Articles - Page 32 of 50 - Small Boats Magazine

The Kingfisher Elective

Glenn Joyner, after 43 years as an educator, decided to retire and delivered his notice of retirement to the administrators of John Paul II Catholic High School (known as JPII) in Greenville, North Carolina. Glenn had served as the school’s first principal when it opened in 2010, and a few years later he took on a position as an English teacher. The school community was reluctant to let him go, and at the annual spring banquet one of the school’s benefactors asked Glenn what it would take to get him to stay. Glenn said, half joking, “Build me a boatshop on campus and let me teach boatbuilding instead of English.” The school took the deal, built a campus boatshop, and Glenn stayed on.

Photographs by or courtesy of Glenn Joyner

Rolling the hull upright was an occasion that merited a class photo.

His idea wasn’t completely out of the blue. For the previous four years, he had conducted boatbuilding night classes for JPII students in his backyard boatshop. Each year, between January and May, the students who gathered in Glenn’s barn built and launched a new outboard skiff, starting with a the 15′ Diablo designed by Phil Bolger and Harold “Dynamite” Payson, the 14′6″ Little Moby by Charles Wittholz, the 16′ Shoestring by Karl Stambaugh, and finally the 16′ San Juan Dory by David Roberts. The students were enthusiastic and undaunted when they finished a boat only to discover it was too wide to get it out of the shop. They just took the door off its hinges and cut out a bit of the wall.

The school’s new shop has the luxury of two garage doors, each big enough to move boats in and out without cutting into the walls. The 7’6″-wide Kingfisher has a few inches of clearance on either side.

Glenn’s class at JPII is now among the most popular electives, and he has twice as many students as he had at home. That’s 10 students, a healthy percentage of the school’s 120-student population. They come from a broad spectrum of backgrounds; some have never used power tools or been aboard a boat and very few have even seen a wooden boat.

Trailered up, the Kingfisher is ready for the water. Along the wall are two other student-built boats: a Rubens Nymph and a Payson’s Pirogue.

As the boatshop got up and running, students built a Rubens Nymph, a 7′9″ pram designed by Bolger and a 13′ Payson’s Pirogue designed by “Dynamite” Payson. The Kingfisher 18, built to plans from Glen-L, is the first big boat to emerge from the shop. To power the deep-V plywood hull the school acquired a rebuilt 90-hp Johnson outboard. The fuel tank went out of the way under the floorboards to add to the boat’s stability.

With the project nearing completion, the student builders gather for the finishing touches.

Launch day for each new boat is a big day at JPII, and with the Kingfisher’s 7′6″ beam it helped that the new boatshop has two garage doors. There was no delay getting the boat out and on its way to the water. Once it was afloat, the boat moseyed from the launch out to open water where the throttle could be opened wide. It took off with exhilarating speed, and the V bottom provided a smooth ride. None of the students who were along for the ride had ever gone so fast in a boat.

Teacher Glenn Joyner backs the Kingfisher away from the ramp as class boatbuilders enjoy the fruits of their labor.

Soon after the boat was launched, it was purchased by the parents of two JPII students, but there will be more boats and more students, and it may be a long time before Glenn submits another notice of resignation.

Do you have a boat with an interesting story? Please email us. We’d like to hear about it and share it with other Small Boats Magazine readers.

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Anchored in Jeopardy

The key to a safe anchorage is the same as the key to prime real estate: location, location, location. When I anchor a boat for the night, I’m almost always sleeping aboard, so it’s not enough for the boat to stay afloat and stay put. The anchorage needs to be quiet and still if I’m going to get a good sleep. Even if a day comes to a quiet close, an anchorage that isn’t well protected from wind, waves, and currents will make me anxious and I’ll wake up frequently to check on the conditions.

I’ve had only four anchorages go wrong (so far). In the middle of a night aboard my dory skiff, I had to sit up in my sleeping bag and row across a cove to get back into the lee after a wind shift; that morning I woke up stranded by a low tide. During an overnight outing in our Escargot canal boat, anchored in the upper reaches of a tidal river, the four of us aboard spent a noisy, sleepless night when the river current accelerated with the falling tide. On my solo in that same boat on the Everett sloughs, I slept well enough but lost my best anchor to a submerged snag.

While those anchorages were annoying, my worst anchorage could have turned deadly. It was in DeHorsey Passage, 17 rowing miles shy of Prince Rupert, British Columbia, on my second cruise up the Inside Passage in 1987. Cindy and I had been underway for a month, rowing and sailing from Puget Sound aboard ROWENA, the Gokstad faering I’d built for the trip. In the days before that anchorage, we had been traveling north along Grenville Channel. We napped during the day when the flood tide was flowing against us and rowed at night when we could take advantage of the slack and ebb tides. At Baker Inlet, 11 miles from the end of Grenville, the water had turned chalky green with the glacial silt flowing out of the Skeena River.

We stopped for the night in a narrow passage like this one, but in the dark near the mouth of a river and dropped anchor in the very brief slack before the tide began to plummet 22′.

We left the channel and stayed close to the mainland shore. Here’s how I described in my journal the events of the night of July 10:

We headed up the mouth of the river. In one south-facing bay we pulled in for a rest stop and in the next bay, facing west, we dropped anchor to wait out the ebb. Cooked up popcorn and dinner and napped on the floorboards with the canopy cloth just pulled up like a blanket.

We woke just before slack and headed north along the edge of the Skeena, tucking into small bays to get out of the wind-versus-ebb chop and the current tumbling over a shoal. As it grew dark, we got ready to cross to DeHorsey Island. We put on foulweather gear and life vests, got the flashlights and new batteries, and took off for a 3-1/2-mile crossing. The moon rose, making it easier to look for the debris carried downriver, but mostly it was a sprint. The navigation-aid lights came on very late. We crossed a noisy chop over a shoal and then hit a tide shear where the current wrapped around Kennedy Island.

We had been keeping track of our progress by watching the dim profiles of mountains at the mouth of the Skeena, and, when it was too dark for that, the position of stars over the ridges.

I called “way enough” and as we drifted through the shear, the bow moved to starboard. We’d have to work to make the top of DeHorsey. We put on the speed and got to the island’s shore and found the current still very strong there. We got just a ways upstream and decided it might not be worth it. We drifted backward as I deliberated. I figured the small pass between DeHorsey and Smith island to the west would be the best place for us to anchor if conditions went wrong overnight. We regained the lost ground and the tide was still against us as we continued north along the east side of DeHorsey, but I figured it would split in about a mile. We kept on and picked up speed and finally got to the split. With the tide in our favor now, we ate an orange and peeled off clothing since we were both drenched with sweat. We were getting quite tired. The fight against the tide had worn us out.

In the channel between DeHorsey and Smith islands, it was hard to see in the shadows of the moonlight. Several points of DeHorsey went by and we finally spotted a bottleneck where there were cabins on Smith and a small islet in midchannel. I dropped the anchor without the chain to get the depth—less that 12′, not enough for us to spend the night. We moved to the other side of the island—20′. I connected the chain and set the hook and then we raised the canopy over the cockpit.

Just as soon as we bedded down, I heard a staccato noise like a beaver gnawing on the bow. Was the anchor dragging? Fifteen minutes later it happened again and I heard the gurgling of the current against the hull. I looked out and the channel was like a river. We got up and packed up.

The anchor rode was tied directly to the painter. I had been eager to get to bed, so I hadn’t tied the retrieval line to the painter so I could pull it in while seated in the cockpit and get my hands on the painter and rode without having to crawl over the bow. I had a fender tied to the end of the rode as a buoy. I told Cindy to row upstream to bring it alongside. The fender was flicking around underwater, submerged by the current. I untied the rode from the painter as Cindy shipped the oars and we drifted back downstream. The tension came on when I had the rode amidships. I was holding the rode’s bitter end in one hand.

At this point, the boat was broadside to the current and the upstream rail dipped close to the surface of the water. I fought to push myself away from the rail to keep from being pulled overboard and prevent the boat from taking on water.

I yelled to Cindy, “Don’t do anything!” I moved aft and waited for the boat to swing around. When it trailed parallel to the current, the stern facing upstream, I pulled the rode in. There was lots of tension in the line and when the anchor broke free it skipped along the bottom, each jerk shaking me hard. I got the anchor aboard and we both set to rowing hard. We worked the bow around upstream. In the reflections of lights on shore we could see the streams of the ebb’s current. We kept an eye out for logs. There was a lot of driftwood picked up by the high spring tide.  We hit a line of whirlpools and I called out “Pressure left! Right! Left!” We pulled hardest on our right to keep off the rocks. In the dim light of the cloud-masked moon, Cindy was a dark shape moving wildly.

We finally made it into Inverness Passage and the current whisked us along as the glow of the not-yet-risen sun broke over the mountains to the east.

Our anchorage in DeHorsey Passage was chosen at night, in an unfamiliar place, and while we were sleep deprived and physically exhausted. The location was bad and our timing made the worst of it. July 10 was the night of the full moon and the early morning hours were the spring tide, a drop of nearly 22′. Among the islands at the mouth of the Skeena River, the currents caused by the powerful ebb have the river outflow pushing them even faster. When the tide turned at around 2:00 a.m., about the time we turned in for the night, it took only minutes for the current to build. When I had Cindy row up to the anchor buoy, the current was already at around 3 knots. Within an hour, as we were rowing north against the current to get around the corner of Smith Island into Inverness Passage, the current was likely approaching 5 knots, the limit of our speed aboard the faering. With each stroke, rowing flat out, we were making less than 1′ of headway.

Because I had never anchored in water with any current running, I wasn’t prepared for what happened when I tried to haul the anchor aboard that night. Larger boats are equipped to bring the anchor up at the bow, so even when a current is running, the boat faces it. When I brought the rode aft, the faering veered away from the flow. When the rode was amidships, the faering was square to the current. The pressure on the keel pushed it downstream but, fortunately, the faering has very slack bilges and firmed up before the rail was driven under and the boat capsized. I’d like to think that I would have let the rode go before that happened. We had just the one anchor with us and I was reluctant to lose it, though if I’d had time to think, I would have realized I could buy a replacement in Prince Rupert the next day. I’d had a fender attached to the rode, but I’d removed it before hauling the anchor aboard. If I had left the fender attached I could have let go and recovered the anchor later.

We were lucky to have rowed away from that anchorage intact. That night was over 30 years ago, but I remain grateful we survived my inexperience.

Oxford Wherry

[M]y “gateway drug” into boatbuilding was that innocuous fitness device, the rowing machine. Whenever our CrossFit coach incorporated rowing in our workout of the day, most people groaned. I celebrated. My love of stationary rowing led me to sign up with a crew program on the Willamette River in Portland, Oregon. I’d forgotten how I loved spending time on the water, and rowing on the river is sublime. I wanted a boat of my own, but sliding-seat shells are expensive and of limited use. A friend mentioned the ease of stitch-and-glue boat building, which triggered my optimism, and in no time, without any fine-woodworking experience, I began scouring the Internet for boat plans.

Photographs by Suzanne Eggleston

Weighing just over 50 lbs, the bare hull can be carried solo. The blocks that anchor the outrigger provide handholds.

Angus Rowboats of Vancouver, British Columbia, has a nice selection of performance boats with options ranging from plans to kits to completed boats. I thought the Oxford Wherry would give me the workouts I wanted with the option to bring my wife, Suzanne, along. Angus offers the boat as a kit or as digital plans with CNC router files. I gambled that I could hire a CNC router, and ordered just the plans.

I bought the marine plywood I needed and found a guy who makes his living with a CNC router. I delivered the plywood and digital files to him, and he charged me just $90 to cut the pieces. When I glued up the finger joints, some were a little loose which, judging by the reviews, would not have been a problem if I had ordered an Angus Rowboats kit.

Stitching the panels together was one of the best parts of the building process, as a boat rose from the pile of plywood in just a day. Of course, as an enthusiastic rookie, I didn’t pay strict attention to the instructions and tightened the copper wires too tight. I had to loosen them and adjust the boat as I stitched the frames and transom in. More carefully following the very thorough and readable instructions of the 49-page manual, I injected epoxy into the seams, tacking the planks together and then to the three frames and two flotation-compartment bulkheads.

The drop-in sliding seat rig, available as a hardware kit and plans from Angus Rowboats, is an alternative to the fixed thwarts provided with the wherry kit.

After the epoxy cured, I pulled all of the copper wires, leaving tiny holes in the hull. While fiberglassing the interior, I used too much epoxy and it dripped out on the floor and the tops of my boots. The instructions don’t say to fill those holes with thickened epoxy, so I think I just used too much epoxy.

After the hull was ’glassed it was time to move on to the flotation compartment covers, quarter knees, breasthook, and gunwales. Kit builders would have the advantage with the knees and breasthook, as precut mahogany pieces are included and require only a little trimming to fit; each gunwale is made of three pieces with the scarfs already cut and ready for gluing. I don’t have a tablesaw, so I bought 1×1 red oak to piece together the breasthook, knees, and gunwales.

Despite my budding workmanship and a few errors, I finished the project and had a beautiful, shapely hull sitting in my garage. The build process was very satisfying because the design was simple yet elegant and the instructions were thorough and not overly complicated.

The instructions next called for seat installation. The kit comes with three precut cedar thwarts, but I had decided to equip the hull with a sliding seat. A commercial drop-in rig, like the Piantedosi RowWing, would fit the Oxford wherry, but I purchased the Angus sliding seat/rigger hardware kit with a carbon-fiber seat. I used clear vertical-grain Sitka spruce, as recommended by the instructions, for both the rigger and seat rails. The rigger has a span of 64” and is made of two pieces of spruce. A 1-1/2″ -wide lap joint brings the two 33-1/2″ lengths together and fiberglass is then used to reinforce it. This piece is the most beautiful length of wood I’ve ever fashioned.

An alternative to the sliding seat rig is the installation of fixed thwarts at each of the three frames and a pair of short wooden outriggers.

 

I had ordered Angus’s plans for hollow-loom oars, but the contractor’s tablesaw I borrowed from a friend didn’t seem capable of safely cutting the narrow strips I needed to cut, so I ordered up a pair of Concept2 carbon-fiber oars. When the oars arrived, Suzanne and I loaded the boat on the car and headed for Lacamas Lake in Washington State. The water was smooth, the late-September weather gorgeous, and with the rowing rig set in the forward position and Suzanne sitting in folding camp chair just aft of the outrigger and facing forward—a good arrangement for conversation—I managed to row the lake without crabbing an oar.

The designer sets the Oxford Wherry’s cruising speed at 3 to 4 knots and the top speed at 6-1/2 knots.

Our next outing was on Vancouver Lake, a venue for rowing competitions. We rowed across the lake and then tested our navigation abilities rowing the 16′ span between the blades down the narrow, serpentine Lake River. Once accustomed to rowing, we found the boat tracked beautifully. Course corrections are as easy as pressing harder with one foot, which translates into about a 5-degree change of direction with each stroke.

The stability added by the long sculls made it easy to get in and out of the wherry. I generally row early in the day on smooth water, and in calm conditions, the boat tracks well and glides quickly. At 235 lbs, I’m a large person, and rowing solo I have enough freeboard. Rowing with a passenger is very smooth and comfortable with minimal loss of speed and maneuverability. When I venture out alone on windy days I feel safe and rarely have water splashing aboard. With Suzanne and some gear along, the load is likely over 400 lbs and I pay more attention to chop and wakes. A bit of water may splash over the gunwale and make some bailing necessary. As with any rowing boat, it is more work to control the boat in chop, especially if taking the chop or wind on the side or the port or starboard bow. When taking waves head-on or running with a following sea, the boat handles well.

The designer compares the seaworthiness of the Oxford Wherry to that of a canoe. Equipping it with outriggers and sculls provides another measure of stability.

When I retired, I decided to do the things that I regretted not doing when I was younger. I’d been drawn to crew in college, but had been unable to participate while working full time and going to classes. It wasn’t until I was pushing 60 that I finally signed up for rowing lessons. Building the Oxford Wherry had a few of the frustrations common to a budding boatbuilder, but it was a grand adventure and rowing it has been a joyful experience.

Bob Eggleston graduated from college with a degree in psychology and a passionate belief that the only meaningful job would be helping people. He found employment in secure psychiatric facilities working with pre-teens, teens, adults, and finally the elderly, but the sadness of the work took its toll. Bob moved to  a more technical career with a large Oregon power company and worked his way into grid operations, partnering with brainy engineers and former Navy nuclear submariners. After a decade there, he took an early retirement to live a more interesting life and do the things he wished he had dreamed about. He moved to Port Townsend,Washington, and enrolled in the nearby Northwest School of Wooden Boatbuilding, to answer this question: “Can a 58-year-old former cube dweller become a productive craftsman?” Bob contently works on answering this question every day.

Oxford Wherry Particulars

[table]

Length overall/15′ 10″

Waterline length/15′ 7″

Beam/38″

Weight/53 lbs

Depth/11″

Freeboard at 250 lbs displacement/7.5″

Freeboard at 600 lbs displacement/5 ″

Cruise speed/3-4 knots

Sprint speed/6.5 knots

Maximum recommended touring load/500 lbs

Maximum recommended short-distance load/600 lbs

[/table]

Angus Rowboats offers the Oxford Wherry as digital plans with CNC router files for $129 and a complete kit for $1,399.

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats Magazine readers would enjoy? Please email us!

Super Sailfish

Seventy years ago, LIFE put the Alcort company on the map when the magazine featured the Sailfish sailboat in an article titled “World’s Wettest, Sportiest Boat,” published in the August 15, 1949 issue. Two years earlier, Alcort had expanded their market from iceboats to the little Sailfish, a lateen-rigged wooden hull that measured just under 12′. The boat was easy to handle, affordable, and offered a sporty, splashy ride to America’s post-war market of recreational sailors.

In 1946, Alex Bryan and Cortlandt Heyniger had combined bits of their first names to create Alcort, Inc., and the first sailboat that they designed, in 1947, was the 11′ 7″ Sailfish, built in Waterbury, Connecticut. The Sailfish had a beam of 31-1/2″, a crew capacity of 300 lbs, and weighed 82 lbs. The volume of air enclosed by the hull and deck made the boat virtually unsinkable. A 65-square-foot lateen sail provided ample power.

Photographs by the authors

The authors’ Super Sailfish, ZSA ZSA, is their restoration of a wooden boat built in the 1950s. Here, the varnished daggerboard rests just aft of its slot.

The boat gained immediate popularity after the LIFE article, and within a few years the original design was lengthened to 13′ 7″ and widened a bit to 35-1/2″. The larger Sailfish flew a 75-square-foot sail, weighed 102 lbs, and had a crew capacity of 400 lbs. The original Sailfish was then labeled the Standard Sailfish and the big sister named the Super Sailfish. Production of the two models of Sailfish was brisk, and in 1960 Alcort added a fiberglass version, the Super Sailfish MK II. The MK II hull was the same size as the Super Sailfish, had the same capacity of 400 lbs, and used the same rig, but weighed 98 lbs. Alcort was also producing the wooden Sunfish, which used the same sail rig, daggerboard, and rudder as the Super Sailfish line, and a fiberglass Sunfish with a longer daggerboard and taller transom.

The Alcort literature promised the Sailfish would deliver “thrilling speed, brilliant performance, perfect portability, and swamp-proof safety.” The hull, deck, and frames were made of marine plywood, with mahogany sides, transom, rudder, tiller, and daggerboard. Wilcox and Crittenden in nearby Middletown manufactured the bronze and brass fittings for all of the Alcort boats. The spars on the original Sailfish were cut from Sitka spruce, mid-generation masts were a hybrid aluminum base with wooden top, and spars from the late 1950s on were aluminum.

Alcort offered the Standard Sailfish, Super Sailfish, and Super Sailfish MK II as factory-built boats, and they sold precision-cut knockdown kits for a wooden Sailfish through the late ’50s through the mid-’60s. The Standard Sailfish was phased out in the mid-’60s and the Super Sailfish kit was last seen in the late ’60s. Along the way, a two-page set of plans was produced by Alcort with measurements and a materials list for the frames, hull, rudder, daggerboard, spars, and sail. Armed with the plans, an intrepid home builder could build the boat with locally sourced lumber and hardware. We had occasion recently to replace the bottom panels on a factory-built Super Sailfish, and while we had the panels off we validated the measurements in the plans, and all were within a 1/32″ with only one exception. The factory boat’s bow was swept up just under 1″, a design improvement that helped reduce submarining.

The handrails amidships have an important role as foot bracing to keep the sailor from sliding off the deck when the boat heels.

 

The Sailfish kits came with all of the wood, hardware, sails, and line needed. Finishing kits with primer, putty, paint, and varnish could be purchased as well. Alcort provided eight pages of well-written instructions with 16 photos. The first two pages of the instructions contained a list of parts included in the kit with numbered photos. The hull was assembled upside down using the shipping crate as a strongback. The first step was to attach the 13′ 3-3/4″ deck longeron to the stem, the seven frames, maststep, daggerboard trunk, and transom. The parts were coated with a sealer, and then screwed together, and the deck was then temporarily attached to the skeleton frame and the solid-wood sides were screwed on, attached first to the stem and pulled into place on the transom with a rope windlass. The inner keel longeron was attached to the frames, and it and the sides were beveled to accept the plywood bottom panels. They were attached with glue and bronze ring-shank nails.

The assembly process was easy. Alcort advertised that it could be done over a weekend with a hammer, rasp, plane, screwdriver, handsaw, square, brace, drill, and bits. A jigsaw would be helpful for building a hull from plans.

The Sailfish delivers on Alcort’s promise of fun. We have sailed all of the models and have only capsized once when a sail caught a puff and the sheet pulled Skipper off the deck. The sheet had no fairlead or cleat, so it was either let go of the sheet or go for a short swim. One sailor joked that “the Sailfish was the boat that you learned to swim on.” The shallow-V hulls of the Super Sailfish and especially the Standard Sailfish with its 31-1/2″ beam, require more balance than the Sunfish. When sailing Sailfish, we tend to sit more amidships and hike out by laying backward at an angle, rather than perpendicular to the centerline. Handrails on the deck serve as foot braces to help maintain control of the boat while hands are busy with the sheet and tiller. Some of the models had a small toerail, which is also helpful for maintaining a grip on the flat, cockpitless deck. The sheet also works as a tether to help keep skippers aboard. Some of the Sailfish had nonskid on the deck, but it quickly wore out pants bottoms. One trick that we’ve come up for tacking is to lean backward instead of forward—while you’re wearing a PFD it is harder to bend forward on a Sailfish than on a Sunfish, which has a cockpit to tuck your legs and feet into.

The most recent versions of the spars and mast for the Sailfish were all aluminum.

The Sailfish 65-square-foot sail for the Standard and 75 for the Super are appropriately sized, neither too small to provide fun, even exciting sailing, nor so large as to be overpowering and leading to frequent capsizes. All of the models power up quickly. We’ve found that tacking is improved with a longer daggerboard, similar to the one found on the 1960s fiberglass Sunfish. The mast is easy to step and even kids as young as eight can raise the sail. Our Sailfish moves well even in the lightest of breeze; we enjoy the fingertip control on the tiller and setting coffee cups set on deck, without them sliding over the side. Once the breeze picks up to 5–8 knots, a little more activity is needed to balance the boat and get through tacks smoothly. At 10–12 knots we are moving quickly to stay on course and work the puffs, and above 12 knots we have sailed the Super Sailfish with two on board, one at the tiller and the other serving as movable ballast.

With the sailing rig left ashore, or even stowed on deck, the Super Sunfish serves nicely as a stand-up paddle board.

 

Alcort made a lot of promises with the Sailfish and delivered on all of them. We’ve even come up with a few more uses for the boats. The Sailfish, with its deck unbroken by a cockpit, makes a respectable stand-up paddleboard, and with a 400-lb capacity, it is well suited for larger paddlers or for an adult taking little crew members out paddling. The deeper hull design has a greater capacity than a normal paddleboard and makes for a very stable platform. The small keel strip helps the boat track straight under paddle power. We can paddle our MK II out in flat calm, and set sail if the wind picks up. I took the hull out once with a low-slung beach chair lashed to the handrails, and it made a fine sit-on-top kayak, a very useful fishing platform or picnic boat. We have also seen folks add outriggers and take their pets out for a ride with plenty of room for the whole pack.

The Sailfish is a proven design. Alcort made thousands of them, and there are still many good boats out there. As the big sisters to the still-available Sunfish, they share most of the same parts, including the sail rig and daggerboard, so building a hull would be an easy way to get into small-boat sailing. The ease of portability and small storage footprint make the Sailfish a fun boat. It’s a nice swim platform for kids, and a wet, wild ride for adults. The up-front investment is minimal and there are no slip fees necessary—just add water!

Kent and Audrey Lewis blog about and maintain a fleet of vintage Alcorts that include a Standard Sailfish, Super Sailfish, Catfish and a wooden Sunfish, along with several fiberglass Sunfish. They also maintain the Yahoo group Sunfish Sailor and publish The Sunfish Owners Manual.

Sailfish Particulars

[table]

Length/11′ 7″

Beam/31.5″

Weight/82 lbs

Capacity/300 lbs

Sail Area/65 sq. ft.

[/table]

Super Sailfish Particulars

[table]

Length/ 13′ 7″

Beam/35.5″

Weight/102 lbs

Capacity/400 lbs

Sail Area/75 sq. ft.

[/table]

Laser Performance

Super Sailfish with offsets

Laser Performance

Super Sailfish parts

The kit assembly instructions can be found in the Files section of the Sunfish Sailor Yahoo group (after joining the group) and are very helpful when repairing wooden Sailfish, or for building a new Sailfish from the plans, found in the same Files. Sunfish sails and spars to fit the Super Sailfish can be ordered from Sunfish Direct. The Sunfish is manufactured in fiberglass by Laser Performance.

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats Magazine readers would enjoy? Please email us!

An Uphill Battle

North Hero Island dipped out of sight as I looked up at two converging waves. Both were cresting, the southerly wind blowing spindrift over my head. My hands, already seized from a vice-like grip on the paddle to defy the wind, gripped even more tightly as I nosed the bow of my canoe into the slot between the waves. I began to wonder how long I could muster the strength to continue into this wind.

I had started several hours earlier in Swanton, Vermont. My wife, Viveka, had informed me that the weather was forecast to be the roughest so far: heavy rain and very strong southerly wind, the worst possible for paddling south on Lake Champlain. Her advice was to sit out the storm in the motel, but sitting still is not my style. Nor is getting behind schedule.

Peter Macfarlane

My canoe is one I designed for fast solo travel and built light for easy portaging. For the Northern Forest Canoe Trail, I added some extra fiberglass on the bottom to better survive the inevitable collisions with rocks. Even with the reinforcements, the canoe weighs just 37 lbs.

This was three weeks into my 2018 through-paddle of the Northern Forest Canoe Trail (NFCT). I had first paddled the trail five years previously, a solo trek of over 750 miles in 28 days, in a 14′ cedar-strip canoe that I designed and built. I was now paddling from east to west, from Fort Kent, Maine, to Old Forge, New York. If successful, this would be the first recorded backwards through-paddle. Of the trail’s 13 major rivers, the conventional direction–west to east–involves paddling nine downstream and four upstream. Nobody in their right mind would go “uphill” from east to west. Part of my motivation was to be the first. The challenge would involve many miles of paddling against the current, rapids, and prevailing headwinds.

On the eve of traveling to the launch at Fort Kent I spent the night in Shelburne, New Hampshire, with friends Ray and Hildy. When I woke and opened my eyes, the first thing I saw was the spine of one of the books on the shelf next to the bed: The Darwin Awards.

The long drive to Fort Kent that day, May 13, was not without trepidation. Just two weeks earlier, the St. John and Allagash rivers, the initial upstream run of over 90 miles, had been in spate with meltwater, and the Allagash had burst its banks. I had watched online as flow rates fell frustratingly slowly, while webcams showed an unusually slow retreat of ice on the lakes. When we reached the levee in Fort Kent, we climbed to the top for the moment of truth. Would we see the St. John at a navigable level? Or would we turn around and take the long road home? Although the river was still above the seasonal norm, it was no longer a raging torrent. The next morning, I launched under a cloudless blue sky, bade farewell to my support crew, and paddled west, ascending the St. John River.

Ray and Hildy Danforth

Leaving Fort Kent to begin my ascent of the St. John River, I was immediately focused on the first challenge: crossing the outflow of the Fish River, less than 100 yards upstream from the launch ramp. The black spike-like steeple rising above the far bank marks a church in the town of Clair, New Brunswick. For 16 miles upstream, the river separates the US from Canada.

The start, up the St. John and the Allagash to Churchill Dam, was against the flow, including several rapids. Where depth allowed, I used my long-bladed ash paddle. In shallower water, I turned to a shorter paddle with a wider blade. And where rapids started, I turned to my poles, a pair of ski poles. Kneeling to double-pole, I pushed off the rocky riverbed and propelled the canoe forward this way for several miles. On the first day, I ascended nearly 24 miles of the St. John. and on the next day I pushed upstream on the Allagash and made the first carry of the trip at Allagash Falls. The NFCT includes over 50 miles of portages around obstacles and over watershed divides. I continued on the Allagash Wilderness Waterway. At the end of the third day, I stopped not far from the foot of the Chase Rapids, the largest and most powerful on the Allagash. I had worked hard, putting in 12-hour days to reach here, in order to tackle the nearly 5 miles of rapids while I was fresh in the morning.

There had already been several hard frosts, and overnight the cold had turned my drinking water to ice and frozen my toothpaste and neoprene-lined boots. I had to boil extra water to thaw the boots; together with a pair of dry-pants, they were excellent for wading where the current was too strong for poling. I had slept well in spite of the cold. The hammock under-quilt I’d made from an old sleeping bag was highly effective.

Peter Macfarlane

By camping with a hammock I avoided the need to find even ground, and its absence of rigid parts made it easy to pack. My camp here on the bank of the West Branch of the Penobscot River, near the mouth of Pine Stream, was quite remote but furnished with a picnic table.

I was now down to one ski pole. I had lost the other while wading up the rapids downstream from Round Pond. It must have been flicked out by springy vegetation on the bank, and I could not face returning downstream on a likely wild goose chase. While my solitary pole was useless for propulsion, it kept me upright when wading on algae-coated rocks.

I launched into Chase Rapids and the initial eddy-hopping was a thing of great beauty, accelerating up one eddy behind a rock and crossing the flow to another eddy. Where the current was too powerful I waded, and where there were falls I heaved the loaded canoe up over them. I had been making astounding progress but about 1/2 mile from the top end of the rapids, I slipped on slimy rocks yet again and decided to take the portage trail rather than risk injuring myself.

I arrived at Churchill Dam at the top of the rapids ahead of schedule, having ascended two major rivers in under four days. As I then gained a few miles, the Allagash headwater lakes, rimmed with green conifers, glistened under bright sun.

Roger Siebert

.

The Mud Pond Carry, the next day’s challenge, is an historic portage between Umbazooksus Lake and Mud Pond, something of a rite of passage. Five years ago, I had avoided this 1.7-mile trudge through deep mud by taking an alternative route, and now was my chance to earn my stripes. I paddled on a compass bearing across Mud Pond to find a small inlet where I expected to find the portage. I’d been singling the carries, taking everything at once, so I loaded the pack on my back, lifted the canoe overhead, and set out on a floating bog that sank beneath my feet at each step. Soon I was on dry ground, thankful for the lack of spring rain, but the easy going didn’t last long. I arrived at a very deep bog and had to detour around it. The path I found soon became overgrown with young trees. I pushed the canoe into spaces that resisted my efforts to squeeze the canoe through, so I backed out. After a few such shunts, it was clear that I was not on the trail, and retracing my steps soon became impossible; pressing forward on a compass bearing was my best hope.

Finally, the saplings closed in so tight that the canoe would not fit through them. I was stuck and lost deep in the Maine woods. To make matters worse, my water bottle was nearly empty and it was the hottest part of the day. A wave of panic surged through me. I knew there were roads to the west and south, so I could rescue myself, but I’d have to abandon the canoe. That option was almost unthinkable and so I had nothing to lose by forging ahead.

I used brute force to ram the canoe mercilessly between saplings, splaying them apart. I kept at it, making a few feet with every effort, and suddenly emerged into a region of felled trees. In sheer relief I danced from trunk to trunk, before stopping to take stock of my situation. I discovered that my camera, which I’d strapped to my pack belt, had been torn away somewhere in the brush. Lost with it was the record of the trip up to that point. After filtering a little water from a post hole, I searched for the camera, but only briefly: losing track of the canoe and pack would have made a bad situation worse. I dejectedly resumed the trek, following the line of felled trees to a road, which led to the foot of Umbazooksus Lake.

I had singled the Mud Pond Carry, but at a great cost and not by the traditional route. The rite of passage I had hoped for had remained unfulfilled. I paddled with sadness down Umbazooksus Stream, the first short downstream for which I had worked so hard. Partway down this stream, I remembered that my phone could take photos, and if the sun kept shining, my solar charger would recharge it.

Peter Macfarlane

Launching through the breaking waves at the North East Carry into Moosehead Lake was the first challenge here; paddling against the wind was the next.

 

Headwinds had plagued me since the start at Fort Kent and, as I was ascending the West Branch of the Penobscot River, a strong southerly sprang up. After traversing the North East Carry, a 2-mile portage from the Penobscot, I arrived at the northern end of Moosehead Lake. At 33 miles long, it is the largest lake in Maine. The southerly wind was now blowing at 20 to 25 mph. I abandoned plans to aim for the exposed Seboomook Point, 3 miles to the west, in favor of a more sheltered campsite farther south on the eastern shore. Either site would require launching into substantial surf.

I enjoy the glide of the canoe and the rhythm of paddling, but there was none of that in this headwind. Every stroke required great effort and accelerated the canoe from a standstill. I inched south along the eastern shoreline just outside of the breaking waves. Blocks of broken ice at the water’s edge reminded me that ice-out here had only recently occurred.

At the end of another 12-hour day I pulled into a campsite in Big Duck Cove, exhausted, having covered 29 miles upstream and into the wind. It had been hard work to keep from going nowhere or even getting pushed backward.

Strong headwinds continued to haunt me. The next day, I headed west from Moosehead Lake up 3 miles of the Moose River to Brassua Dam. Emerging on Brassua Lake a strong northwesterly made paddling a struggle, and I ended the day on Long Pond beating into a 25-mph westerly.

Later a strong southerly would slow me on Fish Pond and Spencer Lake, and I would travel much of the 18 miles of Flagstaff Lake into another headwind just as strong.

When I reached Jackman, Maine, I took a half day of rest in the motel where I had mailed a food package, the first resupply of three. I took a shower, my first since launching eight days before—the frigid lake water temperature did not invite taking a dip to rinse the sweat and grime away. The skin on my hands had developed painful splits, especially on the exposed fingertips, despite wearing fingerless gloves for protection; furthermore, the extreme effort of paddling so many miles upstream and upwind was affecting my shoulders. At night, shooting pains radiated along my arms. And having to grip the paddle extremely hard for long days, merely to keep hold of it in the strong wind, my fingers were now seizing up overnight and required much coaxing to flex again. I needed a rest.

Peter Macfarlane

Most of the South Branch of the Dead River had too little water for paddling. The upper reaches had just enough water, but were obstructed by fallen trees.

From Jackman, my route took me farther up the Moose River before a carry to Little Spencer Stream, which, with its impoundments of the mile-long Fish Pond and the adjoining 4-1/2-mile-long Spencer Lake, led me down to Spencer Stream and the Dead River. More upstream work on the Dead River brought me to Flagstaff Lake, above which the South Branch of the Dead River is often bypassed due to low water. I ascended the first 3 miles of it, but there was not enough water to sink a paddle. The river was so low that I faced wading almost the entire length on slippery rocks; carrying along the Stratton–Rangeley road that paralleled the river was the better option.

I escaped to the road at the first bridge, and that day carried a total of over 17 miles, putting into the river only for the final 3 miles above Fansanger Falls. The last 4 miles of carry over the watershed divide to the town of Rangeley were to reward myself with a night in a B&B.

The struggle against headwinds continued as I traversed Rangeley, Mooselookmeguntic, and Richardson lakes. On Mooselookmeguntic, the wind made my ears vibrate with the ripping noise of a flag in strong wind.

Ray and Hildy Danforth

Tackling the Pontook Rapids on the Androscoggin River saved carrying for 1-1/2 miles along the riverside road, but colliding with a rock resulted in a minor split in the hull of the canoe. I sealed the crack with tape, a repair that lasted for the rest of the journey.

On my 13th day, I paddled into Umbagog Lake, which spans 10 miles of the New Hampshire border. I had almost reached the NFCT’s halfway point. Umbagog drains to the west into the Androscoggin River, my first major downstream run. It was raining, but the river was everything that I wished for: plenty of flow and wonderful rapids with clear channels. The quick run lasted less than a day, but I relished the power of deep, fast water pressing against my paddle. My hard work had earned this. Below Pontook Dam, Ray and Hildy collected me for pizza and ice cream—a welcome change from dried food—a spare pole to replace the one I’d lost, and a comfortable night at their home. I slept again with The Darwin Awards smirking by the bed.

Peter Macfarlane

The upper Nulhegan River offered some fine paddling through a flood plain, as well as some upstream navigation challenges where streams converge. Tight meanders ensured that this section took longer to paddle than a quick look at the map might suggest.

Ray drove me back to the Androscoggin where I had left off so that I could carry 4 miles to the Upper Ammonoosuc River where another day of downstream across northern New Hampshire brought me westward to the Connecticut River between New Hampshire and Vermont and the Nulhegan River in Vermont. For me, they were two more upstream runs, and a tough section of the Nulhegan has some challenging, rocky rapids. Rather than carry around them, I chose to tackle these rapids upstream, balancing on slippery rocks while hauling the laden canoe up the falls, all while trying to remain calm amid an onslaught of blackflies. As the river opened out into flat meander, I looked back on the very short but tough ascent with immense satisfaction.

From Island Pond, the high point of the trail in Vermont, I paddled downstream on the Clyde River, pushing between alders, negotiating deadfalls, crossing ponds, tackling shallow, rocky rapids, and carrying around dams, all under bright sun with a tailwind. The Clyde deposited me at Newport, a town on Lake Memphremagog, just 5 miles from the Canadian border. The wind remained at my back on the lake straddling the international border, and I checked in with Canadian Customs by phone. A half dozen miles farther north, I hauled out for the Grand Portage, another half dozen miles, this time by road west to the Missisquoi Valley. Here I declined a ride offered by the person who lived nearest the far end of the carry. I doubt he understands even now my desire to be self-propelled.

Peter Macfarlane

When I ascended the Missisquoi River five years previously, the water had been lapping at the tops of the banks. During my long descent on this journey, I scraped over many shoals.

On my two-and-a-half-plus-day descent of the meandering Missisquoi across Québec and northern Vermont I was paddling at low water between tall, steep banks, looking up at trees that I had fought through on my west-to-east journey when the same river was in flood and about 7’ higher. Farther down the Missisquoi I re-entered the U.S. and met Viveka at Enosburg Falls for a full day of rest.

At the end of the third week I was back on the Missisquoi, finishing this long downstream run. When I arrived at Swanton, 7 miles from the mouth of the river, I was ready to take on Lake Champlain, despite the weather forecast and advice to sit tight. I set out on the crossing, a mile-plus passage from mainland Vermont to North Hero Island, in a white-streaked sea of tumultuous waves. A southerly gale blowing almost 30 mph and gusting higher was tearing up both sides of North Hero, and drove waves that converged around the north end of the island to rise even higher.

The cresting waves slapped water into my canoe from both sides. It swirled around my knees as the little canoe pitched and rolled yet remained reassuringly stable; the challenge was to make progress into a 30-mph wind. I dropped my head and put maximum effort in every stroke, ferry-gliding alternately to east and west to vary the muscles in use. In this sawtooth fashion, I finally pulled exhausted into the lee of North Hero and uncurled my body, having made the hardest crossing I ever wish to make.

To have stayed there would have put me behind schedule, so, after some recovery, I continued south on the more sheltered west side of North Hero. The only overnight options were on the east, so at the Carrying Place, a mid-island neck of land only wide enough to support a two-lane road, I pushed through a 90′-long steel culvert and emerged into the full blast of the wind. Camping on Knight Island, a state park 1-1/2 miles to the southeast across open water, was now unthinkable, so I set my sights on North Hero Village, a mile alongshore to the south.

The headwind now brought me to a complete standstill. Paddling as hard as I could, I achieved nothing. Defeated, my only hope was to carry along the road. For the first 1/2 mile, a line of trees sheltered me from the wind, but beyond it the carry turned into a nightmare. I leaned the canoe strongly into the crosswind and frequently had to plant a leg wide just to remain standing. After an exhausting carry I finally arrived at an inn, booked a room, and collapsed on the bed.

The next day, feeling utterly beaten I completed the crossing of Lake Champlain in mercifully calmer conditions, coming ashore at Plattsburgh, New York. I received a text from Viveka about a body being found in this area of the lake. I replied, reassuring her by saying, “Still kicking!”

From downtown Plattsburgh I began the ascent of the Saranac River. It was flowing well but shallow and with almost continuous riffles. Paddling, wading, and poling, I completed a stretch of upstream work that I was proud of, but on my 24th day, I still had to carry around a section of tough rapids, part of another day with 17 miles of portage. This brought me to Union Falls Dam, just beyond the upper reach of the whitewater.

Peter Macfarlane

The eastern shore of Long Lake in the Adirondacks provided a campsite with a lean-to at the perfect time of day. Amid the hard work of the trip, this was a jewel of serenity.

After camping above Saranac Lake Village, I reached Lower Saranac Lake, where I experienced the most perfect paddling imaginable. With the rising sun at my back and smooth, glassy water ahead, I paddled with a sense of connection from the pressure of water on the blade through me to the flowing movement of the canoe. The experience was all the more exquisite for its rarity on this trip.

After a 2-mile transit of Middle Saranac Lake and another 2 miles across the south end of Upper Saranac Lake, I portaged to the ponds at the head of Stony Creek. Descending a looping 1-1/2 miles brought me to the Raquette River for a 12-mile upstream leg to Long Lake, an aptly named broadening of the river 14 miles long and less than a mile wide at its widest point. I ended the day cooking dinner on a sandy beach while the sun sank over the Adirondack Mountains to the west.

From the south end of Long Lake, I finished the ascent of the Raquette River to Forked Lake and Raquette Lake, where I spent the night on Big Island, a few miles ahead of schedule and poised to bring this trek to a close the following day.

Peter Macfarlane

The final morning of any long journey is a special and bittersweet moment. The mist covering Brown’s Tract Inlet leading from Raquette Lake added an atmospheric touch to this one.

The 28th day dawned misty. I paddled up an ethereal Browns Tract Inlet, a final short, sluggish upstream paddle delayed by beaver dams across the flow. After carrying to Eighth Lake, the uppermost of the Fulton Chain, I was on the home stretch, a countdown of lakes from Eighth to First Lake, under bright sun and blue sky.

Peter Macfarlane

For the last few miles on the Fulton Chain to Old Forge, Viveka, Ray, and Hildy, escorted me, paddling one of my canoes.

My support crew—Ray, Hildy, and Viveka—paddled out to meet me on Fourth Lake, served me a sumptuous lunch, and then escorted me to the finish at Old Forge. On the final approach, while my friends paddled to shore, I held back and reflected.

With the end drawing near, my canoe’s wake stretches over 700 miles astern.

It had been one thing to set up this challenge; quite another to see it through to successful completion. The hard work of this trip was beyond what I’d anticipated. I expected upstream to be tough, even relished the challenge, but the headwinds had taken the difficulty to another level. Through all the trials though, my trusted little canoe had once more been my faithful companion.

Following a career of teaching high school science in the U.K., Peter Macfarlane immigrated to Vermont to take up life as a musician. Playing and teaching the fiddle professionally has afforded him the time to indulge his passion for cedar-strip canoes, not only paddling them but also designing and building them as Otter Creek Smallcraft. The canoe pictured here is a Sylva, a solo touring canoe he designed, built, and paddled the full length of the Northern Forest Canoe Trail in 2013 and 2018.

If you have an interesting story to tell about your adventures with a small boat, please email us a brief outline and a few photos.

Anchors Astray

I should have known better. The slough where I dropped anchor for the night was among the many tidal backwaters of the Snohomish River near Everett, Washington. The sloughs were littered with waterlogged driftwood, some of it exposed at low tide, the rest permanently submerged. I dropped my expensive stainless-steel anchor for the night and in the morning it was truly stuck. I spent over two hours trying to free it, using brute force and every trick I knew, and ultimately had to cut it free. It was the only time I’d lost an anchor and I wanted to make sure I’d never lose another.

Photographs by the author

This combination of driftwood and a boulder, seen here exposed by the low tide, are the sort of underwater hazard that will snag an anchor.

 

Pulling up on the anchor won’t break its hold on the driftwood and pulling the stock backward will only pivot the anchor, not release it.

The method that I’ve occasionally used to make suer I don’t lose an anchor is to tie a retrieval line to the anchor’s crown and the other end of the line to a small buoy, before I drop the anchor. If the anchor gets hung up and won’t follow the rode up, the buoyed line will pull it backward out of the jam.

My tried-and-true system has the ordinary arrangement of a chain and rode on the eye of the anchor, accompanied by a floating retrieval line with a fishing-net float on one end and a strong stainless-steel carabiner on the other.

Using a retrieval line isn’t as convenient as using a single rode and its chain, so I looked on the Web for other ways to pull an anchor out of a jam. What I found were variations on a theme: connecting the end of the chain to the crown of the anchor and applying a breakable connection between the eye of the anchor and the chain that parallels the shank and passes by the eye.

I tried the cable-tie breakaway system on three anchors (from left): Danforth, Mantus, and a claw.

 

I added a tripping bar to a Danforth by drilling holes in the anchor’s plates and inserting a stainless-steel bolt, bent to be square to each plate.

Many anchors have a hole at the crown for a line to pull the anchor backward, but neither of my two Danforth anchors do. A search on the Web turned up only a few photographs of Danforths with holes in the rectangular plates at the crown and one drawing showing a “tripping ring” secured between those plates. I drilled 1/4″ holes in the plates of one of my Danforths and inserted a bent stainless-steel bolt as a tripping bar.

While the chain is tensioned along the shank, a cable tie is applied, placed to allow the attached link to move along the axis of the anchor’s shank. In a normal anchoring, the tie will not be subject to a breaking strain.

 

Changing the direction of pull on a stuck anchor will put the tension on the cable tie. When the system works as it should, the tie will break and the chain will pull the anchor from the opposite end of the shank and free it. I found that breaking a cable tie is not always a sure thing.

The most common breakable connections I found in my research were plastic cable ties. One YouTuber suggested twine, but wasn’t clear how thin or how thick it should be. Cable ties come labeled with their breaking strength, so it’s possible to find an appropriate size that can hold the anchor head securely yet be consistently within your abilities to break and free a stuck anchor.

The Anchor Trip Link here is in the open position, ready for installation. The instructions indicate that the slider can be hooked over the opposite are and adjusted while squeezing the link by hand or with pliers. I had to resort to pliers. (The shackle the link is attached to should have the same diameter as the Anchor rip Link. The shackle used for these photos is slightly oversize.)

I also found my way to the Anchor Trip Link from the U.K. It’s a 5″-long chain link, split at one end and equipped with a slider that adjusts to hold the split ends together or separate them. After the end of the anchor chain is secured to the crown of the anchor, the Trip Link is inserted into the anchor chain and the split ends are closed over a shackle in the anchor’s eye. The Trip Link holds a bit of slack in the chain paralleling the shank so the strain on the chain goes directly through the link to the anchor. The slider determines how much force is required to pull the shackle through the split.

 

My tests at home were quite promising. I could pull hard on the rode, and with the chain parallel with the anchor shank, there was little strain on the cable tie. And yet I could step on the anchor flukes, snap the chain, and break the tie. The Anchor Trip Link performed well too with the same tests.

When I went to the beach for some low-tide trials, the Mantus, my deepest-digging anchor, got off to a good start. It did well with the cable-tie method, and I could set the anchor and change the direction of pull without breaking the tie. The Danforth did the same thing in the sand, but on one trial over rocks, the tips of the flukes got hung up and didn’t penetrate the ground. That made the crown rise, and created enough of an angle in the chain to put a strain on the tie and break it. On another trial, the chain was beneath the Danforth’s shank and prevented the flukes from pivoting into the sand; the anchor just skidded. The claw anchor, which I never use because it seems unable to get a good purchase on sand, surprisingly released the tie when I changed the direction of pull. That surprised me because the claw offered so little resistance. I don’t know if the tie broke or if its ratchet failed; either way, it wasn’t a point in the favor of cable ties.

To simulate a scenario where the anchor was stuck, I slipped the Danforth in between some driftwood logs and pulled the rode at an angle that put the strain on the tie. The chain had to curve a bit over one log, and while that seemed to reduce the pull on the tie only slightly, I couldn’t break the tie. I also tested the tie at the end of 75′ of 7/16″ nylon anchor rode. There was so much stretch in the rode, about 6′, that the tie never got a sudden, sharp jerk. I couldn’t break the tie that way, but when I removed the anchor from the logs and stepped on the flukes, one sharp pull on the chain snapped the tie.

I tried the same log-snag test with the Anchor Trip Link. On two trials, the link got fouled on the anchor shank in such a way that the split couldn’t be put under strain and release the shackle.

I was at the beach conducting trials for less than two hours and yet in that short time I experienced several different and unexpected fails. I suppose with practice I could make the release systems work better, but I didn’t have faith it would be enough to overcome Murphy’s Law. And anchoring late in the day, tired and in the fading evening light, is not the time for using a finicky system.

A floating retrieval line keeps the slack on the surface where it won’t get fouled by underwater snags.

I’ll continue using the separate anchor retrieval line. With enough scope, it’ll keep a buoy from pulling up on an anchor in a rising tide. A floating polypropylene braided line, the kind used for rescue throw ropes and dinghy painters keeps the line from getting tangled on any snags on the bottom.

If the anchor has a floating trip line attached, that line is much less likely to get snagged and have its direction of pull changed in a way that won’t free the anchor.

 

Letting the anchor rode go slack, then pulling up on the retrieval line, will back the anchor out.

 

A few tugs were all it took to free the anchor.

A buoyed retrieval line may be an extra line to fuss with, but it is simple and there is not much that can go wrong with it.

Christopher Cunningham is the editor of Small Boats Magazine.

You can share your tips and tricks of the trade with other Small Boats Magazine readers by sending us an email.

Pedal and Paddle Switches

I often have an awkward and anxious moment when I’ve finished a cut on my tablesaw or bandsaw and have to reach down to turn the machine off while still hanging onto the workpiece. While I’m groping for the little toggle switch beneath the table, I have to keep my eye on the racing blade, the workpiece, and my fingers. Aside from my safety, some cuts can bind and stop bandsaw and tablesaw blades, and I need to shut the motor off as quickly as I can before something gets damaged. To add an element of safety, I bought some switches that are easily and quickly operated.

Photographs by the author

The small toggle switch that came with the tablesaw is small and tucked under the table. It’s not set up for quick operation.

I bought two different foot switches, both “power-maintained”—push once for on, push again for off. (There are “momentary” foot switches that cut the power when you lift your foot.)

The foot switch I chose to use for my tablesaw is the prosaically named S420-1501 by SSC Controls. It has a sturdy steel housing with textured rubber pads top and bottom for a non-slip surface. The 8′ cord has a “piggyback” plug with prongs on one side to plug into the power outlet and a socket on the other side to receive the tool’s cord. The single cord is an improvement over the Two-Step’s two: one out the back and another out the side. The switch built into the S420 has a steel arm with a roller. Pressed down it connects the circuit, released it breaks it, so it is actually a momentary switch. It’s the housing that makes the S420 power maintained. The base has a spring and bullet catch. The pedal has a hole in the back to engage the catch. When the back of the pedal is pushed down, the switch closes the circuit and the catch holds the pedal. Pushing the front of the pedal frees the catch and then the spring holds the pedal up with the switch in the off position. SSC manufactures a similar foot switch, the S400-1501, in a momentary configuration and likely identical to the S420 but without the bullet catch.

The S420-1501 has a steel body and operates as a treadle: Press the high end for “on,” and the low end for”off.”

The S420 doesn’t have screw holes for anchoring it to the floor. Aside from having a concrete floor, I find it useful to move the switch. For feeding long pieces into the tablesaw, I can slide the switch out from the saw, set the workpiece up, and turn the saw on. As I feed the wood through the blade and onto the outfeed rollers, I can nudge the switch ahead of me and turn the saw off at the end of the cut.

With its piggyback plug, the S240 is easy to move to other tools—whether bench tools like a drill press or hand tools like a Dremel—where hands-free operation might be an advantage.

The Two-Step Foot Switch from Harbor Freight I use for my dust collector has a plastic body that is 1/8″ to 5/32″ thick, and seems sturdy; we’ll see how long it lasts on a concrete floor among a lot of heavy things. The switch has a 7-1/2′ cord and a grounded outlet, which the tool’s cord gets plugged into. Inside the housing is a spring and a plunger switch; one tap on the pedal turns the power on, a second tap turns it off. The base has flanges on either side and tabs front and back, all with screw holes for mounting.

The Two-Step is operated by pressing the high end, once for “on” and a second time for “off.”

The Two-Step switch for my dust collector sits next to the tablesaw foot switch for more convenient operation than moving to the collector. Both switches remain operational when those tools are no longer being used and susceptible to being tripped unintentionally, so at the end of a stint in the shop, I turn the machines’ original switches off.

I have the two pedals side by side. One on the left for the tablesaw and the other on the right for the dust collector.

My 1989 Delta 14″ bandsaw, like the tablesaw, has a small toggle switch located on the base. More recent bandsaws have magnetic switches with large on/off buttons mounted on the column, above and to the left of the table. The location is good; I wanted my new switch to be more prominent and easily operated by a quick slap of the hand or the press of an elbow. A paddle switch adds a large pivoting lever over the off button and framing the on button; hitting it anywhere cuts the power.

The large and easily operated paddle switch, bolted to the bandsaw column, replaced the small toggle switch on the tool’s stand.

I bought the Woodstock D4160 Paddle Switch. As a fixed installation, a paddle switch requires some rewiring. The toggle switch breaks the circuit at hot lead alone; the paddle switch breaks the neutral lead as well, so it needs some additional wires to function. I added two wires to the original cord cut from the toggle switch. I set the switch in a steel junction box bolted to an existing hole in my bandsaw’s column, a location that is close at hand and easy to operate, even with my elbow.

These simple switch upgrades were inexpensive and were good investments in convenience and safety.

Christopher Cunningham is the editor of Small Boats Magazine.

The Two-Step Foot Switch from Harbor Freight costs $13.99. The S420-1501 by SSC Controls costs $25.25 and is available from SSC and online retailers. The Woodstock D4160 Paddle Switch is available from selected retailers and through Amazon for $11.70.

Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.

Image-Stabilized Binoculars

Photographs by the authors

The matte black finish on the Canon 10×30 IS II binoculars eliminates reflections that would spook wildlife.

Audrey and I like to watch wildlife and marine traffic from our boats, and usually carry a pair of binoculars with us. Unfortunately, our more compact pair does not have a sharp image or a satisfactory magnification; our other pair has good optics but is bulky and very heavy. A few years back, our son visited and brought his new Canon 10×30 Image Stabilization II binoculars, and we agreed that they were impressive, so we bought a pair.

The Canon binoculars are compact and lightweight. They measure 5.9″ x 5″ x 2.8″ and weigh 1.33 lbs. Two AA batteries power the image-stabilization function, and last for up to 9 hours at 77°F. Battery life decreases as temperatures drop; the manufacture’s literature lists an hour of operating at 14°F, but I doubt we’ll ever test that in Florida.

Adjusting the binoculars is easy. One eyepiece has a range of +/– 3 diopters to correct for any difference between the user’s eyes. The focus is then set by turning a central knob. The rubber eyepiece rims are comfortable and can be folded back for viewers who like to wear their glasses. The binoculars are not waterproof, so we are careful to not get them wet—with their small size they are easy to stow in a protected location.

The Canon’s optics are excellent. They are coated to reduce glare, and doublet field-flattener lenses correct for curvature distortion around the edges, resulting in sharp focus to the very perimeter. The Porro II prisms between the 30mm objective lenses and the eyepieces flip the inverted image without loss of brightness or color. The prism arrangement also gives the light path a dogleg, which allows the objective lenses to be farther apart than the eyepieces, resulting in better depth perception than binoculars with roof prisms which keep the light path straight.

The binoculars came with a case that has an adjustable strap and eyepiece covers.

The image stabilization function is impressive, especially for such a small package. Gyro sensors detect movement and a microprocessor sends signals to the prisms to  compensate for image shake. The binoculars have a button to press and hold on the top when image stabilization is desired. The button is well placed, and keeping it pressed down does not interfere with holding the binoculars. They can also be used without the stabilization function.

While IS binoculars cannot compensate for large up-and-down motions of a boat in waves, they do compensate of the image shake caused by the user’s movement and wind. In the past, 7x was about the magnification limit for binoculars practical for use aboard boats. Image stabilization has increased that to 10x, bringing the world significantly closer. Canon’s 10×30 IS II binoculars are not too big, not too small, just right for messing about in boats. We enjoy using them and highly recommend them.

Kent and Audrey Lewis mess about in a fleet of small boats in the Florida Panhandle and are currently building a 16’ catboat.

The 10×30 IS II binoculars by Canon (currently out of stock from the manufacturer) are listed at $549.99 and at discounted prices from online retailers.

Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.

WEE BONNIE

 

The Wee Lassie canoe dates back to the early 1880s when canoeist and outdoor writer George Washington Sears, known as Nessmuk, asked John Henry Rushton, a boatbuilder in Canton, New York, to design and build a small lightweight canoe. The result was the WEE LASSIE, an open cedar lapstrake canoe 10′6″ long and 27″ wide. While Sears, a diminutive man at 5′3″ and 103 lbs, also asked Rushton to build an even smaller canoe, SAIRY GAMP, most of us would need something larger. Mac MacCarthy, a century after Rushton, stretched the Wee Lassie to 13′ 6″ by 29″ and called the new design Wee Lassie II.

Photographs by Phil Boyer

Phil completed this skin-on-frame WEE BONNIE, the first of his canoes, in 2006. The maple leaf, emblem of his Canadian homeland, appears on Phil’s boats, often more than once.

Phil Boyer of Napanee, Ontario, started work on a cedar-strip Wee Lassie II in 2005 but only got as far as setting up the molds when he discovered that canoes could be built quite quickly as skin-on-frame boats. He decided to switch techniques while using the same molds. Western red cedar, salvaged from a deck he had demolished, supplied much of the wood he needed. He skinned the frame with ballistic nylon, dyed it green, and waterproofed it with two-part urethane.

In the spring of 2006, Phil’s sister died of cancer, and when he launched the canoe, he christened it in her honor. Her given name was Carol, but Phil had always called her Bonnie. She was born while her father was overseas during World War II and away during the first 1-1/2 years of her life. A Scottish nurse helped with the childrearing during his absence, and whenever she brought the infant Carol to her mother, she’d say, “Here is your wee bonnie.” The name Bonnie stuck and WEE BONNIE is what Phil called all of the modified Wee Lassie II canoes that he built.

This cedar-strip WEE BONNIE, launched in 2007, is the first canoe that Phil started on but the second that he finished. It had to wait while he used its molds for his skin-on-frame adaptation.

In the year following the launch of the first canoe, Phil went back to his original strip-built project. He was pleased with the canoe when he got it afloat, though at 42 lbs, it was heavier than the nylon-skinned version, and he thought he could do better.

Phil’s insulating-foam version of the canoe, built in 2009, weighed 32 lbs. The hull was finished “bright,” letting the light blue color of the foam come through.

In 2009, he decided to build another stripper and make it as light as possible. He substituted 1/2″ slices of foam insulation for the wood strips. The foam was much more delicate than wood and required care to get them to take fair curves between the molds. Even when glued edge to edge, the strips were very flexible and took a light touch to fair. Carbon-Kevlar fabric would have kept the canoe’s finished weight quite low, but Phil spared himself the extra expense and covered the hull inside and out with 6-oz fiberglass and epoxy. This third WEE BONNIE came in at 32 lbs, and Phil was pleased with how well the experimental construction performed.

The 2015 WEE BONNIE, the second of the three skin-on-frame canoes, was skinned with ballistic nylon.

In 2015 Phil built another skin-on-frame canoe, using lighter nylon to save some weight and equipping it with an innovative seat. A few years earlier, while canoe camping with two of his friends on Opalescence Lake in Algonquin Park, his friend Phil was using one of the three WEE BONNIEs and had commented that the portage yoke was a nuisance when not in use and suggested incorporating a yoke in the seat. Phil liked the idea and came up with a seat that pivoted to become a yoke. The new canoe got the latest version of the arrangement; switching it from paddling mode to portage takes just 30 seconds.

Even before the last of his four WEE BONNIE canoes was finished, Phil was thinking about the next boat he’d build, a strip-built solar-powered launch. We’ll hear more from him in the future.

Do you have a boat with an interesting story? Please email us. We’d like to hear about it and share it with other Small Boats Magazine readers.

Suitable for Framing

There’s an interesting exhibition of art at the Georgetown Historical Society in Georgetown, Maine. Some of the pieces on display are an unusual pairing of abstract painting and wooden boat models. The disciplines of art and boatbuilding have very different goals, one purely aesthetic and the other quite practical, but both require thoughtful attention to form. The artist/boatbuilder who created these pieces is Willits Ansel.

“For boat builders to paint is not unusual,” Willits noted in his comments about the exhibition. “Fairness and balance are factors to be mindful of, whether designing a boat or painting an abstraction. What may make for beauty, particularly, is line, and balance, found in each though more a necessity in the models.”

Evelyn Ansel

The opening photo at the top shows the installation at the Georgetown Historical Society gallery. The piece here is a composition of models and half models, all initially created as boatbuilding aids.

Willits was in the middle of preparing for the exhibition when he passed away unexpectedly in April at the age of 90.  His granddaughter Evelyn Ansel, an SBM contributor, wrote: “He was a painter all his life, and his last project was a collection of abstract pieces, to which he attached his entire life’s work worth of half models. Feels a little like the joke was all on us; I can hear his wicked giggle every time I look at them. He died so suddenly that a few things were half finished, but we put the show up anyhow.”

I didn’t know about Willits’s art previously but I knew of his work on historic small craft. His book, The Whaleboat, published by Mystic Seaport in 1978, was one of the first books I bought when I started building boats that same year. His interest in art preceded his work with boats. When he was 12 he took a still-life class, he started painting when he was 17. In 1970, at the age of 41, Willits went to work at Mystic Seaport and began building small boats, about 100 of them over the course of his life.

Evelyn Ansel

Willits writes: “Regarding this exhibit, I am of two minds. One is to let the abstractions and models speak for themselves and leave interpretation to the observer. The other is a written explanation where I attempt to give meaning to the abstractions, the builder’s models and why I have now put the two together. The latter is a valid question and not that easily answered. In a sense, they are worlds apart, but in some respects there is commonality.”

It’s not surprising then that his two pursuits, art and boats, intersected. (As for the “joke” of hammering a half model to the frame of a painting with a couple of galvanized box nails, I think it’s a revealing act of irreverence, a hint that the value of creation is in the process, not the product.)

Like Willits, I came to boatbuilding after being drawn to art. In high school, my interest was in science up until my junior year when I was required to take an art class. That quickly and unexpectedly changed my trajectory. Going into college, I knew I would major in art and ultimately set my sights on portraiture. While that discipline produces quite different results than the abstract art that captured Willits, the pursuit of beauty, line, and balance is the same. After I graduated in 1975, I continued drawing portraits in pencil and did a couple of busts in modeling clay.

This self-portrait that I did in my senior year at Bowdoin College was the beginning of the direction I thought I’d take after graduating.

At that time, I also was doing a lot of hiking and bike touring, and liked to travel under my own steam. I decided to build a dory skiff to cruise the Inside Passage. As the planking went on the molds, the curves began to appear and I found them mesmerizing. I experienced what Willits wrote: “What may make for beauty, particularly, is line.” At the end of a day’s work on the boat, I’d sit in a corner of my shop and scan the shape as if staring into a campfire. Building the boat was no longer just a means to an end, but the creation of sculpture.

When I built my first wooden boat, I was still focused on art, and did this watercolor of the dory skiff nearing completion. (From a print of the original)

When I taught at WoodenBoat School in the ’90s, there was a planked half model on the wall of the school’s dining hall. It was a carvel-planked keel boat, a form defined by the flow of water. As sculpture, the play of convex and concave curves and the transitions from one into another are like those on a young face, from cheek to the bridge of the nose or from lower lip to the chin.

I was enthralled by this planked half model in WoodenBoat School’s dinning room. In its transitions of convex and concave curves I found echoes of the human from.

Years later, my intersection of art and boatbuilding reached its apex in working with my friend Mary Van Cline, a Northwest glass artist well known for combining photographs with glass sculptures and panels. We had met as sea kayakers, discovered a mutual interest in art, and ultimately collaborated on some mixed-media pieces. I made frames of traditional kayaks—most of them at scale, one full size—and modified versions of Alaskan Inuit single-bladed paddles; she made hands and faces cast in glass from life molds in addition to the large glass-panel photographs. We put together one exhibition for the Leo Kaplan Modern gallery in New York City.

The collaborative pieces I did with glass artist Mary Van Cline were included in a showing of her work at the Leo Kaplan Modern Gallery in New York City. The largest piece was a 17′ Greenland kayak frame that I made of aspen wood and suspended by monofilament over three pieces of glass that echo the kayak’s shadows and sheer line. The New York office of a fishing equipment manufacturer almost bought the piece, but, alas, the kayak is now hanging in my basement.

 

Left: I began taking liberties with traditional forms and made traditional single-bladed kayak paddles with textured or wavy blades. This one has a bone tip and grip caps. Right: I made the model kayak frame in this piece as a straightforward representation of an East Arctic Inuit kayak documented by ethnologist David Zimmerly.

We did another exhibition in a Seattle gallery and made new works to be auctioned at fund-raising galas put on by the community of Northwest glass artists and their patrons.

My contribution to this piece was a modified partial Greenland kayak frame. I rubbed it with white paint to give it the look of bone. The piece was purchased by a San Francisco couple and was later a part of an exhibition at Boston’s Museum of Fine Arts.

One of the pieces we produced was purchased by an art-collecting couple in San Francisco. The element I contributed was a model Greenland kayak frame with the chines and keel omitted and a pattern of curves carved into the deck beams. A few years later, selected pieces of the collection, including our work, was shipped to Boston for an exhibition at the Museum of Fine Arts. The young art student I once was might have preferred making it to the MFA as an artist, but I’m OK with making it there as a boatbuilder. There’s not all that much difference.

Matt Morello

Willits Ansel—painter, boatbuilder

With sympathy to Evelyn Ansel and her father Walt Ansel, and gratitude for their permission to use images of Willits’s artwork. The exhibition—Willits Ansel: Recent Works—at the Georgetown Historical Society in Georgetown, Maine, is open through July 10.

 

With this issue we’ve taken on a new name and a new look. We’ll still be doing our best to provide you with the most informative and engaging articles about small boats.

Shenandoah Whitehall

The description of the Shenandoah Whitehall was clearly too good to be true: a modern boat with traditional lines, large enough to take an adult and a kid camping, relatively seaworthy, efficient under oars, and light enough to toss on the roof of the car. According to the Gentry Custom Boats web site, the Whitehall could be built in a one-car garage workshop and, for a few hundred dollars and a few dozen hours, provide a novice with both a manageable entry into boatbuilding and a capable—even excellent—small boat for all sorts of flatwater adventures.

As a neophyte boat builder looking for a first project, I wanted all these things, but I couldn’t bring myself to believe that one boat could provide them. I reluctantly turned back to the haze of internet research. For the next year it was all reading, no building, but in the end, I came back around to the Shenandoah Whitehall.

Virginia Reinhart

The author could row the easily-driven hull at a 3-knot cruising pace and hit 4.8 knots in a short sprint.

Whitehalls have a storied lineage. In American Small Sailing Craft, Howard Chapelle describes the Whitehall as “perhaps the most noted of American rowing work-boats” and notes its “fine qualities…it rowed easily and moved fast in smooth or choppy water; it was safe, carried a heavy load easily, and was dry.”

Dave Gentry modeled his family-friendly Shenandoah Whitehall after a New York Whitehall in the Mystic Seaport collection. Its voluptuous hull suggests both capacity and ease in slipping through the water. I have spent enough years in performance racing shells to understand the limitations of a skinny sliding-seat boat; I knew I wanted more than just straight-line speed, and I liked the good seakeeping ability promised by its salty lines.

While the Shenandoah Whitehall’s shape is traditional, its skin-on-frame construction is not. Transverse frames of 1⁄2″ marine plywood support redwood or Western red cedar chines, gunwales, and keel. Builders may elect to glue and screw this frame together, or to lash each joint with polyester artificial sinew. Once complete, the frame receives a covering of fabric, heat-set to a tight fit then sealed with paint. The result is a 13′ 6″ boat that has a carrying capacity of 600 lbs and weighs under 60 lbs.

Virginia Reinhart

The author added a few features that increased the weight of his Whitehall, but at around 60 pounds, it was still light enough to carry and cartop by himself.

While Gentry offers kits for the Shenandoah, I opted to work from plans. They include templates and are available as digital downloads or, for a reasonable surcharge, in printed format. I was glad to have the printed copy. The detailed 22-page instruction booklet had a reassuring heft and would prove constantly useful, and the printed frame templates were easy to spray-glue directly to marine plywood stock for efficient and accurate shaping.

The construction went quickly. Every major project I’ve ever begun has a hidden “gumption trap”—a difficult and unrewarding challenge that sucks the will to persist right out of me. This skin-on-frame boat was an exception. Each evening or weekend hour brought visible progress. In the end, I finished the boat in about 75 hours over three months, while also working a full-time job, raising a toddler, and making a pair of oars. A more experienced builder could probably finish the boat in 40 hours.

From the start, the Whitehall provided an engaging and educational build. With the strongback built and the frames in place, the boat suddenly took shape. At this point, gawkers began to show up. I met four families who have lived in my neighborhood for years but who had never stopped by to chat until they spied the Whitehall up my driveway. There’s something about the shape of a pretty boat that compels people to interrupt your work with questions.

With the frames set up, the next step was to fasten the outwales to them. In the finished boat, the laminated outwale-spacer-inwale assemblies are the largest and most rigid longitudinal members, so their shape and strength will determine the sheer. Because the sheer has a pronounced curve in the vertical plane, Gentry calls for laminating the outwales from two pieces, stacked one on top of the other, in place on the frames. The goal is to avoid edge-setting a one-piece outwale, which would tend to spring back and flatten the sheer after the boat is removed from the strongback. Cleaning up the epoxy that squeezed out of this lamination was a bear, but I won’t argue with the results. To my eye, the sheer of the finished boat looks right.

The keel and each chine must attach firmly to each frame. For these joints the instructions offer two options: lashings or screws and glue. I’ll take lashing over epoxy work any day. I used artificial sinew passed through countersunk holes drilled in the frames. This was a satisfying technique. As I worked through the joints and felt the entire structure stiffen, any lingering concerns about the strength of lashing dissipated.

Gentry’s plans call for 1⁄2″ marine ply for the breasthook and knees, but encourage the use of lumber and more traditional methods. I cut my breasthook and knees from a walnut crotch that I’d been air-drying under the house. The same slab made a handsome skeg. These highly visible pieces are worthy of solid lumber, and only cost of a few additional hours of time.

Michael Reinhart

The plans call for a simple transverse thwart in the stern. The author’s stern sheets provide a a more spacious seating area.

I milled floorboards to the specified 1⁄4″ × 2″ dimension from some salvaged tropical hardwood—possibly khaya). At each end of the boat, the floorboards rest atop the frames; in the central portion, the floorboards slide through slots cut in the center of the frames. Lowering the floor into these slots increases stability and locks each board in place. Another benefit of these slots later became apparent: when rowing in the central station, my feet naturally braced themselves against the protruding upper edge of a frame. The built-in stretcher makes the rowing all the more pleasing.

As designed, the Shenandoah Whitehall’s seating arrangements are three thwarts made of 1⁄4″ marine ply supported by cedar cleats and posts. I had some salvaged redwood and an interest in a more traditional appearance, so I opted to use solid lumber. I also chose to build stern sheets in lieu of the aft thwart. These changes make the boat slightly heavier, and yet they get a lot of compliments. Panels of 1″ closed-cell foam insulation, glued under the thwarts, provide flotation.

With the frame complete, it was time to skin. I had no experience with fabric, but following Gentry’s detailed and supportive plans was straightforward enough that I never worried. I skinned the boat with the specified 9-ounce polyester. Because the fabric is nearly entirely fastened to the frame before it is cut, this process would be pretty hard to get wrong. A hot knife (I used a flat tip on my soldering iron) makes quick work of trimming the fabric. After a few coats of paint and the attachment of the rubrails, the boat was ready for launching.

Michael Reinhart

The instructions include the option to add a forward rowing station by putting oarlocks on the gunwales and acknowledging “the oarlocks will be closer together here but do not be put off by cross-handed rowing—it’s quite easy once one gets used to it.” Outriggers, like the experimental ones here, can increase the span between the locks to match the main rowing station.

The plans indicate two rowing stations: the central thwart for a solo rower, and the forward thwart for a rower carrying a passenger. With the oarlocks for the forward station fitted to the gunwales, the resulting narrow spacing of 30″—14″ less than the span at the solo rowing station—will create either an awkward overlap of the handles or a high gearing and difficult rowing. I prototyped some steel-and-plywood outriggers to increase the span at the forward oarlocks. They drop into the gunwale spaces and lock in place with a stainless-steel machine screw set into a threaded insert in the uppermost chine. These quick-and-dirty outriggers are too inelegant and flexible for a boat this pretty and I’ll rebuild them, but they do create a comfortable 44″ span and are much appreciated when rowing with passengers.

Carrying only a rower, this light boat comes up to speed in a few short pulls and happily gurgles along under gentle, slow strokes. With a passenger and cargo aboard, the boat is notably slower to accelerate, but hardly any more difficult to keep at speed.

I measured speeds under a variety of conditions both with and without passengers using a GPS app on my iPhone. At my comfortable, all-day pace moved the boat at a shade over 3 knots. An aerobic exertion—the kind that quickly works up a sweat—would sustain a 4-knot pace. An all-out short sprint hit speeds of 4.8 knots. (Not surprisingly, 4.8 knots is the exact theoretical hull speed of a hull with a 13′ waterline length.) The Whitehall is remarkably easy to move at a pace that will get you where you want to go.

The Shenandoah Whitehall handles less-than-glassy conditions with aplomb; both rower and passenger can count on staying dry. When solo, I feel entirely comfortable rowing into Force 4 winds on the lee shore of San Francisco Bay, dodging the wakes of ferry boats and tankers. In this chop, a passenger in the stern sheets would take an occasional splash. The boat’s ample skeg helps it track well in windy conditions.

In the solo rowing position handling is excellent. A complete 360-degree turn takes me 10 strokes, pulling one oar while backing the other. Being double-ended at the waterline, the boat is well mannered in both forward and reverse. I have threaded narrow courses through shallow, rocky pools below seasonal waterfalls with complete confidence in the Whitehall.

Michael Reinhart

The maximum recommended capacity for the Shenandoah Whitehall is 600 lbs, so there’s plenty of freeboard with two adults and a child aboard.

With a guest, I move to the forward thwart to maintain trim and the resulting space between rower and passenger is just about ideal for a relaxed conversation—we’re also precisely close enough to pass each other extra-tall beverage cans (regular cans will not span). When I’m rowing in the bow, the Shenandoah is a bit more inclined to yaw, probably because I’m 60 lbs heavier than my usual passenger and sinking the bow deeper than the stern. With more hull immersed in the water, it’s also a bit harder to turn. I got used to the difference in a few hours and I don’t mind it, but I do notice.

Even with the added stern sheets and lumber thwarts, my Shenandoah is light enough for me to carry and cartop singlehanded. I take help when I can get it, but I don’t dread moving the boat myself.

Perhaps the most common concern I hear is the durability of the painted fabric hull: How has it held up to beach launches, minor collisions, and the indignities of cartopping? It’s just not an issue. There are several skin-on-frame torture tests on YouTube that demonstrate the strength of this type of boat. They endure blows from the claw side of a hammer just fine. The only dings on my paint memorialize bumps on land, usually made when I smack into something while carrying her to a launch. None of the wounds leak a drop. I take care to make delicate landings, but I don’t lose any sleep about it.

After a few months of picnic rows, exploration, and a camping trip, I’ve only scratched the surface of what the Shenandoah Whitehall can do. Sometimes I’m so impressed with its abilities that I think of it less as a boat and more of an aquatic four-wheel-drive pickup truck—something to throw everything into and ride off to the next great adventure.

James Kealey lives and teaches in Richmond, California. When he’s not chasing his toddler, he can usually be found banging away on some project in his garage workshop. In high school, he rowed in racing shells. He still gets away most summers for sail-camping trips on mountain lakes.

Shenandoah Particulars

Length:   13′ 6″
Beam:   46″
Weight:   about 55 lbs
Maximum recommended capacity:   3 adults

Plans for the Shenandoah Whitehall are available from Gentry Custom Boats for $68 for printed, $55 for digital.

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O’Day Day Sailer

The production of small boats was booming in the 1950s on both sides of the Atlantic, and really took off in the late ’50s with the introduction of fiberglass. Famed designers Uffa Fox and George O’Day teamed up in 1956 to create the O’Day Day Sailer. Fox is credited with introducing the technique of planing to dinghy racing and designed many significant classes of boats, including the International 14. The story goes that Fox wanted a pure racing dinghy but O’Day wanted the small cuddy added to increase appeal to the recreational market in the U.S., so Fox designed the planing hull and O’Day designed the cuddy. The resulting Day Sailer was a 16’9” centerboarder with a displacement of 575 lbs, which makes for a light load to tow behind the family car. The fractional sloop rig includes a generously sized spinnaker for exciting downwind sailing.

The first Day Sailer was sold in 1958 and immediately became popular in the recreational and racing markets. It was later designated as the Day Sailer I as four different models have since been built, with over 10,000 boats hitting the waterways. Day Sailer (DS) models I through III have been built by eight different manufacturers, with the current Day Sailer being a modified DS I with a few DS II attributes, such as the internal foam flotation and cuddy thwart. The original DS models I, II, and III were built from 1957 to 1990 by the O’Day Company in Fall River, Massachusetts. The DS I and modified versions of it were later built by Can-AM Sailcraft, Rebel, Spindrift, Precision, McLaughlin, Sunfish/Laser Inc. The current builder of the DS I+ is the Cape Cod Shipbuilding Company (CCSC) in Wareham, Massachusetts, holder of the exclusive license since 1994. The Day Sailer Class Association owns the molds that are currently used by CCSC.

Photographs by the authors

The long side benches in the cockpit provide uncrowded seating for six. The sole is above the waterline and is self-bailing.

The early DS I can be identified by wooden thwarts, seats, and cockpit sole, a centerboard lever, open cuddy, and a transom deck. The DS II came out in 1971 with built-in foam flotation. The cuddy opening is smaller than the opening on the DS I because it also acts as a thwart, and a thinner transom allows mounting a small outboard motor without the need for a bracket. The Day Sailer I and II are considered class legal for one design racing, but the DS III is not considered race-legal due to higher freeboard on the transom, which was a departure from Fox’s hull design. O’Day built the III from 1985 to 1990, so to race in One Design regattas it is important to buy a DS I or DS II. The current Day Sailer in production is a modified version of the DS I with improved self-rescuing capabilities, two sealed air tanks, and a cuddy flotation tank with a smaller hatch.

The Day Sailer, no matter which model, is a very versatile boat, easy to rig, sail, transport, and store. With the mast down the boat and trailer take up just a few feet more than an average family car, so can be stored in most garages, though the mast may need to be stowed diagonally. At the ramp, the Day Sailer can be rigged in under 30 minutes: step the mast, add the boom, bend on the jib and main, clip the pop-up rudder onto the transom, and sort out the sheets.

Stepping the mast is the biggest challenge. The 23′4″-long racing mast is stepped through the top of the cabin onto the maststep fixed to the floor of the cuddy, and that can be tricky for one person. The mast does not weigh much, but it is helpful to have a helper at the foot of the mast to guide it into the cuddy opening. The good news with this arrangement is that once the mast is stepped, it is secure, and there’s no rush to attach the forestay.

A mast hinge, a popular option, makes raising the mast much easier.

About 75 percent of the new boats are delivered with a hinged mast, eliminating the awkward gymnastics of stabbing the mast through the cuddy. Once the mast is raised and the forward hole on the hinge pinned, securing the forestay to the bow fitting takes the strain off the hinge. Side stays can then be tightened to take out the slack, but no more than hand tight. Stays that are too tight can damage the hull. Tighten the nuts on the turnbuckles and tape over any cotter pins.

There are different sheeting arrangements for the boom. Some boats have sheets attached in the middle of the boom; the sheet on a DS II starts from a traveler on the transom and ends forward on a swivel cam cleat mounted to the centerboard case. The DS II boom also has a spring in the gooseneck that allowed for roller furling— disconnect the sheet, pull the boom aft, and roll the sail onto the boom. A reefing claw has to be added to connect the sheet to the sail-wrapped boom, but this design is not optimum, nor is the wad of rolled-up sail by the boom’s gooseneck. A better arrangement is to add a conventional set of reefpoints to the mainsail. The boom also has a vang to improve sail control.

The 6′ 3″ beam gives the Day Sailer good stability, enough to keep the boat under someone standing on the foredeck.

The jib on the racing version of the DS is a standard affair, attached with hanks onto the forestay and raised with a halyard. Some skippers add a downhaul to lower the jib from the cockpit. Both the main and jib halyards are led aft on the top of the cuddy. The recreational version of the new DS I comes with a roller-furling jib, which we consider essential for sailing dinghies, especially if singlehanding. We have added a roller-furling jib to our DS II along with the mast hinge. We also added the hardware and rigging for a spinnaker, halyard, spinnaker pole, spinnaker pole control lines, sheet blocks, and jam cleats.

The Day Sailer is a treat to sail; it handles well, tacks with ease, and powers up quickly with its large sail area. The planing hull is responsive to the tiller, and the wide beam makes it stable. The boat will roll quickly but then sets on a tack, holding it with stable and positive helm control. The centerboard can be easily adjusted from amidships.

We sail a Drascombe Lugger and a Sunfish; the Lugger drives like the family sedan and the Sunfish like our Mustang. The Day Sailer handling is closer to that of the Sunfish—when the breeze picks up, the mainsheet needs to be held in the hand and someone should be ready on the jibsheets. The jibsheets run through the coaming on the DS I and through small cars on the DS II. For the highest performance, skippers have added tiller extensions and hiking straps. There is an outhaul on the battened main; racing versions have barber-haulers and travelers added. Pop the spinnaker, and it will scoot along quite nicely in a light breeze.

The Day Sailer carries 100 sq ft in the main, 45 sq ft in the jib and, for sailing off the wind, another 95 sq ft in spinnaker.

The Day Sailer’s 7′ 4″-long cockpit provides plenty of room for three adults, or two adults and two kids. With four adults it gets cozy; there is not much moving around, so whoever is sitting next to the tiller or foredeck needs to know what to do. It is easy to depower the main, reef it, or furl the jib as needed.

The cuddy is spacious for storing picnic or camping gear, and it affords a space equivalent to a two-person backpacker tent for sleeping aboard for overnight cruising. Adding a topping lift makes the boom nice ridgepole for a boom tent; there’s plenty of room to sleep in the uncluttered cockpit. The Day Sailer has completed many endurance cruising events, such as the Texas 200, Florida 120, and the Everglades Challenge.

A small kicker can be added for auxiliary power. We have used both an electric trolling motor and gas outboard, with best results coming from a 2-1/2-hp four-stroke that pushed push the boat to 6 knots at one-third throttle. The DS I will require a bracket to support and outboard; the DS II transom is thin and sturdy enough for a direct mount. If we’re not going far from home, we occasionally skip the outboard and carry a paddle; with her low coaming we have paddled her a bit, even backward over the transom.

The transom of the Day Sailer II will accommodate an outboard for auxiliary power. The Day Sailer I will require a bracket.

Day Sailers are easy to find and inexpensive, considering their capabilities. If you come across one, there are few important things to check. Make sure the centerboard moves in the trunk, see that the forestay tang and bow seam are not pulled up, inspect the cuddy deck for noticeable depression which would indicate failure of the maststep under the cuddy floor, and if it is a DS II look inside the flotation compartments. Rinse her off and get her ready to sail. There is a great Day Sailer Association with a web-based forum, and excellent parts availability.

We have had Day Sailers in our family since 1994. The first, named CYANE, handled the windy chop of Corpus Christi Bay with ease and the calmer waters of the St. Johns River at Jacksonville. We have had many fun adventures on our current DS II, also named CYANE. She has been launched for numerous day sails around Pensacola and Escambia Bay and has taken many family members for their first sail. She is most comfortable in a 10–12-knot breeze and wakes up for an exciting ride at 15. If you’re ever sailing in the Pensacola area, you’ll see her out on East Bay chasing dolphin.

Audrey and Kent Lewis enjoy time with CYANE, along with their small fleet of kayaks, canoe, sailboats, and lapstrake runabout. They blog about their adventures on smallboatrestoration.blogspot.com

Day Sailer Particulars

Length:   16′ 9″
Beam:   6′ 3″
Draft, board up:   9″
Draft, board down:   3′ 9″
Displacement:   575 lbs
Sail area
Main:   100 sq ft
Jib:   45 sq ft
Spinnaker:   96 sq ft

 

 

 

The Day Sailer is built by Cape Cod Shipbuilding Company. Prices start at $18,335 (less sails). For more information about the Day Sailer Class, visit the Day Sailer Association.

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Dallying Downeast

We pointed offshore into a wall of fog, following a compass bearing until a steep hump of granite appeared, rising from the foggy sea, topped with spindly spruc—a sumi-e haiku illustration rendered with a few deft strokes. After pulling our kayaks onto the sand between the smallest islands, we carried our food bags up onto a slab of granite and made our lunch. The low-lying fog was dense enough that we couldn’t see beyond the ledges just offshore, but we could feel the warmth of the sun on our skin. As we ate, the chug of a motor slowly approached and a man’s voice, tinny in the still air, floated in the fog, describing the remains of a prehistoric village now submerged somewhere beneath the boat. He sounded vaguely familiar.

“Sounds like Garrett,” Rebecca said, and I recognized the Maine accent, the cheerful, curious inflection of the mail-boat captain with whom we’d often played Pickleball over the last winter.

I said, “Guess we’re all missing Pickleball today.”

“Summer.” Rebecca spread hummus on a cracker. “No one has time.” Normally we wouldn’t have had time either. We’d owned an art gallery in downtown Stonington for a dozen years, and during idle moments I’d stand by the window, gazing out at the archipelago, imagining a trip such as this: roaming the Maine coast in our sea kayaks, camping on the islands.

The boat passed unseen, Garrett’s voice overwhelmed by the motor, then that fading until we could no longer hear it either. Rebecca lay back against the granite. “I’d be happy to stay here tonight.”

“We could,” I said, but it was the second day of our trip and we’d only paddled a couple of hours and I still felt restless, wanting to put at least a few more miles behind us.

The fog finally dissolved, and the islands ahead were revealed like stepping stones. We launched before the haze could return.

We spent a couple of nights camped off of Stonington and on the Fourth of July, a summer day with fair-weather cumuli mirrored on the glassy swells, crossed East Penobscot Bay. Deer Isle lay behind us as we paddled four miles of open water toward the islands near North Haven.  Our kayaks, laden with gear, sat low in the water and were slow to turn, but once in motion their momentum made the miles go by quickly.

We landed on Calderwood Island and pitched the tent, and after dinner, we sat on a ledge as the sky grew dark, gazing over the bay we’d just crossed. Stonington was a dark shape on the horizon until a lone firework lit the sky, followed half a minute later by the faint report.

Another firework exploded, a brilliant magenta chrysanthemum, and then another. We sipped our tea, watching until the finale, a half-minute of bright, silent chaos, was reflected in streaks across the bay followed by a thunder that echoed long after the last explosion faded. I lay back and felt the warmth of the granite ledge beneath me. The stars shone, crisp and clear.

Roger Siebert

.

 

Rebecca and I wanted to paddle along as much of the Maine coast as we could. With no home or job to return to, we had all the time we wanted, and were limited only by the seasons and our bank balance. We’d decided our trip would be more about spending time in places we liked than covering miles.

Photographs by Michael and Rebecca Daugherty

Just off Vinalhaven, Ram Island is a tiny islet surrounded by granite ledges. It was one of the islands we visited twice, both as we headed west and later on our way back east. I busied myself with chips and hummus and dinner (most likely a curry) while Rebecca painted the trees behind me.

We’d started at Deer Isle, where we had lived and worked for 14 years, and we planned to paddle a big figure-eight: first down to Portland and back, and then up to the Canadian border before returning to Deer Isle. We’d have time to linger in our favorite places and visit many of them twice. It wasn’t until our sixth day of the trip though, when we decided to take a foggy day off and do no traveling at all—what we called a zero day—that it began to feel like the trip we’d imagined. On Ram Island, a tiny islet west of Vinalhaven in Hurricane Sound, I pitched my hammock between a couple of scraggly spruce trees while Rebecca dug her art materials from her kayak. The fog lingered, and the day passed like a dream, the church-like chime of a bell buoy tolling in the wakes of invisible ferries.

The spruce trees atop a granite ledge caught Rebecca’s attention for a 5” x 5” oil on panel, titled “Ram Island”. The scene here is the backdrop in the photograph above of me cooking dinner.

The next day we crossed West Penobscot Bay and traded idyllic solitude for a night at a campground, topping-off our drinking water, recharging batteries and getting our first showers in a week.

We meandered down the coast, camped on an island off of Tenants Harbor, and then on another in the middle of Muscongus Bay. We’d wake before sunrise, but we were often slow to launch, especially if the island had a good spot for a hammock. If it did, I’d linger with my coffee and catch up on notes and reading, while Rebecca roamed with her sketchbook. Hauling gear and boats down to the water took long enough that, by the time we launched, we’d be a little exasperated by the effort and eager to get moving. We’d paddle a dozen or so miles to the next island. We camped only at designated campsites, most of them stops on the Maine Island Trail.

After another zero day, tucked in the Damariscotta River on Fort Island, we paddled back out the river. Along the way we refilled water containers at the firehouse in East Boothbay, and picked up a few supplies at a convenience store. We could carry almost a week’s supply of fresh water with us, but we always had resupplying in mind. Each day we tried to find food and water along the way to our next camp.

A storm threatened as we crossed Sheepscot Bay on the approach to Reid State Park on Georgetown Island.

With a storm approaching, we let the flood tide give us a push up the Sheepscot River and camped beneath massive oaks on an islet no bigger than a tennis court off of Spectacle Island. The next morning, we headed out the Sheepscot in a cool, soaking rain. At Reid State Park, on Georgetown Island, we passed beneath the rocky bluff of Griffith Head, where a couple of coin-operated binoculars stood like massive silver Viewmasters anchored atop swiveling iron stands, pointing seaward. A few intrepid visitors were afoot up there, hunkered beneath raincoats. We passed below their perch, paddling, for a change, with the wind behind us.

Bangs Island, not far from the Portland waterfront, is one of many Casco Bay islands in with public campsites. Worried about ticks in the taller grass, we camped on the beach and worried instead about the rising tide. Neither the tide nor ticks turned out to be a problem. Despite worrisome news reports about rising populations of ticks and increasing incidents of tick-borne illnesses, we found only a few ticks all summer.

After two weeks of wandering down the coast, we arrived at Casco Bay, intent on getting a glimpse of the Portland waterfront before we turned around and headed back, but with the fog, there wasn’t much to see. The occasional rumble of a ferry out in the soup discouraged us from poking around blindly in busy channels, so we contented ourselves with a few zero days on islands near the city.

There are at least 15 Crow Islands along the Maine coast. This one is in Casco Bay, just off of Great Chebeague Island. Aside from the sandy beach that’s not swallowed up by the high tide, we loved the sprawling oaks, which gave me a good spot for my hammock.

Rebecca painted. I swung in my hammock. We finally made it to Fort Gorges, a granite-block Civil War-era fortress guarding Portland Harbor, and the fog cleared long enough for a glimpse of the city, but we were glad to get back to 100-yard-long Crow Island, with its sprawling oaks and a pair of sandy crescent beaches. And, having made it to Portland, we gradually lost that feeling that there was anywhere else we needed to be.

The water was less chilly here than it was Downeast, and during the afternoon we took occasional swims. I retreated to the hammock to dry in the sun, and we waited for a mid-day change of the tide to begin our trip back east.

This 5” x 7” oil on panel, “Low Tide Sandbar, Little Hen Islands,” is one of the small paintings Rebecca did on location with the intent of using them as studies for larger paintings.

 

We zig-zagged along the coast, up the New Meadows River for a visit with old friends. It felt good to rinse-away the salt and grime, to wear dry clothing, socks and shoes, and to eat in a restaurant, but I began to feel uneasy until we were back in our boats the next day, traveling once again. After a night on Ram Island in the Sheepscot, we paddled a long day to Muscongus Bay, and there spent three nights, each on a different island as a storm passed through and left us perfectly poised with calm weather to get out to Monhegan, an island community some 6 miles out to sea from the nearest coastal island.

Eastern Egg Rock, the island we floated alongside, was a treeless hump of rock, only a few acres, ragged with weeds and tangles of washed-up driftwood, and reeking of guano. A heap of lobster buoys lay beside a makeshift plywood sign: TRADE. Next to it stood another sign bearing a red drawing of a lobster. A young woman suddenly emerged from one of two tiny weathered outhouse-like buildings. Carrying a net, she raced down the ledges and swept it over a puffin that had just landed. A young man emerged from the other blind and helped her, kneeling over the captured bird.

A group of puffins swam away from the couple, toward us. The birds were always smaller than I expected, but their beaks looked too big for their bodies, and too brightly colored, like oversized masks colored by a child. We’d followed a string of islands pointing the way to this last solitary rock that separated the mouth of Muscongus Bay from the open Atlantic, and we floated in our kayaks, watching the puffins, sheltered behind the island from the bigger swells beyond. We had about 6 miles of open ocean between us and Monhegan, our next landing, and, at some point, I would need to pee. Landing on Eastern Egg Rock, a bird sanctuary, was prohibited.

We ventured from the lee and paddled into the swell. Monhegan lay on the horizon, but we veered southeast, toward Shark Island—a mile and a half distant— another treeless, fin-like rock pile rising from the depths where the open ocean swells reared and broke through a sieve of jagged rocks and boulders. By now, my plans for a bathroom break had turned into a desperate hope I could get there in time. There was no obvious landing spot, but I told myself I’d made surf landings on rocks before, though not in such a heavily laden kayak.

Rebecca asked, “Are you sure about this?”

I answered by putting my helmet on and aimed for a nook in the lee side of the island where the waves wrapped around and met in a jumble of slippery boulders. Getting out of the boat went well enough, but, ready to paddle again, my relaunching took a few tries as dumping waves filled the cockpit. Finally, I paddled back out, soaked and a little bruised, and came alongside Rebecca. We pointed our bows toward Monhegan.

The swells around us, glassy smooth, reflected cotton-ball clouds. Ahead, a pair of distant blue hills gradually resolved themselves into two islands. Storm petrels skimmed just over the waves, dipping into the troughs; gannets arrived and scared the other birds away.

Soon we could make out the lighthouse atop Monhegan, then the houses below it. Nearing the island, we paused at some ledges where we encountered a pair of kayakers: a boy, followed by his mother, who was paddling with a toddler on her lap. She asked, “Did you just paddle from the mainland?”

“Yeah.” Behind us the mainland was a low, dark line on the horizon above the broad stretch of ocean we’d just crossed.

She sighed. “I’ve always wanted to do that.”

I felt a little pride. I’d always wanted to do it too. And now I had.

After lunch in the village, we paddled around the island, beneath the 150′ cliffs and bobbed in the southeast swell, but we didn’t linger. We still had far to go. There’s no legit place to camp on Monhegan, and the lodgings were out of our budget. Besides, we were lucky to have the good conditions for paddling open water and that could change very quickly. At the north end of Monhegan, we aimed north, across six miles of open ocean toward Allen Island, and the protection of the coastal islands.

The conditions had indeed changed overnight. We woke on a scrubby islet called Griffin Island and rode fat, lively following seas into Port Clyde for a few groceries. We let the wind and waves push us another dozen miles to the campground where we’d stayed three weeks earlier.

By the next day, the weather was perfect again. West Penobscot Bay stretched ahead of us, an undulating plane reflecting a pale sky. Beyond it lay a group of low, dark shapes more than 5 miles away. We pointed our bows toward them and fell into our familiar rhythm.

The persistent mid-tide currents pushed us inland, to the north, but we attempted a straight line by pointing up-current, keeping a range on the faraway cliffs and lobster buoys ahead of us. When we reached a buoy, we’d line up our next range.

In the swells, Rebecca and I often paddled too far from each other to converse, but when she drew near she asked, “What do you want to do when the trip is done?”

I didn’t have a good answer. I’d been gazing at the mirages emerging in the steamy atmosphere. Islands beyond the horizon appeared as if floating in the air like clouds.

We had both worked long and hard to be able to take a summer off and take a trip like this one, but we hadn’t talked much about what we would do afterward. September hung beyond the horizon like an island we couldn’t yet see, and most of the time we just focused on what was in front of us.

“Right now,” I said, “I don’t want this trip to end.” Rebecca smiled.

Goose Rocks Light, built in 1890 at the entrance to Fox Island Thorofare, north of Vinalhaven, is one of several “spark-plug” lighthouses seen along the Maine coast. It is still an active navigational aid maintained by the Coast Guard, but it’s now owned by a non-profit that maintains it with funds generated by nightly rentals.

 

We spent three nights camped on islands around Vinalhaven, and then took the long way back to the Stonington archipelago, crossing the mouth of East Penobscot Bay and circling Isle au Haut, before paddling 1-1/2 miles to Harbor Island, a 6-acre knot of woods fringed by gentle slopes of gray granite. From our camp we could see the familiar glow of Stonington in at the northern edge of the night sky.

South Little Hen Island lies off Vinalhaven in Seal Bay, a popular anchorage. We took a zero day here and idly watched cruising boats come and go.

The next day, paddling toward our home town after a month of kayaking reminded me of so many other times I’d returned home from countless shorter paddling excursions. But we weren’t returning home. We were stopping only briefly for fresh water and whatever groceries we could scrounge from the shoreside convenience store. We dropped in at the library, just across the street from the water, to say hello to the librarian, a friend of ours, and she passed along a massive zucchini that someone had left her—a dubious gift in summer when everyone with a garden has more zucchini than they need—but it would feed us for the next couple of days.

After another night in the Stonington archipelago, we crossed Jericho Bay in the fog to Marshall Island, the largest uninhabited island on the eastern seaboard. We camped with some friends, and the next day paddled with them north. We left them finally and turned toward Greenlaw Cove, where we’d begun our trip more than a month earlier. We spent the next couple of nights in the guest room of the friends who’d loaned us their cabin over the previous winter. In between rinsing our gear and picking up groceries, we were immersed in our hosts’ busy summer social life, taking another guest for a paddle, and chatting for hours over brunch. I became increasingly restless, and when Rebecca and I were finally on the water again, it felt like a miracle. We hurried the 10 miles across Blue Hill Bay, island hopping to the south end of Mount Desert Island.

A crowd lined the rails of the walkway below the lighthouse at Bass Harbor Head, and farther down they dotted the steep rocks with splashes of color like confetti, which, as we paddled closer, turned out to be visitors at Acadia National Park. We paddled close to shore, alert to waves that lifted us as they passed and crashed into the rocks. People waved at us as we passed and Rebecca, always polite, waved back. I felt awkward, as if I’d joined a parade, and focused on my paddling.

Beyond the lighthouse, there were no crowds and on an isolated stretch of the bare granite shoreline we saw a man, alone, stepping from rock to rock. He shielded his eyes from the sun to watch us pass. I thought of him as a traveler like us, and waved.

Some islands have only a thin layer of soil supporting a dense spruce forest, like this one in Pleasant Bay.

Beyond Mount Desert Island, the coast was more remote, with geographical features named for the ships or sea captains who had foundered on them. Halifax Island, 7 miles northeast of Jonesport, was named for the British schooner that broke-up on the rocks there. Baileys Mistake, a harbor 6 miles from the Canadian border, was named after a Captain Bailey who ran his lumber schooner aground at the harbor entrance; rather than face his employers back in Boston, he and his crew settled there, building homes with the ship’s cargo. This coast is steeped in such mythology. The lighthouses along this stretch of the coast speak of fog, shipwrecks and loneliness. The tides and currents are more extreme, and the sea is less predictable here and intimidating, but this coast felt larger than life and there was something about it that resonated with me. I felt at home.

Campsites were scarce, and we paddled longer days to get to them. We rounded peninsulas that jutted into the sea far from the villages that lay at the heads of long estuaries. In Jonesport we filled water bags and bought what useful things we could find at the shoreside variety store. Everyone we met looked right at us, smiled, and said something encouraging. We paddled 11 miles to Ram Island, a grassy hilltop barren of trees, inhabited by a pair of black-faced sheep who tolerated us from a distance. From our camp on this 1/4-mile long speck of land, the broad expanse of the Atlantic stretched to the south beneath a vast, empty sky. We watched the sun dwindle into the horizon clouds and almost immediately the fog appeared, further separating us from all we’d left, reducing our world to a hump of grassy rock.

As the sun set on Ram Island, Rebecca painted the islet’s moss-draped trees. The longer we spent in a place, the more Rebecca found to paint.

At around noon, the fog surrounding Ram Island finally cleared and we could see Cross Island, four miles distant and rising from the peninsula beyond it north, of 26 radio towers, some nearly 1,000′ high, built by the Navy to communicate with submarines operating in the Atlantic.

We got to Cross after an easy paddle: a welcome break, since our next day would be the toughest. Cross Island was the last stop before the Bold Coast, a 20-mile stretch of formidable, cliffy shoreline overlooking the Grand Manan Channel, known for its tricky currents and lack of places to land. From our campsite, we planned our moves for the next day and stared out across the narrows, where the fog had obscured all but the tops of the enormous radio towers, their red lights pulsing through the gloom.

In the morning, already shivering from a steady rain, we paddled across the narrows and headed northwest along the Bold Coast, passing seals flopped upon ledges like beanbag toys. The current was against us, so we stayed near shore, following a twisting path of rougher water where the back eddies could help us along. The near-shore rocks formed rockweed-draped mazes; cliff-lined slots rose up into the clouds. “You warm enough?” Rebecca asked.

“Yeah,” I said, but mostly out of habit. I was looking forward to our break. After nearly three hours in our kayaks, we finally landed at a cobble beach just before Moose Cove – just long enough to get into dry clothes and eat.

By now, the tide had turned and the flood’s current would be in our favor, but strongest well offshore. We lingered below the cliffs that rose straight up from the sea to disappear into a layer of fog. At the head of a rock-strewn cove lay an old wreck of a fishing boat. Layers of orange-red paint had peeled away from a bow and its stern had been torn off, presumably by the storms that pummel this shore. A quarter-mile offshore a whistle buoy hooted; we could barely see it.

The fog was always thick when we passed through Quoddy and Lubec Narrows. This time we had a strong current behind us that buoyed us quickly past the Lubec Channel Light.

We finally left the shore and paddled east into the fog to catch the current, leaving the cliffs in the mist behind us. The lighthouse at West Quoddy Head lay invisible five or six miles distant. The lobster buoys showed us the direction of the flow, and we aimed toward the ones with the most vigorous wakes. Occasionally we could hear waves beating the shore, and we steered more seaward. The grumble of a distant lobster boat reached us, but we saw only the gunmetal surface of the sea beneath the fog. After an hour, pushed by the 3-knot current, we arrived at West Quoddy Head.

The lighthouse there sits on the easternmost point of the United States; it is painted in horizontal red and white stripes, but without the red it would have invisible through the fog.

The hidden sun infused the fog with a pale, amber glow as we followed bearings from the lighthouse northwest into Quoddy Channel and then struggled against the ebbing current in Lubec Narrows, the 300-yard-wide gap between the Maine mainland and Canada’s Campobello Island. I’d powered past the breakwater, but Rebecca went to the Canadian side to ride an eddy and hugged the shore until the current lessened, and we met at an island up-current. Surrounded by fog, we searched out eddies to help us on our way.

Shackford Head was a shoreline of dark cliffs that we kept close by to avoid the standing waves just offshore. I’d hoped then we’d be able to see Sumac Island, where we’d camp, but the fog was still too thick. I would need to dig another chart out of my day hatch to get a bearing. It was only a mile away. We drifted for a moment, sipping water, and then, just like that, the fog lifted. One moment we looked out into a dense wall of it, the next we easily identified the small island where we would camp.

I put my water bottle away and took a bearing off the deck compass, in case the fog returned, and we dug in for one last stretch– our 34th mile for the day.

Sumac Island has about as much area as a two-car garage, with barely room for our tent amid the trees and fragile vegetation, but it would be home for a needed rest day. In the morning, we lingered in the tent, listening to drips of condensed fog falling from the trees and tapping on the fly. I opened the vestibule and gazed out at the miniature terrarium world of the forest floor, the princess pine and British soldier lichens, and plush, bright mosses. Beyond that was dense fog. I crawled outside and stretched.

After two nights on Sumac Island in Cobscook Bay, we went into Eastport, hoping to continue across to Deer Island, in Canada. Unfortunately, the customs office there had closed—but we were happy enough to return for a third night on Sumac, before turning around for the last leg of our trip.

With the tide out, Sumac Island stood like a small mountain of dark, angular rock, draped with rockweed. Atop it lay about 4′ of black, loamy soil, held in place by roots; in its interior is a secret garden thick with delicate, ankle-high flowers and greenery sprouting from the pine-needle duff. We tiptoed carefully around it, stepping only on logs and rocks.

I climbed into the hammock with my coffee. A metal skiff motored past, then pulled up onto the ledges. The skipper stepped ashore and wandered among the seaweedy boulders, bent over at the waist, collecting periwinkles. A beat-up aluminum canoe arrived next, with a man sitting in the stern steering with a small outboard motor. Black handles of clam baskets arched above the gunwales. It was Sunday morning. The fog gradually thinned, revealing houses and low, rolling pastures on shore.  Later, we paddled the 3 miles to Eastport, where we spent the day replenishing supplies.

The next morning we paddled into a thick wall of fog at Shackford Head and caught the ebb that carried us back beneath the Roosevelt International Bridge in Lubec, where the din of the rushing current echoed through the quiet town. We let the tide take us past West Quoddy Head Lighthouse, and out into Grand Manan Channel. The land soon disappeared behind us in the fog. Heading back down the coast, we’d begun the last leg of our trip.

Miles from an invisible shore, we watched the water surface for clues, looking for the strongest current to push us back down the Bold Coast. But we had different ideas about which way we should go. I favored the magnetic bearing that roughly paralleled a route south along the coast. Rebecca, wanting as much help as possible from the current, veered seaward, paddling away from me until she nearly disappeared into the whiteness. With more than 30 miles to paddle that day, we needed help from the current, but I worried about getting too far out to sea. Still, with my wife about to disappear altogether, I abandoned my bearing and followed her. Together we watched for lobster buoys, the only indicators of the speed and direction of the current, and every now and then we’d hear the muffled thunder of surf and adjust course to paddle farther offshore. A lone puffin found us and circled overhead a while before flying off into the fog.

Rebecca paused and cocked her head. “Hear that?” I couldn’t, but she described the hooting of the whistle buoy off of Baileys Mistake, a 3/4-mile-wide bay on the mainland. A mile off maybe? Two? Again, we adjusted our heading offshore and we encountered great floating rafts of rockweed and other surf wrack, and guessed that it had drifted out of Baileys Mistake. After a while, we paddled into another patch of debris, and it made sense that it had probably floated out of Moose Cove. The current had slowed though, and we soon found lobster buoys bobbing over slack tethers. We’d paddled into Grand Manan Channel nearly three hours earlier, and now the tide was changing direction. We took a bearing toward shore.

Ram Island in Machias Bay feels far more remote than it is, only 1-1/4 miles off the nearest mainland point. Now owned by Maine Coast Heritage Trust, the island’s vegetation is kept in check by a pair of semi-wild sheep. In the distance to the east, Libby Island Light is one of the foggiest in Maine, and the site of numerous shipwrecks.

We camped again on Cross Island, our second night gazing across the channel at the slow pulse of red lights marking the grid of the Navy’s radio towers, and in the morning, foraged blueberries in the meadows around the old lifesaving station. Any island we camped on for more than a night became a favorite, hard to leave, but we finally set-out, across Machias Bay and into Little Kennebec Bay, borne inland on a bumpy ribbon of quick current, finally following a narrowing maze of channels into a secluded tidal pond. Here we would spend another two nights, taking shelter from strong winds and seas, and visiting Dickinsons Reach, a now vacant community of remote wooden yurts built by simple-living guru Bill Coperthwaite and his like-minded friends.

The current carried us back out to sea, and we wove through the Roque Island archipelago on our way to Jonesport, where we again resupplied at the variety store and, as a downpour began, let the current buoy us down Moosabec Reach.

The next morning, on Sheep Island, we sat at the picnic table, gazing at the chart spread before us with rain pattering down on the dining fly over our heads. We were having our second round of coffee. Fog had been coming and going, sometimes enveloping us completely, but then drifting away to reveal the shore of Cape Split or the distant islands. But it was dry beneath the rain fly, and even a little warmer, and we had enough water to make hot drinks all day long.

It was Saturday morning, and we could see all of the probable moves to get us back home to Stonington by Thursday or Friday. We measured the distances on the chart with a string, guessing where we might paddle each day, and which campsites we might get to each evening. We stared at the chart. I wanted to finish what we’d set out to do, but I didn’t want the trip to be over.

“Well,” Rebecca said. “We can come back any time.”

“Sure.” But our schedule wasn’t the only thing that would change. The air already felt cool, as if autumn were upon us. This trip would soon be in the past. Maybe that’s why we were taking another zero day. We could have paddled in the fog and rain, but we liked the island; we even had a privy and a picnic table. Most of all though, we wanted to preserve this feeling of being in our own world and feeling at home in it. Over the last 50 days we’d fallen into a rhythm that doesn’t come on a weekend outing. And the feeling of home came easier when we had no home elsewhere.

Not much more than a ledge, Dry Island in Gouldsboro Bay was true to its name the night we were there, and remained dry, though I woke before high tide just to be sure. Legit camping options are scarce between Frenchman Bay and Petit Manan Point, so we took what we could get.

A group of paddlers in orange and yellow tandem kayaks came around the end of Sheep Porcupine Island, flying along downwind, some with their paddles held aloft to catch the breeze. The frontrunners came abreast of us, shouting like kids on a carnival ride.

Mammoth cruise ships lay at anchor off Bar Harbor, their shuttles zipping back and forth, and a couple of bloated motor yachts were parked in slips at the public dock.

Though Bar Harbor is known for its cruise ships and crowds of tourists, we could usually find a stretch of steep shoreline not far from town for ourselves, like this one along Long Porcupine Island.

We pulled the kayaks onto the sand and headed into town. Rebecca and I had lived outdoors for the summer, crouched on rocks while we cooked, and slept on the ground. My clothes were stiff and streaked white with salt; my tan tinted with grime. The sidewalks were filled with ambling tourists flowing in and out of restaurants, gazing into shop windows. When they caught sight of me, they quickly looked away.

I longed to get back on the water, and I dreaded the end of our trip.

We spent our last night on The Hub, a tiny island, lying out on the warm granite slabs, watching stars and satellites until we could no longer keep our eyes open

On the hottest day of the summer, we paddled across Blue Hill Bay and back into the orbit of Deer Isle, closing the loop that had taken us over 600 miles and nearly two months. As we approached our take-out at Stonington, the heat was replaced by a cool north wind and we paddled hard just to stay warm, as if the season had turned the corner in a single day. We lingered in our boats and pulled alongside each other. We were looking forward to showers at the campground, clean clothes, and a dinner at a restaurant in town, but we were in no hurry. We’d lost whatever sense of hurry we’d had at the beginning of the summer, but knew that would begin to change the moment we landed. We looked at each other. We were both salty, dirty and exhausted, a little gaunt around the cheekbones, but all that only made our smiles brighter.

Michael and Rebecca Daugherty are back in Stonington operating a kayak guide service. Michael is the author of AMC’s Best Sea Kayaking in New England, and Rebecca has a studio and gallery. They paddle out to the islands as often as they can. A book-length version of this story, illustrated by Rebecca, will be available soon.

If you have an interesting story to tell about your adventures with a small boat, please email us a brief outline and a few photos.

A Cartop Water Tank

Photos and video by the author

With the pressure in the tank at 40 to 50 psi, the water flows as powerfully as it does from my outside faucets at home.

There are just a couple of launch ramps in my part of Puget Sound that are equipped with hoses to give boats, trailers, and sandy or muddy boots a fresh-water rinse before I hit the road to get back home. So, to keep from making a mess of the car or having salt water to eat away at my trailer, I made a pressurized water tank for my car’s roof rack.

The back end of the tank has a cap that is drilled for a hose bib and a Shrader inflation valve.

 

The Shrader valve’s interior flange and gasket keeps it airtight. The bib relies on its threads and a two-part urethane ABS-compatible adhesive to seal it to the pipe cap.

The parts are all commonly available at home-improvement and auto-parts stores. The core of my tank is a 6-1/2′ length of 4″ ABS drain pipe, cut to match the length of my Chevy Blazer roof. On the forward end of the pipe is a 4″ x 3″ closet elbow. It serves as an opening to fill the tank and has a 3” cleanout adapter and plug to close the tank. There are other fittings that can do the job as long as they create a fill opening above the pipe and can be sealed airtight. The back end of the tank has a glued-on cap.

The forward end of the tank has an elbow that reduces the diameter from a 4″ pipe to a 3″ clean-out. The clean-out threads are made air-tight with PTFE tape. The tape stays in place nicely, but may need to be replaced periodically. The brass drain cock is a fitting for a car radiator; here it’s an air vent.

The threaded plug on the filler gets a radiator drain cock that’s used as an air vent, and the cap gets a metal Schrader valve stem, which is easier to install than the rubber stems you see on most car wheels. The cap also gets a hose bib/faucet. I drilled the holes for the bib and the drain cock undersize and filled the openings until the fittings’ threads could cut into the ABS plastic. I backed them out, applied JB-Weld Plastic Bonder (a two-part urethane adhesive that works with ABS and metal), and screwed the fittings in tight. The inside end of the drain cock needed to be cleaned of the adhesive before it set.

After filing off any burrs left by cutting the 4” pipe, I did a dry fit of the pieces and used bits of masking tape to assure I would pushed the fittings completely together during gluing and oriented with the drain cock and bib opposite each other. Gluing the ABS fittings to the pipe is quite simple. Apply a thick coat of ABS cement to the end of the pipe on the outside and a lighter coat on the inside of the fitting. Press the two pieces together with a quarter turn and hold them tight for about a minute while the glue sets.

The cleanout and its plug aren’t meant to make an airtight seal under pressure, but a few wraps of PTFE thread tape will remedy that.

I had intended to put nuts on the threads of the drain cock and the bib to hold them in against the pressure in the same way the valve stem’s flange does, but those fittings both have tapered threads, common among plumbing parts, and there were no matching nuts. After I glued them in place with the Plastic Bonder, I did a pressure test and at 100 psi everything held; the cleanout plug just hissed a little. When doing a pressure test, it’s best to fill the tank and leave only a couple of cubic inches of air space. The tank will quickly come up to pressure and if something fails, the small volume of air in the pipe will equalize quickly, exerting a minimum of force. An empty tank that’s been pressurized with air has much more energy to release.

I made the tank as long as the top of my car roof, maximizing the volume of water I could carry without the ends interfering with the rear hatch or hanging over the windshield.

 

Closed-cell foam, cut from a exercise/stretching roller, cradles the tank and straddles the roof rack.

My system holds about 5 gallons of water, and I’ll fill it completely before heading to the launch site. On a sunny day, the black pipe will absorb heat and warm the water. While I’m boating, I open the drain cock just as a precaution against pressure building up.

To pressurize the tank, I use the 12-volt tire pump that I always carry in the car for keeping the tires filled with air.

 

You can use any standard hose nozzle. This brass Little Big Shot Super Nozzle is compact and shoots water quite far. I added the yellow inline valve to cut the flow quickly and keep the nozzle setting I need. The self-coiling 15′ hose is easy to stow.

After I’ve hauled the boat out of the water, I fit a shower nozzle to the faucet so I can rinse salt and sand off myself. With the drain cock open and the tank unpressurized, the full 5 gallons provide 10 minutes of shower time. A short 2-minute shower will drain a gallon and prepare the tank for pressurizing.

Before pumping air into the tank, creating some air space in it, about 20 percent, will provide enough air volume for pressurizing the tank and using the hose. With the faucet and drain cock closed, I connect a little 12-volt electric air pump to the valve. It’s the same pump I keep in the car to inflate the tires. (I’ve used a manual pump too, but because its hose is short, the tank has to be on the ground.) Bringing the pressure up to 40 or 50 psi is sufficient to propel the remaining 4 gallons of water out of the tank. The nozzle I have on the hose will shoot 30′ and, when wide open, empty the tank in 1-1/2 minutes. I can always carry extra fresh water in the car if I need to reload the tank.

The parts for the tank (not including the hose and nozzle) cost about $75 and required only a couple of hours of shop time. It’s a worthwhile investment in salt-free skin, a cleaner car, and a longer-lasting trailer.

Christopher Cunningham is the editor of Small Boats Magazine.

You can share your tips and tricks of the trade with other Small Boats Magazine readers by sending us an email.

DeWalt’s Benchtop Planer

Photo and video by the author

The planer has a broad paddle switch for quickly cutting the power. Just above the feed opening is a gauge that shows how much wood is being removed.

Back in 2016, Audrey and I were asked to restore BARBASHELA, a Mississippi River skiff designed in the 1880s by Natchez Steamboat Captain Thomas P. Leathers. She was made of cypress and needed some new planking to get her shipshape, and, luckily, we had a cypress mill nearby to supply the 4/4 rough-sawn stock. The mill could have planed the boards for us, but we needed to get the perfect thickness to match the original planks as we scarfed them together, so we purchased a DeWalt DW734 Benchtop Planer to add to our arsenal of tools.

We try to keep the shop footprints of our tools low, so we use portable saws and benchtop tools that can be put out of the way when they’re not in use. A large, heavy planer would have been great, though expensive, and would have taken up a lot of room for the few planer jobs that we need to do. Hand-planing the planks was also out of the question, so we researched benchtop planers and decided the DeWaltDW734 would meet our requirements. Its 12-1/2″-wide bed could handle the 12″-wide garboard that we needed to replace, and its 6″ thickness capacity it would come in handy for shaping some 4″ stock for the stem. The 734 weighs a sturdy 80 lbs, a bit heavy for moving around, but solid and stable in use, especially when working with long stock.

For BARBASHELA’s planks we wanted to remove just over a 1/16″ from the rough-sawn boards to reach the target thickness and that required several passes per plank. We set up to remove 1/64″ per pass to reduce the load on the feed rollers and found that the 15-amp, 20,000-rpm motor was up to the task. The 734 has powerful feed rollers and provides 33-1/2″ of support from the infeed and outfeed tables, so it can handle 6′ to 8′ boards. For the 16’ and longer planks we helped push and pull the stock through.

The cutter head is equipped with three knives and turns at 10,000 rpm. The manufacturer’s specifications note that the blades cut 96 times per inch, which gives a smooth finish to the planed surface. The knives are reversible, and after three years we have yet to change them out, but when we do there is an alignment system of pins on the cutter head and holes on the blade to ease the process. The planer comes with a tool to change the knives; it neatly stows on the motor housing so it won’t quickly get lost.

A thickness scale and a separate material removal gauge make it easy to set the 734 for the right depth of cut. When I slide a workpiece to the cutter-head carriage, I use the material removal gauge to set the carriage height for the desired cut. There is also an adjustment wheel marked in 1/64″ increments to move the carriage. The carriage itself has a lock bar that positively locks to the four columns and controls snipe, a deeper cut at the beginning and end of a board, a common planer problem. There is also a turret depth stop to set frequently used thicknesses for uniformity among projects.

The planer comes with a dust hood that works well with a properly sized shop-vacuum hose attached. The planer generates a lot of large shavings, and a vac will fill up fast! Without a vacuum attached, the dust-hood exhaust port shoots out a very large debris field to clean up. With an aggressive cut, shavings can quickly clog the port. We are experimenting with a cyclonic dust collector with 5-gallon waste bucket, and have had positive results so far, even with mismatched hoses.

We have used the planer to reduce the thickness on some Peruvian teak to make a 1/4″ transom cap flexible enough to take a bend, and to make boards to match the exact thickness of the lone surviving piece of BARBASHELA’s stern seat. The planer can remove a lot of material fast, especially with softwoods, and cut up to 1/8″ per pass, but we rarely remove that much material at a time.

The 734 has held up well in our very humid Florida swamp environment and we have had fun using it to surface and dimension lumber for lots of different projects. We spent more for this tool than any other tool we own, and it paid for itself with its first planking job.

Audrey and Kent Lewis are guardians of a small fleet of canoes, kayaks, sailboats and a vintage lapstrake runabout, currently seeking prizes in the NW Florida Panhandle. Their adventures are chronicled on their blog.

The DeWalt DW734 is available from selected retailers and online vendors for around $450.

Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.

Quickloader Retractable Ratchet Straps

SBM photos and video

With its webbing coiled around a spring-loaded drum, the Quickloader makes a tidy package when not in use.

A friend of mine demystified ratchet straps for me last summer. I had given her a dinghy, and when she came to pick it up, she walked me through using the straps she’d brought. I know and trust knots so I’d always preferred to keep a length of line in my trunk for tie-downs, but I liked how the flat straps can be cranked down so quickly and snugly. Keeping the strap from getting twisted was annoying; the tail end had to be tucked away to keep it from flapping in the wind, and, when not in use, the straps didn’t coil as tidily as rope. It wasn’t until I tried Quickloader ratchet straps that I was convinced to make the switch from rope and knots for securing cartop loads.

When the ratchet release (just to the right of the handle) is pulled, the handle can be fully extended, letting the drum unwind and the webbing run free.

Quickloader Retractable ratchet straps are thoughtfully engineered and simple. The QL15 model has two black, rubber-coated metal S-hooks, one of which is on a 9-1/2″ piece of 1″ polyester webbing, and the other is at the end is a neatly coiled 1″ polyester webbing stored around a spring-loaded core. Fully extended, the Quickloader has a reach of 12′. The strap feeds out and retracts like a tape measure so there’s never any slack to get knotted, tangled, or twisted. A loop sewn into the webbing limits the extension so the spring-loaded coiler isn’t damaged. The self-coiling tail end is a great advantage over common ratchet straps; I don’t have to worry about extra strap material getting loose, potentially dragging under a trailer tire or flapping in the wind. The QL115M has a 500-lb working load and a 1,500-lb breaking strength.

The ratcheting mechanism is of high-quality steel with a slightly iridescent finish and a powder-coated texture. The Quickloader’s action instills confidence; the ratchet’s clicks are distinct and reassuring. The handle is 6-1/8″ out from the center of the barrel and with a few wraps of webbing around the barrel, the handle has a 16:1 advantage. A video on the Quickloader YouTube channel shows a Quickloader used as a come-along to drag a boat, and while the device has plenty of power, the distance you can drag anything is limited to about 14″ by the number of wraps the barrel can take before the webbing binds against the frame.

When the two S-hooks are attached, the drum takes up the slack with a single turn. The webbing is then locked on the drum and ready to be tensioned.

The ratchet release located at the end of the handle and is easy to operate. Pulling the ratchet release and fully opening the handle unlocks the ratchet so the barrel can spin to let the strap run free. If the webbing gets bound up between the barrel and the frame, there’s a wing on one end of the barrel you can easily twist to free the strap.

The wing just outside of the ratchet makes it easy to unwind the drum if there is too much webbing on it. This Quickloader has a piece of leather, attached with a cable tie, to keep the metal frame from damaging whatever is being strapped down.

If the Quickloader is pressed up against the hull of a boat, the metal could scratch the finish or gouge the wood, a problem with any ratchet, so I may attach a bit of soft foam or fabric to the device’s back side. For now, I carry a pad of soft material to tuck between the Quickloader and an easily marred surface.
After tying a dinghy down on my roof rack, I pushed and pulled on the boat in all directions and it was solid as heck, ready for a 65-mph trip down the interstate. I totally dig my Quickloader Retractable ratchet straps. They’re easy to use, hold tight, and stow neatly.

Anne Bryant is associate editor of Small Boats Magazine.

The QL115M goes for about $23 and Quickloader’s array of retractable ratchet straps is available from various online retailers.

Is there a product that might be useful for boatbuilding, cruising, or shore-side camping that you’d like us to review? Please email your suggestions.

DREAM WEAVER

Emily Galvin and Natalia Serrano

Even when DREAM WEAVER is at rest, her deck conveys fluid motion.

Claudia Miranda Monteleagre was born in Caracas, Venezuela, and, like all kids, liked toys, but in her case, so much so that she decided that when she grew up she was going to be a toy designer. When Claudia was older, she relocated to Europe and while there continued moving from country to country. By the time Claudia graduated from high school, she spoke five languages and could continue her education almost anywhere in the world. In 2013, she enrolled in the Savannah College of Art and Design (SCAD) in Savannah, Georgia, a college with one of the best industrial design programs in America.

Claudia Miranda Monteleagre

Claudia’s presentation of her digital sketches for the project includes ideas for paddles, a skeg, and even deck-mounted wireless speakers.

In one of her first classes, “Introduction to Industrial Design,” Claudia met Jacob Phillips, and the two became good friends with a shared interest in design concepts and ideas. In 2016, they both took a class that involved building a kayak. It started with the whole class working on a strip-built kit kayak from Guillemot Kayaks as an introduction to boat design and construction. The class then split up to design and build their own kayaks using the experience they’d gained. Claudia and Jacob teamed up and began their design process by studying existing kayaks and making sketches, CAD drawings, and scale-model prototypes with 3D printers and CNC routers.

Claudia and Jacob didn’t have a garage for the build and set up shop in the living room of the house they were staying in. They protected the floor with several sheets of oriented-strand board. The Georgia summer temperatures, rising to 100 degrees, forced them to work indoors with air conditioning and fans.

 

Collaboration was a big part of the building process; Claudia and Jacob worked on the kayak day and night to complete the project in 10 weeks.

Neither Claudia nor Jacob came into that class with much experience in marine design beyond scanning online videos and blogs. For guidance on construction, they studied Nick Schade’s The Strip-Built Sea Kayak. While pondering the practical elements of kayak construction, they also considered the artistic possibilities offered by wood strips. For the deck, they sought to bend accent strips of exotic hardwoods to mimic the rhythm of waves and ripples and “guide the eyes of the viewer through a vibrant path of beautiful colors and intricate forms.” Western red cedar would be the canvas on which they painted with padouk, wenge, curly maple, and zebra wood.

Emily Galvin and Natalia Serrano

The foredeck, coaming, and paddle have delicate details that unify the decorative design.

 

Jacob Phillips

The strips left over after the construction of the kayak went into a distinctive, complementary double-bladed paddle.

When the kayak was finished, there was a lot of wood left over, so Claudia and Jacob designed and built a striking double-bladed paddle with edge banding that flowed around the blades and across the loom.

Cody Moore

DREAM WEAVER’s first touch in the water was in Ocean City, Maryland. Claudia takes the first strokes while a foredeck-mounted GoPro records the moment.

 

Emily Galvin and Natalia Serrano

The hull is made of cedar strips all of the same color and gets its variations from the play of sunlight reflected by the ripples on the water.

The kayak was named DREAMWEAVER and the project was a success. Claudia and Jacob both earned an A for the class. After graduating from SCAD, neither, sadly, continued with boatbuilding. Jacob now teaches design tech at a high school. Claudia became an industrial designer, but never lost sight of what she wanted to be when she grew up. She has worked with toy giants Fisher-Price and Mattel and had a hand in creating The Scooby-Doo Haunted Ghost Town Playset. You can see more of her work at her website.

Do you have a boat with an interesting story? Please email us. We’d like to hear about it and share it with other Small Boats Magazine readers.

Bishop’s Wake

Nathaniel Holmes Bishop III was born in Medford, Massachusetts, on March 23, 1827, and died in Glens Falls New York, July 2, 1902. In his time, he was quite well known for books he had written about his travels in small boats. I first heard about him, quite by accident, in the spring of 1982. I was working part-time at the Wooden Boat Shop, located, appropriately, on Boat Street in Seattle. On a sunny summer morning, I was manning the front counter when the mail came in and among that day’s mail was the latest issue of Wooden Canoe, Volume 11 of the Wooden Canoe Heritage Association’s magazine. The store was empty so I had some free time to browse through it.

This issue of Wooden Canoe introduced Nathaniel Holmes Bishop to me. Eight years later my son would be named Nathan in his honor.

I skimmed over an article written by Walter Fullam of Princeton, New Jersey about building canoes by laminating kraft paper with glue. That was mildly interesting, but what captivated me was an excerpt from Bishop’s Voyage of the Paper Canoe: A geographical journey of 2500 miles from Quebec to the Gulf of Mexico, during the years 1874—5. Hungry for the rest of Bishop’s story, I found an old copy in the University of Washington’s library and read it from cover to cover. His writing was certainly a product of the 19th century, but charming and evocative:

Finding that the wind usually rose and fell with the sun, we now made it a rule to anchor our boat during most of the day and pull against the current at night. The moon and the bright auroral lights made this task an agreeable one. Then, too, we had Coggia’s comet speeding through the northern heavens…. In this high latitude day dawned before three o’clock, and the twilight lingered so long that we could read the fine print of a newspaper without effort at a quarter to nine o’clock P. M.

And he did not lack a good sense of humor. About his parting with David Bodfish, his traveling companion, briefly, from Quebec City to Troy, New York, he writes:

I had unfortunately contributed to Mr. Bodfish’s thirst for the marvellous by reading to him at night, in our lonely camp, Jules Verne’s imaginative Journey to the Centre of the Earth. David was in ecstasies over this wonderful contribution to fiction. He preferred fiction to truth at any time. Once, while reading to him a chapter of the above work, his credulity was so challenged that he became excited, and broke forth with, “Say, boss, how do these big book-men larn to lie so well? does it come nat’ral to them, or is it got by edication?

Having grown up on the West Coast, I knew about the Inside Passage woven into the coasts of British Columbia and Alaska, but I had no idea that there was an even longer and better protected thread of waterways that connected Canada to Florida. After I returned Voyage of the Paper Canoe to the library, I paid regular visits to the book with a weighty pocketful of nickels and carefully photocopied every page of it. I needed to have a copy because I’d decided, even before I’d finished reading the book, that I would build a paper canoe and retrace Bishop’s route. He would be my guide. I was approaching 30, not quite sure what I was going to do with my life, and had no obligations to prevent me from embarking on a voyage that would take several months. I spent the next year trying to figure out how to laminate a paper hull, and in the late fall of 1983, with a craft-paper canoe of questionable durability on my Volkswagen bug’s roof racks, I headed to Quebec City. Four months later I had reached Cedar Key on Florida’s Gulf Coast. The voyage had only whetted my appetite.

I came home, read Bishop’s Four Months in a Sneak Box: A boat voyage of 2600 miles down the Ohio and Mississippi rivers, and along the Gulf of Mexico, made a photocopy of it, and in the winter of 1984 built a sneak box. In November of 1985, I loaded it on top of a drive-away and headed across the country to Pittsburgh, where I’d follow Bishop again to Cedar Key, this time by the inland route.

I kept my copy of Four Months in the chart case and kept up with Bishop day by day as I descended the Ohio River and then the Mississippi with him. Not all of the landscape had been changed by the 110 years between us. Cave-in-Rock, a 30′ wide cavern on the Illinois side of the Ohio is still there, as is the burial mound in Moundsville, West Virginia. And most of the Mississippi is isolated from civilization by levees so it’s the same wilderness the Bishop rowed through and the people who live along the river were every bit as interesting and generous as they had been in Bishop’s account.

I made good time, especially along the Gulf Coast where I had some good sailing, and reached Cedar Key in 2-1/2 months. Although my pursuit of Bishop was suddenly over, he had given my life a new and clear trajectory, one that eventually lead me here, to Small Boats Monthly.

Of the last night of his voyage, Bishop writes:

Lying there under the tender sky, lighted with myriads of glittering stars, a soft gleam of light stretched like a golden band along the water…. It seemed to be the path I had taken, the course of my faithful boat. All I could see was the band of shining light, the bright end of the voyage.

What he had seen behind him, that bright path, was what I had seen stretching out ahead of me.End of article

Bishop was traveling and writing long before his well-known voyages. This journal, dated 1852 and written when he was 15, is titled “Nathaniel Bishop’s Journal of a Pedestrian Tour from the Town of Medford, Mass, to the White Mountains, N.H., Embracing nearly 300 Miles Travel on Foot.” He also kept a journal later in his life called “Log of the Lorna,” an account of travels by boat with his wife, Mary Ball. I saw this journal, and other Bishop memorabilia, in the archives of the Ocean County Library, in Toms River, New Jersey.

 

The two routes, paper canoe on the right and sneak box on the left, both end at the Cedar Keys on the Gulf Coast of Florida. Together they add up to more than 5,000 miles.

 

Bishop travelled from Quebec City to Troy, NY, in a lapstrake double-ender, MAYETA, an 18′ lapstrake canoe, which proved  too heavy and unwieldy. Bishop had heard about the tough, lightweight boats being made of paper by Waters & Sons, the only company making paper boats, as well as observatory domes and racing shells. The company was in Troy, so he ordered a paper canoe. This letter, dated October 12, 1874, seems to be an announcement of the completion of the canoe. Nine days later, having christened the 58-lb canoe MARIA THERESA, Bishop resumed his trip southward on the Hudson River. George Waters, paddling his own paper canoe, accompanied him for a few miles.

 

Bishop’s paper canoe became a selling point for the Waters company. His books were quite popular and often given out a prizes to school children.

 

Bishop rowed MARIA THERESA through southern waters in February of 1875, and the cool weather would have kept the insects at bay and made the alligators sluggish.

 

News of the Voyage of the Paper Canoe raced down the East Coast ahead of Bishop. The town of St. Marys, Georgia, awaited him with this elaborate document, “An Address of Congratulation and Welcome from the Inhabitants of St. Mary’s” that was presented by the city’s mayor.

 

This undated photograph of Bishop paddling MARIA THERESA is the only photograph I’ve seen of that famous paper canoe. Bishop spent most of his time rowing instead of paddling; the outriggers are here folded back to rest on the deck. [Update: Ken Cupery, who once published The Paper Boater (no longer being issued but selected articles appear in Ken’s website, www.cupery.net), notes that the boat pictured here is not MARIA THERESA, which had a much longer cockpit. The photo has no notations and the boat’s identity is unknown.]

After I’d paddled MARIA THERESA’s route from Quebec to the Gulf of Mexico, I caught up with Mr. Bishop at the Riverside Cemetery in Toms River. That was in January of 1984. Two years later I’d be back on his trail, close to finishing my retracing of his sneak-box voyage.

 

Traffic on the Mississippi River has changed over the last 143 years. In 1876, Bishop’s sneak box, CENTENNIAL REPUBLIC, may have been among the smallest boats on the river, but she was certainly not the slowest.

 

While Bishop was spending the night in New Orleans, he was discovered by “roughs” and taunted while he was trying to sleep. Having the benefit of his experience, I spent my night in New Orleans tucked deep under a large pier where no one could see me.

 

The Gulf Intracoastal Waterway wasn’t fully developed in Bishop’s day. Where he had to travel overland, there are now canals.

 

Bishop traveled 2,600 miles aboard CENTENNIAL REPUBLIC. The route from Pittsburgh to Cedar Key is now almost 200 miles shorter.

 

When I left New Orleans on a foggy Mississippi River, I had followed Bishop’s two long voyages for 4,500 miles and had another 400 miles ahead to get to the finish at Cedar Key, Florida. In the end, it was over all too soon.

 

Walter Fullam, whose article on paper canoes helped me build mine, shared with me an abiding interest in Bishop. After I finished my sneak-box journey, I built this model of Bishop’s CENTENNIAL REPUBLIC for him. We remained friends until his death in 2000 and his wife Dorothy and I sent each other Christmas cards for many years afterward.

 

Bishop did quite well for himself in his later years. He was a successful cranberry farmer and owned over 60 plots of land as well as homes in New Jersey, New York, Florida, and California. In 1880 he was among the two dozen paddling enthusiasts who founded the American Canoe Association. I found this portrait of him in Toms’ River, in the library he funded in his will.

 

Ed Monk Skiff

I set out to build a boat to commute the two miles between the boat I was living aboard and my job at The Center for Wooden Boats (CWB) on the shore of Seattle’s Lake Union. I wanted something that would be inexpensive to build, big enough to carry a group of four friends, easy to row, and able to carry an outboard.  I also wanted to build something with ties to the history of the local waters. I perused over 100 small-boat plans of many of Seattle’s famed yacht designers that have been cataloged and digitized by Paul Marlow of Puget Sound Maritime. The boat that caught my eye was a flat-bottom skiff designed by Edwin Monk in 1943 for Bryant’s Marina.

Ed Monk was a famous Seattle-based naval architect renowned for designing attractive motor-yachts; Bryant’s was a local yard that outfitted fishing vessels. This 13′6″ skiff was likely a meant to be a working tender for fishermen, one that could be quickly built by the yard. The stem and frames are all straight, so I thought the build would be a pretty straightforward, given that there would be so few curves to cut.

Monk’s plans consist of two sheets of drawings. The first has construction drawings with scantlings and materials. The second has simple lines drawings in plan and profile with the offsets on each station. The plan view depicts two hull options on the same centerline: one with a 4’6” beam on one side of the centerline, and one with a 5’ beam on the other. While there’s enough information provided to build the boat, to get a better feel for Monk’s building style, I read his book, How to Build Wooden Boats with 16 Small Boat Designs, published in 1934. Monk’s earlier boats utilized wide, old-growth red cedar that was readily available on the West Coast at that time. Most of his small-boat designs feature wide, flat sides and bottoms, with hard chines, shapes that readily lend themselves to substituting marine plywood for planking.

In the 1940s, waterproof glues improved and boatbuilders started to embrace the use of plywood, and Monk’s drawings for the Bryant’s skiff highlight that transition—a traditional lapstrake with 5/8″ red-cedar planks and a 11/16″ cedar bottom is detailed alongside a hull of 3/8″ waterproof plywood. For the latter, fewer frames are needed. The construction drawing indicates that they can be on 24″ centers rather than on 16″ specified for cedar planking.

Josh Anderson

The plywood version includes chine logs to provide gluing surface at the edges. The cedar-planked version can use bronze or galvanized fastenings between the bottom and the side planks.

I constructed a 16′ x 4′ strong back on which to build the boat that would double as a lofting platform. Just four lines—the sheer and chine, each in profile and plan view—require drawing with flexible battens, making the skiff a great first boat for people to learn lofting. The plans show the heights and half breadths—to the nearest 1/8″—on the drawing rather than a table of offsets. I carefully lofted the lines for the skiff with the 4 6″ beam.

At each of the six stations I made a plywood pattern upon which I would construct the frames. The plywood patterns will quicken building more skiffs in the future; for a one-off build, the frames could also be assembled over drawings on the lofting. I marked the bevel for the planking on the patterns, as each frame is different, then started constructing the frames. Each consists of two sides joined to a bottom piece. A temporary cross spall, set to a baseline representing the strongback, helps keep each frame’s proper shape.

With the three frame pieces and cross spall on the pattern I joined the frame’s laps with three screws, securing the bottom frame to each side frame. A notch cut in the outer corner will accept a chine log. (The cedar-planked version is built without them.)

With the frames set up on 24″ centers on the strongback, the transom and stem are also put in place. The plans call for a transom of 1 1/8” yellow cedar. I used white oak instead, edge-glued with epoxy and biscuits. The inner part of the two-part stem—2-1/2″ oak on plans—gets a consistent bevel to receive the plank ends.

The chine logs were let in and secured with epoxy (though galvanized bolts are specified) tying the whole structure together

Josh Anderson

The optional plywood construction required fewer frames—6 instead of the 9 required for cedar planking—but a lot more clamps for the epoxy bonding.

The bottom consists of two pieces of 3/8″ plywood scarfed together, glued and fastened with screws into the bottoms of the frames. Gluing the bottom down took every clamp and heavy object I had in the shop.

For plywood construction, Monk specified a single broad sheet of plywood for each side. The cedar-planked version has three lapped strakes; I thought that lapstrake would look a little nicer, so I chose to do a glued-lap version with plywood planks. To squeeze the laps during gluing I used waxed sheetrock screws with washers under the heads.

Josh Anderson

The plans call for a plain thwart in the stern and a sculling notch in the transom. The author built the skiff for motoring and installed stern sheets for more comfortable seating at the helm.

Once the planking was finished and the cutwater attached over the trimmed forward ends of the planks, I sanded and faired the hull. The plans call for paint at this point, but since this boat would live most of its life on the lake as a rental boat at CWB, I wanted it to be fairly indestructible. The bottom was fiberglassed and the rest of the plywood was epoxy coated three times. After the epoxy cured, the skeg and bottom runners were attached. The boat was then flipped upright, the frame ends were cut, and the sipo mahogany rub rail, inwale, breast hook, and knees were all installed with epoxy. I then cut out a notch in the transom so that a standard shaft outboard could be mounted. I also installed a beefy 2″-thick sipo transom knee and 1” pad to support the outboard. After the interior was epoxy coated, everything was primed and painted, expect the breasthook, knees, oar lock pads, and transom knee, which were oiled. I made the thwarts of vertical grain Douglas fir, and the sole of vertical grain red cedar, all of which was also oiled.

As I was building this boat, I realized this design would lend itself well to boatbuilding classes at CWB, and I made patterns of all the molds and parts so that they could be duplicated for future skiffs. Monk’s design would be easy for novices to understand and his plans could easily be used to teach either modern or traditional building techniques.

SBM

The forward station puts the boat in good trim with a solo rower.

 

On the water the skiff is quite stable—you can stand up and do jumping jacks in this boat and it will not toss you overboard. With its high freeboard, it can hold a lot of weight and accommodate up to five adults comfortably, with enough stability to switch seats in the middle of the lake.

The two rowing stations are for either single or tandem rowing. For going solo, it rows really well from the forward station. The skiff’s flat bottom and low draft make it very maneuverable and responsive. Without a lot of weight aboard, it glides through the water easily. The high freeboard results in a fair amount of windage and in strong winds the boat gets pushed around a bit when under oars.

SBM

The 4′ space between rowing stations gives a synchronized pair of rowers enough room to keep out of each other’s way.

Rowing in tandem significantly eases the work of getting the boat moving, especially with added weight aboard. The two rowing stations are 4’ apart, providing plenty of space for comfortable tandem rowing without clashing oar blades.

SBM

The skiff is at its fastest when there is some weight forward to keep the bow down.

The skiff is very responsive and stable when powered by an outboard. It even handles very well in reverse. I’ve gotten the boat up to 5 knots with a Seagull outboard and up to 4 knots with an electric EP Carry outboard. With a 4-hp four-stroke outboard on the transom and two people on board, the top speed at full throttle was 6.5 knots.

A passenger seated forward helps keep the boat trimmed along the water line. With the skipper motoring alone, the bow comes out of the water making it a little difficult to see, not surprising given the bottom’s rocker. The beamier version of the boat is 5” wider across the bottom of the transom and might be better able to support the weight of the motor and solo skipper. Nonetheless, the boat still handles well. With the outboard at full throttle, the speed for solo motoring was reduced a little bit, down to 5.5 knots.

SBM

With the motor at half throttle, the skiff keeps in reasonably good trim with a lone occupant at the helm.

 

SBM

With the motor at full throttle, the bow rises well out of the water.

To reflect the no-nonsense hardworking purpose of Monk’s skiff, I named it PRUDY, after my hard-nosed great-grandmother. By the time it was completed, I was no longer a liveaboard and no longer needed a boat for commuting, so PRUDY is now part of CWB’s fleet.

Josh Anderson

The ample stability and carrying capacity has made the skiff a favorite among the rental fleet at CWB.

Equipped with an outboard, she has served as a safety boat for our youth camps, and as a rowboat, she keeps busy as a rental in the livery. Renters at CWB often have never been in a boat before and Monk’s skiff, with its remarkable stability and carrying capacity, quickly puts them at ease. It has quickly become the most popular rental in the fleet.

Josh Anderson attended the Maine Maritime Academy in Castine, Maine. With his wife, Sarah McLean, he restored a 25′ Friendship sloop, operated a charter business with it, and spent several years sailing the Maine coast. Josh also attended the Apprenticeshop boatbuilding program in Rockland, Maine, and built boats for Artisan Boatworks in Rockport Maine. He is now the Maritime Operations Manager at the Center for Wooden Boats in Seattle, Washington.

Thanks to Dustin Espey for his service as passenger and rower and to Shelby Allman for piloting the chase boat for the SBM photos.

Monk Skiff Particulars

[table]

Length/13′6”

Beam/4′6” (reviewed here) or 5′

Depth amidships/20.5”

[/table]

 

Digital files for the two sheets of drawings for Monk’s skiff are available from Puget Sound Maritime. The charge is $50 for the first page, $10 for the second page. Orders are made as “Research Inquiries.” Specify Monk drawings 710-1 and 710-2 for the 13’6” x 4’6” skiff for Bryant’s Marina.

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats Monthly readers would enjoy? Please email us!

Salt Bay Skiff

You wouldn’t know from its good looks, but the Salt Bay Skiff is a quick-and-dirty boat to build. I discovered the skiff through the Willamette Sailing Club (WSC) in Portland, Oregon, where RiversWest Small Craft Center hosts an annual family boat-build on a summer weekend. For the past ten years, each participating family builds their own Salt Bay Skiff. Chuck Stuckey, one of the founding members of event, said, “We picked it because we believe it to be a real boat, not a 12′ toy.”

In 2017, my brother and I, with two of our friends, joined in the largest group to date, with 16 families packed into the club’s modest boat-parking lot. We started on a Saturday morning and the next afternoon rowed the unpainted hull across the Willamette River. With four adults aboard, it rode pretty low in the water but it did not swamp. With a rated capacity of 300 lbs for passengers and gear, the 500-or-so lbs we had aboard was, admittedly, pushing it.

Photographs and video by Jay Hideki Horita of Outdoor Asian

On the starboard side, amidships, you can see the tongue that holds the leeboard in place. The chine logs, on the outside of the hull, simplify and speed construction.

Designer Chris Franklin set out with the intention to create a simple, sturdy boat. It was introduced in Getting Started in Boats, Volumes 7 and 8, supplements to issues of WoodenBoat in the winter of 2007-08. These issues were specifically geared toward building boats with kids. Thanks to the simple design and ease of construction, there is plenty of flexibility for personal modifications. Most Salt Bay skiffs are built as rowboats, but some build them as driftboats by omitting the keel and skeg. The skiffs can be sailed, and the plans include dimensions and drawings for adding a leeboard, a rudder, a gunter rig with boom, and jib. Some builders have rigged the boat with the gunter without the boom, or without the jib, or with a lug sail instead of a gunter.

I decided on a sprit rig, for greater sail area aloft for the 9′4″ mast height, and included a boom for better downwind performance. I wanted a camp cruiser that I could sleep in, so I stayed with the leeboard to preserve cockpit space that would be taken up if I opted to install a daggerboard trunk. With a 12′ overall length and a 4′ beam, there’s not much extra room. A sprit rig and a leeboard may not be best for sailing upwind, but if I ever needed to travel against the breeze I figured I would simply strike sail, pull the board, and row.

The boat requires two 4′ by 8′ sheets of marine plywood: one 1/4″ sheet for the sides, and one 3/8” sheet for the bottom. A half sheet of 3/4″ plywood provides the transom, rudder and leeboard. Add to that a few boards of pine for the seats, quarter knees, breasthook, keel, and frames, and some strips for the gunnels, chine, and stem, and all that’s left to buy are glue, screws, and paint. At the family boatbuilding event, we used marine-grade polyurethane glue in place of the epoxy recommended in the instructions, as the two-day event couldn’t afford the time it takes epoxy to cure.

The volunteers who prepare the kits each year spend about two months of weekends and evenings for 12 to 16 boats, giving builders at the weekend event a head start. If you begin with nothing but a pile of wood and a bucket of screws, getting to a finished, painted boat rigged for sail can easily be done in the span of a summer.

The author’s sprit rig is a departure from the gunter rig in the plans.

The sail is where I diverged most from the original Salt Bay plans. Drawing upon the information in David Nichols’ book, The Working Guide to Traditional Small-Boat Sails, I determined the dimensions of the spritsail that would best fit my boat and my weight: 6′8″ luff, 7′7″ foot, 9′5″ leech, and 4′2″ head. I aimed to keep the mast height low to preserve stability by reducing weight aloft, and that led to the short luff. The boom could also only be so long before it extended beyond the transom, resulting in a shorter foot. Even with these limitations, the spritsail carried more area than the gunter main, while still meeting the constraints of the spars. The longer leech and head make up for the shorter luff and foot. The Salt Bay Skiff works with a variety of sails in the range of 30 to 50 square feet. My sail is 44 square feet.

I made the spars from spare lumber I scavenged from the RiversWest shop—primarily cedar, Douglas fir, and white oak. Though I made the spars lighter than the ones in the plans, they have held up to 15-knot breezes well enough in my opinion, and suggest the originals are more than stout enough.

The instructions don’t mention what material to use for the sails. The low-budget option is to make one from polytarp or Tyvek house wrap, and I considered this at first, but decided against it because the sails I had seen made with these materials appeared to stretch too easily. Luckily, another builder in the shared RiversWest workshop had an old genoa, and I reused its fabric for my own sail. The Dacron sailcloth was a little wrinkled, but to me looked much nicer than tarp or Tyvek.

The plans specify an one-piece plywood rudder. The author made his rudder with a kick-up blade for sailing shallow waters.

The only changes I made to the leeboard were for aesthetics rather than improved performance. I made the rudder with a pivoting blade, rather than fixed, to make for easier beaching, and added an extension to the tiller. The rudder is a bit large for this size of boat, but that is useful when navigating at low speeds, not to mention sculling through lulls by wigwagging the tiller. A leather guard across the transom is important to protect both the tiller and the transom from abrading each other. The leeboard is symmetrical around its vertical axis and can be mounted on either side of the boat, and switched at any time. The tongue that slips inside of the gunwale fits nicely between the mid-frame and aft oarlock mounts.

The designer recommends 7′ spruce oars for rowing and a pair of 5′ oars as auxiliary power when sailing. The shorter oars will take up less room in the cockpit when under sail.

 

For a boat that you can practically make with spare change and scrap lumber, the Salt Bay holds its own on the water. No one would expect it to break speed records, or to endure the ravages of estuary bars and whitewater rapids, but for having fun with friends or kids on a calm summer’s afternoon it does quite nicely. I found on my 100-mile voyage on the Columbia River  that it can also serve as a cozy camp cruiser for protected waters.

For voyaging, the boat is really best suited for one adult. When messing about and traveling short distances, two adults or an adult and two kids is a comfortable occupancy.

The skiff has great secondary stability. When sailing, I have sometimes heeled the boat until the gunwale is inches from the water. This has also proved useful when I want to pool water along the chine for bailing. My friend John modified a Salt Bay by installing airtight tanks along the sides to provide flotation in the event of a capsize or swamping. Closed-cell foam blocks, tied down between the frames or under the thwarts would also keep the boat afloat.

Chances are, if someone is in a Salt Bay, it’s not going to be for clocking speed. Indeed, I haven’t myself. I’d estimate I row it at a steady 2-knot pace, with sprints just over 3 knots. Sailing downwind in a good breeze is the fastest way to go, topping out between 4 and 5 knots. What really matters is that it moves fast enough to feel like I can get somewhere.

The cost for my boat, including the sail, rigging, trailer, and cover, came in at just over $1,000. Keep in mind that much of it was bought secondhand or salvaged. For one who wants only to build the boat and has no need for a trailer or cover, the cost would certainly come in under $500.

The Salt Bay Skiff was easy to build, inexpensive, and car-toppable, but is also pleasing to the eye, and impressively functional. Taken in the context of the boating world at large, it’s a humble boat. But for those who own one, it often represents a first step into boatbuilding and boating. I could not think of a better companion for such a milestone.

Torin Lee lives in Portland, Oregon, and wears a few hats at a local solar installation company. On summer weekends he teaches at the Willamette Sailing Club. He learned to sail in college, racing Flying Junior dinghies. He still enjoys racing with the club fleets, and got the boatbuilding bug from the folks at Portland’s RiversWest Small Craft Center.

Salt Bay Skiff Particulars

[table]

Length/12′1″

Beam/4′4″

Sail area, main/38 sq ft

Sail area, jib/13 sq ft

Weight/ under 100 lbs

[/table]

The full-sized printed plans mentioned in the articles are available for $50  from designer Chris Franklin at [email protected]. Plans and instructions for the Salt Bay Skiff are available as digital downloads of Getting Started #7 and Getting Started #8, available from The WoodenBoat Store for $1.95 each. 

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats Magazine readers would enjoy? Please email us!