The soft shackles I’ve seen in marine supply stores look like a great idea, but I’ve never been tempted to buy any despite the many advantages they have over their metal precursors. While they’re lighter and less prone to harm woodwork or people, won’t corrode or seize up, and don’t require tools to use, they are expensive and the high-tech Dyneema from which they are made seems out of place on a traditionally built wooden boat.
I’ve worked with Dyneema and its very slippery braided fibers require splicing and tying methods unlike anything I’ve seen in my well-used copy of Ashley’s Book of Knots. Then I discovered that there were ways to make soft shackles with ordinary cordage, so I made some. I found several different methods of tying them but there is only one I would trust in use on my boats.
The commercial Dyneema soft shackles have a stopper knot on one end and a small loop on the other formed by inserting one end of the hollow-braid line through the other. The loop can be cinched tight behind the stopper to keep it from slipping through, which is possible if there is no tension on the soft shackle and it gets shaken, say, by a flogging sail.
I’ve made soft shackles in laid line, solid braid, and kernmantle cord in both 1/8″ and 3/8″ and they have all worked well using the same method. The stopper knot starts with a common slip knot (Ashley’s #43 Noose) and becomes a thick stopper knot (Ashley’s #526 Oysterman’s Stopper) by tucking the free end through the loop and cinching the loop around it. The loop on the other end of the soft stopper is folded back on itself to form a lark’s head (Ashley’s #5 Bale Sling Hitch) that is cinched around the stem of the stopper knot.
I’ve used small soft shackles to connect spinnaker sheet leads to pad-eyes on my decked canoe, an application where metal shackles are commonly used. I’ve also made soft shackles for the jibsheet leads on my sailing Whitehall where the open gunwale isn’t well suited to adding pad-eyes. Here, I made the soft shackles long enough to wrap around the inwale. In both instances, the soft shackles can twist to allow the sheaves to align with the sheets.
I’ll be looking for more uses for soft shackles. Sail stops are next. Indeed, wherever I need a loop of a fixed length, a soft shackle might be a good replacement for metal hardware or knot tying.
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Christopher Cunningham is the editor of Small Boats.
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REDWING, my home-built Belhaven 19, was one of 80 or so boats that entered the 2022 Texas 200, a raid covering a 200-mile-long stretch of the Texas coast. The course meanders north roughly following the Intracoastal Waterway (ICW) over a five-day period beginning June 14th. Much of the mainland and many of the barrier islands along the route are uninhabited and covered with scrub.
I thought my boat and I were ready for the challenge. I had finished building REDWING the previous fall and sailed her on my local Kansas lake all spring, leaving her docked in the water for several weeks to make sure she was watertight. The boat sailed great as I prepped for the challenge.
As I was making final preparations while docked at my lodging in Port Mansfield, I noticed the rope used to lift my offset centerboard was loose. I unscrewed the trunk top and quickly realized the rope-to-board attachment had broken off during transit. Only then did it dawn on me that I had not lowered the board onto the support I had built on its trailer to keep pressure off the board’s lift system so this would not happen.
My truck and trailer were parked 200 miles north of me, up the coast at Magnolia Beach, waiting for me to finish; I couldn’t just pull out of the event here and go home. The few sailors I had met had already taken off, so I couldn’t enlist them to help. They were sailing across Lower Laguna Madre along the dredged Mansfield Channel, across Padre Island (a 113-mile-long barrier island), along the 3-mile-long East Cut to Camp One, nestled in the protection of the Mansfield Jetties guarding its opening onto the Gulf of Mexico. I didn’t know anyone near the launch area, so I had only myself to figure this out. I decided to jury-rig the centerboard lift rope so I could make it to Camp One, where I could get assistance from some of the knowledgeable builders sailing the raid and, with their help, fix my problem.
I tied a line to one side cleat and ran it under the boat to the opposite side, believing I could apply enough force to raise the centerboard by pulling on the line, which I could then cleat off. I was able to raise the board some, but not all the way up. With it down, REDWING draws close to 4′; with the board fully raised she can sail in 8″ of water. I guessed the keel was up about a third to halfway and I was drawing 2′ or so. The board weighs 50 lbs with most of its weight, molded lead ’glassed onto the wood, at its tip.
My boat looked goofy with a line cinched tight around her waist, and sailed poorly with her board only partially lowered with a 1⁄4″ rope spoiling the smooth flow of water around the hull. As I headed out of the marina, REDWING was double-reefed and had trouble beating to windward on a heading due east to Camp One, which was 9 miles away at the far end of a manmade cut that connects the protected waters of Laguna Madre to the Gulf of Mexico. The wind was cranked up with gusts up to 30 knots. At one point, I drifted to leeward out of the channel, hit bottom hard, and came to a stop. I started my outboard and was able to back out of that predicament.
I knew there was a group bypassing Camp One and heading to Camp Two to spend the second day fishing. So, instead of fighting the wind with a broken boat that wouldn’t point worth a darn, I bore away and headed north for Camp Two on the Land Cut, a 20-mile channel dug across Saltillo Flats, an expanse of tidal shoals, mud, sand, and islets that separate North and South Laguna Madre. By skipping Camp One, I’d have a full day to work on the centerboard before the bulk of the fleet caught up. I removed the sad-looking line from the board, let the board drop, and took off downwind on the best sail of my life. REDWING was flying. The navigation app on my phone consistently read 6, 7, and 8 knots as I tore along South Laguna Madre headed to the cut. With the wind at my back, I was having a blast. It was easy keeping the green markers to starboard and red to port. To avoid commercial traffic, I stayed as far to the side of the channel as possible, as we’d been instructed in our pre-departure briefing.
After an hour of high-speed sailing, I noticed 1″ of water sloshing in my cabin, not enough to worry about sinking, but enough to be highly irritating. I threw some sponges down into the cabin and periodically went down to wring them into a bucket.
I entered the Land Cut in the early afternoon. The ICW narrowed to about 100 yards, but the sailing stayed the same. There are no hills or trees to break the wind, so REDWING continued clipping along.
By midafternoon, as I was getting close to Camp Two, I wanted to stop along the channel and deal with the water intrusion. As I was lowering the outboard and firing it up so I could drop the sails, I got lazy and let a wind gust blow REDWING into a mud bank. I was stuck in 4″ of water with the wind and waves pushing me onto a lee shore. I quickly dropped and bundled the sails to relieve some of the pressure pushing me into the mud. I tried backing out with the outboard in reverse, but that didn’t work. I pulled my secondary anchor—a light Danforth knock-off I had been given—out of the stern locker and tossed it as far into the wind as I could, maybe 8′ out. I tried kedging off the mudflat; that didn’t work. It all seemed futile as long as the wind was howling from the southeast. I was stuck.
After sponging several buckets of water out of the cabin, I started snooping around for the leak. I found only one place where there was a shiny telltale sign of seepage. It was from the gudgeon bolts in the transom. Evidently, I hadn’t sealed those holes well. It took me eight years to build my boat, and in my rush to finish it I must have missed caulking the bolt holes. To my credit, I had left REDWING in the water for three weeks prior to leaving home for this trip, and had sailed her hard with no problems, but my best guess is that being loaded with expedition supplies was causing the boat to ride lower in the water, submerging the lower gudgeon bolt holes. Unfortunately, the bolts were not easy to access; I couldn’t pull them under these conditions. I would live with the leak for now, glad I had good sponges.
Next, I unscrewed the centerboard trunk cover and found the board had been pushed almost fully up by the mud bank, giving me easy access to the broken attachment link. I had a new one in my repair stash and had it installed in no time. The board now worked as it was supposed to.
I fully expected to spend the night stuck on the mud bank. There were no fishing boats around that I could ask for a pull. There was still daylight, so I decided to raise the centerboard all the way up, kedge with an anchor off the stern, and simultaneously run the outboard in reverse. REDWING slid right off the mud bank, into the ICW. Another answer to prayer. I motored a mile or so to where I thought Camp Two would be, put two anchors out, and called it good. There was a dried mudflat next to the shore where I thought I could stretch my legs. All my studying for the Texas 200 indicated that there was no way to avoid mud along the Land Cut. The shore here was not only muddy, but the mud had the smell of decaying vegetation. This is the type of mud that when you step into it you sink 6″ or more. The wind was still howling out of the southeast, it was still hot, and I was tired.
A row of red lights from the towering three-bladed wind turbines shone out a few miles to the north. Around 10 p.m. a barge came by steaming all blue lights, playing rock-’n’-roll music.
I couldn’t figure out how to get comfortable enough to sleep in the cabin. I was hot and sweaty lying on the bunk trying not to move and create even more heat. Sometime after midnight I fell asleep. Around 3 a.m. I pulled a sheet over me to warm up. I didn’t need the blankets I’d brought.
Eearly the next morning, Doug Geis motored up in his Sea Pearl, LA BELLE, and pulled ashore alongside REDWING. He shared that he, too, had gotten stuck on a mud bank yesterday for a few hours until a friendly fisherman with a powerboat pulled him off. That made me feel better.
The wind was still blowing like stink and whitecaps were marching north along the cut. Doug wanted to relax and get out of the sun. There is enough room between his two masts for him to spread a tarp for shade, but as he wrestled it against the wind, trying to tie it over LA BELLE’s forward boom, it tried to fly away several times. After a while he got the tarp set, but it had too few grommets to tie it down securely enough to keep it from flapping. I was sure that the noise of its constant snapping would make it impossible for anyone to find rest beneath it, but I didn’t see Doug for a few hours and could only assume he had somehow fallen asleep.
I didn’t have much experience in heavy-weather sailing, but REDWING was designed to sail safely in strong winds. Both sails have two reefs, and the masts are unstayed and bend to spill the wind. I built the hull and I know it is strong. But the Texas 200 is not a race. I could set sail when I felt comfortable to do so; if I sailed conservatively and took care of REDWING, she would take care of me.
Around noon the fast boats—Hobie Cats and trimarans—passed by and continued down the 24-mile-long Land Cut. It seemed that they would not be camping along the Land Cut but were going to land farther north where the beaches are sandy.
I saw fish jumping not too far offshore, so I grabbed my fishing rod and hiked along the shore for a mile trying catch something. No luck. Later, Doug told me the fish I had seen jumping were mullet, and they jump just for the fun and not because they are feeding.
At about 3 p.m., my friend, Fred Jelich, on his home-built Buccaneer 24 trimaran, MALABARKA, pulled alongside. He had stopped earlier that afternoon along the Land Cut to chat with some other crews whose boats were anchored. While there, his boat had broken free of its anchor and started on its own journey down the ICW. Fred made a last-ditch jump for the high-sided transom while his feet were still sunk in the thick, oozing mud, and lost his sandals in the process. Somehow, he managed to get a hold on the stern of the main hull and hung on as he was dragged through the water of the ICW. Fortunately, another boat came to his rescue and helped him climb aboard and regain control of his wayward boat.
It was approaching 5 p.m. when what looked like a 20′ sloop tried to anchor 100 yards north of where Doug, Fred, and I had pulled ashore. The soloing sailor seemed to be having trouble getting his boat close enough to shore to throw an anchor out and get it set. He was struggling and it wasn’t going well. He slipped into the water with his anchor and rode and began swimming to shore. I quickly put on my muddy shoes, hopped off my boat, ran down the beach, waded in up to my shoulders, and grabbed his anchor. Together we pulled his boat in.
The wind never let up that day, and I would spend a second night here. There was no phone reception, no firewood, and no shelter from the howling wind. We pulled our chairs out for a bit of socializing, but it didn’t last long. We were all tired and looking forward to the next day’s Camp Three, which had a nice sandy beach free of mud.
In the morning, another group sailed by. My plan was to motor out into the ICW, then raise the sails as I drifted down the ICW with the wind at my back. It seemed it would be a sailorly thing to do, but I quickly discovered that trying to raise the sails with a strong tailwind while trying to manage the outboard motor and tiller would make me look less like a sailor and more like a fool. I got the sails raised and the boat under control just seconds before REDWING drifted onto a mud bank on the shore across from where I had started.
The wind was still strong, so I had two reefs in, and even so, REDWING made good speed. I sailed with the fleet north along the Land Cut and crossed the 4-mile-wide entrance to Baffin Bay.
Some 10 miles after leaving Baffin Bay, I turned to the northeast, got off the ICW, and headed for Camp Three at The Dunes. About 2 miles later my centerboard repair failed, and the board deployed itself. I could see the white sand of The Dunes, but I knew I couldn’t make it to the one camp I was most looking forward to. Now that REDWING was drawing close to 4′ I had to re-route. Luckily, my nephew, Brent, a Navy pilot stationed in Corpus Christi, has a home with dock access. I called my wife, who contacted my Corpus Christi family, and a friend from Wichita sent me a Google Map directing me to Brent’s dock. As I was motoring to the dock, I went by the Corpus Christi Yacht Club and recognized several Texas 200 boats tied up alongside for the evening.
Brent and his friend, Joey, met me at the dock, and we immediately went to work. Brent was dressed to swim and dove under the boat. He pushed the centerboard up while Joey and I wrapped a rope under it and secured it in its raised position. I opened the top of the centerboard trunk and could see the attachment bracket had pulled out completely.
I needed another way to attach the lift rope to the centerboard. I cut a 1″ hole in the trunk so I could access the board from the side and drilled a 1⁄2″ hole through it where I would put a shackle to which I could tie the lift rope. I wasn’t keen about drilling a hole in the trunk, but there was no other way.
It was getting late, so Brent took me home with him to spend the night. Taking a shower and sleeping in the air-conditioned house was a welcome break.
The following morning, Brent and I drove to a hardware store and picked up the smallest shackle I thought might work, along with some quick-set epoxy filler. The shackle turned out to be too wide for the trunk, so I made a loop with a piece of rope I had onboard. I used a glob of the epoxy to seal the hole in the trunk, cleaned up my mess, said goodbye to Brent’s family, and took off to cover the 25 miles to Camp Four, Quarantine Shore.
I was growing tired of the water trickling into the cabin. Squeezing out sponges every hour was a hassle and the leak was amounting to about a bucket and a half of water each day.
The wind, still out of the southwest, had moderated, and REDWING, under full sail, flew along wing-on-wing. From Corpus Christi, I headed northeast across the 15-mile width of Corpus Christi Bay.
I followed the chart, keeping track of my compass bearing to Stingray Hole, a 3⁄4-mile gap between the last of three islands that separated me from the channel, and swerved north through the pass and then east on the channel to Port Aransas where six ferries carrying trucks loaded with construction equipment were crossing the channel at surprising speed. I needed to watch them carefully. At the dock, they unloaded quickly and crossed back for the next load. There seemed to be no pattern to their timing, and I fired up the outboard motor so I could stay well out of their way. Barge traffic was also heavy here, and I had to keep my eyes open.
Beyond Port Aransas my route swung to the north, out of the main channels, to Lydia Ann Channel, which runs along the south end of San Jose Island and opens on Aransas Bay. The fleet was spread out both ahead of and behind me at the approach to Quarantine Shore, and I was enjoying watching everyone sail when REDWING gently slowed to a stop. Laughing that I’d managed to find a ridge of mud just as I’d entered this broad bay, I hopped out, pushed off, and continued.
I sailed northwest to Quarantine Shore and coasted neatly into the shell-beach anchorage under sail. Doug Geis met me and showed me how a pro anchors, with the bow facing away from shore, held off by the main anchor, while the stern anchor was carried onto land and secured. I was appreciative of that—it was part of a great confidence-building day. I spent a pleasant evening with people circled around fires sharing food, drink, and stories.
I made a leisurely start to the morning, enjoying a mug of coffee when, around 7 a.m., I realized the fleet was busy packing up and heading north. The wind was light, and all of the boats were under full sail. The pinkish morning light spread across the land and water, as puffy blue-gray clouds floated above the sails.
My plan for the day was to sail the ICW to Rattlesnake Island, head to Panther Reef Cut, then go to South Pass, and arrive at Camp Five, Army Hole. The route took the fleet from Quarantine Shore, across Aransas Bay, and through the Deadman Reef Cut, heading northeast into the gentle dogleg of an 8-mile ICW channel between a slender chain of a half-dozen islands. At Bludworth Island, the first in the chain, the trimaran MALABARKA had pulled off to the side, and I could see Fred working on what looked to be his centerboard. In his Sea Pearl, Doug had pulled ashore to help, and I stopped, too. Fred reported that the oyster shells from Quarantine Shore had jammed his centerboard slot, preventing the board from lowering. Within 40 minutes of accepting our help, Fred had his keel moving freely again. We pushed MALABARKA off and he was on his way.
Doug and I agreed we didn’t have enough daylight left to sail nearly 30 miles into the wind to get to Army Hole, and decided to continue along the ICW to Military Cut and find anchorage there.
As the day went on, I caught up with Doug—stuck in the mud. I stopped and helped to push him out.
We entered San Antonio Bay. By now the wind had strengthened. We sailed across the bay on a beam reach with the rollers lifting REDWING up and then dropping her bow into a trough with a jolt. I steered her off the wind to ride the rollers longer and slide down them, making for a smoother ride. REDWING rocked back and forth, but it was a fast, exhilarating sail.
I followed a long line of boats across the bay, all of them hanging in there and seemingly doing well.
Since MALABARKA was the fastest boat in our group, Fred was tasked with finding a safe anchorage. He texted back that he had gotten stuck on a shoal until a powerboat happened by and pulled him free. He had made it to Military Cut.
Doug and I suspected that getting to Military Cut wasn’t going to be possible, so we began looking for a camp along the ICW. If a spot had potential, we would slow and take a better look.
I thought I had found a place with enough room for the two of us to anchor a safe distance from barge traffic for the night. But as I was checking it out, it seemed like the mud rose up from the bottom and grabbed REDWING. I lowered the sails, got out of the boat, and rocked her up and down, pushing as hard as I could while standing in the knee-deep muck. After 20 minutes she was free.
We were fast running out of daylight. Doug and I dropped our sails, started our motors, and headed farther down the ICW. At dusk we found a spot that would work 3 miles short of Military Cut. A few hours after dark, I noticed another sailboat lit up like a Christmas tree coming down the ICW, sweeping the shore with a flashlight. I suspected they were looking for an anchorage, so I aimed my flashlight on my sails and my boat. The black, non-motorized, fiberglass sloop slid ashore next to REDWING. The exhausted crew, a father and two teenage sons, thanked me and quickly retired for the night.
The first thing I did in the morning was clean the boat. REDWING was filthy from the mud I’d brought onboard from freeing her the day before, and as always, there was water on the cabin floor. LA BELLE and the sloop—I never saw its name—both left, and 15 minutes later I, too, was on my way.
The day’s route would take me northeast down the ICW to Port O’Connor, where I would turn to the northwest along the Matagorda Bay shore for Magnolia Beach, where my truck and trailer were parked. I pushed off, entered the ICW under full sail, and had traveled a mile when the wind changed to the northeast, heading me off my course. I really wanted to sail as much as I could, but didn’t relish tacking back and forth across the channel and dodging barges, so I dropped the sails and started the outboard.
Within minutes I had caught up to a couple of sailboats working hard to windward on their final leg to Magnolia Beach. One of them was LA BELLE. The wind was light, so Doug and I motored together toward Magnolia Beach. After an hour, the wind filled back in and we both sailed to the finish of the Texas 200. A hundred yards out we stopped, organized our boats, and then motored in. After I hauled REDWING out at the ramp, I remembered to release the centerboard and let it rest on the trailer for her journey home.
David Zumwalt is a retired school administrator who lives in Wichita, Kansas. He sails a Catalina 25 on Cheney Reservoir and is a member of the Ninnescah Sailing Association. The first sailboat he built was a Puddleduck. After attending the 2011 Puddleduck championships and meeting several boat designers he decided to build a Belhaven 19, which he completed eight years later.
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I’m kind of a PFD snob. Since my early paddling days in the 1970s when we had to make wearable PFDs from kits or buy the only one then manufactured, which was made by Extrasport, I’ve tried almost everything on the market.
When I was scuba diving for the Navy in the late ’60s and early ’70s, I wore an inflatable that was manually or CO2-cartridge activated. Such flotation devices led to today’s divers’ buoyancy compensators and Type-V PFDs. These inflatable PFDs, made as suspenders or a belt with a pouch, are very compact, but once they are inflated you can neither swim effectively nor do anything else useful to help yourself if you’ve gone overboard; all you can do is wait for help. For those of us who sail and row, they can also get caught on gear such as rigging or oar handles. I wear a waist-band inflatable for summer rowing and sailing in benign conditions but, while it doesn’t catch on stuff, I’m reluctant to inflate it because it would get in the way of any self-rescue procedures. However, without some buoyancy, if capsized, I would need to devote some of my recovery efforts to keeping myself afloat.
The early life vests that used foam for flotation were the precursors to Type III PFDs, which are designed to keep you afloat any time you’re in the water and don’t make it impractical to swim. They can also have lots of pockets in which to carry gear. But, the bulk of the foam can interfere with your ability to climb back aboard after a capsize, or reach well aft at the catch of a rowing stroke, and they can crowd the oar handles at the finish of the stroke. The pockets, empty or full, can further add to the interference at the end of the stroke.
Enter Mustang Survival’s Khimera, a hybrid foam/inflatable Type V PFD. I first saw one in 2019 at a spring fishing trade show as part of a National Marine Fisheries Service effort to reduce fishing deaths by drowning. I was impressed by it and bought one.
The Khimera’s foam provides 7.5 lbs of buoyancy and its air bladders add 13 lbs when inflated, for a total of 20.5 lbs. (The minimum buoyancy for a foam Type III is 15.5 lbs.) Like other inflatables, the Khimera has a Type V classification, which means that you have to wear it, not just have it on board, for it to meet U.S. Coast Guard requirements. Mustang also classifies the Khimera as a Level 70 Buoyancy Aid, which provides a minimum buoyancy of 70 Newtons (15.7 lbs) and notes: “Level 70 buoyancy aids are intended for use by those who have a means of rescue close at hand, or who are near to bank or shore. These devices have minimal bulk, but cannot be expected to keep the user safe for a long period of time in disturbed water.”
The front of the over-the-head-entry Khimera is smooth with only one small pocket, so there is nothing likely to catch on gear. The pocket is meant to carry an extra CO2 cylinder; I use it to carry ID and a Greatland Laser rescue flare as well. It would fit a modest-sized waterproof cell phone, but could be a tight squeeze for a cell phone in a waterproof pouch. I have a big storm whistle lashed to a shoulder strap, and I clip a VHF to the other shoulder strap or the front of the jacket with a lanyard to the shoulder strap, with enough slack to easily operate the radio. When I want to carry a personal EPIRB I fasten it to one of the lash tabs on the shoulder straps.
One of my Greenland-style paddling friends tried my Khimera. He has mastered the full repertoire of Greenland rolls, which require extraordinary flexibility and a range of motion unrestricted by a bulky foam PFD. He bought a Khimera; the only PFD that would give him more mobility would be a waist-belt inflatable PFD.
After seeing how well the Khimera worked for me, my rowing partner just picked one up because it provides more warmth than a belt inflatable in cool weather, and doesn’t snag oar handles. It is also far better suited to leaning forward and back during a long rowing stroke than paddling-oriented full-foam PFDs. My jacket is red, which is okay for visibility, and has red retroreflective lash tabs. My partner’s is a nice robin’s egg blue—which has very good visibility at sea—and green retroreflective lash tabs.
Last fall, on a chilly late October Maine day, I had an unplanned opportunity to test the Khimera. I was paddling my small wood/canvas canoe, trying fancy freestyle turning strokes, made a mistake, and over I went. It was not a great day for a dip. I needed to get out fast and get the water out of the canoe. I shook much of the water out of the boat, then grabbed the painter and swam the short distance to an island where I emptied the rest. The Khimera’s foam provided me with enough flotation that I could right, bail, and tow without having to tread water to stay afloat—it wasn’t necessary to inflate the air bladders. In retrospect, the 8 lbs of buoyancy floated me about the same as a full-thickness wet suit, enough to keep me safely afloat. I didn’t even think about needing the additional buoyancy of the inflatable bladders. I had a mile or so of pretty chilly paddling home. While I was wearing wool, I wasn’t dressed for immersion. The Khimera kept my core warm and, indeed, has done so when rowing throughout four Maine winters.
The jacket is “one size fits all” with side and shoulder adjustment straps. The straps have clever elastic loops that allow you to roll up excess length and tuck it neatly away. After nearly four years, the elastic has lost its springiness, and I’ll soon be taking a few stitches with the sail needle to tighten them.
The Khimera is inflated either by a CO2 device triggered by a pull handle on the right side or an oral inflation tube tucked behind the PFD’s front. The large bladder in the front is connected through the shoulder straps to a smaller one in the back. The larger front bladder favors floating face-up, and the rear bladder raises your back to make it easy to hold your head upright. The bladders are fully contained by the jacket, so they just need to be flattened before the Khimera’s next use. The suspenders- and belt-style PFDs are more persnickety and need to be carefully refolded. With both my Khimera and waistband inflatable I trigger the CO2 mechanism at the beginning of the season and rearm it with a new cartridge.
The Khimera would be warmer than the belt or suspenders-style inflatable on hot summers, but with about half the amount of foam of a typical Type III PFD, it would be cooler than those more commonly used styles. When I’m paddling rocky whitewater or playing near rocks in kayaks I don a conventional Type III for its padding, pockets, and additional foam flotation. But for lake paddling and inshore rowing and sailing, the Khimera gets the call.
Ben Fuller, curator emeritus of the Penobscot Marine Museum in Searsport, Maine, and former curator of Mystic Seaport and Chesapeake Bay Maritime Museum, has been messing about in small boats for a very long time. He is owned by a dozen or more boats ranging from an International Canoe to a faering.
The Mustang Khimera Dual Flotation PFD is available from Mustang Survival, priced $239.99.
Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.
For the best part of my life, I’ve enjoyed every aspect of small boats, with one exception: climbing in and out of them while they’re on their trailers, whether at home when working on them, or at the ramp loading gear in and out or raising or lowering a sailing rig. I’ve been able to board three of my trailered boats by getting a tenuous footing on the trailer frame and then smearing my frontside over the gunwale, but it’s a painful process. Clambering out of the boat can be even worse because I can’t see where I’m putting my foot; I lost my toehold once and spilled onto the concrete driveway. I’ve used a milk crate as a step, but it’s not quite tall enough and can be unsteady on the lawn. I made ladders for two of the boats and, although they work, they are heavy, bulky, and take up a lot of room in my shop. I don’t take them to the launch ramp.
When I happened upon the FlexStep Pro while browsing the web, it looked like just the thing I needed. It’s an adjustable step with an aluminum mounting bracket that attaches to the trailer frame, so there’s no chance it will roll out from under me like a milk crate might if I put my weight too close to its edge. The receiver that supports the step can extend from 17″ to 21″ in four increments and is locked with a stainless-steel quick-release pin with a spring-loaded ball lock. The arm rotates 90 degrees in the bracket and locks in one of four positions.
The 5-1⁄4″ × 6-3⁄8″ backing plate can accommodate trailer beams up to 5″ deep, and the 4-1⁄4″ × 3⁄8″ bolts can span a beam about 3-1⁄2″ wide.
The manufacturer recommends removing the receiver (with the step) when towing the trailer and while launching or retrieving the boat at the ramp. It’s easy enough to do and assures the step isn’t lost on the highway or in the way of the boat at the ramp.
Where—and whether or not—the FlexStep can be mounted depends on the clearance between the boat and its trailer. Our Escargot canal boat covers the trailer bed and the beams from the bed to the tongue, so the only place I could mount the step was on the trailer tongue.
While that could be useful for some boats, it was my Caledonia Yawl that would benefit most from the step. The yawl rests on a flat drift-boat trailer that doesn’t have a box-beam frame. Instead, it has steel channels that support a wooden deck. My only option was to drill four holes in the side of the channel and two new holes in the bracket for a set of four shorter 3⁄8″ bolts that I had on hand. It was easy to drill the two additional holes in the aluminum bracket. The four holes in the trailer’s steel took more time and pressure. After the bracket was installed, the receiver was quick to install with the larger locking pin.
Boarding the Caledonia is now a breeze. The step is at just the right height for me to climb over the gunwale without having to put my weight on it. The rubber covers on the step provide a non-slip surface, and while there is slight play in the receiver, the step is solid and secure even with all my weight on one side.
The FlexStep Pro will change the way I ready the Caledonia for sailing. Instead of dropping the rig and gear into the boat and rushing to organize it at the dock while other boats are waiting, I’ll be happy to rig it in the parking lot where I can take my time and comfortably get in and out of the boat as many times as it takes.
Christopher Cunningham is the editor of Small Boats.
The FlexStep Pro is made by Megaware and sold direct from the manufacturer for $159.95. There are several marine hardware stores and online retailers that offer the FlexStep at lower prices.
Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.
In Cleveland, Ohio, Henry Billingsley was thinking about retirement. He had been practicing law for decades and was ready for the next chapter in his life. While he had no great plan set out, he knew that he wanted rowing to be part of his future. In the 1970s, he had trained as a sweep oarsman at Columbia University, rowing starboard. He continued the sport long after graduating, but in the late 1980s took a class at the Craftsbury Sculling School in Vermont and became a devotee of single sculling. Now, as he approached his seventies, he knew it was time to replace his flatwater racing shell with a more seaworthy and forgiving craft.
He had always wanted to build and row a Whitehall, attracted to the boat’s history as well as its proven performance and classic lines. But there were two problems. First, traditional Whitehalls had fixed thwarts, and Henry wanted a sliding seat. “The fixed thwart,” he says, “deprives the rower of the use of the largest and most powerful muscles in the body—the legs.”
The second, and potentially greater, problem was that Henry knew “nothing about building boats.” He was, he thought, a “reasonably competent shoreside carpenter,” but he would have to leave the world of “square and straight” and enter the world of “beveled and curved.”
Not to be daunted, he continued to research the Whitehall type and came across J.D. Brown’s 1985 book, Rip, Strip, and Row, in which he found plans for John Harstock’s modern version of the classic skiff: the Cosine Wherry, a 14′2″ × 4′4″ strip-planked rowboat for one or two rowers. Here, says Henry, was a “lightweight, beautiful boat complete with excellent guidance on how to build the hull. But there was nothing about creating a sliding-seat system.” There were suggestions for sliding-seat mechanisms that could be dropped into the hull, but to Henry’s eye they spoiled the boat’s clean lines and took up too much space; he wanted to build his sliding-seat mechanism into the hull from the outset. It was time for some help. It was time to talk to Ed Neal.
Ed Neal learned to build boats at the Cleveland Public Library. In the late 1990s he had returned from a canoeing trip in Canada wanting to build an outrigger to make his canoe safer when paddling on remote lakes. The library had an extensive collection of boatbuilding books and, he says, “I fell down the boatbuilding hole and have yet to emerge.” It was no surprise: Ed had been an avid woodworker since his Boy Scout days and had been reading WoodenBoat since the 1970s. He continued paddling, but when WoodenBoat published a three-part construction guide by John Brooks on how to build his 12′ Ellen design, Ed was smitten. He followed the step-by-step guide and built a 2′ model. “I learned so much from that, and gained the confidence to build the full-sized version,” he says. Twenty-five years later, “I still use techniques picked up from those articles.”
Ed was leading the Cleveland Amateur Boating and Boatbuilders Society (CABBS) Boatbuilding Basics Workshop in 2019 when he met Henry. The two had briefly crossed paths when volunteering at a Cleveland public school, but otherwise did not know each other until Henry asked Ed about his Cosine Wherry sliding-seat issues and they agreed to meet. As the conversation progressed, Ed recalls, they discovered they had both attended college in New York City and had both covered their living expenses by driving a cab. They bonded immediately. Ed agreed to help Henry with his project.
The arrangement worked well. “I could not have hoped for a better teacher, guide, and friend than Ed,” says Henry. “Calm, confident, precise, and infinitely patient, he walked me through the process.” Together, they laid out the molds and constructed the strongback. The transom was fashioned in solid sapele, and the hull was strip-planked in bead-and-cove western red cedar, which they milled and scarfed from 2×4s. The fully planked hull was sheathed inside and out with epoxy-saturated fiberglass. Sapele gunwales were fitted to support the heavy cast-bronze outriggers. Throughout, Henry and Ed worked in partnership. Henry put his woodworking skills to good use and Ed acted as teacher, explaining boatbuilding techniques and then putting the tools in Henry’s hands so he could do the work.
Aside from an unexpected hiatus of several months when Henry broke his arm, the project went smoothly, but when it came time to construct the sliding-seat rig, both men were challenged. They spent hours examining sculls—measuring seat height, oarlock height and span, and foot stretcher distance and angle. They decided to make the seat adjustable to accommodate scullers of different heights.
Both had sliding-seat frames that they scrutinized. Ed had a Piantedosi frame and Henry had an Oarmaster frame set to a position he liked in his own rowing shell. They pulled it out, temporarily installed it in the Cosine Wherry, and took it down to the lake. “Henry rowed,” says Ed, “and we moved the frame to different locations along the keel to find the best balance point for solo rowing and the appropriate place for the oarlocks.”
They designed a pair of tanks with parallel inboard sides that would support the sliding-seat rails, but identifying the right materials for the wheels and rails involved much trial and error. “We progressed very slowly,” said Ed, “like blind men feeling our way along a wall.” When they got stuck searching for a solution, Ed would, says Henry, “calmly suggest that we just sleep on it. Being old guys, we would routinely wake up in the middle of the night and then suddenly get a flash of insight. Some of our best problem-solving came that way, and it gave rise to the genesis of the boat’s name: TAMO, for Three A.M. Oracle.”
At last, there came a breakthrough. Fellow CABBS member, Jim Batteiger, a retired master elevator mechanic, passed along some salvaged, 2″-diameter stainless-steel wheels with grooved circumferences that perfectly fit over 1⁄2″ heavy-duty copper pipe. “We designed a seat carriage around those wheels,” says Ed, “and used the pipe to create long rails that could accommodate either solo rowing or rowing with a passenger.”
As construction neared completion Ed went to visit his son and family in Seattle. One morning, shortly after his return, he told Henry about the Seventy48, a 70-mile race on Puget Sound. Henry recalled that Ed seemed to be “just sharing a tidbit of interesting news. It was masterful. He dangled this shiny little nugget in front of me, confident that I’d strike at it. And I did. We were off. We would finish TAMO, train like demons, build a trailer crate to transport her across country to Washington, and enlist our wives to play along.” They had six months to prepare.
The Seventy48 was first staged in 2018 and the now-annual challenge, sponsored by the Northwest Maritime Center in Port Townsend, is to cover the 70 miles from downtown Tacoma to Port Townsend in under 48 hours in a human-powered boat. Competitors can travel solo or in a team, but all must travel overnight and unsupported, along Puget Sound, a large body of water with a 7–11′ tidal range.
Henry had rowed thousands of miles but never a distance of this length in one shot, and never at night. Getting race-ready meant long, grueling sessions on the ergometer to harden hands, seat, and muscles. For Ed, the challenge was even greater. At the age of 18 he had rowed with a friend 40 miles across Lake Erie to Canada, but otherwise his boating experience was almost exclusively paddling canoes and kayaks. He was new to feathering oars and rowing with overlapping handles. He, too, put in many hours on the ergometer, and as the weather improved into spring, he got out on the lake as often as he could in the Firefly, putting in the miles until the new techniques came naturally.
With help from CABBS member Tom Baugher, Ed and Henry had designed and built a trailer for TAMO, complete with a wooden crate to protect her and a dolly for solo launching. Several weeks before the race, Henry and his wife, Karen, hitched up the custom trailer crate and towed TAMO the 2,400 miles to Gig Harbor. In the weeks before Ed joined him, Henry familiarized himself with the boat and the waters of Puget Sound. “Although the wind, tide, and currents could be a little tricky, the scenery and the bald eagles were extraordinary. Sea lions surfaced frequently almost alongside and stared at me as I sculled over the kelp beds. I was told that orcas also frequented Colvos Passage, where I was training, but I was glad none ever showed up.”
A week before the race, Ed arrived and the two friends rowed TAMO together on three or four occasions, but time was up. They had made it this far: they had built a boat, designed and built a sliding seat, trained hard, and on Friday, June 10, 2022, they rowed out to the Seventy48 start line in Tacoma for the 7 p.m. start. The 116 competing teams included just six from east of the Rockies, and of those six two were from Cleveland—Henry and Ed had been joined by Paul Herrgesell, a fellow member of CABBS who had been inspired by their enthusiasm and signed up.
In the end Henry and Ed would be defeated by the weather. They rowed through the night, taking turns of 60 to 90 minutes each at the oars, rowing into shore for each changeover. By dawn on the Saturday morning, they were, says Henry, “surprisingly alert and buoyant.” They rowed on through the day, but as they rounded Point No Point and turned west for Oak Bay, the wind was building. Twenty-three hours and 53 miles into the race, the “high winds and whitecaps stopped our forward progress. We headed downwind to a narrow, rocky beach to take stock. We huddled on the narrow strip of beach at the bottom of a cliff and realized that with the rising tide, in just a few hours our beach would be underwater and then nightfall would come.”
They were faced with a difficult choice: either struggle against the wind and waves to the checkpoint at the Port Townsend Ship Canal 9 miles away, or abandon the race, turn southwest, and run 3 miles downwind back to Port Ludlow. They chose safety over competition. By the time they left the beach, the wind was so strong they had difficulty even climbing aboard, but as they finally made their way out, they gained confidence that TAMO could slip through the waves. Progress was slow. Henry remembers that “TAMO rolled and pitched so hard it was impossible to pull the oars. But she bobbed over the whitecaps like a cork and shipped very little water.”
As they left the beach, neither Henry nor Ed was sure that they were making the right decision, but rowing the next 3 miles would take them 2-1⁄2 hours. “It was,” says Henry, “the longest 3-mile row of my life and as we pulled into Port Ludlow Marina, we were disappointed but relieved. We’d made the right call.” And, he says, “It was all good, very good. We met some fabulous people, saw some truly beautiful country, and had a hell of an experience. I wouldn’t have missed the opportunity to do all that with Ed for the world.”
Since returning from Washington, Henry has continued to row TAMO on his home waters of Lake Erie and the Cuyahoga River, and in the summer of 2023, TAMO will be part of an exhibit at the National Museum of the Great Lakes in Toledo. He hopes to join Ed in future boatbuilding projects helping, he says, by doing “mainly what Ed tells me to do.”
Jenny Bennett is the managing editor of Small Boats.
Do you have a boat with an interesting story? Please email us. We’d like to hear about it and share it with other Small Boats Magazine readers.
Not long after I returned home to Seattle from my sneakbox adventure, one of the local television stations invited me to be a guest on their morning show to share my story and a few slides. There were two other guests on with me: a top-notch stunt and acrobatic pilot (a woman whose name escapes me now, we’ll call her Ann) and Susan Butcher, a dog-sled musher who had competed seven times in the grueling 938-mile Iditarod sled-dog race in Alaska. Shortly after the red ON AIR sign lit up, I was surprised when the hosts of the program introduced the three of us as “Risk-Takers,” and from the knit brows I saw on Ann and Susan, I think that they were also taken aback. We each took a turn to talk and share a slide presentation; I showed several of the images that have been featured in the three installments of my sneakbox story here in Small Boats. When we were asked about the risks we took, all of us agreed that the risks in our avocations were less than those we had taken in driving to the TV studio. Susan and Ann had put years into training and studying for the pursuits they chose and everything they did was tempered by experience.
Building on what I had picked up as a kid while backpacking and sailing with my father, I took an interest in wilderness skills and solo adventuring at the age of 17. What drove me was a nagging realization that I didn’t know how I’d fare on my own, dealing not only with the practical challenges, but also with the psychological ones. On my bicycle tour from Seattle to Los Angeles and back, I met a businessman on a sidewalk in downtown Portland, Oregon, who took an interest in my panier-burdened road bike. He asked where I slept at night, and I replied with just about anywhere I found to make camp at the end of the day. When I answered “Yes” to his question “Alone?” he said, “I think I’d go crazy on the first night.”
That was a fear that I had to a much lesser degree on the first night of my first backpacking solo, when I listened to things outside the tent that went bump in the night as if they were escaped convicts instead of nocturnal critters just out for a bite to eat. I didn’t want to carry fears like that: Would I panic in an emergency? Would I fail to solve problems quickly? Would I give up in the face of adversity? Would I not enjoy my own company? Whatever fears I might discover in myself, I thought I could grow out of them through solo adventuring in the wilderness.
When I was 18, I did my first solo backpack outing, in the summer and on a trail I’d hiked twice with my father, and in the years that followed I pushed the envelope until I was ready to undertake a solo winter hike on snowshoes with a heavy pack and to make an igloo for my shelter. When I switched to boating, I started with a summer cruise from familiar local waters and increased the distance and challenges for cruises that followed, culminating with my winter sneakbox cruise.
During that 2,400-mile cruise, there was only one real risk that I took. It was on the day I left Memphis and chose to pass by several good camping spots while I still had daylight, and try to rendezvous with a friend who had offered me a hot meal and place to spend the night. I risked my wellbeing by attempting something that had nothing to do with the circumstances on the river. As a result, I got myself into real trouble trying to find a place to come ashore on a swift river, in the dark, in subfreezing temperatures that put me on the brink of hypothermia. You can read about it in the second installment of the cruise.
To help myself survive that night, I drew on an important experience from the year after I graduated from college. While visiting my sweetheart in Cambridge, Massachusetts, I strolled around town on Christmas Eve while waiting for her to get out of work. The streets were slushy, I was not wearing waterproof boots to keep my feet dry and warm, and I hadn’t had much to eat that day. Close to the time she got off work I waited outside the door leaning up against a cold brick wall. By the time she met me, I was slipping into hypothermia. The bad decisions I’d made had left me unnecessarily exposed to the cold. My arms and legs were numb, and the deep chill was closing in on my core. As we walked down the stairs to the subway station for the ride home, I doubled over with an abdominal spasm and started to sob. Fortunately, we were already in the comparatively warm air in the underground station and I started to recover.
That cold night on the Mississippi, I recognized what was happening to me and had a good idea of how long I would be able to function well enough to get off the river and get warm again. And I knew that I couldn’t afford to let my mind start slipping away, so I kept myself intensely focused on what I needed to do and fear never entered my mind.
Aside from that one lapse of good judgment during the 2-1⁄2 months I was cruising LUNA, I kept myself not just safe but happy by not taking risks. To be sure, there were plenty of times that I endured discomfort, especially on the relentlessly cold days and nights on the Ohio River; it was not risk-taking but rather an anticipated and essential part of the experience; I loved working my way out of it. Being warm, dry, clean, and well fed can now easily go without notice at home, but during my small-boat cruise in winter they were achievements that could even make me giddy with the pleasure of them. And all the people who took pity on me in my tiny boat and said I should have a motor missed how free and how powerful I felt rowing LUNA. They might be able to cover a distance in an hour that would take me from dawn to dusk, but I would see, hear, and experience much more and be all the richer, happier, and prouder for it.
When I was captivated in my late 20s by Nathaniel Bishop’s Four Months in a Sneak-Box, the real risk would have been to let the dreams it inspired pass and to enter adulthood without following in his wake, finding the answers to questions I had about myself, and discovering and enjoying what I was capable of as a human being.
In 1988, when Cindy, my wife then, and I were living in Silver Spring, Maryland, we took the lapstrake canoe I’d built to St. Michaels to paddle the Miles River, an estuarine tributary of Chesapeake Bay. I don’t recall now why we made the 80-mile drive there—we had other places to paddle much closer to home—but the sky was clear, and the water was lightly ruffled; it was a good day to be on the water. I like to go boating with a bit of formal style, so we flew the American flag at the stern of the canoe and my family’s house flag on a short staff at the bow. The design for the flag had been passed down from my third great-grandfather Charles Cunningham and his brother, Andrew. It was the private signal flown from the highest points on their fleet of ships, barks, and brigs carrying goods across the Atlantic. In the days before radio, the signals were the first things to rise above the horizon to let merchants know whose vessel would soon be in the harbor.
Cindy and I paddled along the left bank of the Miles and hadn’t gone far when we rounded a blunt marshy point of land and neared a broad expanse of open land occupied by a lone, white, two-story house. A man in front of it was walking across the lawn toward us. The first thing he said was, “Is that a private signal?” It was the first, and still the only time, that anyone has recognized the flag for what it is. This was Judge John C. North, born into a family as steeped in boats as my own. When he invited us to come ashore, we pulled the canoe among the reeds and sat for a while on lawn chairs with Judge North and his wife, Ethel.
The conversation turned to the boats he owned, which included two Chesapeake log canoes: 27′4″ ISLAND BIRD built in 1882 and 32′7″ ISLAND BLOSSOM built 1892. Both were built by his great-grandfather, William Sidney Covington, on Tilghman Island, just 8 miles to the southwest of the North home.
The Judge, as he is known locally, invited me to return to St. Michaels on a subsequent weekend to sail aboard ISLAND BIRD, the oldest and smallest of the roughly two dozen original log canoes that were still racing. Her hull was built of three logs joined side-by-side, then carved to shape; the sides are extended by means of fractional frames, patches, and carvel planks. North, along with his great-uncle, acquired ISLAND BIRD from a previous owner and restored her in 1949. He has been racing her every year ever since.
On race day, the Judge was, of course, ISLAND BIRD’s captain. I was one of four boardmen whose job was to shift hiking boards from side to side during tacks, set one end under the side deck, and scramble out on the other end—which was cantilevered over the water. Prior to the 1980s, the boards would have been hardwood 2 x 12s; very heavy, awkward, and dangerous to fling from one side of a log canoe to the other. Since then, they had been made as hollow box beams. While they were lighter, in the rush of coming about it was easy to bruise knuckles and bark shins.
I don’t remember much about the race and where ISLAND BIRD was in relation to the other boats. She was slender—just 5′6-1⁄2″ in the beam—and very sensitive to the position of the four boardmen so we were in almost constant motion. I was enthralled by ISLAND BIRD. It’s one thing to be in a sailboat going so fast that the water goes by in a green blur streaked white by the bow wave’s froth; it’s quite another to be perched on a plank, sitting fully outside of that boat, trying to come to grips with the notion that the boat I’m sailing on is over there.
Even though ISLAND BIRD was the smallest boat in the race fleet, she carried—and still does carry—so much sail that it was like sitting in the front row of a movie theater trying to take in the whole screen. The jib’s foot has a full-length club that pushes the tack well past the end of the bowsprit. The large foresail and the smaller mainsail have clubs at the ends of their sprit booms, vertically expanding what would ordinarily be the clew several feet in both directions. The main requires an outrigger on the stern to set the mainsheet block aft of the boom. ISLAND BIRD’s unstayed mainmast is 25′ tall; her foremast is 36′ tall and above it flies a “kite” topsail that looks like it could have been stolen from a Laser but for its silhouette of an osprey with a fish in its talons.
We were moving along at a good clip when we sailed into a sudden lull and ISLAND BIRD snapped upright. The hiking boards dropped suddenly and only three of us were able to scramble into the boat. The fourth boardman was flicked off his perch. The Judge looped the boat around and we picked up our AWOL crewman. As we chased after the fleet, one of the more experienced of the boardmen told me that losing someone off a hiking board almost always results in a capsize. Some of the larger boats, with four hiking boards and eight boardmen, have a better chance of surviving a man-overboard because the weight of one crewmember isn’t as significant as it is aboard ISLAND BIRD. We didn’t place well at the finish of the race, but it was enough of an achievement to have kept ISLAND BIRD on her feet.
I never would have imagined that the most exciting sailing I’ve ever done would be aboard a 106-year-old dugout canoe. And while I may never meet another boater who recognizes my house flag, with Judge North, one was enough.
While François Vivier’s Meaban is a pocket cruiser he designed some 16 years ago, it has the look of a classic from a more distant era. Its design is a development of the Stir-Ven, which is slightly smaller than the Meaban but has a larger cockpit, a small cuddy instead of a cabin, and a transom-mounted outboard instead of an inboard well. In the early 2000s, Vivier began discussions with Pierre-Yves de la Rivière of Grand-Largue, a boatyard in Brittany, about a new design, the Meaban, with a proper cabin, a self-draining cockpit, an outboard well within easy reach, and an option for an inboard engine.
“The Meaban’s look was in the spirit of some small yachts as drawn by François Sergent (the Loctudy) or Eugène Cornu (the Bélouga),” said Vivier. “As for all my designs, I wanted to draw a true classic, beautiful and suited to another way of sailing, away from modern marinas. For instance, the low draft makes it an excellent boat for visiting small, drying harbors.” Vivier was particularly keen that the centerboard case shouldn’t encroach too much into the cabin, and so he moved it aft so that it is partly in the cabin and partly in the cockpit. He moved the rig correspondingly aft and gave the hull a plumb stem to maintain balance.
He initially designed the boat for strip-planked construction—that was the preference of the person who ordered the first set of plans—but Vivier soon produced new plans for cold-molded construction “which is lighter, easier to build, and completely free of problems due to temperature or moisture content.” Around two dozen boats have now been built, mostly by amateurs, and most are cold-molded. François offers plans and patterns for both a strip-built version of the Meaban and the plywood version shown here. Offsets are not available, so the shapes of the plywood parts are provided as full-sized Mylar patterns or files for CNC-cutting. A 23-page manual is included as a builder’s guide.
The Meaban RIDEAU was built in Tasmania by Lindsay Pender for his own use. After taking delivery of the CNC-cut plywood components, Lindsay had to do a certain amount of finishing off. The notches for longitudinal components in the bulkheads, for instance, had rounded corners that he had to square off. For almost all the solid timber parts of the boat, Lindsay used celerytop pine, a species unique to Tasmania.
The boat is constructed around an egg-crate structure composed of plywood longitudinal components and 12 transverse bulkheads although some might be more accurately described as ring frames or semi-ring frames. Three of these—those in line with the forward and aft ends of the cabintop, and the one directly under the mast—are double thickness, as is the transom. After creating a building base, the bulkheads are set up vertically, upside down, along with the slightly angled inner transom layer. After the centerboard case is constructed, it is inserted into the appropriate cutouts in the bulkheads. The stem is laminated around a jig (the shape of which is provided by a Mylar template) and then set in position and notched into the forward-are bulkhead. For the hog, two lengths of 26mm x 140mm (1″ x 5-1⁄2″) timber are scarfed together and the slot is cut for the centerboard. This bends easily around the gentle rocker and is scarfed to the stem, then glued and screwed into the bulkhead and transom notches. The plywood parts of the longitudinal bulkheads, which run most of the length of the boat from the transom to the second-most forward bulkhead, are finger-jointed together and then fitted into their notches. Then the solid-timber beam shelf, stringers, and double stringers each side get put in place and trimmed flush with the aft face of the inner transom layer before the outer transom layer is fitted. The stem and hog are then faired in with the bulkhead edges to allow the hull planking to begin.
In the bottom part of the boat, the planking is made up of just one layer of 12mm (1⁄2″) plywood, which comes up to the middle of the double lower stringer. Lindsay had trouble bending and twisting the plywood in the forward part of the boat, and so he cut notches into the inner face and later filled them with epoxy. The remainder of the planking consists of three layers of 4mm plywood, laid in strips approximately 4″ wide with all of them aligned vertically and with the edge joints staggered in successive layers. There are about 300 such planks in total, and the edge of each of them has to be fitted to the edge of its neighbor. After the first two layers are butt-jointed to the 12mm bottom plywood along the double lower stringer, the third layer is fitted into a rabbet in the 12mm bottom plywood. The 12mm plywood and the first layer of 4mm plywood are epoxied to the hog, stem, and stringers and to the edges of the longitudinal and transverse bulkheads, with the next two layers of 4mm plywood epoxied to the preceding one and to each other. Staples and very small screws hold them in place while the epoxy set.
The wood keel that gets added next consists of seven 22mm (7⁄8″) laminates with a small solid section between the laminations and the hull at the aft end. The slot for the centerboard is cut into each of these seven pieces with a jigsaw prior to laminating. Within the wood keel there is a shaped recess for the 440-lb cast-lead ballast keel, which gets bolted in place. Lindsay made the pattern for this himself and had the foundry drill holes for the six 12mm keelbolts through the casting. Lindsay then fitted the lead keel while the hull was still upside down, using the holes in the lead to guide the drilling of the holes through the timber centerline components before bolting it on.
The outside of the hull gets faired and then sheathed with 200g (7 oz) biaxial cloth and epoxy, filled, faired, and painted. As recommended by Vivier, Lindsay did a great deal of the epoxy filleting between the structural components and the inside of the hull planking while the hull was upside down (although with hindsight he thinks it might have been easier to do it when it was the right way up).
After the hull is turned over, each of the individual internal hull panels forward of the mast bulkhead and those below the waterline elsewhere are sheathed with 200g biaxial cloth and epoxy.
The deck structure consists of 25mm x 25mm (1″ x 1″) carlins fitted into notches in the bulkheads and semi-ring frames, 30mm x 30mm (1 3⁄16″ x 1 3⁄16″) half deckbeams, 25mm x 60mm (1″ x 2 3⁄8″) deckbeams each side of the bulkhead directly below the mast, and various sizes of beams alongside bulkheads and ring frames in way of the foredeck. The cockpit and coach roof coamings are continuous, made up of two layers of plywood, each with staggered scarf joints. The cabintop is laminated from three layers of 4 mm plywood, and the side deck and foredeck are one layer of 10mm.
The cockpit sole sits on top of 20mm x 25mm (7⁄8″ x 1″) longitudinal members fixed to the inside faces of the longitudinal bulkheads, and the remainder of the cockpit and the outboard well are simply constructed from plywood and solid timber. The cabin’s interior joinery is similarly constructed and includes a berth each side and a double berth forward.
There is a space for a portable toilet centered under the aft end of the double berth. A chart table stows under the starboard cockpit seat and slides forward for use over the starboard seat/berth; and a dining table stows under the port cockpit seat and can be set up in the cabin by notching its forward end over the partial bulkheads at the ends of the seat/berths and supporting its aft end with a leg (although Lindsay finds it too wide to use comfortably). There is no stove installed, and Lindsay and his wife usually use a stand-alone propane stove in the cockpit. The interior is surprisingly spacious, and there is comfortable sitting headroom above the side seat/berths. Lindsay intends to make the seating more comfortable with the addition of backrest cushions.
Vivier designed Bermudan and gaff rigs for the Meaban, and Lindsay opted for the latter. The spars are of Oregon pine and of hollow construction, although the plans specify the boom should be solid. Lindsay fit a PVC pipe inside the mast to allow cables for a masthead light and a VHF aerial.
For shoreside stops, the plans include an anchor well, covered by a hatch in the foredeck, and beaching legs to keep the boat upright over its 6″-deep keel. Lindsey didn’t include these in RIDEAU.
A mast tabernacle, made in stainless steel from a detailed drawing included with the plans, allows Lindsay to rig RIDEAU fairly easily by himself and, with an off-the-shelf trailer, launching and recovering is a relatively straightforward process. Under power, the 6-hp four-stroke Yamaha outboard gives the boat about 5.5 knots at wide-open throttle. The outboard itself cannot be turned in its well but, with the propeller immediately forward of the rudder, the boat is particularly maneuverable when going ahead. The plans detail an outboard well with two removable panels that cover the engine to reduce noise. The tiller extends through a notch in the forward panel to provide control of the throttle. The rudder has a kick-up blade, held down with a line secured to an auto-release clam cleat.
We sailed RIDEAU from Bellerive on the edge of Tasmania’s Derwent River and, while the photographs here might indicate that the conditions were benign, an unsettled forecast and some noticeably threatening gusts prompted us to put a reef in the mainsail. Nonetheless, even when the wind was relatively light, RIDEAU gave an enjoyable and lively sailing performance with a balanced helm. We tacked through an angle of about 110 degrees, although we agreed that this could be improved with a tighter jib luff. The cockpit was comfortably roomy for the three of us onboard. Taking the helm requires standing occasionally to look properly over the cabintop. The part of the centerboard case in the cockpit is barely noticeable, while its forward end inside the cabin is supports a step for easier access in and out of the cabin.
Before we launched for our afternoon sail, Lindsay told me that the Meaban is “a dream to sail in light winds,” and I was soon able to see that for myself. Lindsay and his wife, who are not the most confident sailors, haven’t yet worked up to sailing in stronger winds but it was clear to me that, as they get used to the Meaban, not only would they have little to fear but they will have great fun with it.
In every way it seems that Vivier has achieved his aims for the Meaban: “To be a pleasant day and cruising boat, fast and easy to steer. To have the charm and beauty of a classic boat with a lovely cabin and a welcoming cockpit.”
Nigel Sharp is a lifelong sailor and a freelance marine writer and photographer. He spent 35 years in managerial roles in the boat building and repair industry, and has logged thousands of miles in boats big and small, from dinghies to schooners.
In 1883 the Humber Yawl Club was formed in northeast England by a group of canoeing enthusiasts who felt that the conditions in the Humber estuary required more seaworthy craft than they had previously used. This led to the designing and building of so-called canoe yawls, although strictly speaking they were neither. Not only did they race against each other, both paddling and sailing, but they were also cruised extensively on sheltered inland waters. In the days before cars were used to trailer boats, the canoe yawls were built very lightly so that they could be loaded and carried on trains, and occasionally they were also transported by steamer to the European mainland. One of the Humber Yawl Club’s founding members was a young engineer called George Holmes who, in 1888, designed a canoe yawl called ETHEL which was built locally by J. Akester. At 13′2″ ETHEL was specifically designed to fit in a guard’s van (caboose) on a train, and her beam allowed two people to sleep on board, on either side of the centerboard case.
In 1991, Classic Boat magazine ran a series of articles on the build of a strip-planked replica of ETHEL. On seeing this, Tom Dunderdale commissioned Paul Fisher of Selway Fisher Design to design a slightly larger version. The result was the Lillie design which, with a length of 14′11″, could be built of stitch-and-glue plywood using 8′ sheets of plywood scarfed together, with seven strakes. Although Tom’s boat was built this way, Paul also produced plans to allow strip-planked construction.
The plans set includes six pages of drawings and a 12-page booklet, Building Schedule and Key to Plans. The plans include drawings and a table of offsets for each of the seven plank shapes; construction details for plywood and strip construction; measured drawings for frames, stems, and molds; and sail and spar plans for lug and gaff rigs. The booklet includes the key, notes on stitch-and-tape construction, and drawings for the tiller and motorwell.
Retired Tasmanian doctor David Ridgers had previously built three boats for himself and was keen to build another. Initially he was drawn to the curved yards of the slightly larger Selway Fisher canoe yawl, the 16′ Casco Bay, but was unsure about the inboard rudder placement. When he visited the Australian Wooden Boat Festival in 2019 and saw a stitch-and-glue Lillie, whose owner was enthusiastic about the boat’s sailing characteristics, he decided that’s what he would build. He chose strip-planking, however, as he was “particularly attracted to the hull’s curvaceous shape,” which he thought would not be best served by plywood construction.
Because the plans include accurate drawings of each of the 13 temporary molds, there is no need to do any lofting. David initially transferred the mold shapes to sheets of 3⁄16″ MDF (medium-density fiberboard) as it was very easy to shape, and he then used those as patterns to create the 1⁄2″ MDF molds with a spindle molder/shaper. Once they were set up upside down and checked with a laser level and a long fairing batten, he half-jointed the inner stem and sternpost (both from 2″ × 1-3⁄8″ solid Huon pine) to the 1″ × 4-3⁄4″ western red cedar hog (keelson) and set them up on the molds. He then fitted the 3⁄4″ x 2″ Douglas-fir inwales (laminated from two pieces) into the notches cut in the molds. For the planking strips he used 13⁄16″ × 3⁄8″ western red cedar, but rather than using bead-and-cove or tongue-and-groove sections, he beveled the edge of each plank to fit its neighbor. He started planking at the sheer, “perhaps unwisely,” and worked toward the keel, but when he got to the turn of the bilges, he realized he was going to have problems with the bend and twist. He got over that by fitting about 10 strips that were half as wide or even less, but kept them parallel. He used Titebond III PVA adhesive to glue the planks to each other, to the centerline components, and to the inwales, and temporarily stapled them to the molds. After trimming the ends of the planking where they ran out over the centerline components, he fitted the outer stem and sternpost, which were laminated in situ, and the 1-1⁄4″ × 1-3⁄8″ outer keel, all in celerytop pine.
After fairing the planking, he sealed it with a penetrating thinned-out epoxy, sheathed it with 165gsm (7-oz) twill ’glass and epoxy, and then filled and faired it. He completed the below-the-waterline painting before turning the hull over. (He initially painted the bottom white and the topsides black, but after he launched the boat, he found that bright sunlight highlighted the filled holes under the black paint, so he redid the paintwork with the colors reversed.)
With the hull the right-way up, the molds were removed. The hull was stiff enough without them, thanks to the inwales. The inside of the hull was then sheathed in the same way as the outside.
The centerboard case was made up of 3⁄8″ ply with a thin veneer of Huon pine. David has his own vacuum veneer press in his workshop and, because he is all too aware of what a valuable resource Huon pine is these days, limits his use of it to veneers rather than solid timber wherever he can. Six 1″ × 1⁄4″ celerytop-pine ribs—which weren’t shown on the plans, but which David thought would “add to the boat’s appearance and make her less like a fiberglass boat”—were then steamed into place each side and glued in with screws temporarily holding them through the hull.
The 3⁄8″ ply bulkheads at each end of the cockpit have oval hatch covers veneered in bird’s-eye Huon pine. The semi-ring frame amidships is split by the centerboard case. David placed the latter 2-½″ farther forward than shown in the plans to provide an option of stretching out and sleeping between it and the aft bulkhead. The case also had notches to accept the carlins (1″ × 1-3⁄8″ and laminated from two pieces). After fitting these, David then fitted the 5⁄16″-thick teak coamings inside the carlins. He found this one of the most challenging parts of the build but managed to do it without steaming the timber. David fitted the 1⁄8″-thick teak rubbing strake—which is tapered slightly at the ends to accentuate the sheer—before the deck went on so that he could clamp it.
The main deckbeam forward of the cockpit is laminated celerytop pine, but all the others are sawn King Billy pine (1″ × 1-3⁄8″), and when these were in place the 1⁄4″-thick plywood subdeck was fitted. The teak margins, kingplank, and covering boards were then laid, followed by Huon pine straight-laid planking with teak inlays in the seams, all 5⁄32″ thick. David used 3⁄8″ ply for the floors, some of which are double thickness, and which also act as bearers for the sole boards of 1⁄2″ Surian, an Indonesian hardwood. At the aft end of the cockpit, offset to port, David fitted an outboard well, an option shown on the plans.
The plans call for solid Douglas-fir spars (with bamboo as an option for the lug yards). David made hollow Douglas-fir spars using octagonal bird’s-mouth construction, and the masts have tapered tenons at the bottom for easy location into the steps. He added a sealed plastic tube to the mizzenmast’s step to avoid water getting into the aft locker, although that does mean water can settle in the tube itself.
David decided to give the yards a curve—as they are for the Casco Bay, which had first attracted him, and because he thought he would enjoy the additional challenge of making them. It would seem that this decision has contributed to the booms being lower than if they were straight as in the plans calling for closer attention from the crew when tacking and jibing.
With two of us on board, the electric outboard drove the boat at about 5 knots at full power, and could be rotated to give maneuverability both ahead and astern. The boat was also a pleasure to row with the 7′ oars designed by Iain Oughtred for his Elf, which David had built previously.
David told me that during his first sail in the boat, she was a bit overcanvased for the wind strength (about 15 knots) but he felt safe nonetheless. During my brief sail in fickle conditions, the boat hinted that it could provide tremendous fun and excitement, and sitting on the cockpit sole or on flat fenders on the side decks were both comfortable options. We did, however, have a bit of trouble when trying to tack, but for reasons that are solvable. The tiller is made in two parts, with a steam-bent curve around the mizzenmast. David used Tasmanian blackwood, but it sprang back after steaming, resulting in a tiller that only allows about 15° (instead of the designed 35°) of movement each side. He is making a new tiller with thinner and more laminations. Without the option of a headsail (which the gaff-rigged version has) to back when tacking, the relationship between main and mizzen is critical. We discovered that the best method to help turn the boat through the wind is to ease the mainsail immediately before tacking while keeping the mizzen sheeted hard in; as the boat passes through the wind, ease the mizzen and sheet in the mainsail; then delay sheeting in the mizzen until the boat has gathered way on the new tack.
We both agreed that the boat felt stable, helped no doubt by the 4-¾″ square lead insert in the bottom of the ¾″ ’glassed plywood centerboard. After further sea trials, David reported that “progress to windward seemed acceptable, and the boat was even happier sailing free,” and that certainly fit with my impression of the boat’s enjoyable reaching performance.
Nigel Sharp is a lifelong sailor and a freelance marine writer and photographer. He spent 35 years in managerial roles in the boat building and repair industry and has logged thousands of miles in boats big and small, from dinghies to schooners.
For the past 35 years I’ve built dozens of small boats, and all of them have been made of wood. I did, however, make one small foray into making a fiberglass boat. I had carved a 12″ model of a Whitehall by eye from a fragrant, fine-grained piece of Alaska yellow cedar, and while it was pleasant to work and I enjoyed having the hull shape gracing my living room, I had to keep it out of the incautious hands of my two young children. I decided to splash a fiberglass mold of the model and produced a couple of ’glass hulls to give as toys, confident the composite reproductions were tough enough to hold up to their rough use. Gig Harbor Boat Works evidently had the same idea: a composite Whitehall would have a significant advantage over a wooden one; you could do almost anything with it and not have to fret about the easily damaged woodwork.
The company, founded in 1986, is based in Gig Harbor, Washington, and produces small composite boats inspired by traditional small craft of the 19th century. I recently paid a visit to the Boat Works to try their 14′ Whitehall. It has the appearance of a lapstrake hull, typical of the Whitehalls built in New York prior to 1850. The top three strakes have distinct “laps” that accentuate the hull’s curves and below that the “strakes” are defined by subtle chines, providing a smoother underbody to reduce drag. A molded keel runs from stem to skeg to aid in tracking and the depression it creates inside the cockpit creates a narrow channel to direct bilgewater to the drain.
There are two standard layups available, and both are hand layups with polyester resin and gelcoat. The basic version is fiberglass roving and the lightweight version, featured in this review, is a biaxial fiberglass cloth over a Divinycell foam core with Kevlar reinforcements in the high-stress areas. The standard gunwale has a tough vinyl extrusion. For a touch of brightwork, the gunwale is available in red cedar with sapele accents.
Sealed compartments in the bow and stern provide seating for passengers and flotation to keep the boat afloat when swamped. While airtight compartments come in handy for stowing gear out of the weather, U.S. Coast Guard requirements don’t allow the manufacturer to install hatches in compartments that are designated for flotation. Both compartments have small holes drilled in their bulkheads to equalize air pressure so you can drop a hot boat in cold water or trailer it over a mountain pass without stressing the hull. The holes might be rather inconspicuous left as they are, but the small polished stainless-steel covers fastened over them are a nice touch. There are four chrome-plated brass fixtures are for hanging fenders.
The sides of the aft compartment extend to the forward thwart, creating a pair of parallel ledges that serve as the tracks for the sliding seat. The sliding seat is a standard feature. It has roller-blade-like wheels with nylon/UHMW (ultra-high molecular weight polyethylene) bearings that won’t corrode in a marine environment. The space between the side benches in the stern have a series of three slots for a foot board that is held in place by a pair of removable pins. Loops of Velcro to hold the feet for sliding-seat rowing are about as simple as they can be yet easily adjusted and entirely effective for holding feet in place—even if you rush the slide on a quick recovery.
Areas of non-skid texture are molded into the interior of the hull and the tops of the seats, so I had good footing getting in and out of the boat. The stability was reassuring, and I could drop down from a dock into the boat without feeling unsteady. I could shift to one side of the sliding thwart right up to the gunwale and still have just enough freeboard and reserve stability to maintain my balance. The sliding seat can be locked in an aft position for tandem rowing or amidships for solo fixed-thwart rowing.
I started my afternoon of sea trials with solo sliding-seat rowing. The Whitehall’s 55″ beam provides enough span between the standard silicon-bronze oarlocks to row 8′ -long oars effectively without an overlap of the handles. I maintained a GPS-measured 4 knots at a relaxed pace, 4.7 knots at an aerobic-exercise effort, and hit 5 knots in a short sprint. The boat felt good while I was rowing, but I noticed in the photographs that the bow lifted above the water at the catch when my weight was aft and returned to the water at the finish of the stroke when I leaned toward the bow. I had set out with the foot board in the aft pair of slots setting my weight farther aft than it could have been at the forward slot and with my legs extended, there was more run left on slides. If I had used the forwardmost position for the footboard my weight would have positioned about 6″ farther forward. That might not make an appreciable difference, but if there is any gear or water ballast to be carried aboard, the additional weight should be set well forward.
The Whitehall tracks well and I never had to adjust my course by pulling harder on one oar than the other. Turning 360° in place took only seven strokes—pulling on one oar, backing the other—several fewer strokes than I expected. The cutaway skeg evidently helped strike a good balance between tracking and turning.
With a partner taking to a second pair of oars at the forward rowing station, I slid the sliding thwart to the aft position and locked it there with a pair of pins. I took the footboard out to use the aft compartment’s bulkhead as a foot brace. The spacing between the tandem stations is a bit tight, but it didn’t take long for the two of us to adjust the length and rhythm of our strokes and row well together without clashing our blades. We did 4.3 knots at a relaxed pace, 5.2 knots at an exercise pace, and 5.5 knots in a sprint; good numbers for a 14′ boat.
I switched places with my rowing partner and took the bow station while he sat in the stern as a passenger. Although he sat as far forward as he could on the aft seat, I could tell the Whitehall was down by the stern and my top speed was around 4-1/4 knots. When he sat on the sliding thwart, still locked in its aft position, the trim improved, and I could do 4-¾ knots.
The early Whitehalls were built a half-century before the advent of outboard motors and their distinctive wineglass transoms, set high above the water with only the ends of the skegs in the water to support them, were designed for rowing not motoring. There’s no volume in the stern to support an outboard let alone an operator sitting next to it. We mounted an EP Carry electric outboard on the Gig Harbor Whitehall; at 21 lbs, the motor is about as light as an outboard can be. With only an operator aboard, keeping her weight as far forward as possible, the Whitehall moved along at a good clip, but the bow was out of the water. For the operator, that might not matter much—the motor is doing all the work. An outboard tiller extension would make it easier to operate the motor from a position closer to the middle of the boat (although an EP Carry’s throttle won’t fit a standard extension). Bringing a passenger along will hold the bow down and motoring for two with a quiet electric motor could make for a very pleasant outing. With two of us aboard, the EP Carry could push the Whitehall at 4 knots.
Before we pulled the Whitehall out of the water, I wanted to see if I could lift it. I stood amidships, set the turn of the bilge on my thighs, and leaned back. The Whitehall rose clear of the water without much effort on my part. I wasn’t tempted to do more than that, but I was impressed that the boat’s 125 lbs was so easy to handle. Two adults should be able to lift and walk with the boat if that’s required. A popular option is a stainless-steel keel guard to take the worst of the wear when the Whitehall needs to be dragged ashore. The weight of either of the hull layups result in a boat that can be launched from and reloaded on a trailer singlehandedly.
Making a composite Whitehall was a good idea, not only for the toy boats I made but also for the 14′ Whitehall Gig Harbor has produced. The care I’m compelled to take with the New York Whitehall that I built in the traditional manner limits what I do with it and the Gig Harbor Whitewall performs just as well, if not better. It is lighter, tougher, and better suited to rugged service.
Christopher Cunningham is the editor of Small Boats.
14′ Whitehall Particulars
[table]
Length/14′
Beam/55″
Weight, Fiberglass/145 lbs
Weight, Kevlar-Composite/125 lbs
Sail area (optional rig)/Main 57 sq ft, jib 28 sq ft
Outboard rating/ 2 hp
Capacity/3 passengers, 492 lbs
[/table]
The 14′ Whitehall is available from Gig Harbor Boat Works. The base price is $6,995. A sailing version is available for $10,295. Options and accessories are available.
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In American Small Sailing Craft, author Howard I. Chapelle writes: “Perhaps the most noted of American rowing work boats was the Whitehall.” That was the case in New York City, beginning in the 1820s, when Whitehalls served as water taxis. Two hundred years later, the Whitehall, in its many forms, may be the most noted American recreational boat.
Chapelle’s drawings of the New York Whitehall built in the New York Navy Yard in 1890 occupy a single page in his book and include both lines and construction in profile, section, and plan view. The offsets and text suffered in the reproduction of the original artwork and require a magnifying glass to read. The two pages of text preceding the illustration delve into the history of the Whitehall type and offer general comments on the New York model’s construction: plank keels, skegs, steam-bent frames, white cedar planking, and oak keel and posts. Even for an experienced boatbuilder it’s a bare minimum to go on, and additional resources, particularly John Gardner’s chapters on Whitehalls in Building Classic Small Craft, are helpful.
As I was lofting the hull, I discovered four errors in the offsets. They were obvious enough—I would have to torture the batten to touch the marks for them—that they were easily identified and ignored. I made 13 molds, one for each station in the table of offsets, and set them at 12″ intervals on a ladder building frame.
Chapelle notes two ways of constructing the plank keel: “The most common way was to make the plank keel straight with the skeg erected on it. A less common method was to spring the plank keel so that it followed the rabbet aft and then apply the skeg below it. This made a very good construction, but there was sometimes great difficulty in bending the plank keel and holding it in place while building.” I chose the latter and steamed the aft ends of the plank keel and its hog to curve them around the molds. It was indeed hard to make the bend and hold the keel pieces in place. The keel’s ends are secured to an oak stem and its knee forward, and the heart-shaped mahogany transom and its knee aft.
The first Whitehalls were lapstrake, but by 1850 most were carvel planked. I opted for the original construction, believing that lapstrake is better suited for a trailered traditionally built boat that spends most of its time out of the water. Instead of the 3⁄8″ white cedar Chapelle cites, I used 7⁄16″ Port Orford cedar for the planking and, like the original Whitehalls, mahogany for the sheerstrake.
Planking, whether carvel or lapstrake, begins with lining off the hull to determine the plank sizes and shapes. This step takes time to do properly so the planks’ widths in the finished boat are uniform and their curves are fair. I lined the hull off for 10 strakes instead of the nine indicated in the drawings for carvel planking. The first several strakes have a considerable twist in them and require steaming to get them to relax before being fastened to the stem and transom. The original carvel hull had 3⁄8″ x 1″ steam-bent frames on 12″ centers. For my lapstrake hull, I used frames with the same scantlings on 6″ centers.
The 1890 Whitehall had thwart knees made of ¼″ x 1″ metal straps—probably bronze—with T-shaped ends secured to the thwarts. I had a collection of fruitwood crooks and used them instead. In the bow, level with the forward thwart, is a wooden grate with a chevron design. It is tricky to build, but pretty enough to be worth the effort. I added cleats on the bottom side to provide support to all the half-lapped crosspieces.
In the sternsheets I added a backrest similar to one in Gardner’s chapter on Whitehalls. It simply drops in place and keeps a passenger’s weight from settling well aft, right up against the transom, which is a bad place for boat trim. The drawings indicate a yoke instead of a tiller, the best option because a passenger can sit centered in the sternsheets and face forward to steer. The rudder’s bottom is even with the skeg so the boat can be beached without having to tend to a rudder with a deep or drop-down blade.
The floorboards follow the run of the plank keel perimeter and the laps of the first two strakes, and are screwed to the oak frames. I have a hole in the center floorboard for a bilge pump, but otherwise don’t have access to the space beneath the floorboards. Eric Hvalsoe’s system for removable floorboards would improve access for maintenance (and retrieving stray pencils). Because the hull curves up on top of the skeg, the best place for the drain plug is in the plank keel at the bow just aft of the stem.
The New York Whitehall is shown without stretchers for rowing. Gardner’s 17′ Whitehall has two pairs of stretcher cleats fastened to the floorboards for use with a removable stretcher, but in my Whitehall they would pose a tripping hazard so I devised one stretcher that is supported underneath the sternsheets and another hung from the aft thwart.
The New York Whitehall’s 7″-wide plank keel has an advantage over the more common vertical keels: at the ramp the boat behaves itself on and off the trailer and sits upright on the beach. With its round bottom and a beam of 4′3″, the Whitehall feels only a little unsteady when I’m getting aboard, but once I’m seated it’s comfortably stable.
The three sets of oarlocks have spans of 41-1⁄4″, 50-1⁄4″, and 49-1⁄2″ (bow to stern), calling for oar lengths of 6′8″, 8′1″, and 7′11-1⁄2″ (calculated using the standard formula). I made oars at 6′10″, 7′4″, and 8′. I rarely use the 8′ oars, and I’ve recently been using a pair of 7′6″ oars at the center station and like the way that length feels.
I row solo on the middle of the three thwarts that serve as rowing stations. The skeg provides good tracking and doesn’t require constant attention to hold a course. It takes 11 strokes—pulling with one oar, backing with the other—to make a U-turn. Rowing solo I can maintain 3.5 knots knots with a relaxed effort, hold 4.3 knots at an aerobic fast pace, and hit 4.9 knots in a short sprint. With my son rowing with me, the Whitehall did 3.8, 4.3, and 4.8 knots respectively. When I rowed in the forward station with him as a passenger in the stern, the speeds were 2.8 , 3.5, and 4.1 knots
With two aboard, both can row by occupying the forward and aft stations—the 57″ space between them provides plenty of room. The Whitehall trims down by the bow a bit in this configuration, particularly when finishing the stroke with a strong layback. With two at the oars and a passenger in the stern, the Whitehall trims well and the rowers can pull hard and leave the steering to the “coxswain.” To aid steering for rowing double without a passenger, I made a stretcher with a foot-operated tiller that gets connected to the rudder-yoke lines.
Chapelle notes, “The boat was not for use in the open sea, but was designed for large bays and harbor work, where a heavy chop might be. It rowed fast in smooth or choppy water; it was safe, carried a heavy load easily, and was dry.” I’ve confirmed that by rowing my Whitehall in winds up to 24 knots and waves beginning to crest. It carried its speed very well, even upwind, and wasn’t hampered by plowing through waves.
The drawings for the New York Whitehall do not include a sail rig but, according to Chapelle, “boats which covered great distances, such as ship-chandlers’ boats, often were fitted to sail, and had a small centerboard and a low spritsail.” Gardner’s drawing of a 14′ sailing Whitehall with a hull similar to the New York model shows a sprit main with a small jib and a rectangular centerboard trunk. The oak plank keel makes the addition of the trunk and the maststep easy by providing a flat surface to mount them without having to involve modifications to the garboards. For sailing, I swap the rudder yoke for either a standard tiller or Norwegian tiller for better control with one hand. The Whitehall performs well under sail, but I’m not as agile as I used to be and find it awkward to move about in the small cockpit while coming about or responding to gusts.
The New York Whitehall is not an easy boat to build, but it is an excellent exercise in traditional construction. While many contemporary boats endeavor to duplicate the Whitehall shape in modern materials, one built as the originals were in the middle of the 19th century can be a great pleasure to row and is always gratifying to look at. Mine is now 39 years old and with its traditional construction should serve a few more generations to come.
Christopher Cunningham is the editor of Small Boats Magazine.
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New York Whitehall Particulars
Length/14′ 3-3⁄8″
Beam/4′ 3″
Depth amidships/16-3⁄8″
The drawings of the New York Whitehall are in Howard I. Chapelle’s American Small Sailing Craft, published by W.W. Norton & Company.
The Ohio and the Lower Mississippi rivers had carried me and my sneakbox, LUNA, 1,840 miles in the 57 days I’d spent rowing from Pittsburgh to New Orleans. On January 5, 1986, 3 miles downriver from where I’d spent the night moored between pilings under a downtown wharf, I left the Mississippi at the Industrial Canal locks. The lockmaster wouldn’t let me enter on my own—there were too many tugs and tows that needed to get through.
The skipper of LEAH, one of the tows waiting to enter the lock with its raft of barges, had overheard my conversation with the lockmaster and stepped out of his second-story wheelhouse and motioned me to come alongside. Two deckhands took my lines, set LUNA against a set of truck-tire fenders, and I climbed aboard LEAH to join Capt. Duffy for the passage through the locks.
Nathaniel Bishop, whose book Four Months in a Sneak-Box inspired my sneakbox voyage, left New Orleans by way of the New Basin Canal, which was in use from 1830s to the 1940s. It took him to Lake Pontchartrain where he rowed east to The Rigolets, a pass that opened out onto the Gulf of Mexico.
Over the next 8 miles beyond the locks, I rowed eastward along the Gulf Outlet Canal, part of the Gulf Intracoastal Waterway (ICW), and passed the long taper of the crenellated New Orleans skyline, from the downtown high-rises to the squat industrial buildings, until all that was left of the city was a road on top of an arrow-straight levee flanking the north side of the canal. All around the levee there was only salt marsh, miles-wide expanses of hip-high cordgrass, cigar-brown and immobile in the breeze like a drought-brittle prairie. The bayous that veined the marsh provided dozens of safe havens from the boat traffic in the canal, and at the day’s end I rowed into one just far enough to have a loop shield LUNA from boat wakes. I stowed the oars on deck and cleared the cockpit to spend the night on board.
In the morning the decks were flocked with thick frost. I hadn’t covered the cockpit to protect my sleeping bag, but I’d slept warmly anyway. The wind had shifted to easterly during the night and was tearing straight down the canal. Any other direction would have made for good sailing, but instead I rowed all day into a headwind. All along the shore, scattered on matted salt grass, were carcasses and skeletons of nutria, aquatic rodents that look like beavers, right down to their pumpkin-colored teeth, but easily identifiable by their long round rat-like tail. The nutria as well as the beaver and the headless rattlesnake I found along the canal must have been victims of one of the hurricanes that had swept the Gulf Coast the previous fall. Right in the middle of the marsh I passed the grass-crowned Fort Macomb, built in 1822 to guard a pass into Lake Pontchartrain. It didn’t look like it had ever seen action—its curved brick wall was unscarred.
The captain of a passing tug stepped out of the wheelhouse two stories above me to yell, “You ought to have a little motor!” I pointed to my oars. It left me baffled. He must not have considered that great things are possible with oars and that someone might be perfectly content to use them.
At the end of the canal, I arrived at what might have once been the main and upper deckhouse of a tow boat elevated on 40′ stilts of badly rusted steel pipe. I climbed the stairs carefully, testing each one to see if it could support my weight. The handrail was loose and so rusty I could have kicked it off. From the top, I could see out into Lake Borgne, a saltwater lagoon open at its east end. It was my first glimpse of the Gulf of Mexico.
I got back in the boat safely and rowed alongside a railroad bridge across The Rigolets, a 3⁄4-mile-wide pass to Lake Pontchartrain to the opening of Little Lake, an enclosed saltwater bay a mile wide and over 2 miles long from west to east. I bucked whitecaps and a stiff headwind until I reached the lee of its east side. By the time I reached the gap to the Pearl River, it was dark and beginning to rain. I saw a camp on stilts on the right bank, but the canal leading to it was shallow and could be dry on the morning’s low tide, so I opted for a houseboat that had slipped off one of its two steel-cylinder floats. The whole house listed at 20 degrees, and the bottom of its north side was in the water.
The wall of the bedroom had been torn out and left an opening wide enough for LUNA, so I pulled her in. I needed a level surface to sleep on, so I ripped the front door off its hinges—putting a rock between the edge of the door and the jamb and closing the door made quick work of pulling the hinge screws out—and propped it up in the living room with a TV stand. It was an interesting view from inside out the windows, seeing the river water up to the horizon two-thirds of the way up the window frame. I was well sheltered from the rain, but I didn’t get much sleep with the wind rattling loose tin on the roof.
Getting the boat out of the bedroom in the morning was tricky with wet boots on the sloped linoleum floor, but I got aboard without sliding into the river. I rowed along the Pearl River, in rain and headwind again, to Campbell Outside Bayou, a winding 50-yard-wide passage that should have been a pleasant meander, but the marsh grass was so low it provided no protection from the wind. Some 2-1⁄2 miles and 25 sharp bends in, I stopped at a marina for a break. Two trappers arrived about the same time in a jonboat filled with muskrats and nutrias. One of the trappers said the pelts sold for $3 apiece in New Orleans where they’re made into fur coats. The other trapper swished a nutria in the water and tossed it on the bank. It flinched when it hit and then stiffened, not quite dead. Another’s broken leg bone stuck out.
I rowed more bayous in a generally eastward direction, keeping close track of my position bend by bend to avoid getting lost in the web of intersecting bayous that all looked the same. The last of them, Three Oaks Bay, delivered me to the open wind-raked waters of Mississippi Sound. At its mouth, the banks of the bayou turn away from one another and the passageways of canals and bayous from New Orleans open out to the enormous atrium of the Gulf of Mexico. The press of an east wind coming from the unbroken curve of a distant horizon tumbled the waves and bowed the marsh grass at the land’s edge.
It was too rough to continue, and while I was stopped at the mouth of the bayou, an inbound fisherman came alongside. He was in a work-worn ’glass runabout with a half-dozen frayed-fiber holes worn through the hull at the gunwale. He asked if I was okay. I was and told him I was just a bit cold. He spread the tarp and blankets that he had wrapped around his shoulders and said, “You get the wind off you, ’n’ that’s all you need. Well, if I can’t be of any help to you, I’ll be going.”
I backtracked up Three Oaks to a feeder bayou with just enough clearance either side to row into. I listened to the weather radio as I started to set up camp, but after hearing sleet and freezing rain was coming I decided to move, and repacked. It was only 2 p.m. and I might have time to get to the sheltered marinas at Bayou Caddy, 3-1⁄2 miles to the northeast along the Gulf Coast.
I left the protection of Three Oaks and eased LUNA out through the breakers. Her low bow pierced the waves, and their crests collapsed on the foredeck and fanned out from the dodger like the whiskers of a cat. I turned north, parallel to the shore, and although I rowed 100 yards from shore, the oar blades still caught the bottom when the sneakbox dropped into the troughs. Soon the bottom corners of the coppers protecting the blade ends came up gleaming, polished by the sand.
I kept an eye on the diffuse light of the clouds. As it darkened, I rowed harder. To the west I noted the slip of the foreshore beneath the wooded horizon and gauged my speed. Iron pipes driven into the shoals, markers of some sort, were hidden by the waves but jutted like lances from the troughs. Between strokes the oar blades ricocheted off the tops of waves. I reached the harbor at Bayou Caddy before dark, but my hands had paid a price for the hard row: the fingers of my right hand were numb.
Bayou Caddy was home to the fishing fleet, and the marina was crowded with workboats. Nick, owner of an oyster dredger, invited me to come alongside and spend the night in the boat’s cabin. After he left for home, I stayed up till midnight catching up on letter-writing. Nick was back at the boat at 6 a.m. and fried eggs for my breakfast. I packed up and before I headed out, he drove me 8 miles along the coast, as far as Bay St. Louis to look at the water. It was as I had figured. The wind had shifted to the north overnight, and I would have a bit of a lee to row in.
It was wet going for the first mile. The water was very shallow even 1⁄4 mile from shore. To take advantage of what little protection from the wind the low coastline had to offer, I sounded with the oars frequently, lifting the handles through the middle of the stroke to find the bottom with the blades. The underwater contour I followed gave me a depth of 8″ or 9″ of water. In the shallows the water felt sticky. The LUNA’s underwater wake pulled against the bottom and slowed her as palpably as if she were dragging a chain. Mired in windage and drag, the boat didn’t carry much momentum between strokes; the wash of my oars piled up just aft of the transom as if they’d fallen off the end of a conveyor belt.
I rowed from 8:30 till noon and stopped at Bay St. Louis to use a bathroom. On the broad white sand beaches there was no escaping the notice of people on the beach road and in the houses beyond.
I crossed the 1-3⁄4-mile-wide inlet between Bay St. Louis and Pass Christian, and in a race to beat sunset I pulled hard for Long Beach and felt my fingers go numb again. Without an anchor I had no way to hold my ground in the wind but to row. Left on her own, the saucer-bottomed sneakbox would pivot on her skeg and run with the breeze. I was unwilling to rest at the cost of a 1/4-mile row back to shore, so I ate as I rowed. In between strokes I assembled cheese-and-cucumber sandwiches, taking up the oars each time the bow began to fall away from the wind. I stuffed the sandwiches into my mouth by quarters and exhaled through my teeth, shooting breadcrumbs out over the afterdeck.
I came into the Long Beach Marina at nightfall, stupid with fatigue. It was hard to think about what I had to do to get ready for the night, though it had been my routine for two months. I paddled in between the concrete pilings beneath the marina office. I ran the painter over some of the plumbing overhead, a stern line over a cross beam, and tied the ends of both lines to the handle of my water jug to keep tension on the lines as LUNA dropped with the tide. The wind rushed through the harbor, slapping halyards against aluminum masts with the dampened ring of cowbells. LUNA yawed back and forth on her tethers, wagging in the wind like a fish idling in a brook.
For 15 minutes, maybe 30, I tried to find a light to write by. I had left my flashlight behind on Nick’s boat, and my headlamp’s battery was dead. In the clutter of gear in the seat box it was hard to find the candle lantern and a lighter by feel. When I got them and lit the candles, I couldn’t find my pen. Then the candle blew out. After giving myself a minute to feel sorry for myself, I unscrewed the bottom of the lantern to relight the candle, and the glass chimney came loose and the clips holding it fell off. In the dim light from the marina, I was able to get the lantern reassembled and lit, but only after the wind blew the lighter out a half-dozen times. By then my writing pad had disappeared. It had been too long a day on too little sleep.
In the middle of the night, I woke with a throbbing in my forehead, and for some reason it was a struggle to sit up in the cockpit. I discovered the bow line had jammed in the overhead and the falling tide had left the bow, the “foot”of my bed, suspended above the water.
Bishop, spending a night between pilings 12 miles away in Biloxi, had fared much worse. He and a traveling companion in a second boat settled in for the night between pilings under a bathhouse: “About nine o’clock in the evening we passed the Biloxi light-house, and decided, as the night was serene and the waters of the Gulf tranquil, to run under one of the bath-houses, and there enjoy our rest. The piling of some of the piers was destitute of the usual shark barricade, and selecting two of these inviting retreats, we pushed in our boats, moored them to the piles, and were soon fast asleep. About daybreak the weather changed, and the sea came rolling in, pitching us about in the narrow enclosure in a fearful manner. The water had risen so high that we could not get out of our pens; so, climbing into the bath-rooms above, we held on to the bow and stern lines of our boats, endeavoring to keep them from being dashed to pieces against the pilings of the pier. While in this mortifying predicament, expecting each moment to see our faithful little skiffs wrecked most ingloriously in a bath-house, sounds were heard and some men appeared, who, coming to our assistance, proved themselves friends in need. We fished the boats out of the pen with my watch-tackle, and hoisted each one at a time into the bath-house that had covered it.”
I left Long Beach in a northeasterly and worked my way for 5 miles against it to Gulfport Harbor. The tide was still falling, and I dragged LUNA a few boat-lengths up on the hard-packed ash-gray wet sand. I jogged across 200 yards of gently sloped beach and into town to pick up mail at the post office. When I returned to the beach, I saw a man sitting in the sneakbox. I didn’t yell but ran as fast as I could, looping around behind him, to catch him by surprise. He didn’t notice me until I was just a few yards from him. I asked him what he was doing, and he got up. I didn’t see anything in his hands and his pockets appeared empty, so I told him to go away.
I rowed another 13 miles to Biloxi and at the city marina veered southeast to Deer Island, a 3-3⁄4-mile-long sliver of a barrier island set a couple of hundred yards offshore. I landed near a house that was being built on stilts high enough to hide it in the canopy of the long-trunked pine trees. There were stacks of lumber on the sand and pine-needle ground, and there was a wooden ladder to get up to the house. I looked around inside and with all the construction, the only clear space was in what would become the bathroom. I hauled the gear I’d need for the night and settled in. In the mail I’d picked up that morning there was a package from a friend whose mother had sewn a blanket into a sleeping-bag liner. In the shelter of the house and with the extra layer of bedding, I’d have a warm night. I got out of my clothes for the first time in six days.
It was blowing hard out of the north in the morning, a direction which might have been useful for sailing, but I was leery of pushing my luck in a strong offshore wind, so I rowed back to Biloxi and then across the 1-3⁄4-mile-wide Biloxi Bay to Ocean Springs. I turned southeast and skirted the town, thinking about sailing and keeping a close eye on the wind to see if it would hold steady. I’d waited two days for a northerly reaching breeze. I put ashore on a black muddy beach at Marsh Point and pulled the spars out of the hull through the deck plate in the transom.
For almost 2,000 miles I had carried the mast, boom, and sprit below decks where their only useful work was to provide a shelf for my foulweather gear. I set the daggerboard on deck and pinned the rudder to the transom. The unmarred varnish of the sailing gear glowed in the soft, shadowless light of heavy overcast. The main and the jib spread out from the spars above LUNA’s cedar deck, and the sails trailed in the wind with the shudder of butterfly wings just emerged from a chrysalis. I slipped LUNA sideways through the shallows while easing the board down. A third of a mile from shore I had 3′ of water, sheeted in, turned LUNA parallel to the shore, and she took off. She made great speed, dragging an enormous noisy wake and occasionally driving the bow under. When the half-lowered daggerboard hit sandy shoals, it hissed like the wheel of a glass cutter.
I sat on the afterdeck mesmerized by the blurred streaks of whitewater around the boat. For two months of rowing, I had been the boat’s engine, and now LUNA had come to life, quivering with the flutter of her daggerboard and charging across the water on her own.
The wind had begun to overpower LUNA, pushing her toward open water, and when I had quickly covered the 5 miles to Bellefontaine Point, I steered into the shallows and luffed, pulled the daggerboard out, and stuck a 6′-long 1×4 I’d found on Deer Island through the trunk and into the sand to keep the boat from drifting. After I brought the rig into the boat, I rowed toward shore. The rain had not stopped since the previous afternoon, and I had gotten cold, even in my slicker with a scarf gasketing the collar.
Rowing would warm me up, and in heavy rain I pulled across Pascagoula Bay and past Ingalls Shipyard where Aegis Cruisers were being built for the Navy. A high-pitched whistle in a discordant series of four tones came out of nowhere, so loud that it seemed like tinnitus coming from inside my head. The Navy must have been testing something. A patrol boat had spotted me and got on a bullhorn to tell me to leave.
Just beyond the shipyard I rowed up behind a fisherman at anchor along the shore. He was a bit startled to see me. “Where’d you come from?” When I answered “Pittsburgh,” he started laughing. He’d seen a few other oar and paddle cruisers, but I had come the farthest. I asked him about the post office, and he pointed me to Lake Yazoo, a Y-shaped inlet nearby. There were a lot of sailboats at private docks there, and I picked the one by MIMI, a wooden cutter, to tie up to. Above the pier was a large old house. I rang the doorbell at the water side of the house. No answer. I walked around to the other side and met Andrea, who had been at the front door wondering why the doorbell was ringing after she had peeked in the window.
“I don’t know what you’re doing here,” I said, “but I’ll tell you what I am doing.” And she started laughing at Pittsburgh, too. She drove me to the post office, the grocery, then to her brother’s restaurant for chili, then back to the old house, where we visited Michelle, who lived there with her husband, a son, and parents. Then Andrea took me home to meet her mother and stay as a guest for the night. We sipped sugar-free Kool-Aid while watching Johnny Dangerously on VHS tape.
The following day, I set the rig up on the beach and sailed out through the shallows outside of Lake Yazoo, dragging the rudder in the sand. Once I got to deep water here, 6′ is deep—I set the board halfway down and took off on a broad reach. In 3 miles I rounded the corner below a refinery and hit a submerged sandbar at full speed. If the bottom had been rocky and more abrupt, it would have been a violent, damaging impact. South of the village of Coden I got across Mississippi Sound on a beat, with water flying over the bow. I sat on the windward deck while the breeze was stiff, flying; when it slacked off, I sat in the cockpit.
A line of land appeared as a slender charcoal smear on the east horizon, and I bore away toward its end. I passed the low marshy Isle aux Herbes, and when I got near the 1⁄4-mile-long crescent of Cat Island the wind faded, shifted 180 degrees, then dropped altogether. I dropped the rig and rowed 6 miles to Dauphin Island, arriving at sunset.
I pulled in at the first house I saw with lights on to ask if I could use the phone to make a collect call home, and two couples—Bill and Carole, John and Jeanne—took me out to dinner. I had a seafood platter and gumbo. After dinner, Carole insisted I sleep inside. I brought my bedding in from the boat and set up in the living room. After everyone else turned in I could scarcely breathe. The house was heated to 70 degrees. I gathered up my bed and slept out on the porch.
My hosts saw me off in the morning, and I rowed off and made the 3-mile crossing between Fort Gaines on Dauphin and Fort Morgan, the two forts that guarded the entrance to Mobile Bay during the Civil War. The sun was bright and the air was still, so I stripped down to air out my clothes and myself as I rowed across Bon Secour Bay. At sundown I rowed into a little condominium harbor just past the entrance to Portage Creek, a 9-mile-long canal, and tied up along a Parti-Kraft pontoon boat with its padded chairs and recessed drink holders.
When Bishop arrived here in February 1875, there was no canal, and as the name of the canal suggests, the creek could only be reached from the west by an overland portage. Bishop hired a farmer for $5 to haul his sneakbox from the end of Bon Secour Bay.
“We travelled slowly through the heavily grassed savannas and the dense forests of yellow pine towards the east, in a line parallel with, and only three miles from, the coast. The four oxen hauled this light load at a snail’s pace, so it was almost noon when we struck Portage Creek near its source, where it was only two feet in width. Following along its bank for a mile, we arrived at the logging-camp of Mr. Childeers. There we found the creek four rods in width, and possessing a depth of fifteen feet of water. The boats were soon launched upon the dark cypress waters of the creek, the cargo carefully stowed, and the voyage resumed. Though the roundabout course through the woods was fully seven miles, a direct line for a canal to connect the Bon Secours and Portage Creek waters would not exceed four miles. About two miles from the logging-camp the stream entered ‘Bay Lalanch,’ from the grassy banks of which alligators slid into the water as we rowed quietly along.”
The row within the walls of the canal the next morning was a welcome change of scenery. Rowing along the coast of Mississippi Sound, I had been too far from land to find any diversion to take my focus off the sluggish labor of rowing into the wind. Halfway through the canal, I passed through the wooded residential outskirts of Gulf Shores, then arrived at the end at Wolf Bay.
I could feel a gentle northwesterly blowing and beached LUNA on the smooth slope of tawny sand to set sail. As I was about to shove off, a tug and barge appeared from around the bend to the west. I was surprised to see the water pull away from the beach like the sudden low tide that precedes a tsunami. I was expecting a surge of water from the barge’s bow wave, but evidently it pulls the water ahead of it to pile up into the wave.
While the wind stayed brisk out of the north and northwest, I made good speed sailing on a reach across Wolf Bay and, 5 miles farther along on the same point of sail, Perdido Bay, where I crossed from Alabama into Florida, and then through the 150-yard-wide gap between Perdido Key and the mainland. The miles continued to slip by, and I crossed Pensacola Bay with dolphins racing beneath the hull, their sleek gray bodies blurred by the water like figures seen through the textured glass of a shower door.
I was flying for hours on end and with a good puff of wind, LUNA got on plane and left a wake that would have done an outboard proud. It made me laugh to see that kind of speed. The mainsail took a beautifully clean shape with the sprit to windward. I spent most of the day on the port deck, leaning against the oarlock stanchion, steering with my hands on the tiller lines. At speed there was a lot of pressure on the rudder.
As the sun went down, I headed for the north shore of Santa Rosa Sound, landing at a beach 46 miles from where I’d set out in the morning. It was a new coastal-water record for me. I camped in the boat, happy to be sitting on the sand eating beef stew under the stars.
I woke to frost on the deck again and got rowing in the rose-pink half-light of dawn on a preternaturally still Santa Rosa Bay. The overlapping ripples left by the oars made moiré patterns fanning out from the trail of bubbles in the wake. I frequently watched over my shoulder hoping to catch the first glint of sunlight but missed it. A westerly picked up mid-morning, not the NE that the weatherman predicted. I set sail on a small bit of sandy dredge spoil along the channel. While under sail later that morning, I fiddled with the tarp, to make a spinnaker out of it to take advantage of the tailwind. I raised the tarp along with the jib on its halyard, and the board I had been using as a marsh stake became the spinnaker pole. The extra sail area made a difference, and LUNA took off dragging a water-skier’s wake. In the narrowing east end of the sound, I had to drop the chute to sail on a reach to the next mark a few times, and got pretty good at dousing and resetting it.
By midafternoon I drew near Walton Beach. I hit a shoal at speed and stopped dead, but the wake came up from behind me and lifted LUNA over the hump. I landed at a bit of a beach, where I met Dean as he was working on a boat he sails as advertisement and yacht for a restauranteur. He took me to the post office for mail and to a burger joint for lunch.
I took off again in 15 knots of wind and headed into Choctawhatchee Bay. LUNA speared into waves and ran right through them; water coming over the foredeck poured over the sheer with a long, gravelly roar. To keep the bow up, I shifted my weight aft and rode the afterdeck like a luge racer, looking over my chest at the course ahead. Froth streaking past the transom heaped up white astern. I buried the bow often and slowed down suddenly but avoided broaching or pitchpoling. As I clipped close by Cobbs Point, I saw the amber water brighten over a shoal. The daggerboard, only halfway down to dampen the roll, hit the sand and I pulled it up in its trunk, and the sneakbox skimmed through 8” of water. The boat slowed with the drag of water pinched beneath the hull, the sheets quivered, and the stern wake shortened and crested, milky with the sand stirred up by the rudder.
As I crossed the widest part of the bay, the sun touched the horizon and melted into it. I had sailed 37 miles since morning and had 8 miles to cover before I could go ashore at Four Mile Point on the south side the bay. I sailed through dusk into night until the quarter moon cast the shadow of sprit on mainsail. I held my course by keeping masthead in the Pleiades; Orion stood by alongside the spinnaker as I surfed down waves I could not see. After three hours on the afterdeck, I was straining to keep my head up, and my hands ached from gripping the tiller lines. I would glance at the chart by flashlight while the boat paused at the crest of a wave, checking my position before throwing my weight aft against the fall of the bow into a trough. I dropped the spinnaker as I approached Four Mile Point and turned into its lee. I had covered 48 miles and been underway for about 12 hours when I finally poled along the shallows with an oar and camped in the boat beneath the whisper of wind through the pines above me.
From my camp in the woods of Four Mile Point I rowed past scrubby end of Live Oak Point in a glassy calm. If I squared the blades on the recovery, the invisible vortices of air curling off them left V-shaped trails on the water. I passed a scattering of workboats where oystermen were pulling up their harvest with long-handled tongs that they worked like oversized post-hole diggers. In warm still air I rowed long strokes and let LUNA glide.
At the east end of Choctawhatchee Bay, I entered a crooked 22-mile-long canal flanked with 30′-high white sand walls where high ground had been cut through for the waterway. It was warm in the still air of the canal, and I stripped down to shorts. A big cabin cruiser sped by with its two crewmen bundled in parkas, scarves, and gloves. I stared at them and they stared at me and, baffled by the contrast, none of us spoke or waved.
Late in the afternoon I rowed along a channel that was cut across what used to be the meanders of West Bay Creek, leaving a few quarter-moon islands flanking the main channel. I stopped at the small town of West Bay where I bought a can of root beer and a package of cookies.
The sun had just dropped behind the trees when I reached West Bay, an 8-mile-wide hourglass part of the inland waters surrounding Panama City. Cormorants crowded atop the channel markers dropped from their perches as I approached and hit the water running before they could take flight. The surface of the water glowed like molten metal, reflecting the blaze in the evening clouds. The fins of dolphins cut dark streaks across the sneakbox’s wake. They surfaced around LUNA just out of oars reach, close enough for me to see their small dark eyes tucked beneath the domes of their foreheads.
Had there been the slightest touch of wind, I would have been off the water by dark, but the lights of Panama City, 8 miles away, streaked the bay with white and red lights and silhouetted the obstructions ahead of me. I could even see the buoys of crab pots. I kept to the shallows, away from the erratic courses of oyster dredges still working the middle of the bay in the dark.
I reached Panama City late that night, at the end of a day’s row of 47 miles, and passed by the concrete-walled Dyers Point and entered the marina at Buena Vista. Under the harsh pale-orange sodium-vapor light buzzing at the end of a pier, I centered LUNA under a line between two pilings. I started singing the “Hallelujah Chorus” from Handel’s Messiah, and a half-dozen dolphins surfaced astern and then moved up on either side just beyond the ends of the oars. Their heads and fins were silhouetted in a reflection of the sky that was amber as white sand under tannin-stained swamp water. When I started in on “Home on the Range,” I lost my audience.
In the wee hours of the morning, I woke up and noticed that a black skimmer was fishing the water around my boat, flying with the lower half of its beak at an almost vertical angle, making a slender wake. Its shoulders were angled above its head to get the clearance for its wingtips and, in time with the beating of its wings, the sound the beak made was like the pulsating hiss of a pressure cooker with its weight rocking on the vent. The bird came back and, like a crop-duster, made each new furrow parallel to the last. I didn’t see it catch anything.
From Panama City, the ICW runs the length of East Bay and enters a 21-mile canal cut through land that was marked on the chart, from west to east, as Low swampy area, Swampy area, Cypress swamp, and, finally, Impenetrable swamp. I camped in the west end of the swamp to make sure I’d get through the rest of it before dark. When I got under way early the next morning, I passed two fishermen aboard a sparkling purple metal-flake hull with green artificial-turf decks at sheer level. They were slouched in chairs that looked out of place without office desks; they swiveled like gun turrets keeping their eyes trained upon me as I rowed by.
“I’d have me a motor on that thing,” one of them said. He had a motor on each end of his boat, a skinny chrome-pipe trolling motor on the bow and a white-and-blue outboard on the stern with a mushroom-shaped power head as big as a washtub.
I reached the impenetrable part of the swamp where the trees had woven their roots and branches together into a barrier so dense that even sound couldn’t get far into it before its echo retreated to the waterway.
I came out of the confines of the swamp at Lake Wimico and reached the Jackson River at the opposite end of the 5-mile-long lake by nightfall. With only the light of the stars I could see the course of the river if I looked toward the banks and at best could see the pale streak of the water with my peripheral vision. Soon I felt the pull of the tide drawing me toward Apalachicola Bay. Sitting on the afterdeck, I let LUNA drift in mid-channel while I set the stove in the cockpit and heated up a dinner of canned beef stew. It was quite late, well after 9 p.m., when I reached the harbor of Apalachicola. The amplified squeal of an electric guitar, played by someone in town with more watts than talent, soured the night air with a miasma of sound.
I found an inlet with a pair of pilings I could tether the boat between, and settled into the boat with the hatch cover slightly propped up over the cockpit coaming against the chance of rain in the forecast.
In the gray drizzly morning of January 18th, I rowed the last of the Intracoastal Waterway past riverside business district of Apalachicola and across the 4-1⁄2 miles of East Bay to Eastpoint, an oyster town that had been gutted by hurricanes earlier in the winter. The backs of the oyster-shucking houses had been torn open by the wind and storm surge, and their walls and interiors had spilled over the mounds of shells along the shore. Eight miles up the coast at Royal Bluff, tattered clothing washed ashore by the hurricane and anchored in the sand at the water’s edge swayed like seaweed in the back-and-forth wash of the waves.
I made a stop in Carabelle to find a hardware store where I could buy an anchor. I had a lot of open water ahead, and an anchor would be my insurance against being driven into open water by an offshore wind. From where I came ashore for the night, I could see Dog Island, 4 miles from the mainland across Saint George Sound, as a black wisp of an edge on the horizon to the southwest. It was the last of the barrier islands, and beyond it I’d be on the wide Gulf of Mexico. At nightfall, I settled in the cockpit with a candle lantern I’d made from a soup can hung from the coaming.
The next day, I sailed with a stiff wind gusting southwesterly between the surf-whitened shoals off Turkey Point and Alligator Point, and rounded Southwest Cape to head north into the sheltered waters of Ochlockonee Bay. Turning at the cape I trimmed the sheets from a run to a close reach, and the sneakbox strained uneasily under the increased pressure of the wind. I let the sheets fly and dropped anchor. The bow came quickly into the wind as the blunt but heavy cast-iron flukes of the anchor I’d just bought bit into the sand bottom. With the rig dropped and secured on deck, I brought up the anchor and rowed hard for the safety of the lee and then crossed the bay to call it a day at the easternmost of five artificial inlets that had been cut to make a condominium community.
I rowed out from Ochlockonee Bay before sunrise on the morning of January 20th. I was a bit worried about what I had ahead of me—Florida’s Big Bend where the state’s panhandle turns into the peninsula, over 50 miles of uninhabited coastline with a mile-wide fringe of marsh backed by swampland with cypress trees as dense as fence pickets.
A northwesterly breeze darkened the waters of Apalachee Bay, and I stowed the oars on deck and stepped the mast. The main and jib unfurled to catch the cool breeze and the warm light of the morning. I headed for the farthest point of land I could see and held my course almost 2 miles offshore to keep enough water below the daggerboard. I made good speed past the tapered white tower of the St. Marks Lighthouse, the only landmark at the apex of the bay. For 20 miles beyond it, the coast had no distinguishing features that I could use to determine my location. The marsh and the cypress forest of the swamp was a stripe of dark green and black where every mile looked exactly like the miles that came before it. The wind veered around behind me, and I set the tarp-spinnaker. The breeze held through the morning, and the miles streaked beneath the hull of the LUNA as I began to turn southward by slow degrees.
Some 30 miles into the day’s sail, I picked out two clumps of trees 1⁄2 mile from shore that were the twin Rock Islands, brought them abeam, and left the below the horizon astern. As the breeze backed and came out of the west and my course turned from east to south, I pivoted the marsh-stake/spinnaker pole over the bow and set the tarp to pull on a broad reach. In the late afternoon the breeze stiffened and came over the starboard beam. I dropped the chute and a while later pulled the sprit from the main and folded the peak down, reducing its sail area by more than half. Even with the shortened rig, I reached along at a good speed.
Late in the afternoon LUNA was back under jib and full main, and I continued along the coast. When the sun dropped behind the sweeping horizon of the Gulf, I sailed by moonlight. After 52 miles under way, I headed toward shore on the reflected light of the town of Keaton Beach. I had sailed the Big Bend nonstop in one go.
I landed on a beach in front of a restaurant, having used the reflections of its lights to find a clear path to shore. The smells coming out of the restaurant drew me inside just as its lights had brought me in from the water. After dinner I rowed into a canal on the other side of the town and spent the night in the boat.
Bishop noted in his book that his sneakbox, CENTENNIAL REPUBLIC, had been built to sail: “with spars, sail, oars, rudder, anchor, cushions, blankets, cooking-kit, and double-barrelled gun, with ammunition securely locked under the hatch, the Centennial Republic, my future travelling companion, was ready by the middle of November for the descent of the western rivers to the Gulf of Mexico.” And yet he made no mention of sailing at any time during his voyage. During my one-day passage around Big Bend, I passed by four of the campsites he wrote about and landed a fraction of a mile from his fifth. While I only sailed about 200 of the 2,400 miles I traveled, I would have happily carried the rig for just that one day at Big Bend and those 52 miles.
The wind faltered the next day as I made my way south from Keaton Beach across Deadman Bay. Large flat-iron skiffs planed across the bay. Their skippers stood in the bows to see their way through the shallows, giving their craft the look of aquatic minotaurs. Gray tracks of sand crisscrossed the eelgrass-covered shoals where their outboards dragged along the bottom. I stopped for the night in the shelter of one of the many manmade inlets of the town of Horseshoe Beach.
In the glassy calm of January 23, I rowed to the mouth of the Suwanee River and passed Bradford Island, where Bishop had spent the last night of the voyage he chronicled in Four Months in a Sneak-Box. A year earlier, in 1875, he had emerged from the Suwanee in his paper canoe at the end of his 2,500-mile voyage from Quebec, just as I had in 1984 in my own paper canoe, which I paddled along the route Bishop had described in Voyage of the Paper Canoe.
The spider-like water tower of Cedar Key soon rose from the last horizon I would row LUNA to. I threaded my way through the maze of reefs and islets of Suwanee Sound to a beach on the south shore of Cedar Key, where I’d mark the end of my 2,400-mile voyage. In the cool of the afternoon, the moon and sun balanced in the east and west, the sneakbox LUNA coasted to a stop. I stepped ashore quietly with a years-long dream fulfilled.
Epilogue:
Christopher Cunningham is the editor of Small Boats.
If you have an interesting story to tell about your adventures with a small boat, please email us a brief outline and a few photos.
Winters in Scotland are long, and the days are short and often dreary. Months stretch into seemingly endless semi-darkness, and it’s all too easy to slump into boredom. Dan Loveridge and his two friends, Jacques and Juan, have a way of avoiding the malaise: an annual Christmas Challenge. Two years ago, Dan won a fancy-dress challenge with a Bender Robot costume and a Bumblebee Transformer costume for two of his daughters, as well as an Oscar-the-Grouch costume for himself. Last winter, the challenge was to make something from small stirring sticks, and he won again with a fully articulated model excavator.
In the fall of 2022, one of the three friends mentioned building a boat and holding a Christmas Day regatta. Dan liked the suggestion. Originally from New Zealand, he grew up on the Bay of Islands surrounded by boats and always on the water, but he had never built a boat. Discussions centered around keeping costs down when someone mentioned the article in Small Boats about Riley Hall’s AVANTI, a diminutive outboard powerboat built from one sheet of plywood. “AVANTI really set the wheels in motion,” Dan says, “and she became the go-to example during our debates on how to proceed.”
Ultimately, the rules of the 2022 Christmas Challenge stipulated “one sheet of plywood, no more than £50 for an engine, and whatever else you could beg, steal, or borrow,” says Dan. “The rules were never set in concrete, and it led to heated and entertaining debate: basically, it was me seeing how far I could push the boundaries, and the other two altering the rules to stop me.
“At home,” Dan says, “I’d sit and doodle, and run calculations, and little by little I formed an idea.” He made a rough scale model and proved that he could get a beam of 1m and still have sides wide enough to provide good freeboard. Next came a computer-drawn scale model and then, although the design was “seat-of-the-pants stuff rather than carefully calculated,” Dan bought two sheets of 5mm non-marine-grade plywood.
Dan would use one sheet for the hull and the other for the deck and coaming. “I was determined to have style at all costs,” he says, “I’d let the lawyers argue the case after the event.” After drawing his pattern on the plywood and cutting it out, Dan found that he had to trim the panels to get the two sides to meet at the bow. He also made some adjustments to the sheer. “At first it looked very much like a banana while I wanted it to look like a tiny scarab-style speedboat. It took a few more alterations to get it right.”
When Dan shipped out for work, he’d be away from the project two weeks at a time. And at home, when he didn’t have family commitments, the weather was not on his side. “The entire build took place in subfreezing temperatures in a breezy workshop that I had to throw up just to build the boat. I bought a secondhand woodstove to get the shop warm enough for the resin and paint to cure.”
Once the hull and deck were assembled and the plywood sealed with epoxy, Dan was eager to see how the boat floated. He and his friends and family carried it to a water trough in a nearby paddock. They chopped away the thick ice and set the boat in the water. With trepidation, Dan clambered aboard and was pleased to discover it was no more tippy than a canoe.
Back at the shop, he applied a layer of ’glass cloth with polyester resin. “I’d already used most of the epoxy resin and had bought the polyester by mistake. But time was pressing, and there was no time to get something else.” Dan also didn’t have time to get fairing compound on the deck and coaming, so the taped seams there are still visible. “At some point,” he says, “I’ll do it properly.”
Dan applied several quick coats of spray paint then added homemade decals, printed on paper that he lacquered on both sides to make it waterproof. The decals include the shark’s mouth like one used by his favorite motorcycle racers (and originally on Curtis P-40 Warhawks, American WWII attack aircraft), silver ferns (symbols of his New Zealand homeland), and in racing-boat style, a sponsor decal for his materials supplier.
As the challenge rules did not permit pre-race trials, SEA BESTIA was launched on Christmas Day in front of both his fellow contestants and a crowd of excited onlookers. The day was calm, and Dan was pleased that SEA BESTIA sat well in the water, but when he climbed aboard he was dismayed that, despite the findings in the water-trough trials, she was extremely tender. He had built a fore-and-aft bench amidships so that he could adjust the trim while underway, but to start the vintage outboard he had to face the stern. The engine had no neutral and once it was fired up, SEA BESTIA was underway and to see forward, Dan had to turn around while dealing with the instability and the obstacle of the seat.
Eventually, once he had managed the maneuver, Dan moved forward a little, cranked on the throttle and SEA BESTIA took off. “She was quickly at speed and stable as a rock!” But then the outboard died. Dan restarted it and it ran for a few minutes but died again. He never got a chance to fully open the throttle or run long enough to see how she handled at speed.
And Dan wasn’t alone in his troubles. Jacques and Juan were also coming to grips with their newly launched vessels. Dan recalls: “Jacques had built a marvelous device. He’d used his sheet of plywood to make frames for a catamaran. Then he took some bedsheets, covered them in fiberglass and resin, and made the hull panels. He sealed the bow with a liberal use of expanding foam and hospital corners. It looked horrific, but with a borrowed Honda 2.3-hp outboard, it performed flawlessly, slow and stable…the winning formula.
“Juan had decided to copy AVANTI, but it was a rough copy and initially quite unstable. We added sponsons to try to make it safe. We all predicted it would sink, which it did, albeit not on its own: I accidentally rammed it and towed it backward until it partially sank. It wasn’t entirely my fault, as it happened when I was turning around after starting the engine and I veered off course and straight into Juan. He couldn’t get out of the way because he’d hit a rock, sheared off his propeller, and was dead in the water. Then my engine died, and we drifted away as he slowly sank. We made it to the far side of the harbor where Jacques rescued me and towed SEA BESTIA back to the onshore support crew for engine repairs. Juan scrambled out onto a fishing boat, and the crew helped him drag his boat up onto the dock and into retirement. I did get out again, but the outboard kept breaking down and I was finally towed in and quit.
“So, Jacques won the day: He had produced the only fully working package, although I think he should have been disqualified because his outboard was definitely not a £50 model. But then, Juan and I had both used more than one sheet of plywood, so perhaps the best man won. It was a great day, farcical but immensely fun.”
Next year, the crew will be out on the water again, and 2024 entries will be shop-bought or home-made radio-controlled boats with a budget of £50.
Do you have a boat with an interesting story? Please email us. We’d like to hear about it and share it with other Small Boats Magazine readers.
Here’s a luxurious recliner you can take on your next camping trip. It is wonderfully supportive, perfectly comfortable, small to stow, relatively easy to make, and looks more polished than just about anything you can buy. The canvas and cordage skills you’ll use making it can extend to other kinds of hammocks and small-boat accessories. Your biggest challenge will be clearing your companions out of the chair when you want to sit in it.
Materials:
1-1⁄4 yards of roughly 60″-wide canvas. (For chairs that will stay outdoors at home year-round I use Sunbrella.)
28 #0 spur grommets
About 200′ of paracord
16′ of 3⁄8″ three-strand nylon line
Two 2″ D-rings
One 2″ round ring
A stick of wood roughly 2″ × 4″ × 38″
Heavy-duty sewing-machine thread
High-loft polyester batting 23″ × 40″
Tools:
Sewing machine
Scissors or rotary cutter
Grommet hole punch and setting die
Start with the body of the chair. The finished article is 41″ x 24″ with 14 evenly spaced grommets on each long side. The body can be as simple as a single layer of canvas cut to 43″ x 30″. The double-fold hems on the long sides must be 1-1⁄2″ wide. The resulting three layers work best with the grommets. Fold 1-1⁄2″ in on each long side, then fold this over again. For the short sides make a 1⁄2″ double-folded hem. For the simple version, skip the next two paragraphs and resume with the one that follows them.
For the “Cadillac” option, two layers of canvas with soft polyester batting in between them, cut two pieces of canvas at 42″ x 27″. On each piece, fold a 1-1⁄2″ single-fold hem on the long sides and a 1⁄2″ single-fold hem on the short sides. Hold the hems with double-sided seam-stick tape or sewing clips.
A 40″ x 23″ piece of batting should fit 1⁄2″ from the outside perimeter of the hemmed fabric. Sandwich this batting between the two canvas pieces with the hems facing inward; be sure no batting overlaps the hems. Secure the edges with tape or clips, then sew around the perimeter of the rectangle using the longest straight stitch your machine can make. Sew additional lines 1-1⁄4″ in from the long sides to capture the 1-1⁄2″ hems inside. The body of the chair should be quilted to hold the batting in place. For the chair pictured here, I did just three horizontal lines of stitching, but you can decorate your chair with quilting in a pattern of your choice.
Layout for grommets: Make a mark in the center of the long-side hem 1″ in from the end of the chair. Continue to mark every 3″ until you have 14 evenly spaced marks along each long side. Punch holes and set grommets. The chair body is complete.
Each grommet will anchor a loop of line called a nettle, and all of the nettles hang from a D-ring on each side and are woven into sword-mat clew knots. It may look far more complicated than it is; with the jig (described below) I can weave one in 10 minutes.
The jig is made from a piece of plywood, particle board, or other sheet material roughly 40″ x 24″ and thick enough to hold screws. Draw a vertical line down the center of the sheet. Make a mark about 6″ above the bottom of the board to locate the intersection of the back and the seat. Subsequent measurements will be made from this point. Mark 34″ up from the intersection for the screw that will hold the D-ring.
Draw a line to the left of the intersection at 72 degrees from the vertical. Measure 1″ along this line from the intersection and mark for the first screw. Proceed outward along the line, placing marks at 2″ intervals for five more screws. Draw a line to the right of the intersection at 36 degrees from the vertical. Measure 1-1⁄2″ along this line from the intersection and mark the location of the lowest screw for the backrest. Proceed along the line, marking 2-1⁄4″ intervals for seven more screws. Drive screws on all of the marks, leaving enough of the screw proud to catch a bight of paracord. Your jig is complete.
Begin the clew by hanging a D-ring flat-side down on the uppermost screw of your jig. Place the paracord coil or spool to the left side of the jig, then pull the line to the right to a point about 5′ past the D-ring. Make this line fast. Now, pull a bight of line through the D-ring—in the front and out the back—and loop it over the rightmost screw.
Take the line running from the D-ring to the coil and loop that over the next screw. Pull a new bight of line through the D-ring, again from front to back, and loop it over the next screw.
Repeat until all screws have a bight of line on them. Cut the cord off the coil, leaving 5′ beyond the D-ring.
Pass each bitter end under the D-ring through the space between the lines in the front and the lines in the back. There is no need to haul the lines tight at this point, just keep things snug.
Cut a dowel about as wide as the jig and put a smooth point on one end. Starting at one side of the nettles, pick up the nettles that are at the back and push down the bights that are at the front. It’s easier to sort the nettles out low on the jig where the nettles are apart from each other, then slide the dowel up to the D-ring for weaving the clew. Pass the bitter ends through the space under the dowel.
Slide the dowel out, then re-thread it across the nettles to pick up those that are now at the back and push back those that are now at the front. Skip the nettle at each end this time and pass the bitter ends along the stick in the space beneath it.
Repeat this process, dropping the outer nettle with each course. When you are down to the last bight, go back through your work tightening each line to harden up the weave.
I find smooth-jawed needle-nose pliers helpful here.
Once the weaving is tight, tie a tight square knot, cut the lines, and melt the ends to prevent fraying and keep the knot tied.
Your first clew is complete; repeat the process to weave the second clew.
To connect each clew to the chair body, pass the nettles, in order, through the grommets on one side of the chair, then a length of 3⁄8″ line through all the loops at the ends of the nettles. Tie a stopper knot in each end of the 3⁄8″ line, cut it short, and melt the ends. Repeat for the other side. The 3⁄8″ lines will be on the outside of the chair when you sit in it.
To hold the D-rings apart, I make a 40″ stretcher from whatever wood is lying around the shop, and shape 1″-long shouldered tenons on the ends to slide into the D-rings.
To connect the D-rings to the round ring, fold a 6′ length of 3⁄8″ line in half, then cow-hitch this midpoint to the round ring. Splice or tie each end to a D-ring so that each leg of the line is 24″ long.
Your chair is complete! Good luck keeping everyone out of it.
James Kealey lives and teaches in Richmond, California. When he’s not chasing his two young sons, he can usually be found banging away on some project in his garage workshop. In high school, he rowed in racing shells. He still gets away most summers for sail-camping trips on mountain lakes.
Editor’s Notes:
James’s hammock chair looked like it would offer a way to relax and take in the scenery, so I set out to make one for myself. I had a piece of heavy canvas, just enough for a single-layer chair without batting, and plenty of rope and wood for the bridle and spreader. I didn’t have enough paracord or the small spur grommets and the tools to install them. I found online a 500′ spool of 1⁄8″ solid braid nylon cord at a good price. It was more than enough for one or even two chairs, but I always have a use for that cord for boats, camps, and around the house. I bought stainless-steel 2-3⁄8″ D-rings and a stainless 1-1⁄2″ round ring for a few bucks, but nickel-plated steel rings are cheaper. To avoid the cost of the grommets and the tools they require, I used strips of 2″ nylon webbing. (I also tested the webbing of an old ratchet strap and it would have worked, too.) A Swedish fid can open holes for the nettles without significantly damaging the webbing. After the fid is removed, the webbing will close around the nettle and won’t open up or distort when a load is put on it.
Be sure to ensure the square knot won’t untie itself. Either melt the cut ends to the body of the knot or leave the tail ends of the cord long and whip the ends together, perhaps to the center nettle. I had only melted the ends and the square knot shook itself out and the weave came undone. To reweave it, I’ll hang the chair and put some weight in it to tension the nettles. That will save having to rebuild the board with the screws.
The chair, like a hammock, feels cool on my back, so the batting in James’s double-layer Cadillac version is a good idea for cool weather. I can use a blanket or a foam pad on top of my single-layer chair if I need some insulation.
The comfort of the chair and its swinging are very conducive to relaxing, even napping, but having some head support would be a welcome addition. I can tuck a throw pillow between the chair and my back to serve as a headrest or put it against the nettles on one side, but if I make a second chair (and I very well might) I’d make the back 9″ taller with the addition of three more nettles at the same 3″ spacing. That would require another 20′ of cord, 85′ on each side instead of 75′.
The chair exceeded my expectations for comfort and made the project well worth doing.
You can share your tips and tricks of the trade with other Small Boats Magazine readers by sending us an email.
My wife and I live about 15 minutes from a gently flowing river perfectly suited to canoeing, but for a long time we didn’t paddle often because loading the canoe into the truck was a two-person job that took nearly 30 minutes.
To make the task easier, I decided to store the canoe above the overhead-door tracks in our 12′-high garage directly above a parking bay. To raise and lower it directly into the truck bed, I installed a worm-drive, double-reel winch. The winch is operated with a cordless drill at the end of a 6′ pole. It’s easy up, easy down, no sweat, and no lines have to be routed from the ceiling and down a wall to a cleat or a winch with a ratchet. The winch is self-locking, making it very safe to use because the boat is locked in place when the worm gear stops turning. Moving the canoe between the ceiling and the pickup is now a one-person job that takes less than five minutes.
The installation is neither complicated nor costly—roughly $200 in 2014. The key component is the loop-drive Dutton-Lainson worm-gear winch with a split reel that has a capacity of 21′6″ of cable on each side of the centered divider.
The load is spread over three ceiling joists in the garage ceiling by bolting the winch to a 4′ length of 2×6. Carriage bolts, washers, and Nylok nuts attach the winch to the board. In turn, the board is attached to the joists with six structural screws. The fixed-flange cable block with 3″ sheave is bolted to a second 4′ 2×6, also screwed to the ceiling joists. Spacing between the winch and turning block is dictated by the boat’s lifting points and clearance to garage door in the raised position. My 13′ canoe has 12′ between lifting points, and that determined the distance between the winch and turning block. I used a 50′ galvanized 3/16″ 7×19 replacement winch cable with a hook attached. The tail end of the cable is routed up around the turning block, over to the winch, through holes in the winch drum axle and center flange, and then straight down. A second hook is then attached with a thimble and two wire-rope cable clip clamps to the cable’s free end.
To operate the winch from the floor, I made a pole from a 6′ length of 3⁄4″ copper pipe (nominal, outside diameter of 7⁄8″) with a hook on the top end and a 1⁄4″ square drive on the bottom end. The drive hook is an eyebolt with a piece cut away. A brass barbed hose fitting, which fits inside the copper tubing, is used on the top end to center the eyebolt in the tubing. I cleaned and fluxed these parts and soldered them together. At the bottom end of the pole, an orphan 1⁄4″-drive socket with an outside diameter just smaller than the inside diameter of the pipe is slid into the pipe and soldered in place. A 1⁄4″ square-drive adapter connects the cordless drill to rotate the pole. The drill is best operated in its low-speed setting.
The torque required to raise the canoe is low, so a skylight hand crank with a hook end is a ready-made option to operate the winch. At the top of travel, 41 turns raise the canoe 1′. More turns are needed at the bottom of travel when fewer layers of cable are on the reels. The lift distance from the canoe’s storage position to sitting in the truck bed is 6′, requiring between 250 and 300 revolutions.
The winch has a maximum weight capacity of 1,500 lbs, so the 2×6 crosspiece to which it’s mounted is likely the weakest link. While this hoist may be overkill for our lightweight canoe, I am very happy with it. It does all the heavy and awkward lifting and gets us out canoeing frequently and with ease.
Joe Whitehead, a retired automotive engineer, lives outside Ann Arbor, Michigan. He started sailing off the beach on Lake Michigan as a teenager and now sails on Lake Erie. Joe enjoys restoring and modifying trailerable sailboats. His latest project, a rescued Sanibel 17, THREE SHEEPS TO THE WIND, will be launched this spring.
The WG 150 worm-gear winch, item #10956, is available from Dutton-Lainson for $114.99; Q C Supply lists it for $81.18; Etrailer.com lists it for $89.21.
You can share your tips and tricks of the trade with other Small Boats Magazine readers by sending us an email.
Living in Maine, where the winters are cold and long, I am ever on the hunt for new ways to keep warm, especially ones that will help to extend my boating season.
The Hüga cushion, handsewn in Maine, comes from Hüga Heat. Owners Jocelyn Olsen and Colin Grieg describe it as “a smart seating solution that provides long-lasting, steady heat,” and sent me one to try.
The Hüga is a polyurethane-foam pad encased in removable water-resistant Cordura or marine-grade vinyl. Beneath the cover, on top of the foam, is a heating pad powered by a 22W, 16.75Ah battery. Complete with battery, the Hüga measures 16″ × 14″ × 2″ and weighs approximately 2 lbs. It comes in navy, two different greys, or white, and with a 3+hr, 6+hr, or 10+hr battery—the rating indicates the duration of the charge if the pad is kept at the highest temperature setting.
Out of the box my 6+hr battery had no charge. I plugged it in and after five hours, three of the four charge-indicator lights were illuminated. I left the battery plugged in overnight and had a full charge in the morning.
When ready to go, the battery slips into the Hüga’s pouch where it is plugged into a USB cable. The pouch is then closed with Velcro. For use around water, I would have liked an additional flap to come over the Velcroed opening to give the pouch and battery greater protection, and it might also be useful to have a transparent panel through which to see the charge level on the battery—for now, the only way to check the charge is to open the pouch and pull the battery out 1″ or so.
The Hüga Heat website notes that the Hüga gets up to between 105° and 120°F on the highest setting, 95–105° on medium, and 85–95° on low. The website also says that when exposed to the air—i.e., when no one is sitting on it—the cushion’s temperature will drop slightly. When I measured it with a digital kitchen thermometer, I recorded 116°F on the highest setting while sitting on it. I also wanted to test the longevity of the charge. Starting with the fully charged battery, I left the Hüga unattended on the hottest setting and it ran for 6-1⁄4 hours with no drop in temperature; it simply switched off when the battery charge ran out.
Next, I took the cushion out to our Shellback dinghy on a 40°F March afternoon. The Hüga is wider than the boat’s thwarts but once I had cinched the straps—1″-wide nylon webbing adjusted through snap buckles—it stayed put, was comfortable to sit on, and was a big improvement on a bare wooden thwart. For rowing, the additional height of about 1-1⁄2″ isn’t difficult to get used to, especially if you’ve already used a thick seating pad and you have enough clearance for the oar handles. I wasn’t out for long but even on a very cold day would probably use the cushion on its coolest setting and only raise it up to one of the higher settings if I stopped rowing for more than just a few minutes. For a serious rower, the thick, flat cushion may not be a good fit with a finely tuned rowing arrangement, but for a casual rower, or a passenger in the boat who isn’t getting the benefit of rowing to warm up, the heat from the Hüga would be welcome.
Back from the boat, I sat outside in a lawn chair. The air temperature was still about 40°F but now there was about a 10-knot breeze blowing. The heat from the cushion beneath me was wonderful and, after about 10 minutes, I felt too warm and reduced the setting from high to medium by pushing the button on the front of the pouch. There was no immediate sense of temperature change, but after a few minutes I was more comfortable—still warm, but no longer overheating. I sat for a while, taking notes, until my fingers became too cold and then, rather than reach for my gloves, I slid my hands beneath me and let the Hüga warm them.
I am perennially cold outdoors and the heat that comes from the Hüga is subtle but effective—it seeps into your body and lingers, warming you gradually so that you barely register it’s happening. It doesn’t give you the instant rush that can be gained from a roaring fire, but a more sustainable heat that would make sitting out on an open boat on a cold day or coming ashore on a late-season boat-camping trip, a much more comfortable experience—even for me.
Jenny Bennett is the managing editor of Small Boats Magazine.
The Hüga is available from Hüga Heat starting at $119.99.
Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.
Moving my boat and trailer around my backyard has been a dreaded chore and, at times, an injury-causing one. My Welsford Pathfinder with motor, sails, anchor, and other gear, weighs about 485 lbs, and add to that about 700 lbs for its aluminum trailer. My yard is no putting green with its clumpy grass, random divots, and hidden debris which all impede progress. It’s really a two-person job, but I am usually alone in getting the boat across the lawn to the driveway. As I move through my late 50s, the task grows more challenging.
For many years, I relied on a cheap 12-volt winch, combined with a two-wheeled trailer dolly. This worked okay but it was a hassle to haul out the winch, the deep-cycle battery, and the dolly before dragging out the cable, adding some chain or rope, and finding an attachment point. When the winch failed this past year, I was ready for an upgrade.
I ordered the 24-volt Tow Tuff TMD-3500ETD Electric Trailer Dolly from Northern Tool & Equipment, and it arrived at the store nearest me a few weeks later. The 110-lb box fit easily in the back of my Subaru Outback. I’ve assembled a lifetime’s worth of furniture and assorted other stuff, so the assembly was straightforward for me and took less than 30 minutes. It required not much more than attaching the wheels and handlebar and threading some wires through the metal tubing.
The dolly is powered by two sealed 7 AH 12-volt batteries. It can travel up to 1.5 mph with variable speed in forward and reverse and has a capacity of 3,500 lbs with a 600-lb tongue capacity. The dolly is intended for relatively flat and even ground. The 13″ main tires need traction, so they may not move a heavy trailer over loose gravel, wet grass, or slick pavement. It comes with a 2″ ball, which can be swapped out for a different size. The ball height is adjustable from 22″ to 28″.
The dolly can move up inclines of up to 4 degrees, according to the owner’s manual. Plan ahead: the Tow Tuff, like manual two-wheeled dollies, has no braking mechanism (although backing off the throttle adds some resistance to the drive wheels). If the trailer starts rolling down the driveway, it’s going to be difficult, if not impossible, to stop it unless you have a helper with wheel chocks standing by or can rig up a system that you can deploy by yourself (I picture a board that you drag in front of the tires via rope that you can strategically drop).
The route from my trailer’s parking spot in the grass to the concrete driveway includes riding up and over a 6″-high deck via a wooden ramp. This obstacle was my biggest concern: would the dolly have enough torque to pull or push the trailer up the ramp? Would the tires have enough traction? That test was the first one I tried, and the power dolly handled it with ease. I measured the ramp with a digital angle gauge, which indicated a 3-degree incline, well within the specified 4-degree parameter.
The Tuff Tow has three wheels: two 13″ pneumatic tires attached to the drive train, and a swiveling 8″ caster. When pushing the trailer, the torque on the tires pushes the tongue weight down onto the caster. However, pulling the trailer sends the torque and tongue weight in the other direction, where there is no caster. The result is, anytime you encounter additional resistance, the dolly handle wants to pull up and out of your hands. The heavier the load, the more pronounced this is. To help manage this force, and to add more weight/traction to the larger tires, there is a bar welded on the dolly frame that you can step on.
The variable-speed thumb throttle on the right handle is convenient to use and responds quickly, controlling movement up to 1.5 mph, an easy walking speed. There is no jerking or lurching even when the dolly is full throttle. Forward and reverse are selected via a rocker switch on the left handle. The throttle also has an LED gauge to indicate remaining battery life.
My experience with the electric dolly has been fantastic, especially when compared to my previous system. I was a little surprised that the dolly had trouble managing a small lip: I park the trailer tires on top of some thin paver stones to keep them off the wet ground. It’s only a 3⁄4″ lip, but it brought the tires to a stop. I was able to overcome this by backing up the dolly several feet and giving it a run at it with full throttle. I have learned how to maneuver the Tow Tuff to easily align it exactly where I want.
Do some research before dropping $1,000 or more on this convenience. You will find plenty of negative reviews, most of which appear to result from high expectations for moving trailers weighing much more than mine and using it on questionable surface conditions. From my perspective, the electric dolly works well and is much cheaper than multiple trips to the chiropractor followed by three days of Icy Hot, immobilized on the couch. Been there, done that.
Mike Olson lives in Houston where he retired as a marketing communications writer in the financial industry. He sails his Pathfinder, CRUCIBLE, on the Texas Gulf Coast and inland lakes.
The author’s Tow Tuff TMD-3500ETD was purchased through Northern Tool, but Target, Walmart, Amazon, Tractor Supply, and other retailers also list it on their websites. The Tow Tuff is not likely to be stocked at a brick-and-mortar store. The dolly has a one-year limited manufacturers’ warranty on parts. A reputable retailer might make things easier should you decide to return it.
Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.
While I’ve never carried a boathook aboard any of my boats, it’s not because I wouldn’t find one useful. Where space is limited, boathooks—even telescoping ones—are awkward to stow, so I learned to get by without one. For instance, I always approach a dock on its upwind side so I won’t drift away from it; when I can’t sail within arm’s reach to grab something from the water, I’ll make another pass; to push off a rocky beach I’ll use an oar.
The Revolve Rollable Boat Hook solves the stowing problem by using a concept you’ve seen in the common measuring tape: the steel tape curves across its width to make itself rigid and yet can curl up along its length. The 6′ Revolve does the same thing with a 4″-wide strip of what its manufacturer, Rolatube, calls “bistable rollable composite.” It appears to be made of a fabric infused with black plastic.
Rolled up, the Revolve is about the size of a coffee mug in a thick neoprene cozy. The detachable hook fits inside the rolled shaft, and then the two pieces are stowed together in a mesh bag to keep them from straying from each other when the boathook is not in use. The whole package weighs just a shade under 1 lb.
When the boathook is unrolled for use, the edges curl toward each other to make the better part of a cylinder, leaving a 3⁄4″ open slot between them. The hook slips over the end and locks in place with a twist. Pressing the yellow button unlatches it for removal.
You can extend the Revolve by hand, but for a touch of panache try flinging it out as if briskly drawing a sword and it will uncurl by itself to its full 6′ length (it helps to squeeze the grip end tightly). Rolling the Revolve up again can’t be done with a snap like that, but you can curl the end and then push it into some corner and have it spin while you push the shaft into the roll.
The foam grip gives the Revolve the buoyancy it needs to float, and like a proper boathook, it floats vertically. Only a couple of inches rise above the water’s surface, but that part is bright yellow to make it visible.
I was concerned about the Revolve’s strength when I first unrolled it. It twisted easily and didn’t feel very strong, but the torsion wasn’t a good measure of how well it would work for pushing and pulling. I set the boathook against a bathroom scale and with both hands on the grip, pushed as hard as I could. The scale registered 100 lbs and the Revolve showed no sign of buckling. Standing to one side and with the hook on a hanging scale, I could pull 90 lbs before beginning to lose my footing. I didn’t expect the Revolve to buckle under tension, but I was pleased that the hook end didn’t break and pull off. Boathooks aren’t always used for pushing or pulling but sometimes are used for prying, with one hand on the top end and the other closer to the middle. The force applied to the hook end is at a right angle to it, not in line with it. I could press against the Revolve sideways against the scale with 80 lbs of pressure. The shaft bowed but didn’t buckle when its open side was facing the scale. With the open side facing the opposite direction, it doesn’t take much force to buckle the shaft. In all my tests with scales, I applied more force than I could imagine needing for a boathook’s intended use.
In use aboard a boat, the Revolve has served well. I don’t have to be so precise pulling up to a dock as long as there’s a cleat to snag with the hook. And in a recent outing I was able to save my Whitehall from taking a beating on a rocky beach by using the Revolve to get the bow into the waves and shove off.
There are three accessories available that can be used instead of the hook end: hard and soft deck brushes, and a universal mount that has a 1⁄4″ x 20 screw compatible with most camera-mount systems. I may spring for the mount so I can use the boathook as a selfie stick. The only issue I can imagine having with the Revolve is remembering where onboard I might have stowed it. Rolled up, it could be in the tiniest, and most out-of-the way-places.
Christopher Cunningham is the editor of Small Boats.
The Revolve Rollable Boat Hook is made by Revolve, a Rolotube Group company in the U.K., and is listed at £84.95. In the U.S. it is distributed by PYI at a list price of $119. I purchased mine on Revolve’s Amazon website for $105.
Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.
Some 20 years ago, before the advent of LEDs and LCD screens, I bought a black-and-white underwater video system from Harbor Freight for $99. The monitor was a small television with a cathode-ray tube and the power source was a sealed lead-acid battery. My kids and I enjoyed using it to peek at whatever might be lurking beneath the boat. For a long time, we had never used it for anything practical, but I wished I’d had it before I lost an anchor on the foul bottom of a shallow slough. With the camera, I might have been able to see that the bottom was littered with submerged logs that would certainly hold and keep my anchor. We did find a practical purpose a few years later, when we attached the camera to a grappling hook, and my son and I located and retrieved an outboard that had peeled itself off its transom and had sunk in 35′ of water.
As much as I liked that video system, it was packed in a zippered fabric case the size of a toaster oven—too big to be included as standard gear on any of our boats. Over the years I’ve been hoping to find a new version that was more compact and equally affordable, and recently decided to take a chance on the $140 Eyoyo Underwater Fishing Camera that I spotted on Amazon.
The kit includes a 6″ x 3-3⁄8″ (7″ diagonal) flat-screen LCD color monitor, a waterproof camera with a ring of infrared lights around the lens, a cable to carry power and image, a 12V/4.5Ah battery, a charger, a fishing float, hardware to connect the cable to a fishing rod, a folding shield to reduce glare on the screen, and a rigid foam-lined carrying case. The case is much more compact than my old B&W system—about one-sixth the size. The screen is set in the lid of the case and can be removed for more convenient viewing.
The camera is rated IP68: dustproof and suitable for prolonged submersion. The usable depth isn’t specified, but the kit is available with cable lengths of 49′, 98′, and 164′. I bought the kit with the shortest cord, so I won’t be pushing the camera’s limits.
The electrical cord comes on a spool, and it would be nice if there were a way to reel it out and back in neatly. To do that I’d have to disconnect all the plugs to the monitor and battery and fit some sort of axle and crank for the spool. The temptation is to cast loops off the end of the spool, but each loop creates a twist, and the twists make a tangled mess of the cord. I cut a slot in the spool to remove the cord and gathered it up in four hanks by making figure-eights around my thumb and pinkie. Rubber bands hold the hanks and the figure-eights come undone without twists.
The picture of the monitor on the Amazon site was misleading, but I didn’t expect the system to capture a vivid underwater scene with the color and clarity of a tropical-fish aquarium. I was pleased with the color from 35′ down in Seattle’s ship canal. I expected to see a palette of green water and brown detritus on a muddy bottom, and that’s what the Eyoyo delivered. At that depth, the camera adjusted to the available light, and I didn’t need to plug in the power for its ring of LEDs. Their infrared light is well suited for nighttime use: it is invisible and the image conveyed to the monitor is monochromatic—bluish-black and white.
Eyoyo notes that the visible range from the camera is 0 to 3 meters (10′) and with clearer water than I’ve had, that would seem possible. I could see objects out to about 6′. The wide-angle lens spans 92 degrees and fills the frame with a satisfying view where objects appear neither too close nor too far away. Because the lens is designed to work at close range, things go by quickly when the camera is moving. Skimming just above the bottom from a slowly drifting boat feels like flying. To retrieve something from the bottom, the camera is attached to a grappling hook. It’s challenging to navigate the hook—patience and persistence are required. I’ve attached the camera to an oar grip to provide full control in shallow water—my 14′ push-pole is the limit for the depths I can view with that method.
The video system also has uses out of the water. Attached to the end of a pole with rubber bands or tape, the camera can go places you can’t or don’t want to go. I’ve used it to check for things that have dropped behind my workbench without having to move a chop saw, a planer, and a crate of C-clamps out of the way and stick my head through dusty cobwebs.
The Eyoyo video system is compact and effective and is sure to get more use than my old Harbor Freight kit. I’ve long been using a depth-sounder when anchoring to make sure there is enough water to ride out the tides while I sleep. With the Eyoyo system I will be able to see what the bottom looks like and sleep better knowing that the anchor will get a solid grip.
Christopher Cunningham is the editor of Small Boats Magazine.
Jeremy Kyncl is new to boatbuilding, but he certainly isn’t new to woodworking and traditional crafting. He grew up in Denver, Colorado, but moved to the Pacific Northwest when he was 19. He graduated from Bastyr University in Kenmore, Washington, having studied the science, history, and traditions of medicinal plant usage. In 2019, after a seven-year spell in Spokane, Washington, where he and his wife, Michelle, had started Hierophant Meadery, they moved to a 1915 homestead on Whidbey Island with their two young sons, George and Leos. They relocated the meadery to the island and focused on bringing together their knowledge of plants and love for native culture in a business based largely on traditional methods and the ethos of respecting and working with nature rather than against it.
Life on an island suits the family. They love anything that involves being on and in the water: body surfing, swimming, boating. When they first moved to Whidbey, Jeremy and Michelle bought a fiberglass lake canoe, but it was heavy, and loading it on the car was a strain; plus, Jeremy felt its low freeboard made it unsuitable for use on the Puget Sound waters that surround Whidbey. Familiar with building and fixing around the homestead, Jeremy now turned his thoughts to boatbuilding.
“I wanted something light enough to cartop myself, seaworthy enough to handle being out on Puget Sound, and kind enough for a first-time boatbuilder.”
Through 2021 Jeremy pored over books and websites, plans and magazines. He remembers spending about six months “looking at all the usual suspects in small-boat design.” When he stumbled upon Building Skin-on-Frame Boats by Robert Morris, he “fell in love with the ingenuity, simplicity, and efficiency of the technique.” Having spent time in the Scouts, he was confident he had the skills for the necessary knotwork.
Jeremy set about figuring out which skin-on-frame boat he would build. He knew he wanted to go with a “home-grown Northwest hull form,” but it would be another two months before he decided on a native Pacific Northwest canoe. Then he found a drawing of a Nootkan cedar dugout that was used for trade in North Puget Sound in 1905. He was attracted to the shape and decided he would make a skin-on-frame version.
“The original hull was 25′6″ with a 42″ beam. That was too big for us,” he says, “so I scaled it back to 17′6″ with a beam of 36″.” With three adults on board, the canoe draws only 4″. The bare frame weighs 44 lbs.
Jeremy sourced all the materials locally and even incorporated salvaged wood and driftwood. The breasthooks were fashioned from a barrel that came from a local winery and “never did get filled with mead at our facility.” The stem knee came from a cherry tree on the homestead, and the stern knee was milled from windfall Douglas-fir found in the woods that border the property. The stringers were split from red-cedar driftwood.
Jeremy began the build in the first week of January 2022, and for the next three months he worked on the canoe every Tuesday. There was an unplanned interruption for most of March and April, but by May he was back on track and hard at work.
Throughout the build, Jeremy sought and received plenty of good advice. Corey Freedman of Spirit Line Kayaks was a “huge help, as were the folks at Cape Falcon Kayak in Portland, Oregon.” Both organizations supplied information and materials, especially in the early research stages when Jeremy was getting himself “mentally prepared for the task at hand.” And when it came to the actual construction, there was help closer to home: “the boys helped with the myriad lashings.”
Inevitably, as with most first builds, not everything went according to plan. “One thing I would definitely do differently,” says Jeremy, “would be to use oak instead of laminated bamboo for the ribs. It was difficult to get the bamboo soft enough to bend without delaminating the glue joints.” While that can’t now be changed, Jeremy is thinking of redoing another part of the boat: “I didn’t get the skin as tight as I would have liked, so I’ll probably replace it relatively soon.” He would also like to modify the chines, which make very sharp corners and subject the fabric to excessive abrasion. If Jeremy does replace the skin, he will be able to round the edge of the chine so that the abrasion won’t be focused on such a small area.
By late June, summer had arrived, and the family was eager to be afloat. One hundred hours into the build, the canoe was far enough along to be used. The seats were not yet installed, but there’d be plenty of time for that and the other tweaks over the winter. There was crabbing and gunkholing and salmon fishing to be done, to say nothing of days at the lake swimming and lounging in the sun. For the summer of 2022, passengers and crew could sit on the floor, a cooler, or a block of Styrofoam.
The Kyncls launched MUSE on June 30, 2022, in Goss Lake, “our favorite little lake on Whidbey.” It was the first of many outings.
“We loved our first year,” says Jeremy. “I love that I can launch anywhere that has a parking lot by the beach, and that we can slip into bays with just inches of water. She’s a real joy. A lively little boat. With the electric trolling motor—which both boys quickly learned to operate—she rode happily and proved game for the chop and blustery conditions common off Whidbey. There’s a steady, peaceful ease to how she carries herself and happily surfs downwind waves.”
Between catching Dungeness crab—“we’ve paid for the cost of the build with the amount we’ve eaten”—and acting as passenger ferry for “half the school at the swimming hole,” MUSE is, says Jeremy, just what he hoped for when he set out to build her and he’s glad to have taken “so many hints from thousands of years of indigenous experience.”
Jenny Bennett is the managing editor of Small Boats Magazine.
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Geordie Pickard’s dream boat began in mid-2020 with a sketch and culminated in June 2021 with a launching.
The Pickard family lives on Vancouver Island in British Columbia which is where Geordie grew up. They also own a cabin on the tiny, off-grid Ruxton Island, one of the Gulf Islands north of Victoria. For much of 2019, Geordie and his wife, Erin, lived on Ruxton and commuted back and forth to Duncan on Vancouver Island. At the time, says Geordie, they owned a “big heavy production boat with an I/O engine. It was built to handle Georgia Strait and was unnecessarily big for the shorter, more sheltered run to Vancouver Island. And the gas we used on the daily commute was killing me.”
Just before their son, Alaric, was born, Geordie and Erin moved off Ruxton to Vancouver Island, and it was then that Geordie decided to build a boat that was more efficient and purpose-designed for their needs. They were no longer commuting on a regular basis, but they still liked to get out on the water as much as possible.
“I really wanted an open boat with a large cockpit. I grew up drift-fishing with my dad, who’s a fanatical fisherman. He hated noise, so we’d motor to a spot, shut down, and cast homemade jigs for salmon or lingcod or greenling. I still mostly fish that way, and I got tired of having a boat that was enclosed and needed 200-plus hp to move. I wanted something that had a ton of cockpit space, would run with a small motor and plane at low speeds. Plus, I enjoy building boats.”
In earlier years Geordie had built a couple of boats, including a “sailing skiff of my own design when I was about 20 and wanted to learn to sail.” He began a search for the perfect skiff design. At one point he considered building the Marissa 18 from B&B Yacht Designs, but Erin pointed out that Geordie had spent so much time researching boat design he could “probably do a decent job” himself.
“That really got me thinking,” he says. “I don’t have any formal training in naval architecture, but I was pretty confident I could handle any math that came up. Honestly, I think a lot of people overthink it. I’ve spent enough time on similar-sized boats that I felt I had a good handle on realistic scantlings, so I just went for it.”
Geordie designed an open 17′ by 6′6″ skiff that would be built of stitch-and-glue plywood with bright-finished mahogany trim. He says she’s “just a simple low-speed planing skiff with a shallow V and a sharp entry to ‘mush’ through the waves.” He designed her with no internal obstructions. “Even the ‘console’ is just a pole—enough for me to hold on to. It’s stepped through a threaded fuel fill onto a block so I can pull it out if I ever need more uninterrupted deck space, like when I’m carrying plywood sheets out to the island.”
The shallow hull was influenced by his earlier experiences in the “commuter boat.” That had a deep V and Geordie found it horribly uncomfortable when drifting in any sea. “It just rolled and rolled.” He wanted the new boat to be light and stiff, but also didn’t want it to slam into the waves at speed, so he compromised with a deep forefoot and a shallow V. He also angled the chines along their entire length so that they act “like very slight permanent tabs. It means the boat planes at extremely low speeds and gets up on plane smoothly…there’s no dead zone that you have to climb out of, it’s an almost unnoticeable transition.”
Geordie built the boat in his garage—the 17′ length was predetermined by the need to fit the project into the available workspace—using marine plywood ’glassed on both sides. “Even the underside of the cockpit sole is ’glassed. It’s overkill, but I wanted strength. Essentially, the plywood is core material, and the ’glass does 99 percent of the structural work. Even the stem is mostly unnecessary structurally, but we get so many logs in the water around here I wanted a semi-sacrificial ram to bull stuff out of the way. Sometimes we have to do that just to get into the bay at the cabin.”
It took Geordie a year from initial sketch to “laying down the nonskid.” He wanted to get it done quickly so it wouldn’t “take time away from my kid once he was old enough to care.” By the time launching day came around Alaric was about 18 months old and “now we get to play with it together. Erin was really supportive. We have the cabin, and she likes to fish as well, so she’s pretty tolerant of my boat obsessions. I cut the long panels in our bedroom because it has the largest floor area. And I could test the scarfs by laying the panels on the deck railing outside and letting them bounce on the joint. It was a great way to test them, but more importantly, I have a wife who thinks cutting wood for a boat in our bedroom is reasonable, and more of a priority than replacing the ugly deck railing.”
YEAH BUOY was launched in June 2021 (although Geordie would continue working on her for another four or five months). Her finished weight came in at a little under 700 lbs including the outboard motor. She will “just kiss 25 knots if lightly loaded and will cruise at around 18 knots with all of us on board.”
In the first year, Geordie says, he’s put about 200 hours on her. “Well, more really, because I drift-fish, so I shut the engine off a lot of the time, but there are about 200 hours on the motor.”
The high bow, he says, makes for “a pretty dry boat, even in rough weather. I’ve had her out in sustained 15- to 20-knot winds, and it’s not bad. You can’t rip through the waves like you could on a big heavy boat with a deep V, but you can plane easily at low speeds and stay in contact with the water. So, it’s a better ride in lots of conditions because we’re not stuck choosing between the lolling 8 knots or brutal pounding at 20 that we faced with the old boat. Now, I can run at 12 or 14 knots in 2′ to 3′ seas and never drop off a wave. We just glide along.”
In the works is a design for a removable pilothouse for rainy weather. It will, says Geordie, pop on and off with a “few of those whale-tail closures, like they put on expensive coolers these days.” But for their first two summers, the Pickard family had fun, fishing, drifting, and flying across the Sound, using YEAH BUOY as a tiller-steered open boat with a “cockpit sole the size of a dance floor.”
Jenny Bennett is the managing editor of Small Boats Magazine.
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Small boats are certainly less demanding to navigate than large ones. However, navigation skills are still important to understand. All navigation starts with a suitable chart, whether it is a full-sized NOAA chart or a good-quality commercial chartbook. Situational awareness is important. You should always know where you are and be able to plot your position. You must be able to determine the boat’s speed under various rowing and sailing conditions. Over time, you can gain experience in estimating speed by using a GPS or by calculating speed between known locations under given conditions. Two other essential tools, especially for navigating in reduced visibility, are a magnetic compass and a timepiece, which can be as simple as a wristwatch. The compass should be calibrated so you are aware of its deviation. Using a compass, you can steer toward a landmark that is beyond your range of visibility. You can also take compass bearings of known objects so you can plot your position on the chart. The watch is important for predicting your arrival time at specific points. First, plot a course on the chart and measure the distance, for example, to the next navigation mark, then use the distance and approximate speed to predict an arrival time. Practice these skills in good weather so that you have confidence when you need it.
A GPS chart plotter is a magnificent invention, but like any other electronic device it can still fail at the least opportune moment, whether by dead batteries, submersion, and being dropped overboard. Therefore, you should always use a chart plotter as a supplement to a paper chart and a compass. I still remember my old bosun at school saying, “Boys, all these new electronic gadgets are aids to navigation, not substitutes for it!”
For short trips, I fold up a chart so it will show my intended cruising area, and put it in a large ziplock bag, along with tide and current information. I use dividers to measure distances. For measuring course direction, I prefer a pair of plastic triangles because they store flat, but parallel rules work as well.
Learn how to use these basic navigation tools and plan your trip before you get out on the water. I always plot courses ahead of time as much as possible on my chart, and I also write out a “float plan” for easy reference. Notations of courses and distances between landmarks are helpful for quick reference when you’re underway, especially in blustery weather. I usually don’t use the dividers and triangles when I’m under way unless I need to double-check something or deviate from my plan. I often use a simple “navigation stick” ruler that I have marked with nautical miles. (One minute of latitude, which you can pick up from the side of the chart, equals one nautical mile.) This allows me to quickly measure a distance on the chart, plot a position from the GPS, or estimate a heading by keeping the stick at a constant angle to the chart while sliding it over to the compass rose.
When I’m going out for a few days or exploring an unfamiliar area, I prepare a written float plan showing where I plan to go, along with tidal information and my tentative schedule. A firm schedule is the most dangerous thing you can have on a small boat, because adhering to a schedule without due regard for weather or fatigue can easily get you into trouble. It is always best to have a “Plan B” and even a “Plan C.” Your float plan should include a description of the boat, who is aboard, where you plan to go, and when you plan to leave and return. Leave a copy with someone ashore so that if you fail to return, or to check in as planned, searchers will have critically important information. I check in at pre-arranged times, and I usually instruct the holder of my float plan not to be concerned until a full day after my planned return, but after that to call the Coast Guard and provide them with a copy of the float plan.
Seamanship
All boats need to be able to communicate. I carry a waterproof, handheld VHF radio with a lanyard. I attach it to my clothing, so I can find it in an emergency and it stays with me in the event of a capsize. But be aware of the limitations of handheld radios. They usually transmit at 5 or 6 watts, and a rule of thumb is that for each watt you can transmit one mile. You can hear a more powerful radio from a long distance, but they may not be able to hear you. Someone with an installed radio, usually transmitting at 25 watts, may be able to help you or relay your transmission. Always carry extra batteries or fully charge your radio before setting out, and conserve power if you’ll be out for a time.
Radio is useful for getting updates from NOAA weather radio, for communicating with other boats in your group, and for listening to boat traffic. Commercial vessels often broadcast their intentions, such as, “Sécurité, sécurité, sécurité, this is the tanker SS FLYING ENTERPRISE getting underway from the anchor-age and heading out the channel to sea.” This lets every boat in the area know what she is doing, and the word sécurité alerts listeners that important safety information—not an emergency broadcast—will follow. Remember the unofficial “rule of tonnage”: if she’s bigger than you, stay out of her way.
Cell phones, which are becoming increasingly reliable, supplement VHF radios. A cell phone is a good way to communicate a change of plan to the person ashore who has your float plan. It can be useful for calling someone to ask for assistance, or, in a real emergency, calling 911 for help. But cell phones, too, have limits. Most are not waterproof, so I keep mine in a ziplock bag.
Sailing without an anchor is like driving without brakes. An anchor will allow you to hold your position when afloat, keep your boat from floating away when going ashore, and keep you off the beach and headed into the wind during a squall. Many small-boat sailors choose small, lightweight Danforth-type anchors, which are inexpensive and hold well under the right conditions. Unfortunately, if they are not set properly, or if the direction of the wind or current changes, the anchor may not hold or reset. I favor a heavier and more expensive claw- or plow-type anchor. These have always held for me, which I cannot say for lightweight Danforths. I use a 4.4-lb claw anchor for small boats and an 11-lb claw anchor for my 19′ canoe yawl. For both, I use a rode made up of 6′ of ¼” chain and at least 150′ of 3⁄8″ nylon line, made up of two shorter lengths tied together (see also Getting Started in Boats, WoodenBoat No. 217).
Anchors are useful in other ways, as well. Setting an anchor can also allow you to simply take a rest, for example when rowing against a current. Lowering the anchor can help estimate water depth. You can drop sail, set the anchor, and control your drift down to a leeward beach and then use the anchor to haul the boat off when getting under way again. I also often set the anchor when I’m making ready to set sail or when reefing so that I can work without hurrying and get the job done properly.
For any sailboat, being able to reduce sail by reefing or striking sail is critical. My canoe yawl has three sails, with two reefpoints in the mainsail, permitting many sail combinations. Every small boat should have some means of reefing as quickly and simply as possible, and the crew should practice regularly. Reefing in the middle of a squall, like putting on a life jacket after a capsize, is no time to learn. Reefing before setting out may be wise, since it’s much easier to take out a reef in light winds than to put one in amid strong winds.
A bucket or bailer is essential. Water in the bilge, whether from spray or after a knockdown, reduces a boat’s stability due to the free-surface effect, meaning the water’s ability to slosh about. It also reduces free-board, so even more water may come aboard. It is imperative to get water overboard quickly. A sponge or small bilge pump may be useful at the mooring, but when your boat is taking on water, the old adage that “the best bailer is a bucket and a scared person” is still true. Carry the largest bucket practical for your boat.
On a sailboat, water can also flood in through the centerboard trunk, especially if the boat is awash. You should have an easy and effective way to plug the slot or the hole where the pennant comes through. Otherwise, water may come in faster than you can bail it out.
If someone offers a tow when the winds have failed or the current is against you, it is always nice to have a towline ready. The towline should be long enough so that you can be clear of exhaust fumes and ride in a comfortable part of the towing boat’s wake. I carry two 50′ pieces of 3⁄8″ line that can be tied together with a double sheet bend. (For this knot and others, see The Ashley Book of Knots, or check www.animatedknots.com or other online resources.) This line can also be useful if you need to lengthen your rode. Cleat the towline to your boat in such a way that it can be let go if things start to go wrong.
To cut the towline in a hurry, or to cut lines that get tangled in an emergency, Every sailor should have a good, sharp knife. It should have a lanyard tied to your belt. Many sailors now carry belt-sheathed multi-tools that have a knife, pliers, and screwdrivers. I usually carry a fixed-blade rigging knife with a marlinespike and pliers in a leather sheath that fits on my belt. With these, I have reassembled or jury-rigged many boat components that got me home.
Fortunately, on small rowboats or sailboats most things that break can be fixed without requiring outside help. My repair kit consists of heavy-duty duct tape, some small line, a few self-tapping wood screws, and a sail needle and thread. All this fits in a small ditty bag. It’s also worth carrying a few small pieces of wood that can be used to splint a broken spar or patch a hull leak. With these, I have repaired a broken oar, patched leaks in the hull, and stitched up a torn sail.
If you plan to tie up alongside a float or another boat, bring an inflatable fender. Fenders can double as rollers for moving a boat up or down the beach. If you are alone, rolling the boat may be the only way to get off a beach if the tide has gone out more than you expected (see also “Beach Cruising,” in WoodenBoat magazine’s Small Boats 2009).
Bring enough water and food for your intended voyage plus an emergency supply in case you get delayed. A high-energy snack will help keep you warm and better able to handle any situation. For a day trip, I usually take a snack and enough water to last overnight. When camp-cruising, I always take at least one extra day of food and a couple of extra days’ worth of drinking water, so I can comfortably stay at anchor or ashore until the weather cooperates. You don’t want to be hungry or thirsty enough to be tempted to venture forth despite bad weather. Potable water, especially when boating on salt water, is more important than food, doubly so in hot weather.
The right preparation and equipment should get you through most emergencies. Often, it’s best simply to avoid situations that could turn ugly. In a squall or thunderstorm, for example, go ashore. If you can’t, get your sailing rig down, put out an anchor (or possibly a bucket on a long line as storm anchor), and sit in the bottom of the boat.
Someone who has gone overboard may need help getting back aboard. This is especially true if that person is you and you are sailing alone. In very small boats with low freeboard, you can usually climb over the gun-wale. But with a larger boat with more freeboard, this becomes increasingly difficult. On my 19′ canoe yawl, I shaped the rudder so that I can use it as a step. A boarding ladder would also work. Whatever method you choose, practice using it in calm waters before you need to do it for real.
If someone does go overboard, be prepared to prevent hypothermia (more on this below). Except in hot weather, anyone who has been in the water should get into dry clothes, which should be stored in a dry bag for the purpose. I also carry a lightweight space blanket that can help keep a person warm.
If I had a serious emergency that required assistance—whether a dangerous injury onboard or an unrecoverable capsize, I would first call “Mayday” on Channel 16 of my VHF. If potential help was nearby, I would use a strobe light or orange flag to show my location, and flares or orange smoke. If no adequate response materialized, I would call 911 on my cell phone. When you’re out on the water, however, there is no rapid 911 response. Help may take an hour or two to arrive. Or, you may have to get yourself ashore and wait for an ambulance. So you should always carry a first-aid kit equipped to deal with major medical issues as well as minor ones. Even more important than your kit is your knowledge of first aid. I recommend taking a first-aid course that includes cardiopulmonary resuscitation (CPR). In addition to that, always carry a small first-aid kit with bandages and over-the-counter medications, along with a stretch bandage, which is useful for sprains or tightly wrapping a bleeding wound.
Major medical emergencies can include cessation of breathing, a bleeding wound, or heart attack symptoms. These can be life threatening and need to be handled quickly. Call for help as soon as you can. If someone has stopped breathing, attempt to get breathing started with CPR. Unfortunately, in most circumstances the success rate is not good, but there may be no better choice, and it may buy time until help arrives. If someone is cut and bleeding, stop the bleeding with bandages, keep pressure on the wound, and in extreme cases apply a tourniquet. In the case of a heart attack, you may be able to keep the person alive long enough for help to arrive with a defibrillator. Giving an aspirin can sometimes save a life in the case of a heart attack. In all these cases, you need to get medical help as soon as possible.
For minor aches, pains, and injuries the typical small first-aid kit suffices to ease discomfort and prevent infection. Most kits contain a first-aid booklet, which you should consult so that you use the supplies effectively. Again, knowledge of first aid is most important.
Hypothermia
Of all the harms that may come in small boats, hypothermia, or the cooling of the body core, is perhaps the most dangerous. In a small boat, all it takes to get wet is for the wind and waves to pick up. Keeping dry is the key to keeping warm and preventing hypothermia. As it sets in, you gradually lose mental and physical capabilities. It can be fatal. (Study the many online resources that provide opportunities to learn more about hypothermia, for example, the “Cold Water Survival” section of www.uscgboating.org/fedreqs/default/html.) The body core cools fastest by getting wet, even from sweating or from spray, but most especially from immersion in water.
If you do go into the water, keep as much of your body out of the water as possible, get out as fast as you can, and change into dry clothing right away. Keep warm clothing in a dry bag lashed aboard, so that in the event of a capsize you can change into warm clothing after righting the boat and stabilizing the situation.
Guard against spray and rain by bringing foul-weather gear and extra dry clothes for each person. Provided the weather is reasonably settled and warm, I carry a lightweight long parka that easily fits in my bag. In cooler weather, I carry a full set of foulweather gear or a Type III flotation vest jacket, which in addition to providing flotation also provides some hypothermia protection both in and out of the water. I also carry my flotation jacket in cool weather just in case I need to provide hypothermia protection for someone I’ve pulled out of the water. For camp-cruising, I take gear suitable for any turn of weather.
Wear clothes that wick water away from the skin. Polar fleece synthetics are good, and many consider wool the best. Always avoid cotton, which wicks moisture very effectively and provides almost no thermal protection when wet; many consider it a killer. Wear clothing in layers so you can adapt to the conditions. Even on a warm day, being wet in a breeze can be chilling.
If you get stuck out unexpectedly overnight, you can be reasonably comfortable sleeping in your extra dry clothes and foul-weather gear, and you can wrap yourself in a sail. In a small boat, being adequately equipped and keeping aware of your options is not only the key to a safe and fun trip, but it may also be the key to survival.
Flotation
A boat should have enough flotation to not only stay afloat in a capsize but allow self-rescue. Over years of studying traditional boats, I have developed a simplified formula (see sidebar) to estimate additional buoyancy needed to keep the gunwale a few inches above the flooded waterline, and therefore possible to bail. In general, in traditionally constructed boats—without ballast—the cedar planking and other solid woods usually provide adequate flotation. But plywood’s flotation properties are much less, so many of today’s lightweight plywood boats need built-in or added flotation. Many professionally designed or kit boats have watertight chambers for flotation, but sometimes home-built boats do not.
Alternatives to built-in chambers include inflatable buoyancy bags and foam blocks, well secured inside the boat. The instability of a swamped boat can be improved by placing flotation outboard along the sides and by providing enough so that part of the flotation stays above the swamped waterline.
All of the above assumes that the boat has no ballast. If there is ballast, include its weight in the calculations. If you need to carry ballast, I recommend using water ballast, which is neutrally buoyant in a capsize.
With a new boat, it’s always a good idea to take a sunny day on a warm pond to practice swamping, self-righting, and bailing. Playing at self-rescue may well save your life in a more serious situation.
Conclusion
As you head out in your small boat, remember to take your sea sense and a good dose of common sense along with your gear. Be willing to stay put in a quiet anchorage if the weather turns nasty. In the end, the most important things for a safe voyage—once your boat is adequately equipped—are to listen to the wind, watch the weather, and enjoy the day.
When setting out in a small rowboat or sailboat, whether for a few hours or an adventure of several days, it is important to equip your boat for safety. Though there are few legal requirements for non-motorized boats 23′ and under, the common-sense skipper will view these as minimal and take further appropriate equipment, and he’ll know how and when to use it. The idea is to be self-sufficient, so that regardless of what happens you can take care of yourself.
I like to keep everything compact, ready to go, and easily portable. Most of my gear fits in a canvas bag that I can put over my shoulder and carry with me to whichever boat I’ve chosen to take out. I also grab the plastic pail that holds my anchor and rode. I secure both the canvas bag and the pail to the boat with lanyards, because none of this gear will do any good if it floats away or sinks after a capsize.
Seasonal maintenance is also important. Each spring, in addition to getting my boats ready for the season, I check all my safety equipment to make sure everything is functioning properly and also to reacquaint myself with it. I blow the whistle, turn on the light, inflate my PFD, change batteries, and so on.
Not only do you yourself need to know your equipment, but you must inform your crew, especially if they are new to the boat, what to do in an emergency, where to find emergency devices, and how to use them.
Small Boat Safety Equipment Checklist:
Personal Flotation Devices (PFDs)*
Visual Distress Signals*
Navigation Light*
Sound-producing device*
Hull identification number (HIN)*
Charts suitable for navigation
Float plan
Timepiece
VHF radio
Cell phone
Anchor and rode
Line suitable for towing
First-aid kit
Water and food
Foul-weather gear
Sail reefing gear
Fenders
Flotation
Knife
Repair kit
Spare batteries
Bucket or bailer
A way to assist boarding from the water
Dry clothes in a waterproof bag
*Required by the U.S. Coast Guard
Minimum Legal Requirements
Although this discussion is limited to small rowboats and sailboats, much of the equipment discussed here carries over as well to small motorboats, which have specific additional requirements for things like flotation, ventilation, and fire safety. For small nonmotorized boats of any kind, the U.S. Coast Guard and state marine patrol officers enforce minimum equipment requirements:
Personal Flotation Devices (also called life jackets or life preservers). A PFD is required for every person aboard. Boats 16′ and over must also have a throwable device. Children under 13 are generally required to wear life jackets whenever a boat is moving, but this rule may vary from state to state. Although adults are not required to wear PFDs at all times, it often makes sense to put them on. It’s much easier and safer to don life jackets when you see a squall on the horizon than when the squall is upon you. If you prefer not to wear a life jacket, at least make sure each person is assigned one that fits properly and is stowed where it is easy to reach even in a capsize. Of the PFD options (see below), many people like the Type V suspender-style inflatable life jackets, but personally I prefer an inflatable PFD in a belt pouch, which is the least obtrusive kind. Its drawback is that in order to use it you must remove it from the pouch, put it over your head, and inflate it, potentially while reading water. But its benefit is that you always have it with you, even if you fall overboard and your boat sails on without you. Whatever type of PFD you choose, it is important to practice with it in the water to be sure it does what you need and that you know how to use it. Even for good swimmers using boats in warm-water areas, PFDs are important. There is a limit to how long anyone can swim. Also, a PFD will float you higher in the water, making it easier for a rescuer to find you, since a head bobbing barely above water is difficult to see.
Life Preserver Types
Type I: For offshore use, where rescue may be slow in coming. Abandon-ship life jackets for commercial vessels and all vessels carrying passengers for hire. Considered bulky and uncomfortable.
Type II: Buoyant vests for near-shore use in relatively calm waters, where quick rescue response is likely. Considered bulky and uncomfortable.
Type III: Specialized-use vests for specific activities, such as water skiing or kayaking. Reasonably comfortable, but can still be awkward to wear at all times.
Type IV: Throwable devices, such as boat cushions.
Type V: For specialized uses or conditions, including canoe or kayak use, commercial whitewater, man-overboard devices, and others. The inflatable type are considered the least bulky and least awkward to wear, making them a popular choice these days.
Visual Distress Signals. The Coast Guard requires small unpowered boats to carry distress signals that are visible at night. Most small-craft skippers carry three flares to comply with the regulation. To me, however, flares are not very effective, because they burn relatively quickly, giving a potential rescuer only a limited number of seconds to notice them. Flares approved under SOLAS (Safety of Life at Sea) conventions are significantly better than recreational flares because they burn much brighter and longer, but they are also bulkier and more expensive. Flares also must be replaced 42 months after manufacture, and there is no good way to dispose of expired ones. Most small boats are unlikely to be at sea overnight, but night signals, in addition to being required, are still important to have if your return is delayed beyond nightfall or your emergency occurs in dense fog. The Coast Guard allows an electric light that flashes “SOS” as a night signal, but unfortunately there are none on the market that are practical for small craft. A strobe light is also effective, even though it does not meet the legal requirement. My handheld VHF radio has an “SOS” strobe, but unfortunately it is not Coast Guard approved. If you were to get into serious trouble, you would want as many options available as possible. Even though they’re not required, signals that show up in daylight are the type most likely to be needed by a small craft in distress. A 3′ × 3′ flag with a black ball and black square on an orange field may suffice, but an orange smoke signal will draw much more attention. A signal mirror to reflect the sun’s rays at a potential rescuer is also good to have. Another reasonable daytime signal for small boats is to stand up and raise and lower your arms repeatedly.
Navigation Light. A single white light, or flashlight, to shine toward an approaching vessel during limited visibility meets the requirement for boats under 23′ traveling less than 7 knots. A light helps others to see and avoid you, just as driving with your headlights on helps other cars to see you on the road, night or day. You should always have a light of some sort aboard, in case your return is delayed until after dusk when the wind fails, the current is against you, or you have a gear failure. It’s also a good idea to have a strobe light attached to your life jacket.
Sound Producing Device. A whistle or horn must be audible for a distance of one-half mile. A whistle attached to your life jacket can be effective in signaling a rescuer. Whistles alone will meet the legal requirement, but the operator of an oncoming powerboat would probably never hear it, which is the best argument for also carrying a loud horn. In fog or poor visibility, a sound signal is required, consisting of one prolonged blast lasting four to six seconds followed by two short blasts of one second each, with the sequence repeated at two-minute intervals. Horns are still critical in fog, but these days most skippers rely on VHF radio for boat-to-boat communication, so even if you know your horn signals thoroughly, don’t rely on another boat to understand them.
Hull Identification Number. All boats, including owner-built boats constructed after 1972, must have a HIN, which identifies the boat, its builder or manufacturer, and the year it was launched. This number should appear on the starboard side of the transom, or on the starboard side near the stern on a double-ender, and in some other inconspicuous location inside the boat, allowing the boat to be identified if lost or stolen. It is also advisable to put the owner’s name and contact information aboard the boat somewhere to allow authorities to contact someone to determine whether a found boat has simply slipped its mooring or whether people may be missing, too. If the Coast Guard can confirm that you are safe and sound, they can simply return the boat and avoid the risks and expense of instituting a search-and-rescue operation. Beyond these few important requirements, safe boating is left to the judgment and experience of individual skippers. The regulations don’t require such simple things as a chart, a compass, or an anchor, yet few seasoned skippers—or none, I would hope—would ever set out without them. These regulations are an absolute minimum, but most skippers of experience establish their own personal equipment standards for navigation, safety, and good seamanship.
The XLNC utility skiff, William and John Atkin’s design No. 681 of June 1951, was drawn up for a “How to Build” article in Motor Boating, part of a monthly series the magazine ran for several years. My boat, RAVENSTRIKE, is true to the plans as to the LOA of 19′ 2″, LWL of 18′, maximum beam of 4′ 4″ and maximum draft at the rudder (which we protected by a stainless-steel bracket) of 14″ including the bracket.
From the basic plans, however, I departed somewhat and installed fore, side, and aft decks with fore and side coamings, which added some weight. I also installed a side steering wheel in lieu of a tiller. Given that I grew up with fast outboards and racing sailboats, I long ago gave up on the quest for speed, so with the extra weight, instead of the designed 13½ mph, I reach somewhere, with the boat’s present engine, around 10 mph with one person aboard, but I usually run at a pleasant cruising speed of 6 or 7 mph.
What I seem to have created is a rather elegantly disguised flat-bottomed skiff, although on a trip to a giant cypress swamp in the Atchafalaya Basin in Louisiana, we set catfish trot lines and generally made a mess of the boat while we were there. It served its purpose well, however, in addition to attracting a lot of attention.
The plans specified a 6-hp Baby Palmer Husky, which was not readily available at the time I built the boat in 2000. I originally installed an air-cooled Honda V-Twin, coupled to a spare Hurth transmission I had on hand. For someone using this boat as a true utility skiff and living in a cool climate, I believe the Honda would be an excellent choice for power, being inexpensive, lightweight, and very reliable. However, I couldn’t handle the heat it generated here in Florida, so I replaced it with a three-cylinder Yanmar diesel with keel cooling and water-cooled exhaust, pretty much the way Robb White did with his RESCUE MINOR (see WoodenBoat No. 189).
Before we took the Honda out of the boat, we did take off the governor for a high-speed trial and achieved 91⁄2 knots, close to the designed speed. In my opinion, to reach the designed speed the most important issues are meticulous fairing of the skeg and the installation of the proper propeller for the installed engine.
It is difficult to follow an older designer’s advice not to overpower, which is clearly set forth in the Atkins’ comments. The engines available today are quite different from those of the early 1950s in terms of real horsepower, torque, and, obviously, availability. The Yanmar, while much more than necessary in the power department, is, however, quite reliable and very economical to operate.
RAVENSTRIKE was lofted and built from the plans and table of offsets. She is planked with cypress, built clinker (also called lapstrake) style, with plank laps fastened with copper rivets. Her frames, stem, chines, and transom are mahogany. The bottom is cross-planked, fastened with silicon-bronze screws. Other than the laid decks and coaming, the construction is straightforward and simple. A word of caution, however: If you cross-plank the bottom, as it should be done, be sure to use narrow planks to prevent cupping if you plan to keep your boat in the water; and by all means, if you keep your boat on a trailer, do not forget to wet the bottom so it can swell up before launching. You will be amazed at how much water can come into a dried-out cross-planked boat when launched, and how long it will take to swell up to stop an inflow of water.
When reading the designers’ comments, it seemed appropriate to quote them as to the intended purposes of the design before making my own observations. Quoting from the “How to Build” Motor Boating article:
As time unfolds, motor boats of much less breadth in proportion to length than those now in the mode will become common. Among the reasons for this switch from broad beam to narrow beam will be: with equal displacement and power the narrow beam boat will be the faster of the two; for equal displacement the slim-lined hull will be the easiest of the two models to build, and therefore the cheapest; in general use, providing the design is properly made, the easy-lined narrow boat will behave best in rough water, it will throw far less spray and water, handle better in a following sea, and when slowed down, will not pound, and therefore be more comfortable than any of its two and a half to three beam sisters…. Yes, shipmates, there is a great deal to be said for the performance of reasonably narrow round bottoms, V bottoms, and flat bottom boats; slim ladies that go about their work without fuss and bother; neat sisters that deserve the name of excellency.
XLNC certainly meets the criterion of narrow. The widest part of the bottom is 3′ 6″ ; at the stern it is slightly more than 2′ ; and at station No. 2, the breadth of the bottom is but 18″.
As for my own observations, I would have no argument with any of the Atkins’ comments. Over the years since her launching, I have operated RAVENSTRIKE in a variety of locations in varying degrees of weather. In the Louisiana swamps, the water—as you would imagine—was very calm, the only concern being not with the boat but the possibility of getting lost. As to its behavior in following seas, my best experience occurred coming into the Caravel River from Apalachicola Bay with a fol-lowing sea breeze. The boat tracked straight and true despite the following waves meeting up with the outflow of the river. My home waters are the Manatee River and Tampa Bay, which frequently have a moderate chop, which is handled with ease. While I do use the boat in those waters, I much prefer to sneak away to some inland river, such as the St. Johns or the Ocklawaha, and cruise around slowly with only the slightest of disturbance to my surroundings. RAVENSTRIKE’s ability to be easily trailered to distant places is one of her real attributes.
In summation, RAVENSTRIKE has given many joyous hours on the water in a variety of places we couldn’t or wouldn’t go in a larger boat. In addition to this, she has performed as the designer predicted. I will be the first to admit that I made her more complicated than necessary, but that only proves the design, as she still performs as intended. I have also been guilty of trading off utility for aesthetics on more than one occasion. For this I make no apologies, because to the degree possible, boats are, or should be, an extension of ourselves as well as sometimes being a useful and creative form of self indulgence.
What should be most important, however, is the joy that is created by the use and sharing of these graceful symbols, regardless of their shape, size, propulsion, or use.
Plans for XLNC, Design No. 681 from William and John Atkin, are not currently available through Atkin Boat Plans, due to the death of Pat Atkin in 2022. Plans will be offered in the future from Mystic Seaport.
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