Paul Gartside’s 16′ Gaff Sloop, his Design No. 218, has its roots in SJOGIN, a 22′ traditional double-ended Scandinavian workboat built in the late ’50s. Paul designed a modified version of it, his Koster Boat, Design No. 176, and later developed three smaller versions. The last of them, Design No. 218, is the Gaff Sloop, a 16-footer with a transom stern. When Jonathan Sheldon of Hereford, England, enrolled at the Boat Building Academy (BBA) in Lyme Regis, he decided that this design fulfilled all his criteria for a new boat. He wanted a trailerable, stable, traditional-looking boat that he could sail, row, or motor either singlehanded or with a sizable crew.
John had taken his inspiration from a working peapod built in around 1886 in Washington County, Maine. It was the same peapod I had been drawn to in American Small Sailing Craft. Author Howard Chapelle notes that particular peapod was, when the lines were taken off in 1937, the last of its kind ever built Its type was used for lobstering near Jonesport up to about 1938. John’s Lighthouse Tender Peapod has a shape very similar to the original working boat; the chief differences in the new boat are a sternpost that is nearly vertical rather than raked, and the absence of a keel, which allows his boat to sit upright on the beach.
Eight plywood panels make up the kit’s hull; its bottom and sides are all composed of two pieces joined together with puzzle joints and the transom is built up of two layers. The CNC-cut parts assure the accuracy of the construction. With the shell of the hull put together, the construction of the Jimmy Skiff II departs from its predecessor. It has three bulkheads: the forward bulkhead will be part of a flotation compartment in the bow and the other bulkheads will provide support for the side benches/flotation compartments, the new design’s most notable features. The midship and aft bulkheads each have center section that hold the boat’s shape during construction but are later removed to open up the space down the middle of the boat.
The tender is an elaboration on a boat designed and built by Asa Thompson in New Bedford, Massachusetts, more than 90 years ago. He started a one-man boatshop specializing in canoes during the late 1800s, and over the ensuing years adapted his methods to changes in boaters’ tastes. In 1927, he built a flat-bottomed yacht tender with canoe-like scantlings. This tender-skiff is in the Mystic Seaport Museum collection and is occasionally on public display—I got to see it two years ago at The WoodenBoat Show. For some time, I’d been contemplating building a lightweight, trailerable, traditional, flat-bottomed rowing boat with a saltwater pedigree. Three things that make this boat a standout: its lightness, both in weight and looks; its double-planked bottom; and its fish-well center seat. Seeing Asa Thompson’s skiff led me to The WoodenBoat Store’s plans.
Lukas Schwimann’s home is in the village of St. Gilgen, Austria, at the top end of Lake Wolfgang—Wolfgangsee in German. A friend who lives near him owns a 16′5″ rowing skiff that has been in his family for about 100 years. Lukas has had several opportunities to use it and has found it to be an enjoyable boat to row. He decided he would build a replica of the skiff.
Simplicity extends to life aboard the Autumn Leaves. When it’s time to settle down for the evening, John made sure the solo cruiser would have ample comfort. In the center of the cabin is a cushy easy chair, just right for reading. It’s folded and hidden under the end of the berth when not in use. Countertops are right at hand near the companionway, with camp stove to one side and navigation gear to the other. Everything is within arm’s reach. The cabin overhead is low, but the average person can sit on the forward end of the berth flat without butting up against the roof, and there is space enough to stow and use a portable toilet or bucket, as one prefers.
The three pages of plans were clear, but required extra study for me as this was my first plans-built boat. (I had previously built an Adirondack guideboat from a partial kit.) The plans were well drawn, and the full-sized patterns for the frames were accurate and required no fairing during assembly. The 16 pages of accompanying printed directions were thorough and easy to follow. The plans provide details for the installation of an inboard motor—specified to be no more than 10 hp with a weight of about 240 lbs—and the option to configure the stern to take a 5- to 10-hp outboard. I built the outboard version to use the space in the pilothouse that would be used by the inboard-motor housing.
While the boats are designed for four rowers and a coxswain, we take the Team Dories out with only two rowers and a coxswain. We balance the boat with one rower at the bow and the other at the third seat. They have oars of different lengths—the boat has a narrower beam at the first seat—and produce an imbalance in thrust, by the coxswain can easily maintain a straight course with a slight angle on the rudder. Rowing with a crew of three has little effect on the speed of the boat, but can often be faster than a full crew of five.
A cruising sailboat in the 20′ to 22′ range resides at the high end of the spectrum that most amateur boatbuilders can realistically aspire to. Go bigger and you need time, money, space and skills that few of us have. But there’s a delectable spread of choices at the level just below the impossible dream—plans by at least a half dozen highly regarded designers. Of these, Sam Devlin’s Song Wren 21, was, in the end, the most compelling. I had already built two smaller stitch-and-glue designs from Devlin Designing Boat Builders, so I felt comfortable with the process.
The original faerings were built by hand and eye, and had slowly evolved during hundreds of years to meet the local conditions and particular purposes. Iain carefully studied every design and photo he could find, realizing no two faerings were alike. He had a commission for a boat smaller than the original ones, and after absorbing all he could find on the subject, he began drafting his own interpretation of the faering, adapting the structure for glued-lapstrake plywood.
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