece of brass stock between the two elements and brazed all three elements together at the same time. Using a metal pintle requires adding a block of wood above the pintle to keep the motor-mounting board from pivoting.

On three of the boats for which I made rudder hardware, I avoided the challenge of making pintles by fitting gudgeons on both the rudder and the transom. A single brass rod inserted through all four of them holds the rudder in place. This method can have the advantage of keeping the rudder from lifting off by having the gudgeons on the rudder side flanking those on the transom side and would also work for the motor-mount board.

Christopher Cunningham is Small Boats’ editor-at-large.

You can share your tips and tricks of the trade with other Small Boats readers by sending us an email.

13′ Beach Pea Peapod

Most boats produced as tenders today row so poorly that it is little wonder that their owners often turn to an outboard motor for help. But if you are willing to forgo the noise, expense, and pollution of a motor, you may find that a peapod is the ultimate yacht tender.

These are great little boats, seaworthy, stable, and easily rowed. Here is a pod that is a bit smaller than most, but she will still carry a big load and bring you through some lumpy water with confidence.

Line drawings for Beach Pea design.

The Beach Pea design uses modern glued-lapstrake plywood con­struction, so she is lighter and easier to build than a tra­ditionally built boat. In addition, you won’t have to worry about her seams opening if your pod has been out of the water for a while. The clean interior will be easier to main­tain, and a coat of paint will last quite a bit longer on the stable plywood surface.

Two sailing rigs are shown-an easy-to-strike lugsail, and the more traditional sprit rig. Sailing your pod can be a lot of fun, especially if you are willing to go rudder­less. Unlikely as this may sound, you can amaze your friends and steer your pod just by moving your weight forward or aft. A centerboard will help you get to windward, and for the less adventurous the plans include a rudder.

Doug Hylan drew his Beach Pea design plan with the begin­ning builder in mind. The plans are well detailed, and full­-sized patterns eliminate the need for lofting. The six-sheet set of plans includes lines, construction, two sail plans, and full-sized patterns for molds and stems. A 22-page how-to-build booklet will help you along. WoodenBoat Plan No. 110, $75.00.

Beach Pea Design Details

DESCRIPTION
Hull type: Round-bottomed, double-ender
Rig: Lug or sprit rigged
Construction: Glued-lapstrake plywood

PERFORMANCE
* Suitable for: Protected waters
* Intended capacity: 1-4
Trailerable: Yes
Propulsion: Sail, oars

BUILDING DATA
Skill needed: Basic to intermediate
Lofting required: No
* Alternative construction: Traditional lapstrake

PLANS DATA
No. of sheets: 6
Level of detail: Above average
Cost per set: $75.00
WB Plan No. 110

Particulars

LOA:  13′
Beam:  4′ 4 1/2″
Draft:
– (cb up)  3″
– (cb down) 1′ 6″
Weight:  125 lbs
Sail area:
– Lug rig:  54 sqft
– Sprit rig:  55 sq ft

Completed Beach Pea Images

The Beach Pea excels as a pulling boat. A simple lug rig provides auxiliary power.

Check Out These Other Doug Hylan Designs

Need some inspiration before you build your own Beach Pea Peapod? Read our full profile of the Beach Pea, then take a look at a few other boats designed by Doug Hylan.

Oonagh: A lapstrake plywood pram for oar and sail

15′ 9″ and 19′ Ben Garveys: Fine boatyard skiff or small harbor ferry

The Hird Island Skiff: Comfortable and quiet

Kayalite Kayak Light

Last fall, my wife and I were paddling in solo kayaks on one of our favorite New Hampshire mountain lakes. We were about to cross a narrow channel when a powerboat came into view. We held back and waited, giving the boat a wide berth, but instead of moving through the channel, it slowed, altered course, and motored right up to us. The folks on board called out. We should have had lights, they said, “We could not see you.” They were clearly upset so we thanked them for their concern and kind advice. It was about an hour before sunset and, while we did have lamps with us, we had not yet turned them on. In most areas in the U.S. small non-motorized paddle- and rowboats are required to show an all-around white light when underway between 1⁄2 hour before dusk and 1⁄2 hour after dawn. (Specific requirements vary from state to state and on different bodies of water, so always check the rules before you paddle.)

One all-around light that I particularly like is Kayalu’s Kayalite Kayak Light.

Deck-mounted Kayalite Kayak LightBill Thomas

The Kayalite Kayak Light can be clipped to a dedicated pad-eye or mounted using a boat’s existing fittings. Here the 4″-diameter base is held securely in place under a kayak’s deck bungee cords. However it is mounted, the light is easily removable so that it can be stowed when not needed.

Kayalu is a Boston, Massachusetts, company. It has several options for small-boat lights and mounts, of which the Kayalite Kayak Light is the basic model. It’s a clever design that I have been able to fit easily to six different boats.

The light is waterproof (with an IPX8 rating to a depth of 1,000′). It has two LED bulbs powered by three AA batteries. Kayalu records the lamp life at 10,000 hours and the run time at 100 hours. The light is bright and well diffused through a white titanium-infused Lexan lens that gives all-around illumination—you do have to mount the light behind you, so it does not disrupt your night vision. There is no on-off switch; instead, the light is operated by twisting the housing.

The lens stands atop a mast of 1 1⁄4″-diameter black ABS plastic tube above a 4″-diameter base. The base has EVA foam-rubber padding on its underside to protect the deck and to keep the light from slipping.

The Kayalite Kayak Light weighs just 13 oz, and it floats—reassuring if you accidentally drop it overboard before it’s clipped on.

Mounting the Kayalite Kayak Light

Mounting the light is straightforward. Decide where you want it to be positioned, and if there isn’t a suitable fitting there already, install a 1″ pad-eye or eyebolt with backing plate (Kayalu supplies a marine-grade eyebolt kit, but any standard stainless-steel pad-eye will do). A length of 1⁄4″ bungee cord leads through the bottom of the mast tube to emerge through a hole some 10″ up. At its upper end the cord has a stopper knot; at its lower end there is a plated-steel snap clip. This clip is attached to the pad-eye. Once clipped on, a cutout on the underside of the mast’s base is lined up over the deck fitting as the mast is brought to vertical. Now the slack of the bungee is pulled through the mast-tube hole and tensioned on a locking cleat a couple of inches below the hole. The tension in the cord holds the mast stable and upright, while its elasticity allows the mast to flex so that it won’t break in a capsize roll or if hit by, say, a paddle.

Kayalite Kayak Light on canoe at sunsetJane Ahlfeld

In most U.S. waters non-motorized boats are required to carry an all-around white light from 1⁄2 hour before dusk to 1⁄2 hour after dawn. The Kayalite Kayak Light is waterproof, strong enough to withstand being hit by a paddle, flexible enough to survive a kayak roll, and easily mounted.

If you don’t want to add any hardware to your boat, you can use existing hardware such as a cleat or pad-eye, or the mount can be wedged between two items—in our canoe, for example, it is wedged between the top of the flotation tank and a grab handle.

I take the Kayalite Kayak Light on all my after-dark adventures. Not only does it keep me visible to other boats, but it’s also easily removed from the boat, making it a handy little light to have around camp.

Bill Thomas is a Maine Guide and has taught sea kayaking in Maine and other locations. He has been a custom woodworker, designer, boatbuilder, and teacher for more than 40 years.

The Kayalite Kayak Light is available from Kayalu, $59 plus shipping. The Kayalite Extension Kit, $19.95, enables the user to extend the height of the light to 21″ or 28″.

Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.

QuikFair from System Three Resins

I have owned a Shellback dinghy since it was new, having bought it from a gentleman in New Hampshire who had built it for the love of building and with no intention of holding on to it. It’s a beautiful little plywood boat and the quality of build is excellent, but I have no idea what paint he used. On the day I went to look at the boat I asked about the finishes, and he was vague in his answers; he had used a bit of this, a bit of that…all “exterior paints.” Despite the lack of provenance, it has held up well.

The boat is now 10 years old and has spent every summer alongside a busy sailing-club dock in salt water. Most years, I’ve sanded down the topcoat and refinished above the waterline with a layer of Epifanes Yacht Enamel, and below the waterline with antifouling paint. This year, when I went to give it the customary sanding, I noticed the paint had some small linear cracks running parallel to the wood grain. As I scraped at them, most remained as small cracks, but some flaked away to uncover more substantial spots. I realized I had two choices: either take everything down to bare wood—which I was reluctant to do because it was a big job for a small problem and apart from those few cracks the rest of the paint was in good shape—or diligently scrape and sand the problem areas until they were stable and then fair them with a light filler.

Painted plywood hull showing checking damagePhotographs by the author

When I started work on the hull it became obvious that the small linear cracks in the lower topsides plywood panel were not going to be sanded out.

I decided on the latter option, but was unsure what to use for a filler. I had recently finished some work on an interior wall in my house where I had extensively used spackle, a defect-filling putty that dries quickly and is very easy to sand. That was what I needed for the boat: the marine equivalent of spackle.

Plywood small-boat hull with unfinished QuikFair

The QuikFair spread easily—filling cracks and adhering well—even though I had not removed all of the old finish.

At my local marine hardware store, I described the project in hand and was recommended QuikFair, a two-part epoxy-based fairing compound from System Three Resins. The manufacturer describes it as “a lightweight, microballoon-filled, fast-curing two-part epoxy fairing putty with excellent moisture resistance.” It can be used above or below the waterline, and can be applied to bare wood, epoxy-coated wood, polyester resin, and steel. I bought the 1.5-pint pack.

Applying QuikFair

The kit contains a 16-fl-oz tub of resin—light purple in color—and an 8-fl-oz tub of white hardener; both are low-odor and solvent free. The instructions on the box are minimal but, as it turns out, are all that is needed. The two parts can be mixed by volume—2:1—or by weight—100:44. Having no way to measure accurately by volume, I decided to measure by weight and, needing only a little, weighed out 12.5g of resin to 5.5g of hardener. When thoroughly mixed together, the compound turned a pale-pink and to a consistency described by System Three as “butter-like,” but which I think seemed more like spreadable cream cheese.

It was easy to work. Because I was applying it to such a small area, I used a 1″ putty knife, but over a larger area would have used a wider 2″ flexible plastic spreader. The putty spread easily and filled even the smallest of indents and cracks. The instructions say that QuikFair allows for 10–15 minutes of working time; I was only working for about 7 minutes and in that time, the mixture showed no sign of curing; the last application spread as smoothly as the first.

Small-boat hull finished with QuickFair and yacht enamel.

After sanding the QuikFair and then applying two coats of yacht enamel the cracks had disappeared.

The manufacturer states that at 70°F QuikFair is sufficiently cured to be hand-sanded in three hours or machine-sanded in four hours. The temperature in the garage where I was working was, at best, around 60°F, but after three hours the putty was dry to the touch. I waited until the next day before sanding to a smooth finish using 240-grit paper. The cured compound sanded to powder and didn’t clog the sandpaper. I primed after three days (I later read the note that said full cure time at 70°F is four days). The primer dried and covered equally on the faired areas as elsewhere, but when I applied topcoat—several days later—I noticed that in those areas treated with QuikFair, the enamel needed more time to cure until no longer tacky and required an extra coat to get an even gloss.

QuikFair two-part compound from System Three Resins.

The QuikFair two-part system: 8 oz of hardener to 16 oz resin. With no way to measure accurately by volume, I used a small scale and weighed out in grams—a little went a very long way.

I was pleased with the product. For an inexperienced user it was forgiving and easy to work and did exactly what I wanted, making the topsides of my dinghy look almost as good as new.

Jenny Bennett is editor of Small Boats.QuikFair is available from marine hardware stores and direct from System Three Resins, in several sizes. The smallest, 1.5 pints, is listed at $42.95. 

Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.

EMMA

When Kippen Briggs was 10, he took sailing lessons on Schwatka Lake near his home north of Whitehorse, Yukon. Once a week through the summer, he and his friends would go out in Optimists (and later Lasers) to learn the basics of sailing. By the end of the season, he had decided he wanted his own boat—something large enough to hold a couple of people comfortably and with some space for storage. It should be a sailboat but a sailboat that could be rowed and take a small outboard motor. He had been reading Jim Michalak’s book, Boatbuilding for Beginners (and Beyond), and thought the Mayfly 14 would suit his needs. It’s a simple hard-chined flat-bottomed boat designed to be built out of five 4 × 8 sheets of plywood on a temporary form with two plywood bulkheads, solid-wood stem, chine logs, and gunwales. He brought the idea to his grandfather, Ken.

Mayfly 14 under constructionPhotographs courtesy of the Briggs family

The two side panels were temporarily screw-fastened to the central form, and then glued and screwed to the forward and after bulkheads. To bring the panel ends into the stem and transom, Ken and Kippen used a ratchet strap.

Ken has always enjoyed building—he and his wife have built multiple log houses and have lived in one of them since 1975. He has passed his love of woodwork on, first to his son Bernard (Kippen’s father), for whom Ken built a lathe, and then to Kippen who was about nine when he started using the lathe with Ken. “He makes small wooden gifts for the family,” says Ken.

“We discussed the boat over the winter of 2023,” Ken continues. “It would be a weekend project. It was Kippen’s boat—he was then 11 years old—and I made a point of not doing any part of the build completely on my own.”

Laying fiberglass on Mayfly 14 bottom

The bottom was fashioned out of two plywood sheets butted together. It was finished with a layer of epoxy-saturated 12-oz fiberglass cloth.

Ken and Kippen worked together through the setup. “We started by purchasing a new 10″ cordless miter saw. I figured that if Kippen was going to use it, he might as well take it out of the boxes and put it together. I planed some rough lumber while he figured it out and got it operational, and then he cut some lengths of 1 × 8 boards that he would mark out for the forms.”

Cutting the wood and plywood, says Ken, was fun; checking and rechecking the plans less so. Ken stressed the importance of accuracy but allowed Kippen the experience of working through trial and error. He laid out the five forms—two temporary, two permanent bulkheads, and the transom. It took four attempts to get it right. “He wasn’t too discouraged when we sanded off all his pencil marks and started again,” says Ken. “And in the end, he laid out near-perfect lines for the wood forms.” To cut out the parts they used a bandsaw. It was another teaching opportunity for Ken: “Kippen learned to cut close to the outside of the line and then to take the wood down to the line with a disc sander.”

Once the bottom had been finished, the gunwales and chine logs fitted, the boat was returned to upright. Ken and Kippen took a moment to admire their work before moving on to constructing the decks. In hindsight, says Ken, they should have painted the boat’s interior at this stage, when it was all still open and easily accessed.

The simple boat demanded simple materials. For the hull panels Ken and Kippen agreed on construction-grade plywood. They would sheathe the bottom panel with fiberglass cloth and epoxy, but the rest of the boat would be simply primed and painted. For the bottom, transom, and deck panels they used 1⁄2″ plywood, while the sides were 3⁄8″. For the dimensional lumber they used locally grown spruce cut into 12′-long 1 × 8 boards on Bernard’s sawmill and then run through the thickness planer in Ken’s shop. The lumber came from the family firewood pile. “Some years ago,” Ken explains, “the Yukon Territory was infested by spruce-bark beetle and many square miles of spruce trees died. I purchased a B-train logging trailer’s worth of 50′ logs, which I cut as we need them to heat our home and fire the cookstove. We’ve also used them to build things: log cabins, furniture, even a strip-planked canoe. Now Kippen was using the wood for his boat, spars, and oars.”

Construction started right-side up so that Ken and Kippen could see the true shape of the hull as it came together. They had cut all the parts, marking the centerline on the forms and bulkheads, and the form locations on the side panels. Now, they clamped one of the side panels to the ’midships form, then temporarily screwed it top and bottom before repeating the operation with the opposite side panel. They then lifted the three joined pieces onto two sawhorses. Next, Ken and Kippen took a ratchet strap and, looping it around the two facing side panels, pulled the ends into each other—first at the stern, then at the bow. As the ends came in, they glued and screwed the sides to the bulkheads. Finally, the transom and stem were glued and screwed in place. “It went pretty quickly,” says Ken. “We managed to get it done in a weekend; it was exciting.”

Mayfly 14 on trailer

Kippen and Ken made the sail out of poly tarp; they reinforced the edges with 1″ ratchet-strap webbing.

With the side panels in place and permanently fastened, Ken and Kippen carefully turned the boat over to install the gunwales, the chine logs, and the bottom—preassembled and cut from two sheets of plywood butted together. While the boat was still upside down, they coated the bottom with 12-oz fiberglass cloth and epoxy resin.

When they returned the boat to upright, Ken says, “it looked like it was almost finished! Little did we know that there was still a lot of work to do.” They mixed epoxy and sawdust for filleting the chine logs and all the interior side-to-bottom and -bulkhead joints; filled all the screw holes, and sanded for hours. They cut the decks to shape and glued and screwed them in place. Kippen cut and installed the raised hatch frames and the covers. “Then there was the leeboard and its framework, the rudder…even the tiller was a good little project. Kippen and I painted the boat together, including the inside of the lockers in the bow and stern. Unfortunately, we didn’t think of painting those until after the decks had gone on. We won’t make that mistake next time!” Kippen decided to varnish the hatch covers and stem and, adding a touch of flare, burned the image of a spruce branch and cone into the forward face of the stem. Over the course of two weekends, they fashioned the mast and spars from laminated 1 × 8 spruce—“a lot of sawing, planing, and sanding.”

The moment of truth: Ken and Kippen launched EMMA on a local pond on a day of light winds, but she performed well under motor, oar, and (ultimately) sail.

Finally, they made the sail. “We used a poly tarp and reinforced the edges with 1″ ratchet-strap webbing. Kippen set grommets where needed. We reinforced the corners and reefpoints—there are eight layers of material. We used Kippen’s mother’s sewing machine and were surprised that it was all we needed. All the seams are zigzag stitched.”

As the project neared the end the family discussed names for the boat. It was Kippen who suggested EMMA. “We had an unstoppable little German Shepherd, Emma. She and Kippen had grown up together and only he could keep up with her. The year we built the boat, she was killed on the highway. We all instantly agreed with his choice.”

Three children on Mayfly 14

When Kippen saw the Mayfly 14 design in Jim Michalak’s book, he decided it would be the boat for him. The summer after he and his grandfather built EMMA, Kippen and his friends took to the waters of the Yukon and used her just as he had imagined.

EMMA was launched on Father’s Day, 2024, on Shadow Lake. “It’s not much more than a small northern pothole lake, but it served us well for a shakedown cruise. We motored first—Kippen has a 2-hp outboard that he mounts on a board locked into the rudder fittings; he sits on the afterdeck to operate it. Then we rowed—not quite as fast as with the outboard, but it’s good to have oars. And then we sailed.” They reached, came onto the wind, tacked a few times—EMMA coming about nicely—and then ran for home with the sail all the way out to starboard. “We came back with great big smiles,” says Ken. “We’d set out, two boatbuilders; we returned, two sailors.”

Jenny Bennett is editor of Small Boats.

Do you have a boat with an interesting story? Please email us. We’d like to hear about it and share it with other Small Boats readers.

12′ 4″ Yankee Tender

Feeling that some improvements could be made on the original Asa Thomson Flat-Bottomed Skiff, WoodenBoat (Maynard Bray, Spencer Lincoln, Joel White, and Jon Wilson) drew up some modified plans, which became the design for the Yankee Tender.

Mr. Thomson, a New Bedford boatbuilder legendary for his exacting standards and fine workmanship, built a number of skiff-tenders. Designed for a specific purpose in a specific area, they were light with a flat bottom for easy beaching. A good freeboard provided protection against a Buzzards Bay chop, and the strong sheer keeps the ends buoyant.

Line drawing for the Yankee Tender.Spencer Lincoln

Yankee Tender is a capacious, seaworthy, flat-bottomed skiff weighing less than 150 lbs.

Feeling that Mr. Thomson’s design was just a bit stubby (probably because he was obliged to keep the overall length down to a minimum for easy stowage), WoodenBoat raked both the stem and stern, keeping the same bottom length, and raised her out of the water a bit forward so that she’d tow better and run farther up the beach.

The original skiff by Mr. Thomson had three planks up each side. While it was easy for Asa Thomson to find wide planking in the 1920s, it’s a different story today; WoodenBoat felt obliged to use four planks on each side, and chose Maine cedar over the original white pine.

Like Mr. Thomson’s, the Yankee Tender is light and responsive. She will carry three adults with ease and promises to be a good tender and fun for “poking about.” LOA is 12′ 4″, and her beam is 4′ 4″. Her weight of less than 150 pounds makes her easy for two adults to carry, and she can be loaded on a trailer or truck.

WoodenBoat Nos. 30 and 31 feature “Building a Flat-Bottomed Skiff” from the Yankee Tender design plans, using step-by-step details. The plans themselves are exceptionally detailed. WoodenBoat Plan No. 11. $50.00.

Yankee Tender Design Plan Details

DESCRIPTION
Hull type: Flat-bottomed, straight flaring sides
Rig: None
Construction: Cross-planked bottom, lapstrake sides

PERFORMANCE
*Suitable for: Protected waters
*Intended capacity: 3
Trailerable: Yes
Propulsion: Oars
Speed (knots): 1-3

BUILDING DATA
Skill needed: Basic
Lofting required: No
* Alternative construction: Plywood
Helpful WoodenBoat issues: WoodenBoat Nos. 30 & 31

PLANS DATA
No. of sheets: 5
Level of detail: Extreme
Cost per set: $50.00
WB Plan No. 11

Particulars

LOA:  12′ 4″
Beam:  4′ 4″
Weight:  125-150 lbs

Completed Yankee Tender Images

Tom DeVries

The generously rockered bottom keeps the transom well clear of the water when a rower is boating alone.

Johanna DeVries

The cross-planked bottom doesn’t require framing, so it presents a clean, unobstructed surface.

17′ 10″ Seguin Kayak

Seguin, a sports car of a kayak, will reward experienced paddlers with spirited performance.

Designer Rob Bryan has added a retractable skeg to this kayak to assure positive control without the compli­cation of a rudder system. Spectators watching sea kayaks working into big waves often comment on the daring of the paddlers. In fact, blasting to windward is the easiest part of rough-water kayaking in terms of the skills required. Sea kayaks, with their low profiles and pointed noses, love that game.

Line drawing of Seguin kayak.

Rob Bryan’s Seguin kayak design will reward experienced paddlers with spirited performance

The real test of operator ability occurs when paddling across, or off, the wind. Some kayaks tend to dig in and root when traveling with wind and wave. Many kayaks want to round up and face into the wind, no mat­ter where the paddler might want to go. By raising or lowering Seguin’s skeg, you can head where you wish at will.

With Seguin’s cockpit tailored to your own dimen­sions (using specially shaped foam pads), this kayak becomes an extension of your body. You’ll be able to lean, brace, and Eskimo roll with great ease and style.

Seguin’s cockpit details show the custom-fitted padding helpful for bracing and rolling.

Despite all its sophistication, Seguin is easy to build. Simply cut the hull panels to shape, stitch them together, and finish the seams with epoxy and fiberglass tape. At 42 lbs, this is a clean, light, and strong boat. And it is extra­ordinarily handsome on the water.

Plans for the Seguin Kayak include profile, deck plan, and panel layout; three sheets of construction details; full-sized patterns for skeg and cockpit; and a 40-page construction manual. WoodenBoat Plan No. lll, $60.00.

Seguin Kayak Design Plan Details

DESCRIPTION
Hull type: V-bottomed sea kayak
Construction: Stitch-and-glue plywood
Featured in WoodenBoat No. 115

PERFORMANCE
Suitable for: Protected waters
Intended capacity: 1
Trailerable or cartoppable
Propulsion: Double paddle

BUILDING DATA
Skill needed: Basic to intermediate
Lofting required: No
Alternative construction: None

PLANS DATA
No. of sheets: 5 plus instruction booklet
Level of detail: Above average
Cost per set: $60.00
WoodenBoat Plan No. lll

Particulars

LOA: 17′ 10″
Beam: 21 1/2″
Weight: 42 lbs

Launching Your New Sea Kayak

So, you’ve built your Seguin Kayak and are ready to launch. But how and where to? Check out these other articles for a handy DIY boat cart you can use to transport your new kayak to the water, and a couple adventure stories for some inspiration.

A DIY Boat Cart: Transporting boats with ease and economy

Dallying Downeast: Meandering the Maine coast by sea kayak

Rowing the Broughton Archipelago: A British Columbia cruise

11′ 3″ Asa Thomson Skiff

These plans are taken from what is thought to be the last remaining Asa Thomson flat-bottomed skiff, now owned by Mystic Seaport Museum. The Asa Thomson Skiff rows surprisingly well, and her rockered bottom makes her responsive, as well as allowing her to carry three adults and still row well.

Mr. Thomson apparently built Mystic’s skiff for a fisherman; there’s a watertight bait well under the middle thwart, open to the sea through holes bored in the boat’s bottom. Access is through two hinged lids that form the central part of the thwart when closed. It’s a unique feature, adding enough strength through its bulkheads so the usual seat knees aren’t required. Even if you’re not a fisherman, you might still find the space useful as a dry compartment for secure and weatherproof storage of life jackets, oarlocks, and other boat gear.

Design plans for the Asa Thomson skiff.Spencer Lincoln

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With an 11′ 3″ LOA and a beam of 4′ 5″, she weighs only about 150 pounds. The skiff at Mystic is framed in oak, double-planked with 3/8″ white pine on her bottom and 3/8″ white pine in three stakes on each side. She’s fastened with copper clout nails. Her transom is 5/8″ oak, and oak is also used for her stem, chines, sternpost, and seats. The keel piece, skeg, inwales, and guardrail arc made of yellow birch, and natural apple crooks form the breasthook and quarter knees.

Although the plans for the Asa Thomson Skiff don’t go into as much detail as the ones we’ve developed for the Yankee Skiff or the Catspaw Dinghy, there is ample informa­tion from which to build her.

Additional information on the skiff is available in an article entitled “Asa Thomson’s Elegant Skiffs,” WoodenBoat No. 29. WoodenBoat Plan No. 9. $20.00.

Asa Thomson Skiff Plan Details

DESCRIPTION
Hull type: Flat-bottomed, straight flaring sides
Rig: None
Construction: Cross-planked bottom, lapstrake sides
Featured in WoodenBoat No. 29

PERFORMANCE
* Suitable for: Protected waters
* Intended capacity: 3
* See page 112 for further information.
Trailerable: Yes
Propulsion: Oars
Speed (knots): 1-3

BUILDING DATA
Skill needed: Intermediate
Lofting required: No
*Alternative construction: Plywood

PLANS DATA
No. of sheets:
Level of detail: Below average
Cost per set: $20.00
WB Plan No. 9

Particulars

LOA:  11′ 3″
Beam:  4′ 5″
Weight:  125-150 lbs

Completed Asa Thomson Skiff Images

Asa Thomson skiff loaded onto a trailer.Karen Wales

Traditionally built, the Asa Thomson skiff weighs 125–150 lbs. Plywood construction makes COOKIE, a lot lighter and renders her immediately usable upon launching since there’s no waiting for wood to swell. She is trailerable and is easily lifted and launched by two people.

Woman wearing a pink shirt rows an Asa Thomson skiff.Karen Wales

In the normal rowing position, the skiff’s even loading and short turning radius are shown off.

Downriver in a CLC Northeaster Dory – Part 1

In a clearing rain and soft mist LITTLE JOY slid through calm water to the middle of the Mississippi River, about 2 miles below Lock and Dam #1 in Minneapolis, the highest navigable on the Mississippi River. The river, here at Hidden Falls, is only 100 yards wide, clear and cold, with a gentle but steady flow. With a smile for my wife Xiaole, who was seated comfortably in the stern, I put my back into it, rowed out to mid-river, and caught the current that flows south to the Gulf of Mexico.

After a 1,100 mile road trip from Philadelphia we put in a Hidden Falls Park on the southern fringe of Minneapolis. The river was hardly looking like the Mighty Mississippi of my imagination.Photographs by Xiaole and David Hudson


After a 1,100 mile road trip from Philadelphia, we put in a Hidden Falls Park on the southern fringe of Minneapolis. The river was hardly looking like the Mighty Mississippi I’d imagined.

Our plan, well my plan, was to row/sail down the entire 1,800 miles of the Mississippi River in a 17′ dory I built in my backyard. Xiaole (pronounced Shihow-luh) wore a bulky, bright orange PFD. She is not the strongest swimmer, and we debated whether she should even come along. We eventually settled on having her come along for just the first week.

After just 3 miles of rowing, the tall office buildings of St. Paul appeared around a bend in the river, rising right along the eastern bank. Steel barges, 35′ wide and 200′ long, were tied on both sides of the river. A towboat just as big, with twin exhaust stacks and a square bow, idled next to them.

As we approached the first of the four bridges in downtown St. Paul, the river was quiet and we were at ease. Beyond the fourth bridge the traffic of tows and barges would demand our attention.


As we approached the first of the four bridges in downtown St. Paul, the river was quiet and we were at ease. Beyond the fourth bridge, the traffic of tows and barges would demand our close attention.

We moved with caution and worked our way past the barges and towboat. Two narrow channels ran underneath two successive bridges. A towboat underway now and pushing two barges passed us in the left channel. More barges and towboats slipped by as we put downtown St. Paul behind us.

Downstream from the city, the banks became heavily tree lined, and we made our way between small wooded islands and past the mouths of numerous back channels. A pair of bald eagles, perched high on a leafless tree, peered down on us. This was more like it, but what wasn’t more like it were the pleasure boats. It was Labor Day Sunday and they were out in force, enjoying the last weekend of summer. There were cruisers and houseboats, pontoon boats and jet skis, and even some I would call yachts. The one thing they had in common were motors and speed. Pulling with our oars at 3 mph, we felt we did not belong.

We took a break on a muddy beach just below St. Paul. This section of the river is quite narrow and crowded with tows.


We took a break on a muddy beach just below St. Paul. This section of the river is quite narrow and crowded with tows.

Camping spots were plentiful among the islands and wooded shores, but unfortunately, the good ones were occupied with the pleasure boaters spending the night on the river. We finally managed to find a small grassy spot on a point of land, set up the tent, and eat some noodles with the last of the evening’s light. We had gone less than 22 miles on our first day, far less than I’d planned, but I was satisfied. We were off. Soon after we zipped the tent door shut, I fell asleep, exhausted.

We pushed off by 7 a.m. the next morning and rowed into a side channel warmed by the newly risen sun. The pleasure boaters were all still asleep and we had the river to ourselves. Several flocks of white pelicans flew low overhead, their white bodies bright against the blue sky. A turtle, balanced on a log, basked in the morning sun, then slid into the river as we drew near. An immature bald eagle, big but lacking the white head, flew past as another sat high in trees and surveyed the river.

Roger Siebert

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We rejoined the main channel after passing through Baldwin Lake as the pleasure boaters began to wake up and head home. Roaring engines followed by 2′-high wakes would make me break my rowing rhythm. I would turn LITTLE JOY square to the waves and ride them out. Eventually, at the sound of the engines, my chest would tighten.

It rained on and off throughout the afternoon, but we made 35 miles and called it a day at Prescott, Wisconsin. Heavy rains were expected that night and through the next day so we left LITTLE JOY at a small marina, free of charge, and walked to the only motel in town. I was happy with the mileage, but I was exhausted and the motorboats added a new level of anxiety. “Are we too old for this?” I asked my wife. “We are not too old,” she said with a reassuring smile.

Not far from Prescott, Xiaole sought a little cover on a mid-river island during a violent summer storm. After the first three days we encountered little rain.


Not far from Prescott, Xiaole sought a little cover on a mid-river island during a violent summer storm. After the first three days, we encountered little rain.

The clouds were dark and heavy the next morning, and we set out in a light rain. We decided to make a run for a casino resort about 11 miles away. We could hole up there for the night when the storm came through. Right away the rains increased and got so heavy we pulled ashore and stood under the trees. A′’-long northern water snake slowly emerged from the trees, slinked onto the sand, and lay there near our feet.

We rowed off the river into Sturgeon Lake, tied up at the Casino marina, and spent the afternoon and night warm and dry in a hotel room as we watched the rain come down in torrents. It rained over 5” overnight and in the morning, the gear we left in LITTLE JOY floated in 8” of bilgewater. I started to bail.

The sky, now a brilliant blue, shimmered off the clear surface of the river. Still at the oars, my wife not yet ready to take a turn, I rowed easily down the middle of the river. There were no pleasure boats, no whining outboard motors. The Tuesday after Labor Day brought peace and quiet.

I enjoyed the warmth of the summer sun on my back and the company of my wife as we wound our way mile after mile downriver to Lake Pepin. At 20 miles long and 2 miles wide, it’s the largest lake on the river. The north wind that had brought clear skies was hard from the north, straight down the lake.

LITTLE JOY has a simple lug sail. I had sailed before: exactly three times, in light wind, and not competently.

Lake Pepin was big enough to try a little sailing. It was fun, fast, and exciting. Unfortunately, I was new to sailing and my sailing skills weren’t up to the task. This was the first and only time I tried sailing on the river. The bluffs all around were a common sight from Minnesota down to Iowa.


Lake Pepin was big enough to try a little sailing. It was fun, fast, and exciting. Unfortunately, I was new to sailing and my sailing skills weren’t up to the task. This was the first and only time I tried sailing on the river. The bluffs all around were a common sight from Minnesota down to Iowa.

I hoisted the sail and pulled in the mainsheet. Off we went straight down wind. I squatted low on the middle thwart and Xiaole hung on tight in the stern as we flew over choppy waves down the middle of the lake. With growing confidence but ample anxiety, I guided LITTLE JOY 10 miles and aimed for a small point of land jutting out just north of Lake City. I hit it perfectly…by which I mean I hit it. The rocky beach was being pounded by small waves and, combined with the strong wind, bashed my boat against the rocks. I got Xiaole out of the boat and safe on land.

The campground was actually a half mile upwind. I took the sail down and worked my way back by pulling the boat along the shore and by rowing. Hok-Si-La Campground was empty, and we set up camp protected from the wind by the trees lining the edge of the beach. The exposed sandstone of the 400’ bluffs on the far side of the lake glowed in the warm light of the setting sun. As the wind died down, Xiaole and I ate noodles and eggs and watched the stars come out over the lake.

Xiaole used the paddle to contribute to our downriver progress. It wasn’t very effective so she didn’t use it often but enjoyed paddling when she did.


Xiaole used the paddle to contribute to our downriver progress. It wasn’t very effective so she didn’t use it often but enjoyed paddling when she did.

The next day we reached the south end of the lake, rowed along the 1/4-mile-wide river to Wabasha, and spent the night on a sandy beach 6 miles downstream from town.

The next day was leisurely, spent entirely on the river, covering 26 miles and ending camped on the tip of an island shaped like a crooked finger pointing upstream. We were on the river early the next day. Winona was just 3 miles away, and we left without breakfast.

Five miles upriver from Winona, Fountain City is typical of many river towns, nestled under the bluffs and spread along the river.


Five miles upriver from Winona, Fountain City is typical of many river towns, nestled under the bluffs and stretched out along the river.

The current was moving 3 mph as we approached Winona, so I rowed LITTLE JOY to the shore just upstream from the dock. Xiaole was ready with a line. Approaching the cement dock, I spun around and pointed the bow upstream as we got close. The current carried us past as Xiaole threw the line around an oversize steel cleat and tied us off.

As we set out for town, I had my heart set on pancakes. After a search of the main street, we came up empty. We settled for an artsy coffee house, and I had to content myself with an enormous cinnamon bun and a cup of coffee. After days of noodles and fried eggs gritty with sand, this would have to do.

Great white cliffs made my last day enjoyable. They begin at the confluence of the Illinois river and the Mississippi at Grafton Il and run 10 miles down toward Alton Il. The Great River Road, a National Scenic Highway, has been my companion on and off and runs right below the cliffs here.


Great white cliffs begin at the confluence of the Illinois River and the Mississippi at Grafton, Illinois, and run 10 miles down toward Alton, Illinois. The Great River Road, a National Scenic Highway, was my companion on and off and runs right below the cliffs here.

Xiaole’s leg of the trip was over and she caught a bus to head back home. I walked back to the river alone. Fifteen miles downriver, I pulled ashore and made camp on an island directly across from Great River Bluffs State Park. Sitting alone on the sandy beach, I dined on fried chicken and cold iced tea from the resupply I did in Winona. Steep tree-covered bluffs rose before me topped by two 500’ peaks, the highest 200′ of each were sheer, exposed rock faces of dolomite. The cliffs run on both sides of the river, north and south, for dozens of miles; they closed in on the river as night fell.

Rising with the sun I stretched and let out a moan. My back was stiff. I’m 55 years old and a stiff lower back is nothing new. To add to that, four months ago, I separated a rib swinging a golf club and I wasn’t sure it was completely healed.

I took a break in a spot of shade to give my back a much-needed stretch. This beach was exceptional though not uncommon for a camping spot. Minnesota and Wisconsin both provide, free of charge, sandy open beaches for camping and day use. This would change as I got to the states farther south.


I took a break in a spot of shade to give my back a much-needed stretch. This beach was exceptional though not uncommon for a camping spot. Minnesota and Wisconsin both provide, free of charge, sandy open beaches for camping and day use. This would change as I got to the states farther south.

The two-man backpacking tent I set up on the beach is barely big enough for one person and a few overnight items, so I left most gear outside or on the boat. Packing up was easy except for the stooping to set up and tear down the tent—my back made it slow work.

I rowed in silence. With Xiaole gone, the aft seat was now empty, and beyond it is an expansive view of where I had just been.

I had rearranged the gear to trim the boat and stowed the sail away for good—the river was too dangerous for my sailing skills. I frequently looked over my shoulders, left then right, looking for obstacles. There were plenty. Fallen leaf-bare branches, uprooted stumps, and even entire trees floated past. Channel buoys, concrete channel markers, wing dams, river-wide dams, and bridges all stood immovable and the river wrapped around them.

It was a dangerous game to play, but I passed through this spillway and underneath the massive pivoting gate. Looking upstream, as here, it is easy to see the drop from the upstream to the downstream side of the dam, but when I approached a spillway from the upstream side it was hard to determine the water level on the other side. It could have been a 6’ difference. The water level was very high due to heavy rains in the upper Midwest, so many dams had the gates lifted to let the river flow through unimpeded.

It was a dangerous game to play, but I passed through this spillway and underneath the massive pivoting gate. Looking upstream, as here, it is easy to see the drop to the downstream side of the dam, but when I approached a spillway from the upstream side it was hard to determine the water level on the far side. It could have been a dangerous 6’ drop. The water level was very high because of the heavy rains in the upper Midwest, so many dams had the gates raised to let the river flow through unimpeded.

I was lost in the routine, daydreaming, when Bang! I was thrown forward then back, whiplashed and jolted. A shamrock-green steel buoy, as round as an oil drum and rising higher than my head went by in slow motion, scraping along the gunwale. I quickly headed to shore to inspect the damage.

Other than a small dent on the bow and a long green paint smear on the port gunwale, LITTLE JOY was fine. I, however, grumbled to myself for allowing such a potentially dangerous thing to happen. The Mississippi River, starting at the Gulf of Mexico all the way up to Minneapolis, is dotted with hundreds of red and green channel markers. Looking over the stern I’d see the wake left by LITTLE JOY’s passage through the water, and it was easy to forget the water itself is moving. Buoys, while they’re fixed to the bottom, appear to be charging upriver like submarines with only their sails showing. I had hit one head on, but it felt like it had run into me.

I passed the Effigy Mounds National Monument, where hidden in the woods are earthen mounds in various animal forms built by native people in the first millennium.
After nine days on the river I’d traveled 172 river miles and crossed the border from Minnesota into Iowa. That was only on the right bank—I still had Wisconsin on the left bank—but still, it was reassurance that I was getting somewhere.

Marquette, Iowa, is a village of only a few hundred people that lies in the shadow of one of the 130 bridges that span the Mississippi. After rowing under the bridge, I pulled up to a floating wooden dock where I met a man with a bushy blond mustache, cargo shorts, and high-top work boots. He gave me dock space, a giant cup of coffee, and pointed me to a place I could finally get a pancake breakfast.

Back on the river, I had a view of the bridge that carries US-18 across the river. Its single powder-blue steel arch stretching high above the deck for the roadway blended in with the cloudless sky behind it. Beneath the bridge I got a glimpse of a tow heading downriver toward me.

The many bridges spanning the river come in many shapes and sizes and include many old, low railroad bridges that have a lift or a swing section that has to be moved to allow bigger boats to pass. Though this highway bridge at Marquette is prettier than most. The tow seen under the bridge would soon pass close by.

The bridges spanning the river come in many shapes and sizes and include many old, low railroad bridges that have a lift or a swing section that has to be moved to allow bigger boats to pass. This more modern highway bridge at Marquette is prettier than most. The tow seen here under the bridge would soon pass close by.

On the Upper Mississippi a “tow,” as it’s called, usually consists of a towboat and a set of barges, three abreast and five end-to-end that are cabled together into a rectangular raft. Each barge is 200′ by 35′, so a 15-barge tow with a 200′ towboat is 1,200′ long. I learned that the thousands of tons of cargo a tow carries is equivalent to a railroad train 3 miles long or a convoy of trucks 35 miles long.

The towboat, its two diesel engines whining, steered under the bridge close to the Iowa side following the marked channel. When it was a mile away, I moved tight to the Iowa shore knowing the tow would be back in the middle of the river when it passed. Ten yards from shore I sat and waited. The water along the shore was emerald green, covered by duckweed; round leaves no larger than 1/4″ floated on the surface in large mats, extending unbroken for hundreds of feet.

The bank at the river’s edge rose sharply about 10′ above me to a railroad. I heard a distant rumble and within minutes a freight train roared toward me. The engineer leaned out of the cab window of the red Canadian Pacific locomotive. Our eyes met and I waved. He gave me two short blasts of the horn as the train thundered by.

Just then the tow reached me, and its 100′-wide three-barge bow pushed the river out of its way with blunt brute force. I waved to the pilothouse high above the deck. No one waved back. I turned LITTLE JOY, moved away from the shore, and headed straight into the churning wake. LITTLE JOY rode over the waves with ease.

Tows passed me up to three times a day. They were going both upstream and down, and I kept an eye on the ones coming upstream, behind my back, even though once spotted there was plenty of time to get out of the way.

The next day I rowed 27 miles and stopped at a charmless county park at Mud Lake on the Iowa side of the river. I tied LITTLE JOY next to a concrete boat ramp. I stood, stretched my back and walked to a campsite under some large shade trees in easy view of the ramp. Still stiff from the day’s row, I hobbled around the end of an 8′ white panel fence separating the marina from the campground to see about keeping LITTLE JOY there for the night and maybe getting a hot meal.

This was the best camping spot in Illinois. I normally didn’t pull LITTLE JOY completely out of the water but the earlier waves forced me too here. My high-class bumpers are made from blue pool noodles.


This was the best camping spot in Illinois. I normally didn’t pull LITTLE JOY completely out of the water but the earlier waves forced me too here. My high-class bumpers are made from blue pool noodles.

I hadn’t shaved or washed my clothes for two weeks and could hardly stand up straight as I crossed the paved parking lot to the marina. I must have looked more indigent than adventurous, and I wasn’t surprised when a pickup truck came through a tall chain-link gate and stopped. “Can I help you find something?” said a fit man wearing a golf shirt and neatly groomed hair. “The restaurant?” I said. “Yeah that’s closed. I thought I would save you the trouble,” he told me as he waited for me to leave. I could see that everything was closed up but I stood there for an extra-long moment before turning around and hobbling back.

High water sometime made finding a suitable campsite difficult. This narrow beach by the water's edge ended up being one of my favorites. The beer can and others were left by a previous occupant. Some people just don’t get it. Overall the places where I camped were clean and free of litter.


High water sometime made finding a suitable campsite difficult. This narrow beach by the water’s edge ended up being one of my favorites. The beer can and others were left by a previous occupant. Some people just don’t get it. Overall the places where I camped were clean and free of litter.

In the morning, I crawled out of my tent, relieved myself on the marina’s white fence, and as I zipped up I heard over my shoulder, “Hey is that your boat?” I nodded. “You can’t leave it there,” said a man in jeans and a forest-green ranger shirt. I explained that the man from the marina hadn’t been very friendly, and soon the ranger and I were having a friendly conversation about my trip. “That’s a really beautiful boat,” he said, then told me that kayaks and canoes stop here once in a while making the trip but he’s never seen a rowboat here.

He mentioned, more than once, that he thinks about doing a trip like mine, but work and family and…you know. I’d had that longing look before and it always made me grateful I’d had the opportunity. I wondered if the ranger would ever pursue his own adventures.

The first night I spent on a sandbar, I was barely 2’ above the water line and hoped the river wouldn’t rise while I slept. Lock and Dam #20 is downstream in the distance. [between Keokuk and Hannibal]


The first night I spent on a sandbar, I was camped barely 2’ above the water line and hoped the river wouldn’t rise while I slept. Lock and Dam #20 is downstream in the distance.

Four days out of Winona, I reached Guttenberg, named by the German immigrants who settled there in the 19th century. I opted for a night off the river at a cozy riverfront inn. I had not had a day’s rest since I started two weeks ago, so I stopped in Dubuque and got a hotel room. Two nights on a hotel bed helped my back some, and I was ready to get back on the river. I made my way another 17 miles the next day and spent the night on an Illinois island near Wise Lake. The following day I rowed towards Sabula, Iowa, the only Mississippi River town situated on a mid-river island.

“Where you headed?” asked a shirtless man with a ginger mustache and straw hat. He was at the helm of a well-maintained, well-appointed pontoon boat. Three other people were sitting comfortably under a huge bimini top. I was envious. It had reached 90 degrees Fahrenheit the past three days and the heat was sapping my strength. “Need a place to stay? Maybe a shower?” he asked. Within minutes LITTLE JOY was tied to his boat and I climbed aboard. We made the 5-mile trip downriver past Savanna on the left bank and Sabula on the right to their home.

“Is being towed going to bother you?” The skipper’s wife, Dee, asked as she offered me an ice-cold beer and a soft seat under the shade. “Yes, it will. Very much,” I replied downing the beer. Dave, behind the wheel, said, “It’s all part of the adventure.” He told me that he and his brother canoed the Mississippi a few years back starting in Lake Itasca and ending 800-plus miles later, right back at his home on the river.

The shower, laundry, air conditioning, pizza, beer, and a comfortable bed were small pleasures that I enjoyed all the more for having gone so long without them. While the only offer I took to stay overnight was made by Dave and Dee, there were others who extended invitations. Five third-shift workers from a local Nestle plant arrived at my island beach, their beach, actually, at 7:30 on a Friday morning to throw a Frisbee and have a beer after work. One offered his home to me if I stopped on my way by the next day. Pleasure boaters, townspeople, fellow river travelers offered me water, beer, food, a car ride or even a tow. Many just asked about my general well-being…almost always prefaced by “You’re doing this alone?”

Industrial complexes like these were a common sight whether for agriculture, coal, stone, etc. Barges are pulled alongside, filled, and then sent down the river. I was fascinated by the undulating white clouds being pushed by the coming storm, but not so fascinated by the most violent but brief storm they brought. I took shelter on the leeward side of a tiny island.

Industrial complexes like this one were a common sight whether for agriculture, coal, stone, etc. Barges are pulled alongside, filled, and then sent down river. I was fascinated by the undulating white clouds being pushed by the coming storm, but not so fascinated by the violent but brief storm they brought. I took shelter on the leeward side of a tiny island.

The days passed and I rowed 25 to 30 miles a day. I passed Davenport without stopping. I passed Muscatine, once the pearl button capital of the world, past Oquawka, Nauvoo, and Keokuk, but stopped for the night in Hannibal, Missouri, to enjoy the hometown of Mark Twain. I had passed through 20 of the 27 locks and accompanying dams of the upper Mississippi. They are part of the 9’ channel project to allow commercial navigation all the way to St. Paul.

The Lock and Dam #19 at Keokuk is one of three dams that produce electricity. At the time it was built in 1913 its powerhouse was the largest in the world. I stayed well clear of spillway and took the lock; it was a 28’ drop, the biggest of the trip.

The Lock and Dam #19 at Keokuk is one of three dams that produce electricity. At the time it was built in 1913, its powerhouse was the largest in the world. I stayed well clear of spillway and took the lock; it lowered me 28’, the biggest drop of the trip.

In the morning, I rowed to a mid-river island a few miles downstream from Hannibal. My back was killing me and I couldn’t sit comfortably in the boat. I pulled LITTLE JOY ashore and stretched out on a small sandy beach, warming myself in the sun. My back had been bothering me again for several days, and the miles I had been making were less than I’d hoped for. I began to rethink my plan to reach the Gulf of Mexico.

A towboat chugged by the island pushing a 1,000′ tow. It was only a couple miles to Lock and Dam 22. I knew by the time I got there, the lock would be tied up for a couple of hours as the raft was separated divided into halves and passed through the 600′ lock in two operations. It would be a long wait for my turn.

When I approached the lock, the tow that had passed me was waiting at the entrance; I studied the 3,000′-wide dam, a long, dark line that stretched from the Illinois side out well past the middle of the river. Tight against the Missouri side were the concrete structures of the lock, and between them and the dam was a spillway with 13 bays, each spanned by steel-plate arches above gates that control the flow of the river.

This tow, bound upriver, is pushing a load of rock, probably for a town levee.

This tow, bound upriver, is pushing a load of rock, probably for a riverside town’s levee.

I lingered above the lock for 20 minutes, but grew tired of waiting. I cinched my PFD and crossed the river upstream from the lock side over to the dam. The water level was high, and I thought I could maybe haul the boat over the dam.

The dam at its lowest point was still showing 2′ above the water, and about 7′ down to the water on the other side. I could not drag the boat over it. I surveyed the spillway. I had rowed LITTLE JOY through two spillways back upstream on the Mississippi, each time knowing it was a stupid idea. The river, a half mile wide above the dam, squeezes through a spillway less than a quarter mile wide, and waves and swirling eddies roar furiously through the gaps. An abandoned barge was wedged cockeyed in one bay, and branches and snags were piled up in others. I took it as a warning and decided to cross back over and just wait my turn at the lock.

I cinched my PFD even tighter and rowed upriver. I managed to travel a few hundred yards, then aimed at a spot just above the lock entrance. The river rushed past and picked up speed as it funneled toward the spillway. I pulled hard, angling the bow upstream. I passed by the openings of the spillway, and when I reached the protection of the lock wall I paused, caught my breath, and called the lockmaster on my VHF radio.

“Lock and Dam No. 22, this is southbound rowboat. I’d like to lock through.”

“Okay skipper, we’ll try to get you through after the southbound tow,” he replied.

When the upstream gates opened for me, I went in. LITTLE JOY floated alone in the middle of the enormous 600′-long, 110′-wide chamber like a toy in a bathtub. Rough, age-worn concrete walls 20′ high and two sets of matching battleship-gray steel gates sealed me in. The water began to drain.

“Hey!” came a voice from atop the wall. “You better have a plan when you leave. There is a 3-by-5 tow waiting to come through.” I had seen the 15-barge raft out in the channel on the downstream side of the dam when I rowed past the spillway crossing to the lock; I wasn’t concerned.

The downstream gates opened, revealing a 15′-high wall of steel blocking my exit—the blunt overhanging bows of the three lead barges. The deckhands on the tow yelled something and laughed. Unsure if the tow was moving, I pulled hard for a small opening between the concrete wall and the steel side of a barge. It was just wide enough for me to pass through.

I shot out into the churning water below the spillway. The towboat fired up its engines and began to move into the lock. I caught my breath, laughed with relief, and let the current carry me. The river, again half a mile wide, swirled lazily. Low, green, tree-covered bluffs ran along both shores. A bald eagle soared low along the treetops. There was not another boat in sight; astern, the dam slowly disappeared behind a bend in the river.

One of the largest beaches I saw in Illinois stretched several hundred yards with almost every foot of shoreline occupied on a beautiful Sunday afternoon. The question most often asked here was: “Hey, doesn’t that have a motor?”


One of the largest beaches I saw in Illinois stretched several hundred yards with almost every foot of shoreline occupied on a beautiful Sunday afternoon. The question most often asked here was: “Hey, doesn’t that have a motor?”

A few miles more downriver I heard the growl of outboard engines. It was a sunny, hot Sunday in late September and weekenders were back out. I had reached St. Louis’s sphere of affluence. I had also reached a decision. I would stop in St. Louis and the end of the trip. My back pain was unbearable and I feared the lower Mississippi would prove to be even harder going.

I stopped in the late afternoon at large sand bar where other boaters were set up for a day on the beach. As the sun neared the western riverbank, they began to leave to make their way back to their marinas. As I set up camp, one of the last of the boaters, a woman in a one-piece bathing suit, came over. She was followed by three men with round bellies and a touch of sunburn. We had the usual conversation, they admired my boat, which made me stand a little straighter, then offered me a big bag of ice, a luxury I gratefully accepted.

“Do you have an anchor?” one guy asked.

“Nope. I’ll just pull it up.”

“Better anchor it. A barge will come by and wash it away.”

“Hope the critters won’t get you.”

“You know, if you set up over there, nobody will mess with you.”

I smiled. “Nah. Nobody will mess with me.” I was hairy and shaggy, dirty and smelly, hungry and lean. Nah, nobody would mess with me.

The marina at Alton, Illinois, is just upriver from St. Louis. The last lock and dam on the river, 1.5 miles downstream, was in view and another 5 miles from the lock, around the next bend was the confluence with the great Missouri River. The marina was full of fancy sail and power boats. The harbormaster gave me a small space for a large fee so I could leave LITTLE JOY for three days and a well-deserved rest, while I retrieved my truck and trailer from Minneapolis. Before heading to the airport, I walked along the St. Louis riverfront where the Gateway Arch, the symbol of St. Louis, stood glistening in the light of the setting sun. I climbed up to the walkway of the Eads Bridge, the same bridge that I crossed two summers ago on a cross-country bicycle ride. The same place where I saw the Mississippi for the first time. I walked out to the middle of the bridge. The river stretched south in a long, wide ribbon and glistened in the setting sun. I looked down. The river was no longer green, but brown with Missouri River mud and swirling around the gray stone pier below. Now doubled in volume, the Mississippi River from there flows unimpeded by dams for 1,200 miles to the Gulf of Mexico.

As cars flashed by on the other side of a low cement barrier just a few feet away from me, I raised my arms and let out a yell, “Yeahhh!” I did not complete what I set out to do, but I covered 650 river miles in 30 days. It was more than enough; I could go home.

Part 2 of this adventure appears in the June 2020 issue.

David Hudson is a happy corporate refugee. As a teenager, he spent countless summer days rowing a 10′ aluminum pram around a small New Jersey lake. Later he cruised the Atlantic and Mediterranean atop the deck of a U.S. Naval helicopter carrier. Downsizing since the Navy, he has spent time exploring the rivers and lakes of New Jersey, New York and Ontario in a canoe. Putting his woodworking skills to a test, he built his 17′ dory, LITTLE JOY, and can be found, along with his wife Xiaole, rowing it up and down the Schuylkill River outside of Philadelphia. 

If you have an interesting story to tell about your adventures with a small boat, please email us a brief outline and a few photos.

Onset Island Skiff

It’s another July day of 90-degree heat and humidity-sodden air, but we’re all standing contentedly in shallow water, wriggling our toes on the sandy bottom and admiring a key advantage of lapstrake hulls. The southwest breeze is blowing 12 to 15, we figure, and out on Buzzards Bay, things must be starting to rock and roll. Here in protected Onset Bay, pleasant little waves are charging onto the shore and against the side of the skiff, which we’ve grounded out for a bit of photography. Each wave slaps hard against the boat’s lower plank and splashes upwards only to be promptly quashed by the overlap of the hull’s upper strake. Not a drop of water makes it past that overhanging lap.

Man wearing a ballcap and sunglasses rides a white Onset Island Skiff motorboat.Beetle Inc.

Beetle Inc.’s Onset Island Skiff is a recent interpretation of an old idea: the traditional New England flat-bottomed skiff. Here, author Stan Grayson demonstrates the handsome boat.

After awhile, we decide to see how the boat will do running right into the chop and wind. I take a seat on the forward thwart while boatbuilder Jonathan Richards pushes us out, hops in, and fires up the 6-hp Johnson two-stroke. Bill Sauerbrey, the skiff’s designer, takes up position on the float at Onset’s little pier to watch his baby go. Just like that, we’re heading into it.

Jonathan says the boat doesn’t get up on plane as quickly as it might with 8 hp, but we’re soon thumping our way over the chop at a good clip and the ride up front is remarkably dry. The thwarts are mounted high enough to permit convenient use of the space beneath them, something that can’t be said for all such boats. I note that Jonathan has a good-sized container of life preservers under the forward seat. When I get to try the skiff out, the boat tracks right along without much attention, but she’s easy to maneuver in close quarters, has a very solid feel, and is as stable as one might expect of a 12′ 4″ flat-bottomed boat with a 4′ 6″ beam. By that I mean, this is a seriously stable skiff.

Man launches a small powerboat from the bed of a pickup truck.Beetle Inc.

The plywood bottom allows the Onset Island Skiff to be run from a trailer without the usual worries of drying out and leaking between outings. For those with strong backs, the trailer may be eliminated; skids on the bottom allow easy sliding in and out of a truck bed.

When we’ve had our fill, Jonathan decides we’ll haul out just as we launched when he backed his pickup down the ramp and simply tilted the boat off into the water. By the time we motor in, Bill has backed down the Chevy Silverado and lowered the tailgate.

It’s an easy job for one man to haul on the skiff’s painter and tug the boat up onto the pickup bed. (The bottom features a small keel and protective runners on either side.) A final assist comes from Bill pushing on the transom. Then Jonathan rigs a tie-down over the raised bronze oarlocks, and we’re ready to roll—no muss, no fuss, no roof rack, no trailer. Pretty neat stuff.

On the drive back to the Beetle Boat Shop, Jonathan takes a little detour through the village of Onset to show me how this new boat got its name. He pulls up to a pier with a sign that labels it the property of the Onset Island Association. The 12-acre island, home to some 50 cottages, sits just offshore. For many years, folks got to the island in plywood skiffs; however, as those iron-fastened boats aged beyond the point of no return, most were replaced by aluminum models. Beetle Boat Shop owner Bill Womack has a place on Onset, and he decided it was time to reverse the trend.

“The non-availability of a good, affordable wood boat led to aluminum once the old wooden boats wore out,” is how Womack put it. That is how the new Onset Island Skiff came to be.

Two unfinished small wooden boat hulls, one rests on wooden horses.Beetle Inc.

The Onset Island Skiff’s construction is pure simplicity. Two planks per side are copper riveted at their lap joints. Save for the plywood bottom, all of the boat’s pieces are are of solid wood and are recorded in patterns, which allows Beetle to build the boat efficiently and offer it at the appealing price of about $2,500.

How Is the Onset Island Skiff Built?

In case you’re wondering if there could be anything new under the sun when it comes to boats like this, the answer is “yes and no.” Today, there’s an apparently endless variety of skiffs available. There are plans for traditionally built models with cross-planked bottoms as well as skiff plans and kits intended for various methods of plywood construction. The new Beetle offering arrives on the scene as a boat that combines traditional solid-lumber construction with a plywood bottom, and traditional-looking topsides with a hull shape drawn to optimize performance not under oars but with outboard power.

“The difference for outboard power compared to rowing is the boat needs to be flat and wide back aft, which can allow the hull to plane,” is how Bill Sauerbrey put it. “For a rowing skiff” (Beetle also offers the rowing-oriented Willy Potts), “you’re always in a displacement mode, so you want rocker (upsweep) to the hull back aft and a narrower transom. That allows the stern wave to fill back in as the boat moves forward. On the Onset Island Skiff, the water just skims off beneath the transom. It won’t glide when you row it, of course, but that is not its intended purpose.”

Like Beetle’s other production boats, the Onset Island Skiff is designed for series production over a permanent mold. Patterns exist for all the boat’s parts—the two planks per side, stem, transom, frames, chines with their bevels, stern knees, keel, and thwarts—and that makes it efficient to build the skiff singly or in a series. I was impressed with the materials used in this boat. The white pine used for the 3⁄4″ hull planks and transom is cut by a local sawyer from selected logs and then carefully stacked and allowed to dry in one of Beetle’s storage sheds. The stem, frames, and chines are white oak.

The bottom is 5⁄8″ meranti marine plywood, the same durable material that the shop uses for the centerboard and rudder of its catboats. The planks are fastened in the traditional manner with silicon-bronze rivets, the remainder of the fastenings being bronze screws.

Given that the plywood bottom is the only “non-traditional” aspect of a boat built by a shop dedicated to plank-on-frame construction, I asked Bill Sauerbrey about the availability and functionality of a cross-planked bottom. He indicated that such a change would be doable but would add both weight and cost to the boat. (The Onset Skiff weighs about 180 lbs and currently sells for $2,500.) “The best way to do a cross-planked bottom would be to use quarter-sawn cedar no more than 4″ wide,” Bill said. He noted that he’s owned a boat with such a bottom for 25 years and although it is dry-sailed, it suffers little in the way of leaks upon launching.

At the bow, the skiff has a sturdy breasthook and there are two small triangular openings where the breasthook butts up against the stem. These allow water to drain out should the boat be stored upside down. The stock paint scheme is white topsides, red bottom paint, and a gray interior. Customers who might desire different colors, however, can request a change. As delivered, the boat comes with a bow painter. Those who might need to regularly tie up at a dock or in a finger slip can discuss additional attachment points with Beetle.

Onset Island Skiff with Johnson outboard motor in the water near a grassy shore.Beetle Inc.

The flat bottom and resulting shallow draft allow the boat to be nosed into a beach, while lapstrake construction knocks down spray and thus contributes to a dry ride.

The Onset Island Skiff is easily able to handle a 6-hp, two-stroke or an 8-hp, four-stroke outboard. Officially, however, the boat is rated for a 4-hp motor. In all cases, a short-shaft model is what’s needed. Given access to a good two-stroke, one might want to consider such a motor since it echoes the skiff’s simple nature and will weigh about 10 lbs less than a comparable four-stroke, while possibly offering more oomph and requiring no special handling during transport or storage. Whatever type motor is selected, I’d guess that most folks using these boats for the intended utilitarian purposes will find 4 to 6 hp entirely adequate.

It’s no secret among designers that there are quite a few subtleties involved in creating a good skiff. Many years ago, naval architect John Atkin—that gentle and generous man—cataloged for me what he looked for in a good skiff, and all those design subtleties came spilling right out. John admired a skiff with a stem and transom raked to permit enough flare to the top-sides to provide “lift,” the benefits of which he noted were dryness and seaworthiness. He was a stickler for a graceful sheer that both looked good and provided adequate freeboard. And he always emphasized that a hull’s rocker be appropriate to its task, tucked up aft for a rowing or sailing skiff so the stern didn’t drag but mainly flat for a model intended primarily for out- board power. He had a name for the many skiffs that failed to meet the criteria, were slab sided, too pointy in the bow, and unattractive. These boats he labeled “clamdiggers’ skiffs.”

Onset Island Skiff line drawings.Beetle Inc.

The Onset Island Skiff’s simplicity and basic appearance are somewhat deceiving, for there’s more to creating a stable and dry skiff than meets the eye. The subtleties of design include a slight rocker to the bottom profile forward, and ample volume and a flat run aft for good trim while motoring; a good sweep to the sheer and flared sections for a dry ride; and a wide bottom for stability. The author reports he stood in the bow, “and felt pretty secure about it”; others wishing to do so are advised to proceed with caution.

The Onset Island Skiff is, I think, a boat of which John Atkin would have approved. It’s an honest, hard-working little skiff that should last a long time and fulfill a variety of purposes: utility boat, yacht or workboat tender, fishing, even hauling an occasional in-harbor lobster trap. Most surprising, perhaps, is that one can obtain this professionally built and finished wooden boat for a very attractive price.

 

Stan Grayson is a regular contributor to WoodenBoat. For more information about the Onset Island Skiff, contact Beetle, Inc., 3 Thatcher Lane, Wareham, MA 02571; 508-295-8585.

The Beetle Cat and the Boats It Inspired

Since 2004, Beetle Inc. has operated the Beetle Cat shop in Wareham, Massachusetts. In that time, the shop has built and maintained hundreds of classic boats, including more than 220 of the Beetle Cat sailboat—one of the oldest wooden sailboat designs to be continuously produced and competitively raced for over a century. Take a look at Small Boats profile of the Beetle 14, and another boat inspired by this legendary design.

Beetle 14: Sequel to a legend

Bobcat: Bolger’s adaptation of the Beetle Cat for tack-and-tape construction

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats readers would enjoy? Please email us your suggestions.

BLACK GHOST

Fifteen years ago, I found myself boatless. I was deeply involved at work in the restoration of a 46′ Nevins yawl, and evenings were fairly taken up by two great kids, five and seven years old. But reading boat books and fishing magazines at bedtime just didn’t satisfy my longing to be out on the water. It was time to build a boat for myself and my family.

I was looking for a cheap-to-build, seakindly skiff or outboard boat about 18′ long. I admired the Royal Lowell Eastern 18s that were sold from Beebe Cove in Noank, Connecticut. I saw them used for all sorts of near-shore activities: clamming, lobstering, going to the beach, fishing, and just general running around. Their owners always seemed to be very content when aboard them—but for me, they were built of the wrong stuff and rather expensive.

Man aboard the Weston Farmer Kingfisher BLACK GHOST.Carol Ansel

Walter Ansel (at the helm) built BLACK GHOST (17′ LOA, 6′ 6″ beam) to the Weston Farmer Kingfisher plans. Traditional construction and a seaworthy result make her an enticing project for any experienced builder.

At this same time, Weston Farmer’s book From My Old Boat Shop had been sitting at the top of the pile on my nightstand. I got a real charge out of Farmer’s feisty and humorous prose. He hooked me with his boat designs that he presented toward the end of book. After much study and thought, it seemed Farmer’s 17′ utility skiff, the Kingfisher, would fill the bill. Farmer promoted her as a “picnic boat, a deep-water runabout, a sea skiff, or just plain family putz-about.” Her close resemblance to the superb Lyman Islander further convinced me that this was the boat I was looking for.

Several important construction details of this design made her particularly attractive to me. I could buy decent cedar and great oak cheaply. The boat fit easily in the cellar. Construction would be relatively clean with not much glue. She calls for traditional lapstrake shell construction, so the hull could be built upright around molds and then framed all at once (no plank backing out or edge bevels!) She could be built with minimum setup. Also, I just wanted to build a clinker (lapstrake) boat.

I ordered plans. The beautiful drawings promptly showed an alternative profile for an outboard version, leading to more contemplation. Simplicity of installation, reliability, and price clinched my decision to build the outboard version.

Building the Powerboat BLACK GHOST

The boat proved quick to loft on painted plywood. I built six molds out of old, rejected cedar boat plank stock and sawed out the backbone parts. A cast-off piece of live oak made a sweet forefoot crook.

Space was tight in the basement. When I got the molds up, screwed to 2×4s attached to the floor joists, and stepped on the keel, I only had 24″ to the wall on the port side! There was little room to sight plank lines; nevertheless, the house floor frame overhead provided plenty of spots to nail bracing.

Lapstrake-planked motoboat hull.Carol Ansel

A lovely near-plumb bow and neatly lined off lapstrake planking give BLACK GHOST rugged good looks that hint at her quiet strength.

Planking proceeded at its own pleasant pace until I turned the bilge. I happened to measure the room left on the transom corners for the remaining planks one night and found to my horror that the port side, close against the wall, had grown considerably. The plank lines were higher on the port side than to starboard; the wide transom had hidden this fact. I stripped off two planks from the port side and planed down the third one to be narrower. This corrected the situation, and I was much more careful as I approached the sheer (the topmost plank).

My brother and I framed the boat in a weekend. I had prepared all the stock beforehand, ripping the white oak to dimension and rounding the corners.

Here, I departed from Farmer’s construction plans and ran the frames across the keel continuously from gunwale to gunwale. This made for fast work and stronger construction than two-part frames, and I had enough long stock to do it this way.

Man pilots a wooden powerboat near other docked yachts and sailboats.Carol Ansel

This hearty powerboat can take good care of her crew even when the weather turns foul.

My wife and I riveted the frames. She decided that bucking under the hull was a much better job for me, so I lay on my back with the dolly on the floor while she headed up the nails. One of the neighbors informed us that riveting must stop at 10 p.m. We complied to keep peace in the neighborhood.

I installed 5⁄4 Douglas-fir floor timbers to stiffen the bottom. These were jogged to fit the laps and were of sufficient height to hold the floorboards. I rolled the hull outside the cellar to see what she looked like at this point. The hull looked good, if a bit high-sided. She had a nice, hollow bow and slight tumblehome aft. I knew that later the paint scheme would diminish the freeboard. High sides provide safety in rough waters; you can’t fall overboard as easily.

Finishing the inside of the hull proceeded in a straightforward fashion. For the floorboards, I used 3⁄4″-thick stock that had been rejected for planking. A V-shaped seat was built in the forward half of the boat with a console placed on the port side to hold the wheel and throttle. I built a slop-well ahead of the motor that drained overboard through the transom. In consideration of all the construction modifications I made to Farmer’s plans, I always tried to keep the materials as light and strong as possible. Not adding any significant weight to the original design delivered the performance that Farmer predicted.

Man at the helm of a white powerboat in a marina.Carol Ansel

Walter chose the outboard powering option shown in the complete set of plans, rather than the inboard version shown on the opposite page. With the inboard engine gone, he had many more options to customize the arrangement of the cockpit.

Launching the BLACK GHOST

I named the boat after my favorite fishing fly, the BLACK GHOST. I painted her outside with Kirby workboat paint and used soaking oil inside. Rails and coamings were oiled white oak. My aim was to have a paint scheme that could be maintained and completed in two weekends a year, and this proved out over the seven years that I owned the GHOST.

Launch day was a great family affair. It included many kids, friends, beer for the grownups, and cheese balls for kids. Escaped cheese balls were later found in the bilge swollen to bizarre size; for a moment I thought bits of bedding compound had evolved into a new life form. The GHOST floated at perfect trim and planed out nicely with the new 28 Special Johnson outboard I had purchased. The steering wheel was an antique, galvanized, drum-style, fisherman steerer found at a marine consignment store.

I fished the boat twice a week from June through October, primarily on the reefs that extend from Fishers Island, New York, to Watch Hill, Rhode Island. This area of half-exposed rocks is swept by strong tides. The striped bass, bluefish, and false albacore love to forage here, and the fishing is great. The GHOST proved to be a safe, extremely able, and nimble boat on the reefs. On the second trip out, my brother and I hooked lively stripers and had to leave the GHOST to fend for herself. We drifted back through the tide rip stern-first into a break that looked like a swamper. The GHOST plunged through, filled her slop well, shook herself off like a retriever, and kept us fishing. We grinned at each other upon finding out that we had a great little boat under us. We stood out in our time-warp 1950s utility skiff among the all-white center-console, tub-shower units, their fishermen staring at us in astonishment.

The favorite family beach spot was a guzzle that drained a few salt ponds across a barrier beach. We had this to ourselves, as it was inaccessible by car. We would load the GHOST with food and beach gear and try to hit the place at high tide with the ebb just starting. We’d motor in to waist-deep water, haul the gear ashore, and then anchor off. We spent many happy hours swimming the guzzle, observing all sorts of marine life with glass-bottomed boxes, or just lying on the beach looking out at our BLACK GHOST moored just off shore—waiting to take a tired, sunburned, and happy crew home.

BLACK GHOST Particulars

LOA:  17′
Beam:  6′ 6″
Draft:  20″
Displacement:  1,300 lbs

Fore and aft drawings of the Weston Farmer Kingfisher.Weston Farmer Associates

The Kingfisher’s lines plan is unusually well detailed for a small boat of this vintage.

Weston Farmer Kingfisher lines plans.Weston Farmer Associates

It gives not only the complete shape of the boat but also provides many useful construction and lofting details, such as the half-siding of the stem, keel, and apron, the location of the building floor and frames, and the centerline of the propeller shaft, to name a few. Clearly, Weston Farmer was a man who not only designed good boats but could build them as well.


Plans for the Kingfisher design are available from Weston Farmer Associates, 7034-D Hwy. 291, TumTum, WA 99034, or from Duckworks.

Ready for More Lapstrake Powerboats?

Lapstrake construction results in boats that stand the test of time in both performance and aesthetic appeal. Now that the Weston Farmer Kingfisher BLACK GHOST has your attention, check out these other designs.

The Rambler 18: A runabout for adventure

XLNC Utility Skiff: A simple, efficient hull from William and John Atkin

Flat-Bottomed Skiff HERON: A new Blake-built boat

 

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats readers would enjoy? Please email us your suggestions.

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