Articles - Page 42 of 51 - Small Boats Magazine

Saturday Night Special

I had been hearing about New Zealand boat designer John Welford’s idea for the Saturday Night Special for a few years: a fast beach cruiser so simple to build that you could arrive a few days early for a multi-day small-boat cruise or raid with a few crucial pre-prepared components, build the boat, participate in the event, and go back home. It wasn’t entirely clear what you were supposed to do with the boat afterwards—you could disassemble it, sell it, scrap it, or donate it to the event hosts—but the notion of being able to sail your own boat in a far-flung event, eliminating the need to ship one there, was intriguing. Raid Finland? Sail Caledonia? Conquer the Everglades Challenge? I could imagine plenty of possibilities.

A centerboard complicates the building of the Saturday Night Special and takes up some space in the cockpit, but is essential for sailing shallow waters.Tom Pamperin

A centerboard complicates the building of the Saturday Night Special and takes up some space in the cockpit, but is essential for sailing shallow waters.

As it turns out, the idea of an inexpensive, easily built, fast cruising boat went through some changes between the initial concept and its final form, and what started out as an ultra-quick-build, one-race boat evolved into a more conventional build. Part of the Saturday Night Special’s evolution was a result of the shape needed to get the performance Welsford was looking for. The 14′ 8″ Saturday Night Special was designed specifically for the Texas 200, which typically involves downwind sailing in 20–25 knots, with exposure to big fetches and steep chop. To deal with those conditions, he drew a full bow with lots of flare to provide ample volume above the waterline, protecting the boat from burying the bow or broaching when overtaking waves while surfing. That shape proved difficult to achieve in the stitch-and-glue prototype. “The proof-of-concept boat that we built was a bit of a stinker to get the shape right without stringers,” Welsford reported. “There is a lot of shape in that chine panel forward.”

Although the hull was completed in three days, getting the bow right is probably beyond the skill set of less-experienced builders. So, although experienced builders could still choose to build a Saturday Night Special in stitch-and-glue, Welsford warns, “There is a degree of skill required to get it fair.” The plans now call for conventional plywood planking over bulkheads and stringers.

The bow is designed with downwind sailing in mind and has fullness to keep it from burying while surfing.John Goodman

The bow is designed with downwind sailing in mind and has fullness to keep it from burying while surfing.

Like many of Welsford’s other designs, the Saturday Night Special is built upright on a narrow flat bottom panel; a simple building jig establishes its rocker. Three bulkheads and two permanent frames, along with the transom and stem, define the shape of the boat, and two full-length stringers on each side support the hull panels, greatly simplifying the construction process. The cockpit layout is as simple as could be, with no seats of any kind. “If you want to be comfortable in this boat,” Welsford writes, “go and buy a pool beanbag seat cushion and tie it in with a lanyard so it can’t blow away.”

At the request of Texas 200 founder Chuck Leinweber, Welsford modified the design to include a pivoting centerboard rather than the simpler daggerboard he had specified for the prototype. The change made good sense for a this event, since “deep water” on much of the Texas coast means getting wet up to your knees when you step overboard. The modification required changes to the structure to support the long centerboard case and slot, and another step away from the initial concept of an ultra-simple, ultra-fast build. Texas 200 organizers planned to create a rental fleet of Saturday Night Specials for visiting sailors to use, but it became clear that anticipated savings in labor and materials weren’t enough to warrant building the boats.

But although the Saturday Night Special didn’t become a build-a-boat-and-race-it design, the design still offers a lot of bang for the buck. “It’s still a very simple build,” Welsford says of the design’s final form. “No frills, no trim, simple unstayed rig, light weight.” It’s a somewhat Spartan aesthetic with no built-in thwarts, but it works well for its intended purpose: going fast downwind while still being able to handle windward work in heavy chop. Full-sized patterns for the transom, stem, and bulkheads are included in the plans, which speeds construction significantly. Welsford estimates a 50–60-hour build for “a tidy workboat finish.” One Saturday Night Special builder I talked to reported six months of “fairly diligent work” to complete his boat.

The transom as well suited to taking a small out board for auxiliary power. Bobby Chilek

The transom is well suited to taking a small outboard for auxiliary power.

[DC]When I got word that several Saturday Night Specials would make their public debut in the 2016 Texas 200—a 6-day, 200-mile small-boat cruising event along the Texas coast—I was eager to see what the new design could do. The race began on June 13 and on day two, Saturday Night Special builder Bobby Chilek was sailing through the Land Cut, a narrow dredged channel that’s sheltered enough to offer flat water despite the typical 20–25-knot winds. He discovered that Welsford was right about the new design’s ability to plane freely in winds above 15 knots, even loaded with crew and gear. “I really didn’t expect the boat to plane in Texas 200 trim, what with two people, a bunch of gear, gallons of water and a full ice chest,” Chilek wrote later, “but plane she did. At times the front half of the boat must have been completely out of the water because as we were flying along, spray was shooting out both sides of the boat from about halfway back. I have to say that I have never gone this fast in a monohull sailboat in my life. We were having a blast.”

According to Welsford, a lightly loaded Saturday Night Special needs 12 knots of wind to start planing. Bobby Chilek reports that his boat will also plane under power with a 5-hp outboard at 10 knots. When I finally got a chance to go for a sail with Chilek, there wasn’t enough of a breeze to get his Saturday Night Special really moving, but it performed well anyway, tacking reliably and jibing predictably with just a touch of weather helm.

Although the boat appears simple, there are a couple of unusual construction details. The skeg does not run all the way to the transom; it’s cut short to keep lateral resistance closer to the center of the boat, which seems to help the Saturday Night Special turn quickly and tack nimbly. The unusual kick-up rudder is designed to function well even with the blade completely raised—the rudder cheeks extend down to the level of the skeg, and are equipped with horizontal end plates which not only provide effective steering in extremely shallow water, but also help reduce fore-and-aft pitching.

The 103 sq. ft. lug sail offers power in light wind; and is easily reefed to keep from being overpowered when the breeze picks up. Mary McCowin

The 103 sq. ft. lug sail offers power in light wind and is easily reefed to keep from being overpowered when the breeze picks up.

The simple balance-lug rig provides advantages to both the cruiser (easily to reef, docile) and the daysailer (quick to set up and de-rig). The 103-sq-ft sail provides plenty of sail area for light wind and is easy to reef. Both builders I talked to recommended adding a boom vang to keep the boom from lifting and reducing the effective sail area while sailing off the wind.

The mast is designed to be built with bird’s-mouth staves, making it hollow and light. Although Welsford specifies using old-growth Douglas-fir for the staves, I saw two Saturday Night Special masts made of other woods, one of cedar and the other of pine. Both were far too bendy, even though each had a fiberglass sleeves added in an attempt to stiffen them; in 20+ knots of wind the bend was still extreme to my eye.

In small boats, comfort matters, especially during a long-distance event like the Texas 200. The Saturday Night Special’s cockpit is huge for a boat of its length, and the absence of seats and built-in furniture means lots of room for the crew. Although I chuckled when I first read Welsford’s comment about using beanbag cushions for seating, the idea made perfect sense to me once I was aboard. Lacking beanbags, though, the skipper still has several different seating options. On a broad reach or a run, they can sit comfortably either on the aft deck, or on the cockpit sole with their back against the rear bulkhead. For windward work, the side deck is probably the best choice. Hiking straps would be helpful for those who want to push the boat in higher winds.

The Saturday Night Special was designed with racing in mind, but there is room for two to sleep aboard for cruising.Bobby Chilek

The Saturday Night Special was designed with racing in mind, but there is room for two to sleep aboard for cruising.

With two aboard, the crew is a little more constrained. The side deck makes a good seat (as does the aft deck on a run), but the long centerboard case divides the forward half of the cockpit, necessitating a step—an awkward one if you’re over 6’ tall, as I am—over it while ducking the boom at each tack. Chilek and his daughter Kristen, who crewed with him on the Texas 200, aren’t so tall and didn’t find it too much of a problem. After all, the Texas 200 is primarily a downwind event with little need for frequent tacking.

For cruising, there’s plenty of room to sleep two in the cockpit, with one on each side of the centerboard case; builder Phil McGowin chose to sling a hammock alongside the centerboard case instead of sleeping on the sole, and reported that it worked well. The uncluttered interior of the boat is fairly adaptable for sleeping arrangements, and the large sealed compartments under the decks fore and aft provide plenty of room for stowing gear. Beaching the boat and camping ashore is another option.

The Saturday Night Special strikes me as primarily a good “all-rounder,” equally suited for cruising or daysailing. Given its similarities to AWOL, an earlier cruiser/racer design from Welsford, that isn’t surprising. But considering the performance offered for the time invested, maybe the most interesting possibility for the Saturday Night Special would be as a one-design racer in a community more willing to invest in building a fleet than in buying one.

In the end, though, I couldn’t make up my mind about where this design best fits. That’s not necessarily a problem, of course— lots of good designs can serve several different purposes—but I decided to check with the designer himself to see what he intended. “Is the Saturday Night Special a cruiser?” I asked Welsford. “A racer? A daysailer?” His answer was an enthusiastic “Yes!”

Tom Pamperin is a frequent contributor to Small Boats Monthly and WoodenBoat.

Saturday Night Special Particulars

[table]

Length/14′ 8″

Beam/5′ 5″

Draft, board up/6″

Draft, board down/3′ 1″

Sail area/103 sq ft

[/table]

 

Plans for the Saturday Night Special are available from John Welsford Small Craft Design for $175 NZ and from Duckworks (digital) for $100.

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats Monthly readers would enjoy? Please email us!

A Faering on the Inside Passage, Part 1

When my parents returned home to Edmonds, Washington, from a trip to England in 1983 they brought me two green booklets about the Gokstad faering, the smallest of three ninth-century boats unearthed along with the Gokstad ship in 1880 near Norway’s Oslo Fjord. The 21′ faering was the most beautiful boat I had ever seen, and I wanted to build a replica of it. I was 30 and I’d been building boats for five years, sometimes for hire, sometimes on a whim. I waited for an opportunity to build the faering, and getting married provided it. Cindy and I were married in the summer of 1986 and we put off having a honeymoon while she finished grad school. I was self-employed, building and restoring boats along with working on a llama farm on Lopez Island in the San Juan Islands of Washington State. She would finish school the following spring, so I hatched a plan: I’d build the faering that winter and in the summer of 1987, we’d take a honeymoon cruise, rowing the Inside Passage from Washington to Alaska. I went to work on the boat in a temporary shed in my parents’ back yard not far from Puget Sound.

Carving the stems was by far the most difficult task I'd been faced with as a boatbuilder. It took me a week just to figure out what to do, and another three weeks to finish the job.photgraphs are either by the author or from his collection

Carving the stems was by far the most difficult task I’d faced as a boatbuilder. It took me a week just to figure out how to start the job, and another three weeks to finish it.

 

I was eager to see what the boat was going to look like right side up that I hung by my knees from a ladder to get a sneak peek.

I was so eager to see what the boat was going to look like right side up that I hung by my knees from a ladder to get a sneak peek.

 

When I finally got the faering our of the shed, my father and I admired the Viking form from every angle.

When I finally got the faering out of the shed, my father (left)  and I admired the Viking form from every angle.

I didn’t finish the project as quickly as I had planned, and the day the last coat of varnish dried was the day we launched the boat and started our row to Alaska. About 40 people attended the launch at a beach near the Mukliteo ferry dock. There was a launch ramp at the beach, but instead of backing the boat into the water on the trailer, ten of our friends lifted the faering to their shoulders, carried it across the cobbles, and set it gently in the water.

It was fitting to have the faering, built to a design over 1,100 years old, carried by hand to the water for the first time, rather than have it backed in by a car and trailer.

It was fitting to have the faering, built to a design over 1,100 years old, carried by hand to the water for the first time.

We christened the boat ROWENA, after the wife of Ivanhoe in Sir Walter Scott’s novel. Cindy and I took the first few strokes and I saw the boat was taking on water. I traced the leak to a pitch pocket in one of the garboards and did a quick patch with 5-minute epoxy and added duct tape inside and out. That seemed to do the trick and kept the boat dry while many of our friends took turns rowing the faering.

Soon after we took the first few stroke in the newly christened ROWENA, we discovered a leak in a garboard.

When we started putting drybags aboard to get ready to depart, it was clear that we had too much cargo and there was barely enough room left for us to squeeze in. As Cindy and I got underway, a bagpiper started playing; a newspaper photographer’s camera, clicking away with a motor drive, was buzzing like a cicada; and above all the racket and the applause of our friends, I could hear water sloshing beneath me. Soon it was rising up through the floorboards. We would have to get ashore and fast. We had gone only a hundred yards, and I couldn’t imagine turning back. A ferry was on its way to the dock, and it would soon pass between us and the crowd of waving well-wishers on the beach. Cindy and I maintained our course—north to Alaska—until the ferry blocked us from view and then we made a quick turn west toward the beach at the north side of the dock. As far as our friends knew, we were well on our way, over the horizon and swallowed up by distance. All but one. Archie knew that we should have been visible for miles. He told my parents something was up and the three of them drove around to the beach on the north side of the dock and found us there, bailing.

We hauled the boat out, privately, back at the ramp and took it to Archie’s place just up the road. Cindy and I, exhausted by the long hours we’d spent getting ready for the launch, took a four-hour nap. When we got up, we sorted through all of our gear and repacked the essentials.

The real start to the journey began in Anacortes with just my mother and father to see us off. We had culled a lot of excess gear, so ROWENA wasn't so chock full of dry bags.

The real start to the journey began in Anacortes with just my mother and father to see us off. We had culled a lot of excess gear, so ROWENA wasn’t so chock full of dry bags.

 

The following morning my Mom and Dad drove us to Anacortes, where we launched again without fanfare under a haze-softened sky. We rowed west across Rosario Strait, potentially a dangerous 3 1/2-mile crossing to the San Juan Islands, but very little tide was running and the water was merely scuffed by the breeze. We made good time and Cindy, who had never rowed much before, was quickly getting the hang of it. The oars felt heavy in my hands and awkward in the water. I had made them according to the drawings in the books about the Gokstad faering—9′ long with lance-like blades—but ROWENA, with a beam of just 4-1/2′ and heavily laden, sat low in the water, and the oars were way too long. It was hard to clear the handles over our thighs, and the gearing was too high for the load we were carrying. I worked out the standard oar-length formula in my head and decided I’d shorten the oars by 18″ at the first opportunity.

After crossing Rosario Strait we took a break at a small cove on Decatur Island, halfway through Thatcher Pass.

After crossing Rosario Strait we took a break at a small cove on Decatur Island, halfway through Thatcher Pass.

Safely across Rosario, we rowed through Thatcher Pass and pulled ashore at Spencer Spit on Lopez Island. The faering has a keel a few inches deep running the full length of the hull and a moderate V section amidships, so it didn’t take well to being dragged out of the water. We had to tuck fenders under the bilges to keep the boat upright and protect the varnished hull.

When we landed on Lopez Island for our first overnight stay, I was still finishing many of the projects that I'd started before we embarked. While ROWENA was supported with fenders tucked under her bilges I put the finishing touches on the canopy.

When we landed on Lopez Island for our first overnight stay, I was still finishing many of the projects that I’d started before we embarked. With ROWENA was supported with fenders, I put the finishing touches on the canopy.

We left ROWENA to settle on the beach as the tide receded, and set up our tent on high ground. I spent the following day shortening the oars, cutting 18″ off the inboard ends with the folding saw we carried, carving new grips with a crooked knife, and relocating the leathers.

The original rudder was meant for sailing and created too much drag to use for holding course while rowing in a crosswind. I carved a slender rudder out of found yellow cedar and made a system for it that allowed me to adjust the rudder with steering lines and a small tiller on my foot brace.

The original rudder was meant for sailing and created too much drag to use for holding course while rowing in a crosswind. We spent another day at a Lopez Island marina, and I carved a slender rudder out of a piece of  yellow cedar I found. I rigged a steering system with lines that allowed me to control the rudder with a small tiller on my foot brace.

The shortened oars worked much better as we rowed through the heart of the San Juans. At the end of the day we pulled into at Neil Bay, a narrow half-mile long inlet at the north end of San Juan Island. It was our first time spending the night aboard and Cindy and I hadn’t yet acquired the reflexes to move in harmony to keep the skinny faering upright, so we were regularly loosing our balance and rocking the boat. We pulled the floorboards up and set them across the risers. (The original faering didn’t have risers; I installed them when I realized that the floorboards would be roughly the same length as the thwarts and could be used to make a sleeping platform.) I set the three fiberglass tent poles in the holes in the sheer while Cindy unrolled the extension of the fabric foredeck that would enclose our covered-wagon-inspired sleeping quarters.

The canopy was a simple affair and a bit saggy, but it made a great refuge. We could get away from rain, cold, and bugs. We often set the stove just outside the flaps that closed off the aft end, and had our meals "indoors."

The canopy was a simple affair and a bit saggy, but it made a great refuge. We could get away from rain, cold, and bugs. We often set the stove just outside the flaps that closed off the aft end, and had our meals “indoors.”

We had our accommodations ready by dusk. The indigo sky pressed the last of the daylight behind the wooden shoreline to the west and the bay grew still and speckled with starlight.

Finishing the square sail would wait until we got to Nanaimo. A nylon tarp that I'd sewn 16 years earlier for backpacking served as a stand-in for the square sail. The square sail's yard was pressed into service as a mast and I used the push-pull tiller as the y

Finishing the square sail would wait until we got to Nanaimo. A nylon tarp that I’d sewn 16 years earlier for backpacking served as a stand-in for the square sail. The square sail’s yard was pressed into service as a mast and I used the push-pull tiller as the yard.

In the morning we got underway early, rowed north past Spieden Island and shot the 300-yard wide gap between Stuart and Johns islands, fighting the ebb tide. The 4-mile crossing of Haro Strait to the Canadian Gulf Islands is subject to strong tides and lots of ship traffic, but we got across quickly and without any trouble other than sunburned knees (we hadn’t yet found our sunscreen). We rowed into Bedwell Harbor to clear customs. Cindy stayed aboard as I walked up to the office overlooking the dock. When I told the agent we were checking in after crossing from the San Juans, he looked out the window, and the only boat he saw was our faering. “Where’s your boat?” he asked. “That’s it,” I replied, pointing at ROWENA. “No, where’s the big boat you made the crossing in?” “That’s it. We’re on our way to Alaska.” This extra bit of information only added to his consternation, but he cleared us and we went on our way.

We needWe needed a place to stay in Nanaimo while I got a toothache taken care of. The couple who owned the property we camped on were much more welcoming than their sign would suggest. The patchwork tent was one I salvaged from the manufacturer's dumpster.ed a place to stay in Nanaimo while I got a toothache taken care of. The couple who owned the property we camped on were much more welcoming than their sign would suggest.

We needed a place to stay in Nanaimo while I got a toothache taken care of. The couple who owned the property we camped on were much more welcoming than their sign would suggest. The patchwork tent was one I salvaged from the manufacturer’s dumpster. It had been slashed to discourage employees from wandering home with slightly defective products, but a with a little sewing I’d made it functional again.

My sunburned knees weren’t the only things bothering me. I had started the day with a toothache, and it wasn’t getting any better. I toughed it out as we made our way north to Nanaimo. We found a place to come ashore, a beach in front of a private home, and got permission from the owners, Fred and Ethel, to stay as long as we wanted. We made camp next to a No Trespassing sign that was larger than our tent. The pain woke me in the middle of the night and I lay awake waiting for daylight. That morning Fred drove us to town and dropped us off at his dentist’s office. Two hours and one root canal later, I was as good as new.

We spent the rest of the day back at camp catching up on our to-do list. I had sewn the square sail and made the mast before we had launched ROWENA, but I hadn’t rigged them yet. On the beach I made a mast partner out of a yellow cedar 2×4 Fred gave us, whittled cleats, and cut and whipped lines for sheets and a halyard.

The following morning, while Cindy started packing the boat, I ran up to the house to say goodbye to Fred and Ethel. She was in a pink bathrobe already on her way to see us off. Fred was his pajamas, chasing a deer out of his yard. Their neighbors also arrived at the beach to see us off.

 

We had a bumpy ride in the chop kicked up by a northwest wind and angled out from Vancouver island on a 3-mile crossing to the Ballenas Islands. We came ashore on a rocky beach on the north island and pushed ROWENA back out using a Tsimshian anchoring system to keep her afloat while we explored ashore. The island was thick with arbutus trees with rust-red bark peeling back to reveal smooth new pea-soup green bark underneath. The lichen covering the rocks was so thick and dry that it crunched when we stepped on it, leaving inch-deep footprints. From the top of a knoll we had a good view across the Strait of Georgia. The water was dark blue, scuffed by the wind, but there were no whitecaps. We’d have an easy time on the 5-mile crossing to Lasqueti Island and the following 3-mile crossing to Texada Island.

The wind faded during the crossing, so we skipped Lasqueti and headed for Texada. We rounded the island’s rocky southern tip and rowed another mile and found a powerboat at anchor at the mouth of Anderson Bay. Its skipper called out to us, “You’re just in time for oysters for dinner,” and pointed into the bay.

We would have been happy enough with our dinner of oysters, but the pearls we found in them made for an unforgettable meal.

We would have been happy enough with our dinner of oysters, but the pearls we found in them made for an unforgettable meal.

There were indeed oysters on the tide flats. Cindy picked a meal’s worth while I anchored ROWENA and we soon had the harvest roasting on the stone ring around a campfire. The oysters opened as they warmed, and we ate them straight from the shells, pausing occasionally to spit pearls the size of BBs into our palms.

The skies were clear the following morning, and we packed without having breakfast to take advantage of the fair weather. We rowed out of the bay, rounded the point, and headed northwest along the 30-mile-long east coast of Texada. The wind was from the southeast, funneling between the island and the mainland, perfect for sailing, so I stopped rowing and tied the new mast partner in place across the middle frame. With the mast raised and lashed to the partner, I hoisted the square sail and made the halyard fast to the stern as a backstay. I’d made the Viking-style side-hung rudder shown in the Gokstad booklet drawings, but this time I steered with an oar over the stern. The boat picked up a little speed, but the sail bellied forward and narrowed the span of the foot. Cindy set up the push rod for the tiller as a whisker pole for the starboard clew; the sail spread wide and we took off.

I set a course down the middle of Malaspina Strait. Running downwind, the apparent wind was quite gentle and warm and lulled Cindy to sleep in her nest of drybags in the bow. We sailed 21 miles before the wind shifted around to the northwest; we dropped the sail and rowed the last few miles to spend the night at a marina at Powell River.

Roger Siebert

.

In the days that followed we continued north with overnight stops in the Copeland Islands and the Rendezvous Islands. Six miles north of the Rendezvous group sits Yuculta Rapid, and another 6 miles beyond that Dent Rapid—dangerous passages that we’d have to time just right to avoid getting caught in a chaotic rush of the tides.

With her mast raised, ROWENA had a distinctly Viking look. I never tired of looking at the boat's ancient form, and was continually impressed at how well it performed.

With her mast raised, ROWENA had a undeniable Viking look. I never tired of the boat’s elegant form, and was continually impressed at how well it performed.

We left the middle island of the Rendezvous group and rowed in the rain and chop three quarters of a mile west to the steep, thickly forested eastern flank of Read Island. We turned north, crossed White Rock Passage to Maurelle Island and took advantage of the back eddies to work against the south-flowing flood. Every half mile or so there was a bald eagle looking down on us from a perch high overhead. We crossed Hole-in-the-Wall, the 1/5mile gap between Maurelle and Sonora islands, and pulled into a cove  over a mile short of Yuculta Rapids. We were an hour ahead of schedule for the slack tide.

When our time came, we headed north, passed through a momentarily tranquil Yuculta at slack, and rounded the corner at the Sonora Lodge, a discordant cluster of well-appointed buildings surrounded by treacherous waters and inhospitable shores. Many of the submerged rocks we passed over close to shore were covered with mussels no larger than our fingertips and so densely packed that they looked like black velvet. The ebb had begun flowing north just as we reached Devils Hole at the entrance to Dent Rapid. The water gently swirled and boiled around us, but there wasn’t any of the whitewater violence that would develop in the next few hours. Dent Rapid wasn’t going to give us any trouble, so Cindy fired up the stove and made miso soup while ROWENA spun lazily in the nascent whirlpools.

The notorious Dent Rapid would be a much more dangerous place in a few hours, but as we drifted through on the ebb, we took a break for hot soup.

The notorious Dent Rapid would be a much more dangerous place in a few hours, but as we drifted through on the ebb we took a break for hot soup.

 

Our camp on Helmcken island was a bit damp, but there was a quite cove for ROWENA and and soft mossy perch for our tent.

After getting safely across Dent Rapid we treated ourselves to a cabin and hot showers at a lodge by Cordero Channel.

We rowed west along Cordero Channel, spent the night at a floating lodge, and spent all of the following day rowing in the rain until we reached Helmcken Island in Johnstone Strait. There was a slender notch in the east end of the island where we could keep ROWENA centered over deep water with 140′ of line spanning the cove.

Our camp on Helmcken island was a bit damp, but there was a quite cove for ROWENA and and soft mossy perch for our tent.

Our camp on Helmcken island was a bit damp, but there was a quiet cove for ROWENA and and soft mossy perch for our tent.

The trees on the island were second or third growth, spindly compared to the arm-span-thick red-cedar stumps that were scattered in the woods and still bearing the notches loggers chopped for the springboards they used to make their cut above the broad flare of the trunk at ground level. We set the tarp over a small mossy spot to make a place out of the rain for the tent. We had plenty of dead wood around camp to make a fire hot enough to dry our sodden clothes, melt a plastic cup, and scorch one of Cindy’s wool socks. The fire was still smoldering in the morning, and we cooked pancakes over twigs poked into the embers.

Our campfire on Helmcken gave us a chance to warm up and dry out rain-dampened clothes. We didn't bother chopping up the mostly red cedar driftwood; we just fed the ends into the fire as they were consumed.

Our campfire on Helmcken gave us a chance to warm up and dry out rain-dampened clothes. We didn’t bother chopping up the mostly red cedar driftwood; we just fed the ends into the fire as they were consumed.

We fought against wind and tide in Johnstone Strait and after 5 miles decided it wasn’t worth the effort. We turned east around the tip of Hardwicke Island and retreated up Sunderland Channel too the first refuge we could find, a narrow inlet around a creek.

Johnstone Strait was too rough for our tastes so we looped around to the north side of Hardwicke Island. The only safe haven was a creek inlet that was itself quite choppy. The stick stuck in the sand marks the level of the water when we arrived. We waited for the high tide the next day to get back under way.

Johnstone Strait was too rough so we looped around to the north side of Hardwicke Island. The only safe haven was this inlet that was itself quite choppy. The stick stuck upright in the sand marks the level of the water when we arrived. We waited for the high tide the next day to get back under way.

Johnstone Strait was just as bad the next day and we covered only 8 miles and stopped at Port Neville. The following day, after struggling another 10 miles along the Strait, we decided to take an alternate route that looped north around the east end of Cracroft Island. The turn into Havannah Channel put the wind behind us, so we raised the mast and used our nylon tarp as a spinnaker. We sailed about 5 miles, rounded the east tip of Cracroft, and had to fight once more, rowing into chop and a headwind. By the end of the day my armpits were chafed raw.

One of the beams that once supported the roof of a longhouse still had the beautifully carved wolf's head on one end.

One of the beams that once supported the roof of a longhouse still had the beautifully carved wolf’s head on one end.

We spent that night at Minstrel Island and the next day stopped at the ruins of Mahmalillikullah on Village Island. (The descendants of the First Nations people who inhabited the village live elsewhere, but the land still belongs to the band. Permission should be obtained before landing. At the time, we were unaware of the courtesy that is called for when visiting sites like this.) A totem pole with the fin of a killer whale still stands, rising above the brambles that had swallowed up the village site. The posts and beams that once supported a longhouse still stand. They had been cut from logs nearly 3′ in diameter and carved with a distinctive pattern of adze-cut grooves. We left the village, and that evening anchored among the islets of the Indian Group.

With the last of the daylight we got ready to spend the night by one of the islets of the Indian Group, a mile and a half from Mahmalillikullah.

With the last of the daylight we got ready to spend the night by one of the islets of the Indian Group, 1-1/2 miles from Mahmalillikullah.

Our route took us out into Queen Charlotte Strait, a 14-mile-wide body of water that extends from the cluster of islands we’d been traveling through to the Pacific Ocean. As we had expected, the going got rougher. Rowing up the mainland coast on the north side of the Strait we encountered 25-knot headwinds and a confusion of waves reflecting off the rocky shores. As we fought our way to Blunden Harbor we noticed water sloshing under the floorboards. It was the first time we had taken on a significant amount of water since launching, and I was concerned that all of the pounding in the waves might have split a plank. I checked the aft half of the boat and found no damage; Cindy checked the bow and reported that the hull was intact but water was dripping from the gear tucked under the foredeck. Fortunately, the water was coming over the sheer, not through the hull. The fabric deck was snapped to the outside of the hull and as ROWENA drove through waves, water that would have otherwise flown away from the sheer was slipping under the cover and coming aboard. I was relieved that the boat was holding up to the beating we were taking and impressed that this 1,000-year-old design was so seaworthy.

The wind strengthened and we had to claw our way into Blunden Harbor. This half-mile-wide haven was rimmed with tall trees, but we weren’t able to rest until we had tucked into the lee right up against the shore. The beach we landed on was brilliant white, a midden of sun-bleached oyster shells that crunched loudly underfoot. We unsnapped the foredeck and took all of our gear out. A lot of things had gotten wet, including our change of dry camp clothes and the bag holding our ID and money. Cindy got started with dinner while I lined the bow with the plastic tarp and did laundry in my improvised wash basin.

There wasn't much left of the old village at Blunden Harbor. The logs sticking out over the beach are the posts and beams of a fallen longhouse. The beach is composed almost entirely of shell fragments, the detritus of thousands of years of habitation. Among the shells were scattered fragments of glazed pottery and glass trade beads.

There wasn’t much left of the old village at Blunden Harbor. The logs sticking out from the bank are the posts and beams of a fallen longhouse. The beach is composed almost entirely of shell fragments, the detritus of thousands of years of habitation. Scattered among the shells we found fragments of glazed pottery and glass trade beads.

This was the low point for Cindy. Queen Charlotte Strait had been hard going, and she was exhausted and discouraged. We talked over dinner and I assured her that the important thing was not to get to Alaska, but to enjoy the time we were spending together. If the voyage had ceased to become worth the effort and the discomfort, we could go home. Knowing she wasn’t obligated to keep rowing , and that she had the power of choice, seemed to make a difference.

During a midday break at Allison Harbor, I relaxed while lunch warmed up. We had a short day prior to rounding Cape Caution, so we had time to dawdle.

During a midday break at Allison Harbor, I relaxed while lunch warmed on the stove. We had a short day prior to rounding Cape Caution, so we had time to dawdle.

We continued working our way along Queen Charlotte Strait, coming more under the influence of the Pacific with every mile. Shelter from the wind was harder to find and ocean swell prevented us from keeping close to shore. Cape Caution, marking the outer limit of the Strait, was going to be the most exposed part of our trip. To get around it we had to pick our moment carefully. We ducked in behind Bramham Island and rowed 2-1/2 miles to a small bay on the mainland side where we would wait for an early-morning attempt on the Cape. We had the rest of the afternoon off so I napped and Cindy read. In spite of the risky passage ahead of us, we were in good spirits. It seemed Cindy’s misgivings about our adventure had evaporated.

 

We spent the night aboard ROWENA and woke to the alarm clock at 4:30 a.m. Getting moving at that hour was hard, but we were ready to row in just 45 minutes. We headed down Slingsby Channel in a foggy calm; the reflections of the trees along shore reached right up to the boat. We rowed the 5-mile length of the channel and stopped at the entrance to see what was in store for us.

As we approached Queen Charlotte Strait we entered an area where there were so many small islands that we had to keep a sharp eye on the chart to keep from getting disoriented. I took this photo using a radio-controlled shutter release to trigger the camera I'd set up on one of the islets.

On our way out of Slingsby Channel we stopped at a small waterfall to replenish our supply of fresh water. When we got water from streams we just looked for fast-moving water and didn’t filter or treat it. We never suffered any ill consequences after drinking it.

The weather radio wasn’t picking up any of the stations, so we only had yesterday’s forecast to go by: light and variable winds. The swells were only about 3′ high and only slightly rippled by a light favorable breeze from the southeast. We sat for 25 minutes to see if there was any change in the wind, either in speed or direction. It stayed steady, so we took off for Cape Caution, 6 miles distant. With the wind in our favor we made good speed past Burnett Bay, a 2-mile stretch of tawny sand set between equally long rows of white breakers on one side and silver-gray driftwood on the other.

We had good conditions for a quick rounding of Cape Caution and raced around the light, seen here, to get back into more protected waters.

We had good conditions for a quick rounding of Cape Caution and raced past the light tower, seen here obscured by haze, to get back into more protected waters.

Cape Caution turned out to be a blunt and unremarkable point of land, distinguished only by a squat light tower that was dwarfed by the trees behind it. We still had a lot of ground to cover to get back into the safety of the inland waterways, so we kept rowing at a brisk pace. Four miles beyond the cape we closed in on Milthorp Point, the northward-pointing thumb of land guarding Protection Cove. Cindy spotted whale flukes rising from the water offshore.

As we drew even with the point, I looked over my shoulder to check our course. I saw something that looked like a rock at a first glance, but it was the ridged gray back and twin blowholes of a second whale coming straight at us, just 30 yards ahead. I called, “Way enough,” and we drifted silently forward, waiting. The whale surfaced again directly astern and a few dozen yards away, having passed right under us. We turned the corner into Protection Cove to take a short break. A fisherman at anchor there eyed us as we slipped by, saying, “You just come from Japan?”

Safely around Cape caution and in among the islands at the entry to Smith Sound, we took a break on a small dumbell-shaped islet. Cindy isn't doubled over with seasickness—that would come later—she's looking at shells.

Safely around Cape Caution and in among the islands at the entry to Smith Sound, we took a break on a small dumbell-shaped islet. Cindy isn’t doubled over with seasickness here—nausea would get to her a few hours later—she’s looking at shells.

Beyond Smith Sound and Rivers Inlet we were back inside, where we felt much more comfortable with the challenges posed to a small boat. We sailed up Fitz Hugh Sound to Namu, and then took a day off at Bella Bella.

The swells we enconterd crossing Smith Sound and Rivers Inlet left Cindy a little seasick. She fell asleep as we approached the Addenbrook lighthouse on our way north into Fitz Hugh Sound.

The swells we encontered crossing Smith Sound and Rivers Inlet left Cindy a little seasick. She fell asleep as we approached the Addenbrook lighthouse on our way north into Fitz Hugh Sound.

We timed our departure from Bella Bella to be present at the arrival of LOOTAAS (“Wave Eater”), a 50′ cedar canoe carved in Skidegate by Bill Reid and a team of Haida carvers for Expo 86 in Vancouver, B.C. The canoe was now being paddled from Vancouver 600 miles back to Haida Gwaii (formerly the Queen Charlotte Islands) and stopping at all of the First Nations towns for elaborate ceremonial receptions. It seemed like all of Bella Bella had gathered on the beach. Many of the elders had black-and-red button blankets draped over their shoulders, gleaming with mother-of-pearl buttons sewn on to create animal figures in the Northwest style. LOOTAAS, carrying a team of paddlers wearing white vests, came to a stop a boat length from the beach; the crew raised their paddles, pointed blades skyward.

LOOTAAS came ashore to the enthusiastic welcome of the Bella Bella community. The paddlers are line up in their white vests at the top of the beach.

LOOTAAS came ashore to the enthusiastic welcome of the Bella Bella community. The paddlers in their white vests are lined up at the top of the beach.

One of the crew called out to ask for permission to come ashore; it was granted by a Bella Bella elder on the beach. LOOTAAS was paddled in stern first. The middle section of its hull was painted black; both ends were finished bright and bore bold red and black designs—stylized animals with bean-shaped eyes and rows of rounded teeth. Many of the Bella Bella residents were taken out for short rides, elders first, then children. Cindy was invited aboard for one of the last tours. I had been talking with Ron, the canoe’s steersman, and when the event was winding down, he invited me to come aboard and paddle LOOTAAS to the dock where it would spend the night. Instead of the usual crew of 12 paddlers and the steersman, Ron had just two of us at his command, but we were able to get LOOTAAS moving.

When the welcoming ceremonies were over, I got a chance to paddle LOOTAAS. There were just three of us aboard and we were going stern first, but it was an honor to be aboard.

When the welcoming ceremonies were over, I got a chance to paddle LOOTAAS. There were just three of us aboard and we were going stern first, but it was an honor to be aboard.

That afternoon Cindy and I rowed west along Seaforth Channel, and spent what should have been a peaceful night at a well protected anchorage at Beasley Island. In the middle of the night I awoke to Cindy shouting, “Marty, look out!” “What’s up?” I asked, realizing she was in the middle of a dream. “We’re going to run into it!” “What?” I asked. “Do you want me to steer or something?” she replied, in a less-agitated voice as she woke. She didn’t remember much of the dream when I asked her about it. Although she had committed herself to continuing the trip when we left Blunden Harbor, at least some of her anxiousness about it was apparently still with her. I admired the grit she had been showing since Blunden in the face of the daily discomforts and demands of rowing. I never did find out who Marty was.

We had stocked up with enough supplies at Bella Bella that we could bypass Klemtu, a small native village on Swindle Island. We were headed north near along Princess Royal Channel when we heard a rhythmic thumping coming from the haze that obscured the channel leading south to Klemtu. A dark spot emerged from the fog, and we could soon tell by the flash of paddle blades that it was LOOTAAS.

A drummer aboard LOOTAAS kept twelve paddlers working in a precise rhythm.

A drummer aboard LOOTAAS kept twelve paddlers working in a precise rhythm.

We kept rowing and when the canoe was about 30 yards astern and coming straight at us, Cindy and I started to sprint. A cry went up from the canoe and the drumbeat quickened; LOOTAAS closed the gap all too quickly. Clearly the modern-day Haida paddlers had inherited the abilities of their ancestors to scare the bejeezus out of hapless mariners on the North Pacific Coast.

We put on a sprint when LOOTAAS drew near, and the crew came charging after us. We were no match for their power and speed.

We put on a sprint when LOOTAAS drew near, and the crew came charging after us. We were no match for their power and speed.

Halfway up Princess Royal Channel we stopped at Butedale, once a busy cannery set on the hillside of Princess Royal Island. I had stopped here when I first rowed up the Inside Passage seven years earlier. Back then the store at the top of the ramp from the dock was open for business and and even selling ice cream. The store was still standing but Butedale was a ghost town, inhabited by a lone caretaker.

Butedale was falling into ruin. A month before we arrived, a caretaker had fallen through some rotten decking and had broken his back.

Butedale was going to ruin. A month before we arrived, a caretaker had fallen through some rotten decking and had broken his back.

We were given permission to use one of the houses that had been built for a cannery manager. We found it with the front door unlocked and the lights on. Butedale’s generator was powered by water running down from a lake in a huge black snake of tarred wooden pipe. Even though there was only one resident, the lights, baseboard heaters, and water heaters for the whole village had to be kept on for the generator’s sake. Seeing an abandoned village with all the lights on was strange enough, but not as eerie as the state of the house. It looked as if a family had walked out just that morning. Cups of coffee and bowls of cereal were still on the kitchen table, the closets and dressers were full of clothes, and the kitchen cabinets were stocked. But no one had been here for months and no one was ever coming back.

We took advantage of hot showers but didn’t spend the night in the house. We’d had an invitation to stay with a couple aboard their little trawler; when we got back to the dock, we accepted their offer. The house was just too creepy.

Betty and Tony, our hosts during our stay in Butedale took a picture of our departure from the deck of their cruising trawler.

Betty and Tony, our overnight hosts during our stay in Butedale, took a picture of our departure from the deck of their cruising trawler.

Princess Royal Channel led to Grenville Channel, a slender and almost arrow-straight passage 44 nautical miles long and hemmed in by steep-sided ridges from 1,000′ to 2,000′ high. Going with the flow there is essential, and traffic from both ends rides the floods in, arrives at mid-channel at slack, and takes the ebbs out. It took us three days to get through Grenville, anchoring in Lowe Inlet, 14 miles in, and Klewnuggit Inlet, another 11 miles in, and getting up in the middle of the night to take advantage of the tides.

Working with the tides in Grenville channel required getting up at around 2:00 a.m. and rowing into daybreak.

Working with the tides in Grenville Channel required getting up at around 2:00 a.m. and rowing into dawn.

We took a day off at Prince Rupert and resupplied. Refreshed, we left town in the rain and headed for the Alaskan border. Dixon Entrance, at the border between British Columbia and Alaska, was the other exposed stretch of water we were concerned about but it wasn’t as risky as Cape Caution; there were a number of islands and inlets that offered safe havens. After leaving Prince Rupert we spent the night at a dock sheltered in a cove on the south side of Portland Inlet, and the next day had an easy 13-mile row across the border in rolling 4′ swells but otherwise calm conditions. We camped on the east side of 800-yard-wide Tongass Island. This was our first landfall in Alaska, but checking in with customs would have to wait until we reached Ketchikan.

Part 2 of this story is in the April 2017 issue of Small Boats Monthly.

Christopher Cunningham is the editor of Small Boats Monthly.

If you have an interesting story to tell about your adventures with a small wooden boat, please email us a brief outline and a few photos.

A Norwegian Tiller Keeper

A push-pull tiller requires a different kind of keeper than one for a conventional tiller.Christopher Cunningham

A push-pull tiller requires a different kind of keeper than one for a conventional tiller.

Solo sailors of small open boats have a problem: While we’re sailing we’re stuck minding the helm. Occasionally there’s a need to go forward to adjust the downhaul or centerboard, use both hands to steady the binoculars, change a setting on the GPS, or eat lunch. Some boats can hold a course on their own, with the sails set to provide a neutral helm, but not always, and not on every point of sail. Some boats, like mine, have weather helm when beating and will round up if you let go of the tiller. Heaving-to takes time and brings progress to a halt.

A tiller keeper is a device to hold the tiller and maintain a course while we tend to those other chores. There are many meant for conventional tillers, available both commercially available and as do-it-yourself projects, but there are not so many for the Norwegian-style, push-pull tillers. The best I have seen was the ingenious and elegant design that Eric Hvalsoe had developed for his BANDWAGON, which Tim Yeadon also implemented on his Hvalsoe-designed HAVERCHUCK. Like their boats, my FIRE-DRAKE has a Norwegian tiller to work around a mizzenmast, so I was eager to make a tiller keeper.

The author's tiller keeper is mounted on a bulkhead and has an elastic band to keep the tiller held tightly against the pin in the block shown here.Alex zimmerman

The author’s tiller keeper is mounted on a bulkhead and has an elastic band to keep the tiller held tightly against the pin in the block shown here.

 

The weight of the tiller is enough to keep it in place in mild conditions; the bungee adds security when the going gets bouncy.Alex Zimmerman

The weight of the tiller is enough to keep it in place in mild conditions; the bungee adds security when the going gets bouncy.

The keeper is a block of hardwood with a recess to hold the tiller from moving laterally. The wooden block I made is about 3-1/2″ wide by 3″ tall by 7/8″ thick, which nicely accommodates my 1″-square tiller arm. In the center of the saddle is a vertical stainless-steel pin. An aluminum strip, screwed and epoxied flush into the underside of the arm, has a number of holes drilled fore and aft of the rudder’s neutral position to allow for a number of positions for the tiller so I can dial in how much rudder angle I need. The pin is a 10-24 stainless-steel machine screw with the head filed to the same diameter as the shaft—just a touch larger than 3/16″—and rounded, set in epoxy about ¼” proud of the surface it sits in. The holes in the tiller’s aluminum strip are 13/64″, to make it easy to drop the tiller arm in place with the pin easily slipping into one of the holes, but not so loose as to be sloppy. The 19 holes are spaced 5/16″ on centers.

The editor's system has the same kind of fitting set into the underside of the tiller as the author's rig, but the block with the pin had to be mounted under the stern sheets.Christopher Cuningham

The editor’s system has the same kind of fitting set into the underside of the tiller as the author’s rig, but the block with the pin had to be mounted under the stern sheets.

 

A light cord snugged into a V-shaped notch serves the same function as the author's bungee.Christopher Cunningham

A light cord snugged into a V-shaped notch serves the same function as the author’s bungee.

 

When not in use, the block, which has a T-shaped cross section, slides out of the way under the stern sheets, supported by a pair of notched supports.Christopher Cunningham

When not in use, the block, which has a T-shaped cross section, slides out of the way under the stern sheets, supported by a pair of notched supports.

 

Different tillers would have block, pin, and strip dimensions suited for their size. The pin and strip could be made of bronze or brass. There is a vertical groove at the back of the wooden block for a piece of shock cord that goes over the top of the tiller arm to a jam cleat on the other side. I have mounted the block on the forward side of the aft watertight compartment bulkhead, but it could also be mounted on a suitable thwart.

Most of the time I just drop the tiller onto the appropriate pin and let gravity hold it there. For extra security in a bit of a chop, I pull the shock cord across and cleat it. This tiller keeper is easy to make, easy to install, and it has allowed me to tend to all of those little chores underway. Now that I don’t need to mind the tiller every moment, I am not as tired at the end of a long day of sailing.

Alex Zimmerman is a semi-retired mechanical technologist and former executive. His first boat was an abandoned Chestnut canoe that he fixed up as a teenager and paddled on the waterways of eastern Manitoba and northwestern Ontario. He started his professional career as a maritime engineer in the Canadian Navy, and that triggered his interest in sailing. He didn’t get back into boatbuilding until he moved back to Vancouver Island in the ’90s, where he built a number of sea kayaks that he used to explore the coast. In the early 2000s, he built his first sail-and-oar boat and he completed his latest in June of this year. He says he can stop building boats any time.

You can share your tricks of the trade with other Small Boats Monthly readers by sending us an email.

InReach SE

The InReach has all of the controls required built into the device, but a Bluetooth link can connect it to other devices to make data entry much easier.photograph by the author

The InReach has input controls built into the device, but a Bluetooth link can connect it to mobile devices, like phones and tablets, to make data entry and messaging much easier.

Last spring, I planned a summer sail-and-oar trip up the Inside Passage of the British Columbia coast, a journey that would take about six or seven weeks. I knew I would be out of mobile-phone range for much of that time. While a satellite communicator was not exactly a requirement my wife set for me before embarking on the trip, it made the trip a much easier sell, because she would be able to track my progress and we could keep in touch.

Hand-held satellite messengers have been in existence since the release of the SPOT in 2007, and while they are relatively common now, not all are created equal. The one I chose is a Delorme InReach SE. The device is about 6″ x 2 1/2″ x 1″, about the size of a mobile phone but twice as thick. It comes with an AC power adapter and micro USB cable for charging, a clip, and a lanyard. It has a 1 3/8″x 1 1/8″ color screen, power and reset buttons, a four-way rocker button, and an SOS button with a lockout slider. On the back are reminders about what the buttons on the front do. The unit has a rating of IPX7, which means it’s waterproof to a depth of 1 meter for 30 minutes.

The InReach has a number of key features that convinced me to buy it rather than other similar devices. In addition to tracking and marking my location on a web-based map, the unit can also send and receive text messages, up to 160 characters, to email addresses and phone numbers you select. If you download the Earthmate app to your smart phone, you can pair the phone to the InReach via Bluetooth and use the phone’s keyboard, which is much less cumbersome than cycling through the alphabet using the unit’s rocker button. There are three editable, pre-set messages for quick messaging. The unit can also post to Facebook and Twitter. To activate the unit, you will need to set up an account and subscription plan, which takes time but is straightforward if you follow the instructions.

When you’re using the InReach to track your progress, it will transmit your location every 10 minutes by default, but the interval for waypoint updates can be customized. On my trip last summer, I set it to ping once an hour and turned the unit off at night to save power. The text-messaging feature worked well, although there was frequently lag time between the sending and receiving of a message.

There is also a marine weather forecast update feature. I didn’t find it very useful for my trip, but that’s a function of where I was, an region where there are few weather stations, and local conditions can vary considerably from the forecast. The update is probably more useful in more populated areas where there are more reporting stations. A caveat when choosing a subscription plan: The two least expensive subscriptions charge a fee for each forecast request, each text you receive (50 cents), or for software updates from the website, or track (10 cents). You can also suspend the plan for a nominal monthly fee if you use the device seasonally.

The rechargeable lithium-ion battery life is claimed to be about 100 hours, but I generally got about 35–40 hours, which included some texting every day, which uses more power than position updates.

The InReach Explorer is a more expensive version of the unit with built-in topographic maps, a digital compass, an altimeter, and an accelerometer. Since I had most of these features in my GPS already, the SE was a better deal for me.

The InReach SE gave my wife the assurances she needed that I was OK and keeping to my plan. She had regular positions marking my progress each day, the comfort of short personal message exchanges with me, and the knowledge that I could signal for a quick rescue if there was serious trouble.

Alex Zimmerman is a semi-retired mechanical technologist and former executive. His first boat was an abandoned Chestnut canoe that he fixed up as a teenager and paddled on the waterways of eastern Manitoba and northwestern Ontario. He started his professional career as a maritime engineer in the Canadian Navy, and that triggered his interest in sailing. He didn’t get back into boatbuilding until he moved back to Vancouver Island in the ’90s, where he built a number of sea kayaks that he used to explore the coast. In the early 2000s, he built his first sail-and-oar boat and he completed his latest in June of this year. He says he can stop building boats any time.

DeLorme lists the InReach SE at $399.99; many online retailers offer it for $299 and less. Subscription plans range from $14.95 to $99.95 per month, less with an annual contract.

Is there a product that might be useful for boatbuilding, cruising or shore-side camping that you’d like us to review? Please email your suggestions.

Aqua Bug outboards

The light weight of 4-stroke Aqua Bug (shown here) and its 2-stroke cousin are both light enough to be side mounted on a canoe without overwhelming its stability. photographs by the author

The light weight of the four-stroke Aqua Bug (shown here) and its two-stroke cousin are both light enough to be side mounted on a canoe without overwhelming its stability.

My 2.5-hp four-stroke Yamaha outboard, the smallest in the Yamaha line, weighs 40 lbs, so I’d never imagined putting it on my lapstrake canoe. The canoe doesn’t have a transom, so I’d need to mount the motor on the side, and hanging 40 lbs out there was out of the question. When Bike Bug, maker of compact gas motors that can be added to bicycles, emailed me about their Aqua Bug two-stroke and four-stroke outboards, I had a chance to see what it would be like to have a power canoe.

Bike Bug claims the Aqua Bugs are the “world’s smallest” and indeed both of them are very easy to carry with one hand. The four-stroke weighs 17 ½ lbs with a tank one-third full and its crankcase filled with oil; the two-stroke weighs just 11 ½ lbs with a half tank of gas.

The four-stroke Aqua Bug

The four-stroke looks like a very skinny outboard. The parts are all attached to a chrome-plated 1-1/8″ pipe, but there’s a normal-looking 7″ three-bladed plastic prop, lower unit, and mounting bracket under the 1.4-hp motor. The two-stroke has an unusual look for an outboard. The motor, rated at 1.2 hp, looks as though it was pinched from a gas-powered weed-whacker, the 1″ aluminum shaft is bent, the lower unit looks like it was made out of an electrical conduit junction, and the prop looks like high-performance surface-piercing propeller sized for blending smoothies. But if that’s what it takes to make an outboard that weighs around 11 lbs, I didn’t mind. I cobbled together a motor mount for my canoe and headed out for trials on Seattle’s Lake Union.

The light weight of 4-stroke Aqua Bug (shown here) and its 2-stroke cousin are both light enough to be side mounted on a canoe without overwhelming its stability.

The two-stroke Aqua Bug

Both motors have little fuel pumps to get the flow of gas going, chokes for cold starts, and centrifugal clutches. They both started up quickly, with two or three pulls of the starter cord. The two-stroke’s prop didn’t turn until I revved the motor to engage the clutch. The four-stroke was running too fast at an idle, so I backed the screw on the motor to adjust the low-end RPMs. A zip tie added to hold the cable to the tiller kept it in a position that reduced friction to assure the throttle returned quickly to an idle. Both engines are air cooled, so I could practice starting them and do any tuning without having the lower units in a bucket of water. There are kill switches on both motors, but neither has a deadman function.

The 2-stroke (shown here with the propellor guard angled away from the prop for clarity) has a small propellor that comes into its own once the boat gets moving.

The two-stroke (shown here with the propeller guard angled away from the prop for clarity) has a small propeller that comes into its own once the boat gets moving.

During my trials with the canoe I discovered the motors have very different characteristics. The two-stroke’s prop didn’t provide much thrust until the boat got underway. It seemed to need some forward motion before it could apply power. Cranking the throttle up quickly didn’t do much when the canoe was at a standstill, but once it got going, the prop engaged and the speed came on. Occasionally while running the two-stroke at full throttle, I could hear the engine revs pick up and I felt the speed drop slightly. That might have been caused by air traveling down the shaft and getting sucked into the prop. The hesitation would last for a moment and the prop would take hold again.

The propeller for the 2-stroke has a diameter of 2-5/8"

The propeller for the two-stroke has a diameter of 2-5/8″

With two passengers and me in the canoe, all 200-pounders, half throttle pushed us along at 3.5 knots and full throttle got us up to 4.1 knots. The top-end speed came with lot of noise. The exhaust port is on the top of the motor and less than a yard from my ear, so some sort of hearing protection would have been in order.

Turning with the two-stroke needs to be done gradually. If I turned the tiller 90 degrees quickly, it would have little effect on the canoe’s course. Turning more gingerly keeps water flowing into the prop so it can continue to provide thrust through a turn.

The mount for the two-stroke locks at a variety of settings and won’t pivot if an obstruction is hit. The prop seems quite durable, and I’d hope the clutch would slide to prevent any damage.

The cap for the fuel tank is on the side, so to refuel you have to cock the motor up and turn it to get the opening turned upward. The cap has a retainer so it can dangle from the tank while you refuel.

The four-stroke was quite a different experience. It has a lot of thrust at slow speeds and got the canoe moving quickly even with its 600-lb load. It was important to start the engine without the throttle turned up so that the prop didn’t engage as soon as the engine came to life and send us careening forward. The canoe isn’t very stable, and I had to be careful making turns. With the prop providing thrust underneath the canoe, any steering caused the canoe to roll, banking into the turn. A wider boat wouldn’t have felt so twitchy.

Like the two-stroke, the four-stroke can pivot through 360 degrees, so you can get reverse if your boat allows you reach back far enough to hang on to the tiller. The shaft of the four-stroke has a device that allows it to be run in reverse without tilting up. When run forward the motor will pivot up over obstructions, as most outboards do, but the Aqua Bug was so light that the motor would tilt forward if I throttled back and let go of the tiller. And when I pulled the starter cord, I had to hold the top of the engine with the other hand to keep it in place. To refuel you have to tilt the motor first to keep its reverse lock-down from engaging and then rotate the fuel-tank cap upward.

At full throttle, the four-stroke pushed us along at 4.5 knots. The exhaust port of the four-stroke is also at the top of the motor, but it had a lower pitch and a more tolerable volume. Half throttle produced 3.5 knots. As a point of reference, I kicked up the motor and my son and I took to the paddles. We could peak at 5.1 knots, but the speed we could sustain at an exercise pace was 4.4 knots, 3.5 knots at a relaxed all-day pace. In the long haul the motors were was strong as we were.

Like my Yamaha, the Aqua Bug motors have their little quirks to get used to, but they did the job of pushing my heavily loaded canoe along at a good clip. The two-stroke would serve best if you’re looking for the smallest, lightest motor, and simply intend to get from point A to point B without a lot of stops and starts or tight turns. I’d recommend the four-stroke for its cleaner-burning, quieter-running, and all-purpose function. 

Christopher Cunningham is the editor of Small Boats Monthly.

The Aqua Bug outboards are available from Bike Bug. The four-stroke sells for $589; the two-stroke for $389.

Is there a product that might be useful for boatbuilding, cruising or shore-side camping that you’d like us to review? Please email your suggestions.

STILL THINKING

STILL THINKING is a Redwing 18, Barry Dusharm's first power boat.photographs courtesy of the Dusharms

STILL THINKING is a Redwing 18, and Barry Dusharm’s first power boat.

Barry Dusharm grew up with boats, logging a lot of hours paddling and rowing. The passion for being on the water never left him, and when the obligations of a career and family allowed, he built a 17′ stitch-and-glue light dory and made a circumnavigation of sorts of northern New York State. He rowed south along Lake Champlain, west on the Erie Canal, trucked around Niagara Falls, and carried on rowing the southern shore of Lake Ontario. He descended 100 miles down the St. Lawrence, keeping to that river’s American shore until the Canadian border blocked his way. His wife Leslie did the driving for the half dozen legs of the trip, shuttling him back and forth as he juggled rowing and work.

Barry had gone through some rough patches of water on Lake Ontario. Rowing an open boat in big waves worried him, and he began thinking about a kayak with watertight compartments that would keep him safe in bigger water. He didn’t want to give up rowing, the carrying capacity, and range of his dory, so he created a hybrid, combining the hull of a 21′ stitch-and-glue kayak hull with a cockpit for sliding-seat rowing with decks that created watertight storage compartments and housed foam flotation in both ends. With this new boat he took multi-week trips in the Florida Everglades, Arizona’s Lake Powell, and twice rowed Québec’s Manicouagan Reservoir, a circle of water 40 miles in diameter created by a meteor that smacked Canada 215 million years ago. For less ambitious outings he built a Wee Lassie canoe for himself to explore the waters in and around New York’s Adirondack Park.

When their two daughters went off to college, Barry and Leslie built a new home in New York on the Chaumont River, just 2 miles up from Chaumont Bay on the eastern end of Lake Ontario. With the river and lake so close by, it was natural for Barry to begin thinking about building another boat and about adding a shop to the new home to build the boat in. The boat that came to mind was the Karl Stambaugh’s Redwing 18. In 2004 Barry had read about the boat in a series of how-to-build articles in WoodenBoat magazine, and the following year he had seen the boat and met its designer at The WoodenBoat Show in Mystic, Connecticut. Barry’s boatbuilding experience had given him a glimpse of what was involved in building the Redwing, but he had never driven a powerboat before, let alone owned one.

With the building form on wheels, the hull could be moved to provide better access in a small garage.

With the building form on wheels, the hull could be moved to provide better access in Barry’s small garage.

While the Dusharms were making plans to build the new house, Barry happened upon a Redwing listed in a Vermont Craigslist ad. “Call for details,” the ad read. Barry didn’t call, but mentioned the ad to his wife. Rather than engaging in a discussion about the financial burdens of two kids in college and building a new home, Leslie said, “Isn’t that the boat you keep talking about? How much do they want?”

The Redwing 18 tips the scales at around 1,200 lbs.

The Redwing 18 tips the scales at around 1,200 lbs.

That weekend Barry drove to Vermont with an empty boat trailer. The Redwing wasn’t really a boat, but the parts for one. The owner had ordered a CNC-cut kit a few years earlier and made a tentative start before abandoning the project. The pile of plywood had been in a barn, out of the weather, and had collected a thick layer of dust and pigeon poop. Barry loaded the plywood, 8 gallons of epoxy resin, 8 quarts of hardener, fillers, cups, and scrapers and headed home.

The Redwing can be built with the wheel and controls on the motor well, but Barry chose to put the helm forward to put his boat in better trim.

The Redwing can be built with the wheel and controls on the motor well, but Barry chose to put the helm forward to put his boat in better trim.

The kit went into storage for a year and a half while the Dusharms built their new house. Barry got his new boatshop, a 15′ x 30′ heated addition to the garage, and at last went to work on the boat. He spent two-and-a-half years building his Redwing. He gave it some special touches—homemade ash cleats, a brass bit on the foredeck, and a ship’s wheel he picked up at a flea market and invested a week’s worth of work to restore.

The enclosure for the 9.9 hp outboard keeps the cockpit remarkably quiet.

The enclosure for the 9.9-hp outboard keeps the cockpit remarkably quiet.

Barry’s research had led to reports from Redwing owners about steering issues. With Stambaugh’s blessing, Barry trimmed the skegs, made additions to the keel, and moved the steering station forward. The modifications would later prove successful in improving trim, tracking, and steering.

Under the hood, there's a 9.9 hp outboard. The plans for the Redwing recommend a power plant of 5 to 10 hp.

Under the hood, there’s a 9.9-hp outboard. The plans for the Redwing recommend a power plant of 5 to 10 hp.

When the Dusharms launched their Redwing last August, Barry christened it STILL THINKING, the reply he’d give Leslie when she asked if the boat would be the last he’d build. The boat’s admittedly spartan cabin provided a degree of luxury Barry had never had aboard his previous boats—shelter from rain and bugs, a bed, a Porta-Potti—and the enclosure for the outboard is so effective that it’s hard to tell the motor is running. When STILL THINKING is underway, doing about 6 mph, the motor burns only a quart of gas per hour. Her shoal draft gives her access to the thin waters Barry favored in his rowing boats. Best of all, STILL THINKING has plenty of room for two and Leslie is able to join Barry on the water.

The low cabin roof offers an unobstructed over the bow; the cabin has room for a small V-berth, galley and head.

The low cabin roof offers an unobstructed over the bow; the cabin has room for a small V-berth, galley, and head.

The Ducharms have explored the Chaumont River and Chaumont Bay, and the St. Lawrence River, and have plans to travel the Erie Canal and visit New York’s Finger Lakes. Barry isn’t the only one who knows one boat inspires the next; Leslie’s also “still thinking,” and wondering how big a boat they can build in their shop.

Have you recently launched a boat? Please email us. We’d like to hear about it and share your story with other Small Boats Monthly readers.

Driftwood and Windfalls

Sawing driftwood for my review of the Silky Bigboy in the February issue struck a chord that has resonated deeply through most of my life. My father used to take me to the beach near our home in Edmonds, Washington, to gather red cedar driftwood for a fence that would eventually surround our 1/3-acre lot. In those days, tugs towing long rafts of logs up and down Puget Sound were common, and logs often escaped and washed ashore. Dad and I would load the ’54 Ford Ranch Wagon with a crosscut saw, a bow saw, a maul, and wedges and head to a beach where there was no shortage of stray red cedar logs. I was too young to do much work other than fetch tools; Dad cut logs to length and split posts, rails, and pickets. When we had enough to fill the car, we loaded up and headed home; the smell of red cedar filled the car and seeped into our clothes.

On a few occasions I've harvested trees that had to come down. This western red cedar was threatening to crack the foundation a friends home in Seattle. Some of the wood from this tree became floorboards for a Gokstad faering.

On a few occasions I’ve harvested trees that had to come down. This western red cedar was threatening to crack the foundation a friend’s home in Seattle. Some of the wood from this tree became floorboards for a Gokstad faering.

When I started building kayaks in the late ’70s, the beach was my best source of the wood I needed: spruce for gunwales, chines, and keelsons, and yellow cedar for deck beams and steam-bent frames. The yellow cedar was much better for bending than any kiln-dried wood from the lumberyard.

When the wood from a salvaged log was going to be used for steambent projects, I split the the log to assure the grain ran parallel with the faces of the pieces I needed.

When the wood from a salvaged log was going to be used for steam-bent projects, I split the the log to assure the grain ran parallel with the faces of the pieces I needed.

In the ’80s, tugs towing rafts of logs were becoming less common and the pickings weren’t so good, mostly fir and hemlock. I kept an eye out for new logs on the beach that I frequented. They’d usually appear after a storm or a spring tide. One 16′ red cedar log, half a log really, about 4′ across where it had split, washed ashore on a section of beach that was usually swept clean of driftwood. If I were going to salvage any of the cedar I had to get to work. I walked home, put my kayak on a cart, and loaded it with dad’s wedges and splitting maul.

The mountain slopes produce curved trunks in areas prone to avalanches. This Alaskan yellow cedar trunk became curved deck beams for replicas of Aleut and Greenland kayaks.

The mountain slopes produce curved trunks in areas prone to avalanches. This Alaskan yellow cedar trunk became curved deck beams for replicas of Aleut and Greenland kayaks.

I paddled to the log, and in a few hours I’d split off several slabs about 8″ thick and 2′ wide from heart to bark. I floated the slabs out one at a time and towed each one along the 1/2 mile of beach to get to the path that led to the street I’d walk to get home. To get a slab up the railroad embankment and over the two sets of tracks I made a rope harness and crawled on all fours like a sled dog, using the rails to pull and push myself forward, always listening for the ringing in the rails, my early warning that a train was on its way.

My old tote-goat trail scooter helped transport downed crook stock.

My old Tote Goat trail scooter helped transport downed crook stock.

I got four slabs home before the tide took the rest of the log. At the time I didn’t know what I was going to do with the cedar, so I stacked it in the back yard to season. I later made a hammer dulcimer and used a thin piece of that cedar for the soundboard; then I sawed the rest into 4′ lengths, hauled them to my cabin in the woods, and made planks for a cold-molded sneakbox.

The slabs of red cedar that I'd salvage from the beach mad the last leg of the journey to my mountain shop with the help of an old Tote Goat trail scooter.

The slabs of red cedar that I’d salvage from the beach made the last leg of the journey to my mountain shop with the help of the Tote Goat.

 

My tote-goat's motor powered the jury-rigged table-saw I used to resaw red cedar for planking. A cord wrapped around the throttle and connected to a stick with one end resting on the ground let me control the engine with my foot.

The Tote Goat’s motor powered the jury-rigged tablesaw I used to resaw red cedar for planking. A cord wrapped around the throttle and connected to a stick with one end resting on the ground let me control the engine rpms with my foot.

My cabin and shop, built entirely of salvaged lumber, were on the north bank of the Sauk River near the site of Monte Cristo, a long-abandoned mining settlement. During the spring and fall water, the river ran high and undercut banks, dropping trees; avalanches during the winter brought more trees down, so there were dead trees everywhere. High up on the slopes that surrounded my cabin, many yellow cedars that were regularly pushed over by avalanches survived and grew with J-shaped trunks. Those that eventually were uprooted by avalanches provided crooks perfect for deckbeams in traditional skin-on-frame kayaks that I built in my shop. I found one yellow cedar log that had been buried in a landslide for who knows how long, eventually uncovered by a flooding creek. Beneath the rotted sapwood wood was beautiful, bright yellow, deliciously redolent, tight-grained wood.

During the winter there were few interruptions to working on boats. Visitors had to ski or snowmobile along 14 miles of unplowed road to get to my shop.

During the winter there were few interruptions to working on boats. Visitors had to ski or snowmobile along 14 miles of unplowed road to get to my shop.

 

The hull and deck of the sneakbox were made entirely of red cedar from the log I'd salvaged on the beach.

The hull and deck of the sneakbox were made entirely of red cedar from the log I’d salvaged on the beach. When was gluing layers together I’d get the wood stove going and heat the shop up to around 90 degrees. The well-insulated shop would hold the heat for most of the night and the epoxy would be cured by morning.

I cut the red cedar slabs with a chainsaw mill to rough-sawn 4x4s. To resaw those into 1/8″ planks for cold-molding, I mounted an arbor with a 12″ carbide blade on a 4×12, and fit the beam-made-table-saw to the handlebars and rack of my tote-goat trail bike. With the 5-hp Briggs and Stratton motor powering the cobbled-together table saw, I cut hundreds of planks. It took a couple of months to build the sneakbox, but by mid-winter, with the valley draped in snow, the cedar I’d hauled off the beach had become a boat.

In the middle of my last winter in Monte Cristo, I moved to a cabin on Lopez Island in Washington State's San Juan Islands. When the sneakbox was ready to leave the shop, I made a sled for it out of old skis and towed it to the road behind an aging snowmobile. Halfway down the 14 miles of unplowed road, the muffler fell off. Fortunately I always wore hearing protectors with me and the jet of flame shooting across my right shin didn't set my pants on fire.

In the middle of my last winter in Monte Cristo, I moved to a cabin on Lopez Island in Washington State’s San Juan Islands. When the sneakbox was ready to leave my mountain shop, I made a sled for it out of old skis and towed it to the road behind an aging snowmobile. Halfway down the 14 miles of unplowed road, the muffler fell off. Fortunately, I had hearing protectors with me and the jet of blue flame shooting across my right shin didn’t set my pants on fire.

I don’t gather as much driftwood and windfall as I used to, but I still keep an eye out for good wood. I occasionally find chunks of old-growth yellow cedar driftwood on the beaches, some with rings nearly invisible to the naked eye—100 per inch—that is perfect for model making. One split from a yellow cedar log that I towed a mile behind my kayak had more than 500 rings; it was from a tree that was standing long before Columbus set sail. Winter storms in the Seattle area tend to bring down lots of honey locust branches, and I gather that for making cleats. I’ll admit that I like getting wood for free, but that’s neither the only nor the greatest reward. Windfalls and driftwood are not only often much better wood than anything I could buy, but they also come with a story and a connection to times and places in my life. And to have the wood delivered to me by the power of wind and water makes it all the more appropriate for building boats.

Maine Coast Peapod

The peapod might be one of the most easily identifiable, traditional small craft found on the coast of Maine today. Peapods were used as nearshore lobstering boats; a lobsterman could stand on the gunwale and haul a trap by hand without the boat swamping. The shallow draft of these vessels allowed fishermen to work the various shallow nooks and crannies that dot the Maine coast. They were also quite seaworthy in deeper water and were favored by lighthouse keepers to get to and from offshore lighthouses.

Joel White’s 14′ Maine Coast Peapod is a classic take on this timeless design, perfectly suited for both sailing and rowing. His design is intended for recreational boaters, not working fishermen, and has a deeper draft than a traditional workboat for better tracking during sailing. They are sleeker for better speed under oars, a design element that trades away the stability required for hauling traps.

When my wife and I decided that we wanted to build a small boat that our family and friends could use, there was never much of a question as to what type. We were sold on the Maine Coast Peapod by our friend Dale, who owns one built by the Apprenticeshop of Rockland, Maine, during the late ’90s. For years he had graciously let us use his boat almost whenever we wanted, and after spending hours upon hours cruising around Rockland Harbor, both alone and with the boat loaded with friends, we decided that we’d have to build one of our own.

The Maine Coast Peapod is a design for traditional plank-on-frame construction. It’s a good project for someone with moderate carpentry skills interested in learning how to do carvel planking, cotton-caulked seams, copper rivets, and steam-bent frames. The plans I ordered from The WoodenBoat Store are straightforward and easy to follow. No lofting is necessary, as the mold patterns are drawn out to full size. This peapod is symmetrical stem to stern, so the three patterns in the plans are all that are necessary for the six molds. The stem and stern posts are identical, and in the plans their profiles are drawn out full size with the rabbet line, stopwater, and bolt locations identified. The remaining parts such as centerboard trunk, spars, and rudder are diagrammed to scale. A full fastening schedule is also provided to simplify ordering materials.

I set the molds up on a strongback about waist-high for easy access. The stem and stern posts connect to a 1-7/8″ by 2″ keel, and this backbone is then placed on top of the molds and temporarily held on with screws. The molds are drawn to the inside of the frames, so the ribbands are let into notches in the molds. The 1/2″-thick, white-oak frames are steam-bent over the ribbands and fastened to the backbone with bronze ring nails. The frames are spaced 5-1/2″ apart, with the first four frames on each side as half frames connected to the stem and sternpost. The remaining frames are bent full length over the keel from sheer to sheer. Framing required two people, one on each side, bending the frames and zip-tying them in place to the ribbands.

Freshly oiled, the peapod awaits launching. The aft side thwarts provide ample room to put your feet up and lean back while out for a ride.photographs and video by the author

Freshly oiled, the peapod awaits launching. The aft side thwarts provide ample room to put your feet up and lean back while out for a ride.

The plans show the plank widths at the two middle stations, which is a helpful starting point for lining off where the 10 strakes go; I used battens to line off by eye. I spiled each plank using strips of 1/8″ pattern plywood and swinging arcs with a compass. The plans, drawn in 1988, call for butt-blocks to join plank sections, but I find scarfing with today’s epoxies simplifies the planking process and makes joints stronger and less prone to leaks. Each plank, other than the sheer, needed to be backed out (a concave surface planed on the interior side of the plank) to accommodate the curve of the frames. I made the garboard out of mahogany, which was commonly done on other larger boats I’ve worked on, in order to provide some extra strength and durability. The hood ends of the planks need to be steam-bent to take the bend and twist into the stem rabbet, so I clamped the shaped plank to the frames and then wrapped the ends in a trash bag to create a pouch. I then poured in boiling water and after 15 to 20 minutes removed the bag, clamped the plank into place, and let it sit overnight.

The plans call for an oak sheerstrake, but I opted to use mahogany as I thought it would look a little nicer while being just as structurally sound. The planks are initially nailed to the frames with copper rivets, and when planking is finished the roves are set. Peening the rivets over the roves requires two people, one bucking the rivet head, the other peening the clipped rivet end over the rove. While the plans call for the rivets to be peened once the boat is off the molds and upright, I contorted myself around the molds and peened most of the rivets while the hull was still upside down. By leaving the hull in the strongback I could fair the hull more easily after all the nail heads were bunged.

The centerboard trunk is slightly offset so that the board emerges along the edge of the keel. One of the trunk’s bedlogs is fastened to the keel and the other to the port garboard. The trunk is a key structural part of this boat as it is tied into a center thwart, which ties into risers as well as the sheer via steam-bent knees. One of the reasons I used hardwood for the garboard was to provide extra rigidity for fastening the base of the trunk. The plans call for the garboard to be caulked right to the keel without the use of a keelson. In my experience, small boats without keelsons tend to leak along the garboard as they age. Additionally, the mahogany garboard I used wouldn’t swell up against the keel as much as a cedar plank would.

The plans call for a liberal amount of 3M 5200 adhesive along the centerboard trunk, which would make replacing the garboard quite a challenging task. For these reasons I chose to edge-glue the garboard to the keel with epoxy. I then notched the frames into the bedlogs and epoxied the trunk to the backbone and garboard in an effort to prevent leaking as the boat ages. While this technique may seem controversial, a boatbuilding shop I used to work for has had success in this way. I talked with a couple of boatbuilding friends whose shops have started experimenting with edge-gluing hardwood garboards on traditional craft. So far, after one full season, my garboard has held up perfectly.

Friends and family explore the tide line. With the centerboard up, the peapod only draws 7".

Friends and family explore the shallows along the tide line. With the centerboard up, the peapod only draws 7″.

The peapod is designed with four thwarts; I connected the aft two thwarts with side sheets. My friend’s peapod was built that way, making it easy to put your feet up while sailing. There are two rowing stations at the forward thwarts, although I suspect the forward oarlock pads are for rowing while standing up facing the bow. Rowing this boat with two people would be quite difficult, and rowing from the forward thwart would be awkward. Although the plans do not call for one, I added a teak sole to keep feet off the planking. The boat is designed to carry a lug rig with a boom, yard, and 12′ mast. The rig is not all that heavy or long and can be easily stepped at the dock.

A challenging yet rewarding aspect of building this peapod was procuring the necessary materials. The planking came from a cedar tree that had recently been struck by lightning. A friend gave me black locust, which I used instead of oak for the keel, stem and stern posts, and teak for the cockpit sole. Most of the hardware, such as the oarlocks, came from various yard sales and antique shops. The rudder hardware was among one of the most difficult pieces to find. The plans call for a V-shaped, custom-cast bronze gudgeon that fits around the sternpost, but I found gudgeons that mount on the face of the sternpost, with a curved bronze rod used in lieu of pintles to secure the rudder.

The wide beam gives the hull good stability, while a simple lug rig makes sailing a breeze.

The wide beam gives the hull good stability, while a simple lug rig makes sailing a breeze.

I applied a workboat finish to my peapod in order to minimize the springtime maintenance needed. The boat’s topsides are painted with Kirby marine enamel, and the bottom with an Interlux semi-ablative paint. The boat’s interior and spars are saturated with a mix of boiled linseed oil, turpentine, and a pinch of pine tar. Over time, the oil turns a beautifully weathered black, hiding dings and scratches that naturally come with use. The mixture is applied easily with a rag, encouraging annual reapplication. Prep time for the peapod in the spring usually only totals around three hours.

Joel White’s peapod is an excellent daysailer and an able tender. It tracks well when towed, is small enough to be tied to a dinghy dock and easily launched and retrieved with a trailer, yet it’s large enough to comfortably fit two or three adults and their gear.

The boat is fun to row, the perfect vessel to explore the coastline around an anchorage. It tracks well yet is easy to maneuver, and a single rower can make a pretty good speed. The double-ended design allows for rowing backward when leaving a beach or getting the boat off a trailer.

While heavier than your average yacht tender, the peapod can be carried by two adults a short way down a beach without too much trouble. We usually set a small anchor if we’re stopping on a protected beach to save ourselves the hassle of carrying the boat any great distance, especially if the rig is in and the boat is loaded with gear; an outhaul anchoring system would be ideal.

Both the halyard and main sheet lead aft for easy solo sailing.

With just the halyard and the sheet to manage, the rig makes solo sailing easy.

The peapod performs just as well under sail as under oars; she ghosts along easily in light airs and holds her own in a stiff breeze. The simplicity of the rig makes the vessel very easy to use under sail, even for a novice. It tacks easily, except in the lightest of airs when there’s not enough forward momentum to avoid getting stuck in irons. Then it is easier to tack by wearing ship—jibing around to avoid getting stuck in irons. In higher winds, the peapod does well and stays relatively dry unless there is a lot of chop. In a lot of wind the boat will sometimes become overpowered, which is probably an indication that you shouldn’t be out in such a small boat in the first place. For safety’s sake we added a set of reefpoints to our sail.

There are a few other tweaks to the rig that make things a little easier. For singlehanded sailing the halyard can be led through a small hole in the forward thwart to a small block or fairlead mounted on a frame and then aft to cleat. This allows one to set or douse the sail without having to leave the tiller. The tiller as drawn in the plans is rather long and best suited to sailing singlehanded. With passengers aboard it would be more advantageous to use a shorter tiller with an extension, so that the helmsman can sit farther aft.

We named our peapod BUSTAH, my great-grandfather’s nickname. The boat now sits in the water in front of his cottage in Owls Head, Maine, where we hope that our friends and family can enjoy sailing and rowing it for years to come.

Josh Anderson attended the Apprenticeshop boatbuilding program in Rockland Maine, and has since worked at several boatbuilding and carpentry shops. He and his wife, Sarah, restored a 25′ Friendship Sloop, operated a charter business with it, and spent several years sailing the Maine coast. Josh has a Masters in Maritime Management from Maine Maritime Academy and is now the Lead Boatwright for the Center for Wooden Boats in Seattle, Washington.

Particulars

Length:   14′
Beam:   4′ 7″
Draft (board up):   7″
Draft (board down):   1′ 7″
Weight:   200–225 lbs
Sail area:   75 sq ft

 

 

Plans for the Maine Coast Peapod are available from the WoodenBoat Store for  $60.

Tadpole Tender

When Dale Cottrell started building boats in the 1970s, he was working with fiberglass, not wood. At first he made fiberglass canoes, and then in 1984 he designed and built the Puffin Dinghy. He built a business around the Puffin and ultimately did quite well with it, selling thousands of them at a rate of 300 or more per year. But popping ’glass boats out of molds wasn’t where his heart was. He wanted to build wooden boats, and in 1994 he established Cottrell Boatbuilding in Searsport, Maine. He and his son Seth now build about a dozen small boats a year, rowing boats mostly, but a few for oar and sail. Their Tadpole Tender is a boat Dale designed and built for a customer looking for a boat that could be used to teach his kids to row. Drawn along the lines of a Whitehall, the 10′ Tadpole also proved to be popular as a tender.

The skeg does a good job keeping the Tadpole on track, eliminating the need to maintain course with the oars. The rope incorporated in the rub rail is one of several options.photographs by the author

The skeg does a good job keeping the Tadpole on track, eliminating the need to maintain course with the oars. The rope incorporated in the rub rail is one of several options for the gunwale guard.

The Tadpole is built in glued-lap plywood fashion with meranti marine plywood and epoxy. The 10 strakes are lined-off well, and the laps run fair from stem to stern. The hull is painted, making it easier to maintain and less stressful to use than a varnished hull.

The molds for the Tadpole, set up here in the Cottrells' shop, show the gentle curve of the full bilges that give the hull good load-carrying ability.courtesy of Cottrell Boatbuilding

The molds for the Tadpole, set up here in the Cottrells’ shop, show the gentle curve of the full bilges that give the hull good load-carrying ability.

Wooden trim, thwarts, floorboards, and transom are of oak, mahogany, or teak. The gunwale can have a number of different treatments: a sheer guard of oak, mahogany, or teak, a canvas and rubber guard, or the traditional treatment on HARPOON, a 1″ rope set in a grooved outwale. The trim provides plenty of eye candy in the plywood construction, but if you’ve got your heart set on a traditionally built boat—copper-clenched cedar on steam-bent oak frames—and want to surround yourself with brightwork, the Cottrells will be happy to oblige.

The Tadpole will easily maintain 3 3/4 knots without much effort at the oars. It tracks well and is very maneuverable.

The Tadpole will easily maintain 3-3/4 knots without much effort at the oars. It tracks well and is very maneuverable.

I met up with Jeff Bowlby to spend some time rowing his Tadpole, HARPOON, on Seattle’s Lake Union. He had brought the boat in the back of his pickup truck, and it was quite easy for the two of us to lift the 90-lb boat and carry it down the launch ramp. The boat is also light enough for two to lift on a roof rack or even for a strong, determined solo rower to lift one end up on the back rack and then to slide it forward. With a beam of 45″ it wouldn’t need extra-long racks to accommodate it.

The contemporary glued-lap-plywood construction keeps the boat light and the interior easier to clean and maintain.

The contemporary glued-lap-plywood construction keeps the boat light and the interior easier to clean and maintain.

While Jeff parked the truck, I stepped aboard. The Tadpole, delivered with a pair of Shaw & Tenney spoon-blade oars, has two rowing stations equipped with bronze oarlocks. I took the bow position and rowed around while waiting for him to get aboard. With my weight so far forward, the stern rose up quite high, but there was enough fullness in the bow to keep me afloat and stable. When Jeff got settled into the stern sheets, the Tadpole trimmed well and still had plenty of freeboard. With the two of us aboard, the boat had respectable speed for a 10-footer. My GPS logged 3 knots at a relaxed pace, 4 knots at an exercise pace, and 4-1/4 knots when I was pulling as hard as I could.

After rowing around with Jeff, I dropped him off back at the ramp. The plan was to reunite HARPOON with her mothership, a 37′ Hinckley Picnic Boat. Jeff would drive to the marina where he kept that boat, and I’d row nearly 1-1/2 miles down the lake to meet him there. That’s not a daunting distance, but there’s plenty of room there to begin to loathe a rowing boat if it doesn’t get up and go. That wasn’t the case with the Tadpole. Its skeg did its job nicely and the boat tracked well; the hull carried its way without a lot of check between strokes and did a good job of maintaining trim as my weight shifted from catch to finish. The forward edge of the stern sheets served well as a stretcher, being just the right distance from the center thwart for my leg length (I’m 6′ tall) and high enough to catch me at the balls of my size-13 feet. The ergonomics worked out well for me to get a lot of power into the stroke, so I made good speed down the lake. I could have loped along at 3-3/4 knots, but I opted to make a quick run to the rendezvous and maintained 4-1/4 knots at my exercise pace.

The Whitehall form is nicely expressed by the Tadpole, even though it is only 10' long.

The Whitehall form is nicely expressed by the Tadpole, even though it is only 10′ long.

Jeff had told me he’d have his Hinckley out in front of the marina to wait for me, but when I arrived there was no sign of him. He may have overestimated how long it would take me to get to the marina. I went looking for him and circled the marina, spinning around to scoot stern first through some skinny passages and enjoying the quick maneuverability of the Tadpole. We eventually met up just off the entrance to the marina with Jeff idling the Hinckley’s twin diesels. The name on the transom was QUEEQUEG. That explained the name he had given the Tadpole as its tender. (Jeff had been a fan of Moby Dick from a young age.) I rowed up to the stern, and Jeff lowered the falls while I connected the two harnesses to the lifting eyes in HARPOON’s keel and the eyebolts that slip into the oarlock sockets. Rings at the intersection of the three lines of each harness take the hooks from the davits’ falls. QUEEQUEG is quite a handsome boat and HARPOON looked like it belonged at its stern. It just wouldn’t do to have a second-rate tender hanging from those davits. While the Tadpole spends most of its time there when QUEEQUEG is underway, Jeff reports that HARPOON also tows well.

The forward edge of the stern sheets provides a sold foot brace for those with legs long enough to reach it.

The forward edge of the stern sheets provides a sold foot brace for those with legs long enough to reach it.

As a boat designed to teach kids to row, the Tadpole should perform admirably. The boat is light and easily driven, stable enough to tolerate youthful horseplay, and well mannered whether going straight from point A to point B or following an aimless, meandering path. The Tadpole is a playful boat, so I’d suggest letting the kids play—they’ll figure out how to row in due time. They aren’t likely to have legs long enough to use the stern sheets to brace their feet, so it would be wise to install foot braces that are adjustable to suit each child and keep up with them as they grow. As a parent I was grateful for the times that my kids tired themselves out—a footbrace will quicken their becoming tired and docile. The glued-lap plywood construction is tough, so don’t sweat the scratches and the dings. Introducing kids to boating in boats such as the Tadpole that are pleasing to look at even to an untrained eye is, I think, a good way of fostering a love of boats and an appreciation for traditional forms.

HARPOON was equipped with lifting eyes and harnesses to bring the boat up with davits. The light weight of the Tadpole makes it an easy lift.

HARPOON was equipped with lifting eyes and harnesses to bring the boat up with davits. The light weight of the Tadpole makes it an easy lift.

The Tadpole will do yeoman’s duty as trainer for budding rowers and as a tender ferrying people and cargo, and it is as attractive as it is utilitarian; it deserves to hang from the davits of an elegant motoryacht.

Christopher Cunningham is the editor of Small Boats Monthly.

Tadpole Tender Particulars

[table]

LOA /10′

Beam/45″

Weight/72 lbs

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Finished boats are available from Cottrell Boatbuilding starting at $8,496 depending upon trim: oak, mahogany, or teak.  Floorboards are an available option. The Tadpole can also be built in 12′ and 15′ lengths as well as in traditional plank-on-frame construction. Plans are not available.

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats Monthly readers would enjoy? Please email us!

The Wedding Canoe

I moved to Vancouver from Ontario after I graduated from university in 2009. I was drawn to British Columbia by the mountains but immediately fell in love with the coast, taking a keen interest in surfing, open-water swimming, kayaking, and sailing. Among the very first people I met on the West Coast were two sisters, Karen and Lisa Bodie, who shared a love of climbing and hiking, and we became fast friends. Karen had built a stitch-and-glue plywood kayak when she was in high school. The boat was gorgeous, and when we went paddling it was impossible to launch without having at least a few people come up to say how beautiful it was and sometimes take photos of it.

The outdoor activities I wanted to pursue outweighed the time and money I could afford to spend on them, so kayaking took a backseat to ski touring, climbing, and mountaineering. In early 2015, I was finally ready to invest in my own touring kayak, and Karen encouraged me to make my own rather than buy one. She was planning to build a second kayak, a strip-built one this time, and she showed me some pictures. I ordered plans for a strip-built kayak the next day. I had done some woodworking and had built a few small tables and cabinets, nothing fancy, and I was ready to try something more challenging. There’s lots to say about the kayak—the short version is that was I absolutely loved building it—but this story is about a canoe.

 

Early in March of 2016, I received a wedding invitation from Lisa and her fiancé Mike Conlan. I had made countless rock climbs with Lisa, skied down glacier-flanked volcanoes with Mike, and been on plenty of ski tours with them both. The way they always interacted with each other and their shared love of the outdoors made them the kind of couple you just knew would end up together for the long haul.

At the time I received the invitation, I was just about to start making my next two kayaks (never one to do something halfway, I had plans to build many more boats right after I’d finished my kayak), but as I contemplated what I might do for their wedding gift, it became obvious. I’d give them a canoe! I am not especially fond of canoeing, but they love it, and the type of boat I built next didn’t matter much as long as I could fan the flames of my newfound passion for boatbuilding.

My kayak project had given me many of the skills I needed to build a strip-built canoe and I had until September 24 to finish and deliver the project—it was on. I wanted the canoe to be a wedding-day surprise, so I only told few people about it. At first, my few confidants raised questions: “How long will this take you?” “Will you be able to finish in just six months?” “Won’t this be kind of an expensive wedding gift?” Blah, blah, blah. I had a once-in-a-lifetime chance to make the wedding present of all wedding presents. Yes, it would take a lot of time; yes, I’d have to hustle to finish on time; and yes, it would cost more than I would have probably otherwise spent on a gift to them, but I love making boats, love the pair of them, and there wasn’t a single reason not to go for it.

As the building form came together, it was evident how much the canoe would dominate the tiny workspace. The molds for a strip-built kayak would have to wait until after the wedding.Dave MacDonald

As the building form came together, it was evident how much the canoe would dominate the tiny workspace. The molds for a strip-built kayak would have to wait until after the wedding.

 

I bought the plans for their canoe: a Chestnut Prospector 16 from Bear Mountain Boats. High on my list of challenges was keeping the boat a secret—not usually considered a strength of mine. Aside from a small handful of people, everybody else would be kept in the dark, thinking I was working on the two kayaks as I had planned. Luckily, Mike and Lisa live in Calgary and don’t often make it back to Vancouver, but both were very familiar with the first kayak and the fact I’d rented a shop to make more of them. They were always curious about how my boatbuilding was going. I couldn’t count how many times Lisa asked for me to send some pictures of the kayaks. “Ahhh sorry! I forgot to take pictures yesterday,” I’d say. “I’ll get some next time I’m there,” or, “I took some but the shop is too small and the canoe doesn’t really photograph well.” I was quickly running out of excuses, but luckily as the wedding drew near her focus turned to planning the event.

I looked around at a number of different decorative strip-building accent patterns and eventually settled on a diagonally hatched horizontal stripe. I liked the appearance much more than few horizontal stripes of contrasting cedar, and from a woodworking perspective, I looked forward to the challenge, in spite of the extra work it added to my tight timetable.

When I finally got down to building the canoe, I had just as much fun as I did with that first kayak. Assembling the forms, milling the lumber, and watching a boat appear from a pile of rough-sawn lumber was wildly rewarding. I had to schedule the canoe construction around my day job—I’m a structural engineer—and so I spent many late nights and full weekends in my shop. Time was short, but I knew if I kept at it, the project would come together for the wedding.

A radial arm saw was used to prepare the mountain of inlay pieces that would be needed for the build. Stops on the table made cutting the pieces quick work, but each had to be custom fit in its place on the curved surface of the hull.Dave MacDonald

A radial-arm saw cut a mountain of inlay pieces for the decorative band. Stops on the table made cutting the pieces quick work, but each had to be custom fit in its place on the curved surface of the hull.

The most difficult part of the fabrication was the accent stripe. Using a couple of jigs, I cut a ton of pieces for the different shapes, but each would need to be adjusted and angled to account for the curvature of the boat at their given location. There were over 320 pieces in the strip detail alone, so this definitely took a while. I can’t even remember how many weeks I spent on that particular part. I was running on enthusiasm and caffeinated energy drinks and it’s now all just a blur.

With the zigzag strip detail complete, work on the hull could get going at a fast pace again to finish the canoe in time.Dave MacDonald

With the zigzag strip detail complete, work on the hull could get going at a fast pace again to finish the canoe in time.

When the strip-planking was finished, the canoe was beautiful, but I knew I had to do something more to make it uniquely Mike’s and Lisa’s. I don’t know a lot of poetry, but I knew of one particular verse that would mean a lot to outdoorsy folks like the two of them. From “The Spell of the Yukon,” by Robert Service (a fellow Canadian): “There’s a land where the mountains are nameless,/ And the rivers all run God knows where….” I decided to put this excerpt on the inside of the hull below the gunwales, surrounded by images that would capture Mike’s and Lisa’s personalities and relationship. The symbols included mountains, a skier, “Love” and “Happiness” in Japanese characters (they’d traveled together to Japan several times), a hiker, hops, and even a pasta maker. Even someone who doesn’t know them can look at this canoe and get a good sense of what kind of people they are. The script and logos are UV-resistant die-cut decals and they’d be covered by the fiberglass and varnish.

The decals that personalized the canoe included a number of images that related to activities—camping, berry picking, hiking, and skiing—that could have related any outdoorsy couple, but the pasta maker was made it clear the canoe was for Mike and Lisa.Dave MacDonald

The decals that personalized the canoe included a number of images that related to activities—camping, hiking, and skiing—that could have related any outdoorsy couple, but the hops and the pasta maker would  make it clear the canoe was for Mike and Lisa.

Karen was living and working in Zurich, and despite the distance, she was very much involved in the project. I emailed her hundreds of photos and consulted with her on many phases of the canoe’s construction. She arrived in Vancouver several weeks before the wedding to help out with the final arrangements, and was finally able to make a hands-on contribution to the canoe: a bear and Polaris, the North Star, carved in the stern deck. I carved a maple leaf in the bow.

Dave MacDonald

The stern deck that Karen made would later inspire the name Lisa and Mike gave the canoe: NORTH STAR.

When I ’glassed my first kayak, it went very well, but it was the most stressful part of the process. Given how much time I’d invested by this point in the process of building the canoe, the consequences of screwing up were high. I kept meaning to wear my exercise monitor during a fiberglassing session, because I’m pretty sure my heart rate was through the roof. I was still new to boatbuilding, but I knew enough to recognize that getting a flawless layer of fiberglass is an art. The second most stressful part was the timeline. I took a week off from work just before the wedding so I could give the canoe my full attention.

The day the last coat of varnish dried, I loaded up the canoe for the 560-mile drive to the wedding at Bow Lake in Alberta, Canada. I hitched a ride with Lisa’s Uncle Rob. His car didn’t have great roof racks—we used a lot of ratchet straps and the canoe seemed secure, but there were some slightly scary gusts of wind as we wound our way through the mountain passes of BC. I did my best to just stay asleep during the drive so I wasn’t too stressed about every minor creak or shift of the precious cargo.

 

Bow Lake is nestled in the Canadian Rockies at 6,300′, and in late September the weather there is anything but predictable. When Rob and I arrived Saturday morning there had been a fresh sprinkling of very heavy wet snow and it was quite cold—not the most inviting weather for paddling. Most of the wedding guests were out for a day hike. Ernie, my “man on the inside,” helped me arrange our arrival with my all-too conspicuous wedding gift, which we stashed, undetected, in the trees at the lake’s edge.

I could barely contain myself. I had put in so much work to get to this point, and somehow managed to keep one of the biggest secrets I’ve ever kept. Sure, everyone in the wedding party was happy, but I’m sure I was smiling like an idiot.

The wedding service was taking place about 100′ or so up from the lake, and afterward the newly married couple would head to the water with the guests for champagne and photos. In order to deliver the canoe during the celebration afterwards, I recruited Noel, the partner of one of Lisa’s aunts, to help me. Prior to the ceremony I was busy herding folks from the lodge to the wedding site. I was also the master of ceremonies getting the guests where they needed to be, keeping things moving, and playing guitar while the couple walked down the aisle. When the ceremony got under way, I took a seat with Noel at the back. After the vows and the “I do’s,” while the couple was busy taking care of marriage paperwork, Noel and I slipped away. We took off as fast as we could, ran around to where we had stashed the canoe, slipped off our shoes and socks, rolled up our pants, put on our PFDs, and carried the canoe into the lake.

This was the first time the canoe had touched water. After all the planning and effort, I couldn’t believe it was finally about to happen. We hopped in and paddled out quite far into the middle of the lake. I couldn’t stop laughing/smiling. The canoe felt super stable, even though the wind and chop had picked up a bit.

Noel and I sat in the canoe in the middle of the lake, and watched the wedding party make its way down to the water’s edge. In this stunning mountain setting, it was impossible to hide the fact that somebody was enjoying a paddle, but we were out far enough that it was impossible for anyone to see who it was or what they were paddling.

 

As Mike and Lisa walked toward the lake, they noticed us right away. I was later told they said “How Canadian!!” jokingly adding, “We should try and get them in the background of our wedding photos.” The couple carried on to the beach and at the water’s edge turned away from us to face the wall of “paparazzi” snapping photo after photo. Noel and I had been waiting for the right moment, and this was it. Ernie knew what was about to happen, he was in position to take a photo of us as we paddled up to the beach. Mike and Lisa were focused on the photographers, the photographers were focused on Mike and Lisa, and not one of them noticed us coming ashore.

Noel and I paddled to with a canoe length of the beach before any heads turned our way. It was as though we had dropped out of the sky.Ernie Bodie

Noel and I paddled to within a canoe length of the beach before any heads turned our way. It was as though we had dropped out of the sky.

 

We had managed to keep this a secret up to the last second. We were only a few feet from shore when Noel and I brought the canoe to a stop and everybody finally turned our way. Noel and I popped out; Mike and Lisa were shocked and confused, not so much about the canoe, but about why the hell Noel and I were out paddling during their wedding celebration.

When I tossed the paddle to Mike he had no idea that the canoe was a wedding present and didn’t believe it when I told the couple it was theirs.Rich So

When I tossed the paddle to Mike he had no idea that the canoe was a wedding present and didn’t believe it when I told the couple it was theirs.

I tossed my paddle at Mike, vertically, and super hard. He caught it but was now even more back on his heels.

“Congratulations you two! Here’s your boat!”

Mike looked at the canoe again for another couple seconds and replied, “No, it’s not,” as though he believed I had mistakenly thought this was their boat, and was bringing it to them. Noel and I carried the canoe ashore, and set it right next to Mike and Lisa. I’ll never forget the completely blank look on their faces as they looked down at the canoe, just staring at it with eyes like dinner plates.

Mike and Lisa couldn’t take their eyes off the canoe and I couldn’t take my eyes off their faces. Their smiles made all the effort I’d put into the canoe worthwhile.Mike Edwards

Mike and Lisa couldn’t take their eyes off the canoe and I couldn’t take my eyes off their faces. Their smiles made all the effort I’d put into the canoe worthwhile.

Once they had time to take in all of the decorative elements, they realized there was nobody else this boat could be for. I could hear some of the guests as they came to the same realization: “Oh my, did he make that?” and “What the hell? I just got them a toaster!”

With paddles in hand, it wouldn’t be long until the couple decided to take the canoe out paddling. The wedding reception would have to wait.Ken Dittrich

With paddles in hand, it wouldn’t be long until the couple decided to take the canoe out paddling. The wedding reception would have to wait.

In an instant, Mike and Lisa were posing for pictures with the canoe. The weather had broken, and though the day started off with light snow we were seeing beautiful blue skies. Attention turned from photos to the canoe, and it wasn’t long before they were off to the races, carrying their boat to the water.

It was to to go canoeing and their wedding finery would have to do as paddling garb.Ken Dittrich

It was time to go canoeing and wedding finery would have to do as paddling garb.

With the stern afloat and the bow resting on the gentle slope of the gravelly beach, Mike stepped aboard and made his way to the stern seat. Lisa hiked up her white lace wedding dress. Noel Swain, the only member of the wedding party who was wearing waterproof boots, slipped the bow off the shore, pushing Mike and Lisa out into the lake.

Lisa and Mike showed their good paddling form as they put the canoe through its paces. They reported that it was super stable and handled well.Mike Edwards

Lisa and Mike showed their good paddling form as they put the canoe through its paces. They reported that it was quite stable and handled well.

Mike and Lisa are good paddlers and quickly had the canoe up to speed. I liked how it looked in the water and how well it responded to their paddling. I was so happy to see them in the canoe. They were beaming, and it was clear they loved it. I had never doubted that the gift would be worth the time and effort, but seeing how much they were enjoying it confirmed it. We sometimes get opportunities to do something extraordinary for other people, and it’s important to take those chances. I’m glad I did; I feel lucky that I could do something I love for people I love.

Dave MacDonald is a structural engineer in Vancouver, British Columbia, who spends most weekends in the area’s mountains or on the water. The first few boats he built elicited overwhelmingly positive feedback and with passion, enough wood stock, and ideas, this won’t be the last boat we’ll see from him. He plans to continue this as Howe Sound Wooden Boats, named for one of his favorite regular paddling locations.

If you have an interesting story to tell about your adventures with a small wooden boat, please email us a brief outline and a few photos.

Exploring the Poles

Tom Shepard poles a railbird skiff in the shallow waters of the Delaware River basin. The skiff is in the collection of Independence Seaport Museum in Philadelphia, Pennsylvania.Andy Slavinskas

Tom Shepard poles a railbird skiff in the shallow waters of the Delaware River basin. The skiff is in the collection of Independence Seaport Museum in Philadelphia, Pennsylvania.

 

A while back, I read a blog post that urged those of us with small boats to explore the shallows and marshes by poling our craft where the water’s too shallow for motors, and the grass and reeds are so tall that you can’t see much more than 20′ through them if you’re sitting down to paddle or row. The post concluded that we should all head to the lumberyard, grab a piece of closet rod, and start poling. If that seems a bit simplistic, it is, but if there are marshes or thin water in your area that you’d like to explore, poling is well worth considering.

Protected shallow waters such as narrow estuaries and wetlands, where grass blocks the wind and breaks up the waves, are good poling country, but you can pole almost any shallow, protected water that is flat and calm with depths from about 8″ to 3′. A pole isn’t very effective in water much deeper than that, and it’s easy to decide when it’s time to row or paddle because you’ll be working frantically to reach bottom, only to travel a yard or two.

Near the mouth of Florida's Tampa Bay, Roger Siebert and his wife Victoria switched to poling to explore the shallow waters around Shell Key.Roger Siebert

Near the mouth of Florida’s Tampa Bay, Roger Siebert and his wife Victoria switched from rowing to poling to explore the shallow waters around Shell Key.

The Siebert's boat is a Lillistone-designed Flint; the pole is aluminum and extends from 5' to 12'. A folding duck-web foot is on the business end of the pole.Roger Siebert

The Siebert’s boat is a Lillistone-designed Flint; the pole is aluminum and extends from 5′ to 12′ and has a folding duck-web foot on its business end.

I’ve picked up a lot of tips from guides, hunters, and naturalists from the Maurice River in southern New Jersey, the Susquehanna Flats in Maryland, and the Patuxtent River marshes near Washington, D.C. With a pole you will always travel very slowly, at less than a walking pace, leaving the environment relatively undisturbed. You see a lot more wildlife, and it’s a relaxing way to travel.

Boats designed to be poled have some special attributes. In general there is no rocker to the bottom, as upward-curving ends tend to make steering squirrelly. Low freeboard reduces both windage and visual impact, which is useful for hunting. A little outward flare in the topsides adds a touch of secondary stability, but only a touch. The beam on most boats runs 36″ to 44″. Double-ended boats work well moving through grass and reeds; the bottom should be flat and smooth, with no external stringers or battens. Traditional push boats are quite slender and consequently they’re not very stable; poling one of them is a pretty refined skill. These boats are unmanageable without a person or equivalent ballast in the bow. With the boat we call a gun punt or railbird boat in the upper Chesapeake,  known as a pirogue in most other places, the pusher stands on a platform mounted at or slightly below the stern gunwale, sort of like a seat or a large breasthook.

One doesn’t need a particular boat to ply thin waters; larger, more stable boats can be poled. Flats boats in Florida are outboard skiffs that reach fishing grounds under power, then are poled once they reach the shallows. Your boat may fall somewhere in between a push boat and a flat boat; poling may be a new way for you to go exploring, take photographs, and go messin’ around in waters you’d previously steered away from.

Though a wooden boat is paired nicely with a wooden pole, I wouldn’t blame anyone for choosing a lightweight fiberglass or carbon-fiber pole. Weight makes a difference—think logger boots versus sneakers. Preferred woods for poles are spruce, red cedar, or sassafras. Of those, spruce has the best strength-to-weight ratio. The Upper Bay Museum in North East, Maryland, has about a dozen very old push poles, all between 2″ and 2-1/4″ in diameter. They are not light but remarkably straight, all about 14′ long and perhaps made from old lifeboat oars. It’s important to choose a pole that’s appropriate for your boat’s length. As for diameter, railbird guides in the Chesapeake Bay area seem to prefer 1 1/2″ for wooden poles.

All of these poles are native to the upper Chesapeake, probably not much south of the Sasaffras River. The one on the left was used by the Coulter family for over fifty years, starting about 1900, with a converted gun punt. . Its design is unique, an Abrams tank of a general-purpose pole, and is really heavy, perhaps too heavy. The center pole may have been meant for use in to thick grass at the time it was built the waters where it was used were nearly a lawn, and the only clear water was in the " ditches," as the natural channels are called. The pole on the right is a very common general-purpose design, maybe a bit lightly built but very much like many other examples of its era.Lori Burskey Bouchelle

All of these poles in the collection of the Upper Bay Museum of  North East, Maryland, are native to the upper Chesapeake, probably not much south of the Sassafras River. The one on the left was used by the Coulter family for over fifty years, starting about 1900, with a converted gun punt. Its design is unique, an Abrams tank of a general-purpose pole, and it is really heavy, perhaps too heavy. The center pole may have been meant for use in to thick grass. At the time it was made the waters where it was used were nearly a lawn, and the only clear water was in the ” ditches,” as the natural channels are called. The pole on the right is a very common general-purpose design, perhaps a bit lightly built but very much like many other examples of its era.

What matters most is what you put on the bottom end of the pole. Poles with pointy ends are good for a hard or rocky bottom. If a pole gets stuck and won’t pull out, don’t hang on to it. A stuck pole can pull you off the boat (as a very capable friend of mine proved), so let go before you lose your balance.

Poles with folding feet have been commercially available for a hundred years to prevent, in theory, a stuck pole, but in the Chesapeake they are considered useless except you’re collecting grass samples. Most pushers simply give the pole a twist to break any suction when they retrieve it. A few will do the twist as they set the pole. You move the boat forward by walking your hands to the dry end of the pole, not by pushing with both hands fixed on the pole and putting your weight into the push.

The Chippewa of the Lake Superior region harvest wild rice by canoe, using a pole, usually cut from a slender hackmatack, and a foot carved from a Y-shaped crook. A half-lap joint, peg and lashing holds the two pieces togetherChristopher Cunningham

The Chippewa of the Lake Superior region harvest wild rice by canoe, using a pole, usually cut from a slender hackmatack, and a foot carved from a Y-shaped crook. A half-lap joint, a peg, and a lashing hold the two pieces together

In most cases, you’d lift the pole over your head and switch it to the other side to change direction. One characteristic of a pirogue is the narrow beam of its sharp stern, which eliminates the need to for the over-the-head maneuver: you can keep the pole on one side and steer both directions from the same side. Push a little left and the boat goes left, a little right and it goes that way. You can also steer by edging the boat like a kayak: Put your weight on your right foot, and the boat goes left, and vice versa.

The Susquehanna Flats—near my home in Havre de Grace at the north end of Chesapeake Bay—are about 5 miles wide and 9 miles long. The flats may look like the Great Lakes, but in most places they’re only 6″ deep at low tide. The silt there is 2′ deep; propellers get mired in it and oars and paddles merely paw at it. Poles don’t mind it at all, and there are lots of waters like the Flats you can have to all yourself if you have a boat you can pole.

Charlie Gerhardt lives in Havre de Grace, Maryland, on the Susqehanna Flats. His interest in wooden boats and classic small craft evolved through disappointment with the characteristics of “market driven” fiberglass designs. He currently serves on the board of the Upper Bay Museum  in the nearby town of North East, and restores historic small craft at the Chesapeake Bay Wooden Boat Builders School

You can share your tricks of the trade with other Small Boats Monthly readers by sending us an email.

4-Way Clamping System

The angled arms of the system pivot to allow the clamps to accommodate work up to 6" thick as well as apply pressure to the faces of the boards being clamped.SBM photos

The angled arms of the system pivot to allow the clamps to accommodate work up to 6″ thick as well as apply pressure to the faces of the boards being clamped.

 

It is often necessary to edge-glue multiple boards to get the width necessary for parts such as centerboards, rudders, trunks, transoms, and thwarts. Anyone who’s ever built a wooden boat knows that gluing up these wide panels can be tricky. The WoodRiver 4-Way Clamping System makes this task a breeze by providing clamping power that squeezes the glue joint tight while keeping the boards aligned with each other.

The most common way to edge-glue wide panels is to lay the boards out and sandwiched the ends between straight sticks clamped to keep the boards aligned and flat; then pipe clamps or bar clamps are used to squeeze the glue joints tight. But these clamps tend to cause the panel to bow away from the pipe or bar, and so the clamps need to be placed on alternate sides of the work piece. This is often a messy affair, as there is a pile of clamps needing to be tightened with equal pressure on both faces of the panel to keep it flat, and it has to be blocked up so clamps can slide underneath.

The screw element of the clamp is used on the short notched bar. Some of the pictures of the system on the packing and the drawing in the instructions have the screw side of the clamp engaging the longer notched bar. Only the short bars prevent the 2x2s from interfering with the screw handle.

The screw element of the clamp is used on the short notched bar. Some of the pictures of the system on the packing and the drawing in the instructions have the screw side of the clamp engaging the longer notched bar, but only the short bars prevent the 2x2s from interfering with the screw handle.

The WoodRiver 4-Way Clamping System simplifies this process by cutting down the number of clamps necessary, and by applying pressure to the edges and the faces of a glue-up. The device includes two clamping mechanisms and four notched plastic pads. The pads are attached to the ends of a 2×2 (or a halved 2×4) with the screws provided. The V-shaped arms have crossbars at the ends that fit into the pads’ notches and springs on the arms hold them there. In the center of each V is a 6″-long clamping pad, one fixed, the other at the end of the clamp’s screw. When pieces to be glued are set in the clamp, tightening the screw squeezes the glue joints tight and pulls the 2x2s together, flattening the panel between them.

The long notched bars provide for about 12" of adjustment on the tail end of the 2x2s.

The long notched bars provide for about 12″ of adjustment on the tail end of the 2x2s.

The multiple notches on each pad allow for an adjustment range of 18″, and the system can extend that range by using longer 2x2s. I used two 24″-long pieces cut from a common softwood 2×4. A wrap of packing tape keeps them from getting bonded to the workpiece. The clamping system can accommodate stock between 3/4″ and 6″ in thickness.

I found these clamps relatively easy to use after a couple of practice runs. They take some getting used to, but aren’t any more complicated than using sticks, C-clamps, and bar and pipe clamps. Once I determined which notches to use, I attached the clamping mechanisms to the pads of the 2x2s set on the workbench. I placed the boards, edges coated with glue, on the 2x2s and then slid the top 2x2s into the clamps. I then tightened the handles and that was it. My work piece came out flat with even glue lines, just what I was looking for. I was even able to stand the whole piece against a wall while still in the clamps so I could clean the glue squeeze-out on both sides, which was pretty handy. My pipe and bar clamps tend to add a lot of weight to the work and don’t offer convenient footing to support it on its edge.

The system provide the work with legs to stand on so it can be moved out of the way while the glue cures. Unlike bar clamps and pipe clamps, these clamps can't be accidentally knocked off.

The system provides the work with legs to stand on so it can be set out of the way while the glue cures. Unlike bar clamps and pipe clamps, these clamps can’t be accidentally knocked off.

The only knock on these clamps is that they don’t appear to be as durable or as strong as pipe clamps and bar clamps so they shouldn’t be used to eliminate gaps of poor jointing. They’re at their best for straight, flat edges that don’t need to be squeezed tight to make a good joint. The most commonly used adhesive,  epoxy, doesn’t require high pressure to create a good bond. Prompt attention is needed to clean up any glue that ends up on the springs to keep the clamps in good working order.

With some practice, the WoodRiver 4-Way Clamping System can save you time on wide glue-ups by simplifying the process. Given the better results they produce, they would be a welcome addition in any shop.

Josh Anderson attended the Apprenticeshop boatbuilding program in Rockland Maine, and has since worked at several boatbuilding and carpentry shops. He and his wife, Sarah, restored a 25′ Friendship Sloop, operated a charter business with it, and spent several years sailing the Maine coast. Josh has a Masters in Maritime Management from Maine Maritime Academy and is now the Lead Boatwright at the Center for Wooden Boats in Seattle, Washington.

The 4-Way Clamping System is sold by Woodcraft for $31.50. It is also available from Rockler and Amazon.

Is there a product that might be useful for boatbuilding, cruising or shore-side camping that you’d like us to review? Please email your suggestions.

Bigboy

Open, the Bigboy is 30" long. It cut through this 6" alder limb in 24 seconds. photographs and video by the author

Open, the Bigboy is 30″ long. It cut through this 6″ alder limb in just 24 seconds.

When I was living in a cabin I’d built in Washington State’s Cascade mountains, I was way off the grid and miles from the roadhead. I relied on my chainsaw to cut firewood for heat and to harvest vine maple as well as downed red and yellow cedar for some of my woodworking projects. On my coastal cruises I also gathered windfalls and driftwood and I carried a small folding Japanese pruning saw and a pocket chainsaw—both a far cry from my gas-powered chainsaw, but better than nothing. I’ve recently added a Silky Bigboy to my boating toolkit. It too is a Japanese pruning saw, but it is no more like the one I’ve been using than a piranha is to a guppy. Like all Japanese saws, it is designed to cut on the pull stroke while the blade is in tension, so the blade doesn’t need to be as thick as that cuts on the push stroke. The Bigboy’s kerf is much narrower and consequently consumes less energy. The saw is available with medium or large teeth. The large teeth are suited for cutting green wood and are a good choice for arborists working with live trees. I got medium teeth, since wood I collect for firewood and woodworking is usually dry.

Folded, the saw is 16" long. A rubber grip covers a portion of the aluminum handle, with the rubber wrapping into the slot for the blade, protecting the teeth from wear.

Folded, the saw is 16″ long. A rubber grip covers a portion of the aluminum handle, with the rubber wrapping into the slot for the blade, protecting the teeth from wear.

The aluminum handle is 15″ long, 11″ of which is covered with rubber that provides grip and good purchase for two hands; it feels like wielding a samurai sword. I can use the saw with one hand, of course, and use the other hand to steady the wood, but that cuts my power in half. If I brace the wood so I can use both arms to power the saw I spend less time sawing, and the chances of the saw binding and bending are significantly diminished. Being able to cut larger logs makes fuel for a campfire that will last longer without having to stoke it with smaller, more quickly consumed sticks.

The blade is tapered along its entire length, and the tooling marks indicate the taper was cut by a circular tool, slightly canted, so the blade is also tapered from teeth to back and slightly hollow. That eliminates binding in the kerf without having any set bent into the teeth. The milling stops where the blade is joined to the handle, so the steel in the pivot is at its full thickness and has flat parallel faces. The blade locks in two positions, parallel with the handle and at an angle to it, creating clearance for the hands when sawing through something resting on the ground. The teeth are truncated at their tips with a third facet, making the points less fragile than they would be if shaped with just two facets meeting at a more acute angle. A slight darkening of the tips shows that the teeth have been tempered where the cutting takes place. The rest of the steel isn’t brought to the same hard temper, which prevents a brittle blade. The teeth are too hard to sharpen with a file; replacement blades are available.

I took the saw to the beach and put it to work on the 6″-thick branch of a rather soggy alder driftwood log. I worked quickly, but I didn’t have to work hard. The Bigboy got through the branch in 30 seconds; a second cut took 24 seconds. To put that speed in context, my hand-powered pocket chainsaw with power-chainsaw teeth every third link, took 2 minutes and 40 seconds to get through the same log, jamming a half dozen times and leaving me quite winded. My other pocket chainsaw, with two triangular teeth on each link, cut through in 90 seconds and while it didn’t jam, it was hard work and I was panting with the effort. With both pocket chainsaws I’d have to rest before making another cut. Back in the shop, my 14″, 1/2-hp bandsaw with a blade past its prime got through the log in 23 seconds; my 10″ 1/3-hp bandsaw with a brand-new blade took 17 seconds.

This 12" Alaskan yellow cedar log wasn't too big a job for the Bigboy. It cut through in five minute.

This 12″ Alaskan yellow cedar log wasn’t too big a job for the Bigboy. It cut through in five minutes.

To put the Bigboy to a challenge I wouldn’t even attempt with the pocket chainsaws, I attacked a section of a yellow cedar log with a  diameter of 12″ (not counting the bark). I got through it in 5 minutes and 2 seconds. The wood was wet and I could feel a bit of binding, but the blade never got hung up or bent on the push stroke. That job tired me a bit, but I never felt the need to stop and rest. The cut surface was quite flat and exceptionally smooth.

The saw weighs 14.7 oz and is 30″ long when open and 16″ folded. The 14″ blade has 8-1/2 teeth per inch (tpi). Blades with 6 tpi for green wood and 11 tpi for hardwoods and bamboo are available. The Bigboy isn’t cheap, but it’s a well-designed, sturdily built tool that is very effective and a pleasure to use.

Christopher Cunningham is the editor of Small Boats Monthly.

The Bigboy is listed at $84.95 and a replacement blade at $46.95 on the Silky website. Amazon and Woodcraft both offer the Bigboy for under $62.

Is there a product that might be useful for boatbuilding, cruising or shore-side camping that you’d like us to review? Please email your suggestions.

FIRE-DRAKE

 

The yawl rig has advantages beyond those for sailing. The two masts support a fly that can be set open for shade and a cooling breeze, or...Tim Yeadon

The yawl rig has advantages beyond those for sailing. The two masts support a fly that can be set open for shade and a cooling breeze, or…

...snugged down to keep wind, rain, and bugs out.Tim Yeadon

…snugged down to keep wind, rain, and bugs out.

 

Alex Zimmerman lives in Victoria, British Columbia, just a half mile from the shores of Haro Strait, a channel that overlaps the border between Canada and the U.S. From the beach nearest his home the American San Juan Islands lie 7 miles to the west, the Canadian Gulf Islands 7 miles to the north. It’s a place synonymous with boating. Alex had done a lot of sea kayaking in the area and the years of paddling were getting to his shoulders, so he decided to switch to a boat that he could row and sail.

The stem was laminated directly on the lofting. Metal angle brackets screwed in place along the the inner curve created the form that the lamination was clamped to.Alex Zimmerman

The stem was laminated directly on the lofting. Metal angle brackets screwed in place along the the inner curve created the form that the lamination was clamped to.

He took an interest in an updated design of a traditional Whitehall, built the boat, and cruised with it, solo and in the company of other boats, for seven years. He explored many miles of BC’s coast with the Whitehall, and it served its purpose, but as his experience grew, so did his dissatisfaction with the boat. It was time to build something better.

Battens mark the placement of the 11 strakes.Alex Zimmerman

Battens mark the placement of the 11 strakes. The tabs on the third mold show where the battens corrected a problem in the preliminary design.

The garage in which he would build the boat set the maximum length at 18′, and he had a number of other requirements: a lug yawl rig for its practicality, built-in flotation tanks for safety’s sake, space for sleeping on the floorboards, a centerboard to avoid the risks posed by a daggerboard, and a curve from keel to stem that would take kindly to beaching. He wanted a boat that could carry more sail when the breeze picked up and a rig that could point higher than the Whitehall and make better progress to windward in rough water. The old boat would point fine in flat water, but would fall off at least 10 degrees as it got rougher.

Copper tubes drain water from the mast-step boxes to the cockpit where it can be pumped out.Alex Zimmerman

Copper tubes drain water from the mast-step boxes to the cockpit where it can be pumped out.

None of the designs he studied seemed to fit the bill, so he decided to design the boat himself. During his time in the Canadian navy, he had worked as a maritime engineer, so he knew enough about hull design to take on the challenge. He drew the boat using a CAD program, and then built a scale model at 1″ to 1′ to better see the form he had created.

Alex Zimmerman

The lines for FIRE-DRAKE

 

Alex Zimmerman

Some of the hydrostatics for FIRE-DRAKE

 

Raising the mainmast is eased by the elongated box that guides the heel to the step as the mast is brought upright.Alex Zimmerman

Raising the mainmast is eased by the elongated box that guides the heel to the step as the mast is brought upright.

As Alex was making the final adjustments to the design, his friend Tim Yeadon began building the first of Eric Hvalsoe’s Hvalsoe 18s (later reviewed in the June 2016 issue of Small Boats Monthly). Alex liked the design and believed it would meet his requirements, but Eric didn’t want make his design available until he’d had a chance to see how Tim’s 18 performed. Alex had already invested a lot of time and effort in his own design and decided to proceed with building his boat. He began work in January 2015.

The aft compartment is sealed with watertight hatches for flotation and dry storage.Alex Zimmerman

The aft compartment is sealed with watertight hatches for flotation and dry storage.

He made the molds, set them up on a strongback, and sprang battens to line off the hull for glued-lap plywood construction. Stepping back from the form he noticed that the third mold from the bow was pulling the battens in, creating a flat spot. It hadn’t shown up in the scale model, but with another look, he did find a view in the CAD drawing that revealed the problem. In his efforts to achieve the ideal angle of entry, he had pinched the bow slightly. Alex freed the battens from their fastenings at the third mold, and they all popped out and faired themselves. He added some tabs to the molds to keep the battens where they wanted to be.

FIRE-DRAKE sails well to windward, but there times when it's best to drop the rig, retract the centerboard and rudder and row.Dave Lesser

FIRE-DRAKE sails well to windward, but there are times when it’s best to drop the rig, retract the centerboard and rudder, and row.

Alex used a NACA (National Advisory Committee for Aeronautics) foil section in designing his new centerboard—the airfoil shape, thicker and broader than that of a typical centerboard, would provide better upwind performance, particularly in rough water. To assure the board was properly shaped, he gave his CAD program files to Matt Weaver, who could use a CNC machine to carve the board.

FIRE-DRAKE (left) ghosts along with Tim Yeadon's HAVERCHUCKJames McMullen

FIRE-DRAKE (left) ghosts along with Tim Yeadon’s HAVERCHUCK.

Alex finished his boat, christened FIRE-DRAKE, in June 2016. By that time, Tim Yeadon had also launched his Hvalsoe 18, HAVERCHUCK. They both did a few shakedown cruises and in July of 2016 traveled north together along the section of the Inside Passage tucked between Vancouver Island and the BC mainland. They covered 300 nautical miles and encountered a wide variety of conditions—a good test for both boats. Alex discovered FIRE-DRAKE is “more work to row than my previous boat, but I knew it would be, with 10” more beam and more wetted surface. She stands up well to her sail area and sails to windward as well as I’d hoped.” He came back from the trip with some minor improvements to make, but added, “I think I got the fundamentals right and met my design objectives.”

Have you recently launched a boat? Please email us. We’d like to hear about it and share your story with other Small Boats Monthly readers.

Roller Carts

Like Ben Fuller, I have more boats than trailers to haul them, so when I read his article on the roller cart he built with Joe Liener, I was convinced that I needed one or two to shuffle my boats.

Wooden Roller

I didn’t have a section of an old mast to use for a roller and even if I did, I’ve never had much luck drilling long holes accurately, so I had to take a different approach. I bought an 8′ length of 2×6 and cut four 18″ pieces. I ran two of the four pieces through the table saw, making several passes, to cut a groove that would become a hole for the axle when I glued up the blank for the roller.

Each of the inner sections of 2x6 needs a semi-circular groove to to accommodate the axle. A tablesaw starts the job.

Each of the inner pieces of 2×6 needs a semi-circular groove to to accommodate the axle. Repeated passes on the table saw with adjustments to the fence and depth of cut, will remove the bulk of he wind inside of a half circle with a radius to match that of the axle.

 

Each of the inside pieces of 2x6 get sawn a pass over the tablesaw for every blade setting.

Each of the inside pieces of 2×6 get sawn a pass over the tablesaw for every blade setting.

 

The axle itself is the tool for finishing the grooves. The working end is sawn off and occasionally sharpened with a file. The length of the axle makes it possible to apply a lot of force, and the rather crude cutting edge will produce shavings

The axle itself is the tool for finishing the grooves. The working end is sawn off and occasionally sharpened with a file. The length of the axle makes it possible to apply a lot of force, and the rather crude cutting edge will produce shavings. With a piece of sandpaper wrapped around a 3/4″ dowel, I finished the grooves.

 

For the final fitting, I clamped the two grooved 2x6s together, lightly at first, and hammered the pipe through.

For the final fitting, I clamped the two grooved 2x6s together, lightly at first, and hammered the pipe through.

After gluing the four pieces together with epoxy, I eight-sided the block on the table saw, bringing the blank down to a size small enough to be mounted in the frame, a rectangle of 2x4s with ash cheek pieces.

For the final fitting, I clamped the two grooved 2x6s together, lightly at first, and hammered the pipe through.

The 2x6s get clamped together with pipe aligning the grooves, then removed as the epoxy cures.

 

With the table saw set for a 45-degree cut, I eight-sided the block.

After gluing the four pieces together with epoxy, I eight-sided the block on the table saw, bringing the blank down to a size small enough to be mounted in the frame.

To make the blank round I used a technique I was forced into a few years ago when trying to make a few quenas, a type of South American flute. I bought a long ship auger to hollow out the stock for the quena, but I couldn’t keep it from veering off line, so I made extra-large blanks and then drilled the holes though them. Then it was a matter of trimming the wood around the hole to provide a uniform wall thickness. The lathe was out—the hollowed-out softwood was too delicate for that kind of work. I turned instead to my table saw and set up a jig on a sled. With the blade spinning and the quena blank rotating slowly above it, I could gently and accurately trim the wood down to a straight and uniform cylinder. The method worked well for the delicate musical instrument and I figured it would do the job for a roller.

The eight-sided block could be installed in the frame and rotated over the table saw. With the blade set to take a light cut and a cordless drill connected to the axle, rounding could begin.

With the frame resting on the table saw and the fence adjusted to center the eight-sided blank over the blade, I could rotate the blank with a cordless drill connected to the pipe axle with a socket driver and socket (a drill bit inside the pipe would work as well) and lots of masking tape. I set the blade to take a fine cut on the high spots and turned the saw on. I got the blank spinning and pushed the frame along the rip fence.

 

Partway through the first pass, the table saw is taking the corners off. The blue tape is all that was required to connect the axle to socket driver chucked in a cordless drill.

Partway through the first pass, the table saw is taking the corners off. The blue tape is all that was required to connect the axle to socket driver chucked in a cordless drill.

 

 

 

After a few passes, the roller is a perfectly round and straight-sided cylinder.

It took four passes to get the blank turned down to a nice even cylinder.

 

THe finished roller cart with a wooden roller

The finished roller cart with a wooden roller

 

The wooden roller cart as a stationary roller

The wooden roller cart as a stationary roller

 

Plastic-pipe Roller

I made a second roller cart using a piece of very stout 7″ PVC pipe I had on hand. I made six disks of 3/4″ plywood with a 13/16” hole in the center.

To trim the disks after they've been roughed out on the band saw, I used a disk sander with a piece of plywood clamped to its table. An oblong hole, cut to fit a piece of the pipe serves as a pivot that slides the closer to the disk, and stops when the disk has been trimmed to the correct size.

To trim the discs after they’ve been roughed out on the band saw, I used a disc sander with a piece of plywood clamped to its table. An oblong hole, cut to fit a piece of the pipe serves as a pivot that slides the closer to the disc, and stops when the disc has been trimmed to the correct size.

 

With the plywood clamped to my disk-sander table I could put a short piece of the 1/2″ pipe in a plywood disk blank, push the pipe through into the oval, and rotate the disk while sanding it. When the pipe hit the end of the oval the disk had a diameter to fit the inside the pipe.

I put a short piece of the 1/2″ pipe in a plywood disc blank, pushed the pipe in into the oval below, and rotated the disc while pressing it against the sanding disc. When the pipe hit the end of the oval the plywood had a diameter to fit the inside the pipe.

 

 

Ready for assembly: plywood disks, a cup of mixed epoxy, roller and black-pipe axle

Ready for assembly: plywood discs, a cup of mixed epoxy, roller and black-pipe axle. I epoxied the discs together in pairs screwed together with stainless steel screws.

 

Two of the disks, joined with screws and epoxy, wee tapped down to the middle of the pipe.

Two of the discs, joined with screws and epoxy, were tapped down to the middle of the pipe. Then one pair was tapped into each end.

 

The 1/2″ pipe I used for axles wasn’t truly round. There was a slight ridge where the edges of the steel strip that form the pipe were welded together. A little dressing with a file smoothed the lump and made the roller rotate more freely when assembled with the frame. The entire frame for the pipe roller was made of scraps of ipe, a dense tropical hardwood. It’s very durable but quite heavy.

The finished plastic-pipe roller cart

The finished plastic-pipe roller cart

 

The plastic-pipe roller cart as a moving cart under a dory

The plastic-pipe roller cart as a moving cart under a dory.

I have some inflatable rollers that also work very well for moving boats, but I’ll save them for cruising and let the roller carts do the dirty work of heavy lifting at home and for short outings at the local ramps.

 

Wee Lassie

I already had a sailing dinghy and a sail-and-oar skiff in our two-car garage, but I thought there was room for one more boat, a small one, alongside my wife’s car. I decided to build Dave Gentry’s Wee Lassie. In the 1880s, Henry Rushton designed the original Wee Lassie as a beautiful lapstrake canoe and since then, his iconic design has been rendered many times, in many ways, by many builders. Gentry’s skin-on-frame (SOF) version is 10′ 6″ by 27″, just like the original, and, at 19 lbs, about a pound less. With his advice I also lengthened mine to 11′ 6″ by extending the keel 12″ and moving the two end frames out from the center.

Building the Wee Lassie from plans take an estimated 20 to 25 hours, a remarkable short time to get afloat.Tom Clarke

Building a Wee Lassie from plans takes an estimated 20 to 25 hours, a remarkably short time to get afloat.

The four frames, two stems, and backrest are cut out of a half-sheet of 12-mm okoume plywood, using the full-size patterns included in the plans. The third frame from the bow supports a backrest; I used a piece of red cedar to make a sturdy cross beam at the top of the frame. Cut with a curve in the middle at about 20 degrees, it has a comfortable shape and angle. The keel, three pairs of chines, inwales, and gunwales were all ripped from western red cedar to dimensions provided in the comprehensive building manual. The instructions call for the chines, gunwales, frames, and keel to be held together with wood screws and epoxy or artificial-sinew lashings.  I had previously built a baidarka using lashings so I used that option for most of my Wee Lassie’s fastenings. I notched the longitudinals to recess the lashings and avoid wear-prone lumps in the skin.

 

The seating slats float freely in slots cut into the plywood frame that serves as the backrest; they're lashed to the frame on their other end. The arrangement allows the slats to flex when the paddler is seated, providing an even distribution of pressure for greater comfort.Tom Clarke

The seating slats float freely in slots cut into the plywood frame that serves as the backrest; the slats flex when the paddler is seated, providing an even distribution of pressure for greater comfort.

 

The decks can be quit simple and functional or used as an opportunity for some elegant woodworking.courtesy of Gentry Custom Boats

The decks can be quite simple or used as an opportunity for some elegant woodworking.

I sealed the frame with multiple coats of penetrating oil before turned it keel-up to attach the 10-oz polyester cloth. Starting in the middle of the hull and using 1/2″ stainless-steel staples, I stapled the cloth to the port gunwale every 3″ for about 2′. Then I stapled the opposite side to the starboard gunwale. I alternated sides, working toward both ends of the hull. Wrinkles appeared as I got closer to the bow and stern. Heating the polyester cloth would shrink it and eliminate the wrinkles, as long as I tucked small puckers of fabric between every staple to avoid creating any wrinkles too big to be removed with heat. To finish fastening the cloth, I drew it tight along the stems and held it with spring clamps. Once clamped, I ran a simple stitch with artificial sinew every 1/2″ close to the stem. With excess cloth cut about one inch from the hem stitching, I then rolled the fringe tightly and used two needles to do a cross pattern of sinew stitches to hold the roll tight against the stem.

Spring clamps help tension the skin and smooth any puckers after it has been stapled along the gunwales.Tom Clarke

Spring clamps help tension the skin and smooth any puckers after it has been stapled along the gunwales.

I shrank the fabric with a heat gun, removing the wrinkles along the gunwales and tightening the cloth over the entire hull. Since it is very easy to burn a hole in the cloth with the heat gun, it has to be kept moving. As I applied heat, I continually tapped the cloth with my finger to test its tension—the resonant drum-like sound was the best indicator of a tight skin.

After the fabric has been tensioned along the stem and held by a row of stitching, the excess cloth is trimmed with a hot knife to keep it from unraveling.Tom Clarke

After the fabric has been tensioned along the stem and held by a row of stitching, the excess cloth is trimmed with a hot knife to keep it from unraveling.

Any waterproof coating you put on the outside of the fabric will bleed through to some extent to the inside. If you don’t mind a mottled appearance on the interior, let it bleed. Dave suggests painting the inside surface of the cloth before putting it on the frame; the fabric will still stretch and heat-shrink. Another option is to apply a thin coating of polyurethane construction adhesive (specifically, Loctite’s PL Premium) on the cloth’s exterior surface after it is on the hull and shrunk. The PL Premium does not bleed through, and it provides an additional protective layer on the cloth that helps to resist abrasion and puncture. This is the technique I used and would definitely do again if I were to build another SOF canoe.

A crossing stitch sewn with two needles finishes the the covering at the stems.Tom Clarke

A crossing stitch sewn with two needles finishes the seam at the stems.

The PL Premium dried overnight, and left the surface bristly, like a two-day growth of beard. I sanded it lightly; it took just 5 minutes to do the whole hull. I then applied two coats of Rustoleum latex primer over the PL Premium, lightly sanding between coats. This was followed by four coats of Rustoleum latex white exterior paint, again sanding lightly between coats, resulting in an almost mirror-smooth skin.

Once the painting was completed, I turned the hull back right-side up and trimmed the excess cloth about 1/8” below the top of the gunwale. I fastened a 1/4″ by 1″ rubrail of western red cedar to the gunwale with 1/2″ stainless-steel screws every 10″, covering the staples and edge of the skin.

Construction time for the canoe is about 20 to 25 hours, according to Gentry. The foot braces, designed for kayaks, aren't required, but improve a paddler's connection with the canoe.courtesy of Tom Clarke and Paul Truszkowski

Construction time for the canoe is about 20 to 25 hours, according to Gentry. The foot braces, designed for kayaks, aren’t required, but improve a paddler’s connection with the canoe.

For the seat I ripped five oak slats to 3/8″ by 1-1/4″, soaked one end of each in water overnight, and then clamped them on the bench to lock in a curve at their forward ends. This curve prevents the slats from digging into your legs. Three additional slats serve as floorboards. All of the slats then got coated with oil and inserted in the slots cut into the frames. Even though the 3/8″ oak flexes quite a bit in both the seat and floorboards, there have been no fractures.

Lashings, the principle fastening in the canoe, allow the frame to flex, avoiding the damage a sharp impact could do to joints secured by nails, screws, or glue.courtesy of Tom Clarke and Paul Truszkowski

The polyester fabric is quite tough and unlikely to fail in normal use. While it is possible for a very sharp object to puncture the skin, damage won’t spread by tearing.

The plans don’t call for them, but I installed a set of adjustable kayak foot braces, bolting them to vertical struts set between the gunwale and the upper chine. The foot braces help provide power to the paddling stroke and keep the knees slightly bent, a position more comfortable than having one’s legs resting flat on the floorboards.

The Wee Lassie, according to the designer, is best suited for "exploring lazy rivers, hidden coves and backwaters or just tooling around the pond or lake."courtesy of Tom Clarke and Paul Truszkowski

The Wee Lassie, according to the designer, is best suited for “exploring lazy rivers, hidden coves and backwaters or just tooling around the pond or lake.”

At the top of each stem, I drilled a 3/8″ hole used to tie down the canoe for cartopping. Where the gunwales rest on the car rack, I screwed four 4″ lengths of 1/2″ half-round brass to protect the wood from chafe.

I’ve built a number of boats, and building skin-on-frame was the most fun. At every step in the process, the boat makes steady, discernible progress toward completion, and the finish work isn’t a barrier. It’s certainly not like a stitch-and-glue build where 20 percent of the time is devoted to building and 80 percent of the time is devoted to sanding and applying layer upon layer of finish.

Skin-on-frame construction achieves the same light weight as the original lapstrake canoe without the expense and complexity.courtesy of Tom Clarke and Paul Truszkowski

Skin-on-frame construction achieves the same light weight as Rushton’s original lapstrake canoe, but without the expense and complexity.

It’s a joy to have a boat that I can single-handedly onto the car rack, tie it down in two minutes, and drive without the limitations imposed by a trailer. And launching is just as easy: Throw it into the water, get in, and start paddling. The seating position is low and contributes to the good stability; I’ve felt very comfortable from the outset and have never felt at risk at any time.

The original Wee Lassie was intended for use with a double-bladed paddle, but a single-bladed paddle can be useful in tight quarters or in discreetly observing wildlife. The transparent skin is an optional way of finishing the hull.courtesy of Gentry Custom Boats

The original Wee Lassie was intended for use with a double-bladed paddle, but a single-bladed paddle can be useful in tight quarters or in discreetly observing wildlife. The transparent skin is an optional way of finishing the hull.

Paddling at a leisurely pace—for me, 3 mph—takes virtually no effort because the canoe is so light. My GPS reading was 3.7 mph average speed for an hour’s paddle and top speed was 4.1 mph, using a Greenland-style, double-bladed paddle.

A double-bladed paddle, the type used for sea kayaks, is the best choice for general paddling in the Wee Lassie. It offers better course holding than a single-bladed paddle.courtesy of Tom Clarke and Paul Truszkowski

A double-bladed paddle, the type used for sea kayaks, is the best choice for general paddling in the Wee Lassie. It offers better course holding than a single-bladed paddle.

The canoe tracks very well and its bow yaws only a couple of degrees with each paddle stroke. It takes about 10 sweep strokes to do a 180-degree turn. Because it has no decks, I would not take it out in conditions rough enough to create white caps. However, it is so light and responsive; I’ve never shipped water from any motorboat wakes I’ve encountered.

The Gentry Wee Lassie is easy to build, store, and carry, and is an ideal boat for that spur-of-the-moment call: “Hey, let’s go out for a quick paddle.”

Tom Clarke lives in New Jersey and does his boating in local North Jersey reservoirs, New York Harbor’s Upper and Lower Bays, and Barnegat Bay. He has been around boats his entire life. His father was a boatbuilder and Tom had lots of boats while he was growing up and lived on a boat for a couple of years. He has built a number of boats and writes a blog—TheOarCruising.Blogspot.com— primarily focused on oar-powered small boats that can be cruised in.

Wee Lassie Particulars

[table]

Standard length/10′ 6″

Beam/27″

Weight/ around 19 lbs

Capacity/200 lbs

[/table]

Plans ($55) and kits ($400) for the Wee Lassie are available from Gentry Custom Boats.

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats Monthly readers would enjoy? Please email us!

Seaclipper 16

 

I’ve built more than a few boats for myself in the past 38 years, and in all that time I have never been tempted to build a multihull. Why go to all the work of building two hulls, let alone three, when I’ve never found any of my single-hulled boats lacking in any significant way? I started getting answers to that question as soon as I stepped aboard a Seaclipper 16 designed by John Marples of Searunner Multihulls and one of nine designs in the Seaclipper series of trimarans. The hull is constructed of 7 sheets of 1/4″ six-ply marine plywood, five sheets of 3/8″ nine-ply, and lumber in commonly available sizes. Fiberglass-and-epoxy sheathing is optional. The instructions are geared for novice builders; full-sized templates for the bulkheads are provided in the plans. Stringers connecting the bulkheads define the shapes of the plywood panels for the hulls. The 15′ 11″ vaka (center hull) has a flat bottom that will take to landing on the beach without digging in or causing the kind of wear you’d get with a sharp V hull. The amas (outrigger hulls)  have bottom panels set at an angle, deeper outboard than inboard. This configuration adds a fin-like element for increased lateral resistance for sailing in shallow water with the daggerboard pulled up. The angled ama bottoms also present an edge to the water, keeping the amas from slapping the waves when they’re close to the water’s surface; it’s a quieter ride. The amas’ bottoms are positioned higher than the vaka’s bottom, so their edges are not subjected to wear when the boat is hauled up on a beach.

Each of the four swing-arm akas has three bolts: one securing the pivoting part of the aka to the ama, and two (one of those anchoring the shroud bridle) connecting the pivoting part of the aka to the fixed part on the vaka. Removing the inboard bolt allows the swing arm to pivot, moving the ama aft and inward.photographs and video by the author

Each of the four swing-arm akas has three bolts: one securing the pivoting part of the aka to the ama, and two (one of those anchoring the shroud bridle) connecting the pivoting part of the aka to the fixed central section on the vaka. Removing the inboard bolt allows the swing arm to pivot, moving the ama aft and inward.

The akas (crossbeams) can  be made in three ways: as one piece bolted to the three hulls, hinged to fold the amas on top of the vaka, or as swing-wings, like LIMONADA shown here. With the swing-wing, the amas pivot aft and nest against the vaka, bringing the beam down from 11′ 3″ to 7′ 7″ for trailering and to fit in a standard marina slip. The swing wings can function whether the boat is afloat or on a trailer, so they are handy when launching or landing at a crowded boat ramp. The swing wings don’t require any hardware beyond nuts and bolts, and have an advantage over the hinged akas: there’s no need to lift an ama and set it down gently on the vaka.
The Seaclipper 16 can be built as an open-cockpit cruiser, or as a daysailer with a tandem cockpit, with the helmsman sitting in the aft position, legs straddling a centerboard trunk and the crew sitting forward. The 7′-long open cockpit has side decks between the akas that offer more options for seating, moving around while under sail, and sleeping aboard while moored.

John Marples, designer of the SeaClipper 16 and builder of LIMONADA, goes for a sail on the Mystic River.

John Marples, designer of the Seaclipper 16 and builder of LIMONADA, goes for a sail on the Mystic River.

 

LIMONADA, as an open-cockpit version of the 16, has a daggerboard deployed through a slot in the cockpit sole. A softwood stick wedged in the slot keeps the board down; it has a loop of line at its top for quick removal and raising of the board. The cockpit sole is high enough above the waterline that any water coming into the cockpit drains right out. The rudder is mounted on a false transom, hinged at the top, that allows the rudder to kick up when meeting an unexpected shoal or to be retracted when coming ashore. The downhaul at the bottom of the false transom leads to the cockpit for easy operation. The rudder blade is balanced and has enough of the blade ahead of the pintles and gudgeons to lighten the load on the skipper when coming about. It also allows the arms of the rudder yoke to be short and unobtrusive. The lines from the yoke lead forward to pedals in the cockpit to  for hands-free steering. A tiller above the yoke allows steering while sitting on a side deck and is the means of raising the rudder when coming ashore.

A hinged false transom allows the rudder to be kicked up. The tiller pulls the rudder up and holds it. The line at the bottom of the false transom holds the rudder down while the boat is underway.

A hinged false transom allows the rudder to be kicked up. The tiller pulls the rudder up and holds it. The line at the bottom of the false transom holds the rudder down while the boat is underway.

The Seaclipper 16 is designed to take a Hobie 14 sailing rig. The pivoting aluminum mast, roller-furling jib, and fully battened mainsail are readily available from a wide network of Hobie dealers and may be found used in online classifieds. The Hobie 14 has a beam of 7′ 8″, so the Seaclipper 16, with a beam of 11′3″ can take better advantage of the 146-sq-ft sail rig without flying a hull to the brink of capsizing. Dyneema shrouds, secured to bridles spanning the side decks, support the mast. The plans include specifications for an unstayed wooden mast. For auxiliary power, a short crossbeam aft of the port aka serves as a mount for a small outboard.

The side decks provide seating when two are aboard, and the steering is then done with the tiller, not the foot pedals.

The side decks provide seating when two are aboard, and the steering is then done with the tiller, not the foot pedals.

I had a chance to sail LIMONADA, the Seaclipper 16 built by Marples for Mac MacDevitt, on Mystic River near Mystic Seaport. Stepping aboard, I got my first lesson in the values of a multihull. I didn’t have to lunge for the centerline as I do with my monohulls to keep them on an even keel. The trimaran has plenty of stability no matter where I put my weight and the amas (outer hulls) have enough volume of to support my 220 lbs. Without having my movement aboard the boat restricted by the nagging demands of a monohull, I could wander around the boat. The decks are all flat, so the footing is good everywhere. While I like the sweep of a curved sheer line, the Seaclipper’s flat decks simplify the construction of the boat and provide the geometry required for the swing-wing akas.

The deck surrounding the cockpit is large enough to set up a tent for sleeping at anchor. The windsceen was added by the builder to block spray when sailing a brisk breeze.

The deck surrounding the cockpit is large enough to set up a tent for sleeping at anchor. The windshield was added by the builder to block spray when sailing into a brisk breeze.

I liked being able to walk around the boat while it was under sail with Mac at the helm. I never get to see my own boats moving through the water, so stretching out on an ama to watch the vaka’s bow at work was a treat. The 7′-square deck around the cockpit offers a place to pitch a tent. Mac has a two-person tent with an oval hole in its floor to match the cockpit opening. He can sleep to one side of the cockpit, sit comfortably upright with his feet in the cockpit and have access to the gear stowed there. The amas and vaka offer plenty of room for cruising and camping gear; commercial plastic hatches offer access.

I took LIMONADA out by myself and enjoyed steering with my feet and having my hands free to manage the sheets. Nestled down in the cockpit on a padded seat with a backrest, I was very comfortable and relaxed. The sheets were right in front and could be cleated off, making sail-handling a breeze; there was no need to switch sides or do-si-do with a tiller when coming about. During my outing the weather was warm and the wind was light, perhaps 8 to 10 knots at best with a few gusts, but in a cold wind, being mostly below deck level would be a boon. Mac had made a removable windshield that wraps around the forward end of the cockpit for even greater protection from cold wind and spray.

With Marples and owner Mac MacDevitt aoard, LIMONADA flies the windward ama. The leeward ama still has plenty of freeboard.

With Marples and owner Mac MacDevitt aboard, LIMONADA flies the windward ama. The leeward ama still has plenty of freeboard.

The light wind was more than enough to get Mac’s Seaclipper going at a brisk pace and fly the weather ama. There was no spray, so I stayed dry, and even with the boat moving at a good clip I didn’t notice any water coming up through the daggerboard slot.

I was surprised by how well the Seaclipper could come about. With three hulls in the water, I thought there would be a lot of drag in the turns and that the boat would get bogged down, but the rudder blade and the centerboard have enough area to swing the bow around before the boat loses momentum. I never got caught in irons, but I backed the jib for a moment to hasten the bow’s falling off and the filling of the main.

LIMONADA owner Mac MacDevitt reports that his SeaClipper 16 is “super fun in a stiff breeze.” Here, sailing on Lake Champlain, just south of the Split Rock lighthouse he estimated his speed at about 13 knots. “It was exciting, but I felt safe and secure.”Ben Breckenridge

LIMONADA owner Mac MacDevitt reports that his Seaclipper 16 is “super fun in a stiff breeze.” Here, sailing with a reefed main on Lake Champlain, he estimated his speed at about 13 knots. “It was exciting, but I felt safe and secure.”

By the end of my time aboard a Seaclipper 16, I could see the good sense in building three hulls to get one boat. Having a pair of amas take on the job of keeping the boat upright under the press of sail made manning the helm much easier; it didn’t require the athleticism and flexibility that I’ve always associated with sailing small boats. And at anchor, a trimaran is a bit like a small island, while my boats are more like hammocks that swing with every move I make. The Seaclipper offers the potential for some exciting sailing. Mac has sailed LIMONADA up to about 13 knots. That’s a speed I’ve never seen aboard any of my boats.

Christopher Cunningham is the editor of Small Boats Monthly.

Seaclipper 16 Particulars

[table]

Length/15′ 11″

Beam/11′ 3″

Beam, amas retracted/7′ 7″

Draft, hull only/11″

Draft, board down/2′ 7″

Sail area/127 sq ft

Displacement, dry/400 lbs

Displacement, full load/800 lbs

[/table]

Plans for the Seaclipper 16 are available from Searunner Multihulls for $180.

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats Monthly readers would enjoy? Please email us!

A Lakeland Row

A couple of years ago I spotted a long, lean traditional Finnish rowing boat for sale online. It had been designed and built for bi-stroke racing with a rower on a sliding seat and a paddler using a single-bladed paddle in the stern. I had no experience in competitive rowing or even cruising under oars, but I fell in love with the boat and bought it. Its lines promised good speed and tracking, but it had been neglected and had some broken frames and split planks. During the following winter I restored it and added a second sliding seat for doubles rowing. We launched the boat in the spring, and call it TURBO.

Finland is dotted and laced with thousands of lakes and waterways. The Saimaa area in the southeast is the country’s largest watershed with 9,300 miles of shoreline, more per square mile than anywhere else in the world. The 14,000 islands in the region add to the complexity of Finland’s vast Lakeland. In the past, rowing was the fastest way to get around Saimaa and many other watery inland parts of the country, and rowboats were essential to the traditional ways of life. Each region has its own native boat designs, with characteristics that have evolved over hundreds of years to suit local tastes and conditions. I had been spending my summers sailing all around the Baltic Sea and staying with my family in our summer place in the archipelago along the south coast, so the inland waterways and lakes weren’t familiar to me; I’d only seen them from a car window or through some occasional visits to friends or relatives with summer cottages. Now that I had a boat descended from Finland’s rich inland traditions, it was time to explore Saimaa.

Roger Siebert

.

For my first trip, a 111-mile circumnavigation of Sääminginsalo Island, the largest island in Finland, my oldest son, 14-year-old Verneri, would be the one pulling the second pair of oars. He is an outdoorsy person with a great interest in nature, animals, trekking, camping, and just about anything that requires a good deal of physical effort.

With the car loaded with camping gear and food we drove to Rantasalmi, a small town near the northwest part of Saimaa. As we were loading gear into the boat at the top of the launch ramp, I began to feel a bit anxious. How would this racing boat handle all this extra weight in waves and wind? Would Verneri and I really be able to row the 20 to 30 miles we’d planned for each day of the week we had allowed for the trip? The sun was shining and the wind was light and the fine weather soon put me at ease. We loaded up and organized all of the gear in the boat—food box, cooking equipment, camping gear, clothes packed in watertight bags—and still had enough room around the sliding seats for rowing. We took off and once we settled into our rhythm, TURBO was like a train, running fast and true, as she charged across the half-mile-wide bay toward more open water.

As we crossed the Hauki Waterway, a 30-mile-long, 5-mile-wide lake in Saimaa’s network, most of my worries about the boat and our ability to row it well were vanishing. I didn’t find it too difficult to read the compass or to glance at the map while I was rowing. With fresh reserves of energy and the wind behind us, Verneri and I managed to keep speeds between 5 and 5.5 knots and were thrilled about how well the boat was performing. We glided beneath blue skies as nearby islets capped with dense green forests of pine and birch slipped between us and distant islands dotting the horizon.

As sailors, Verneri and I weren’t used to having our backs to the bow, and I paid more attention to the compass and the map than to what was ahead of us. After we almost ran straight into the rocky shore of a tiny island at full speed, we made more frequent glances forward while rowing. We worked more carefully through the Hauki archipelago and landed on an island no larger than a tennis court. With TURBO in still water, nosed up against the lichen-dappled granite shore, we took our first break, ate some sandwiches, and took a dip in the clear and, to Finnish standards, warm water.

Mats and Verneri were lucky to start their tour on calm waters and in mild weather, perfect for rowing. A light tailwind helped them out for a while but died completely while they were crossing the Hauki Waterway. The compass, meant for forward-facing kayakers, had to be installed backwards for the rower in the bow rower to see the card, and that required some mental gymnastics to set a course. Here they’re rowing on a course of 105°, ESE, and the compass reads 285°, WNW.all photographs by the author

The calm waters and mild weather at the start of the tour were perfect for rowing. A light tailwind helped for a while but died completely during the crossing of the Hauki Waterway. The compass, meant for forward-facing kayakers, had to be installed backwards for the rower in the bow rower to see the card, and that required some mental gymnastics to set a course. Rowing here on a course of 105°, ESE, the compass reads 285°, WNW.

About 7 miles out from the launch site near Rantasalmi, we passed Linnan Island, a national park almost in the middle of Hauki. The island, 2 ½ miles long and a mile wide, is covered by forest right up to the water’s edge, save for a couple of clearings for campsites. (The park gets visitors year-round; in winter visitors arrive not on boats, but on ice skates.) We rowed around the south end and chose a smaller island close by for our first night. It was shielded by Linnan to the north and by a pair of half-mile-long islands neighboring south and east, but the wind had died, and mosquitoes found us while we were preparing a meal. Before calling it a day we took a stroll around our little island, which was still big enough to have a dense forest and plenty more mosquitoes. We took our time exploring—the summer sun wouldn’t set until well past 10 pm—and when we retreated to our tents they were still warmed and illuminated by the slanting daylight.

 Beyond the bridge that spans the canal at Oravi is a quiet village and marina that occupy the site of an ironworks that closed in 1901

Beyond the bridge that spans the canal at Oravi is a quiet village that occupies the site of a busy ironworks that closed in 1901.

 

The following day we had only a few miles to row before entering the narrow, tree-lined channel that separates the islands of Little Ahvensalo and Sääminginsalo. Beyond the arched bridge that spans the 20-yard-wide waterway, the village of Oravi lines both sides of the channel with colorful wooden houses, gardens, and gently sloping, rocky banks. We craned our necks, keeping a sharp lookout ahead as we approached the docks on the north side of the channel. Oravi has a small restaurant and a shop, so we picked up some additional supplies and had coffee with some treats.

Refreshed, we continued north to the end of the mile-long channel, rounded the narrow peninsula that is Sääminginsalo’s northwest corner, and then rowed an eastward-winding route through a group of islands to the Enon Waterway. After we reached its more open waters we had the wind behind us, so we decided to try our jury-rigged sail. We had outfitted TURBO with a pivoting A-frame mast, which folds forward and rests out of the way along the inwales when not in use. Pulling a rope that becomes the backstay raises the rig, and the sail, a parachute-cloth hammock, follows. Its 32-sq-ft pushed our sleek TURBO along the Enon at 3 knots in the light 9-knot wind.

Sailing was a welcome break for rowing and kept TURBO moving while the crew relaxed. The A-frame mast didn’t interfere with the forward rowing station and it took just seconds to raise or lower the sail.

Sailing was a welcome break for rowing and kept TURBO moving while the crew relaxed. The A-frame mast didn’t interfere with the forward rowing station and it took just seconds to raise or lower the sail.

Verneri and I made ourselves comfortable in the bottom of the boat with our backs resting on the footrests, both of us happy to be facing forward for a change. I used the aft pair of oars as rudders. The tholes run through holes in cleats fixed to the looms, so the blades can’t be feathered and are always vertical, ideal for steering. To turn I dropped one of the oars’ blades in the water, and TURBO would veer to that side.

Sailing east across the 7-mile-long lake with nothing in sight but water, rocks, forests and sky, it was easy to imagine we were like Vikings, searching for new lands and escapades. I mentioned to Verneri that the Vikings had found their way through the rivers of Russia and the Black Sea all the way to Istanbul. He replied, “We should go too.” I could tell he wasn’t kidding.

 

Toward the end of the day the wind waned and we pulled out the oars. We rowed north from the middle of the lake, looking for a place to spend the night. We found a small island, only 30 yards wide and about 40 yards long, and well suited for camping. Its center was flat and free from bushes; old crooked pine trees were rooted in the thin layers of soil nestled between outcroppings of bedrock around the clearing. We had views of the lake in every direction, and best of all, the island was free of mosquitoes. There was a previously used stone fire ring, so Verneri gathered fallen branches for a fire. Before turning our attention to dinner, we took a swim and then let the sun dry us as we rested by the island’s smooth and warm granite flanks. We gazed north to the mainland, a landscape unmarred by houses or any other signs of people.

This tiny island located in the Pyy Waterway was a ideal for camping with its unobstructed views all around, clear, flat ground for tents, and absence of mosquitos.

This tiny island located in the Pyy Waterway was a ideal for camping with its unobstructed views all around, clear, flat ground for tents, and absence of mosquitos.

I had forgotten to pack our fishing rod, but we had bought some fishing line and a spoon lure in Oravi. Verneri fished by flinging the lure into the water. After a few tries he shouted, “I got something!” He pulled the line in carefully and a 16″ pike came to the surface, but as it approached the shore it thrashed, pulling itself free from the lure and escaping into the lake. Encouraged, we kept fishing, but there were no more bites. We retreated to camp, dug into our food box, and had smoked lamb with potatoes for supper.

Verneri fished without a rod by slinging the lure in to the lake. At 62° North, the summer days were long and provided plenty of time for fishing after coming ashore.

Verneri fished without a rod by slinging the lure in to the lake. At 62° North, the summer days were long and provided plenty of time for fishing after coming ashore.

The following morning it started raining soon after breakfast but we managed to pack most of our gear before it got wet. There was little or no wind and the temperatures were mild, so it was a good day for rowing. We headed east and passed through the Straits of Hanhivirta where a small ferry crosses the 300-yard-wide passage between the Enon and Pyy waterways. The landscape was getting more rugged as we traveled east and many of the steep shorelines were guarded by jagged boulders.

 

After rowing for about three hours in the rain, we were hungry, tired, and wet. We decided to make a detour to the north to the town of Savonranta, in the hopes of finding a place to have a hot lunch indoors. The zigzagging, mile-long entrance into the harbor seemed to go on forever, but right next to the harbor was a restaurant with pizza-buffet lunch. Verneri gorged himself on slice after slice; I counted and he stopped when he had eaten what amounted two whole pizzas. I had a lighter lunch—salmon soup.

With full stomachs and dry clothes we set out again and headed east, passed under a bridge, and entered Ryttyselkä Bay. Feeling a little drowsy after all the food, we each took turns rowing while the other trolled for fish at the stern. After clearing the bay, we were entering the most open crossing of our tour, Paasselkä, which is Finnish for Stone Lake. The 6- by 7-mile oval lake is uniquely free of islands. While all of the other lakes in the Saimaa were gouged by Ice Age glaciers, forming relatively shallow furrows aligned along a diagonal from northwest to southeast, Paasselkä is a deep impact crater formed by a meteorite about 231 million years ago. This origin of the lake was confirmed by a deep drilling of the surrounding rock in 1999, and beyond its unusual shape and magnetic anomalies, the locals had a sense that this basin was different. Light phenomena over the lake has been reported for centuries—known as “Paasselkä devils”—shining spheres thought to be created by evil beings.

The devils let us be and Paasselkä was a benign, flat calm. According to weather forecast, there were no winds in the offing, so we took a course—southeast, then veering south—well clear of the rocky western shore.

We were headed for Pistalan, a 3-1/2-mile-long lake, and then Raikuu channel, a series of three small canals connecting the small lakes in between them. We rowed into Pistalan and saw a long and narrow promontory to port and a sandy beach to starboard. There was something tempting about the beach and the headland rising above it, so we rowed our bow into the sand and went for a walk. After walking a few yards up the steep ledge we could see the headland was a maze of eroded trenches, dug in the early 1940s by Finnish civilians during the creation of the Salpa Line, a 750-mile line of bunkers running the entire length of Finland’s border with Russia. The line never saw military action—the Soviet offensive ended when the advancing Red Army was stopped in 1944 at the Viipuri-Kuparsaari-Taipale (VKT) Line before reaching the Salpa Line. The sight of the moss-covered zigzagging pathways and trenches made me think about the sacrifices my grandparents had made during the Winter War.

These eroded trenches by Pistilan Lake were a part of the Salpa Line defenses built against the Soviet threat in the early 1940s. The line never saw military action, but was nonetheless a haunting reminder of the battles fought by our grandfathers farther east.

These eroded trenches by Pistilan Lake were a part of the Salpa Line defenses built against the Soviet threat in the early 1940s. The line never saw military action, but was nonetheless a haunting reminder of the battles fought farther east.

Day was slipping into evening as we rowed across to Paksu Point, where we found a fire pit and wooden lean-to built for visitors. The land was sandy and flat, with many good places for tents. We foraged some boletus mushrooms, grilled them with sausages for dinner, and soon turned in for the night.

 

The next morning Verneri told me that he had woken up in the middle of night to throw up. The mushrooms hadn’t been good to him but he did feel he was now ready to row. We packed the boat and headed southeast along the length of Lake Pistalan, which was getting narrower toward its southern end. We were expecting to see the entrance to the Raikuu channel, but there was no way out of the lake through the dense bed of reeds filling its southern bay. Trusting in the map instead of what we could see, we rowed straight into the rushes and eventually came to a small bridge. The passageway beneath it was only about 3 yards wide, and the water in the channel beyond it was just a few feet deep. The Raikuu canal, dug around 1750 and now little more than a ditch, along with the Pistalana canal and the Nurmitaipale canal and the Raikuu canal—collectively called the Raikuu channel—are all that qualify Sääminginsalo as Finland’s largest island. A mere 500 yards of narrow canal allow water to encompass Sääminginsalo, which is arguably a 413-square-mile peninsula.

It took a leap of faith to plunge into the dense reeds choking the bay that concealed the entrance to Raikuu channel. The a slender manmade waterway separates Sääminginsalo Island from mainland and makes a full circumnavigation of the island possible.

It took a leap of faith to plunge into the dense reeds choking the bay that concealed the entrance to Raikuu channel. The slender manmade waterway separates Sääminginsalo Island from mainland and makes a full circumnavigation of the island possible.

Verneri and I stood up, each paddling with a single oar, to better see and follow a meandering route through small ponds and channels. The western shoreline we passed was part of the Salpa Line fortification—granite ramparts rose straight out of the water. Overgrown with birch trees, bushes, and flowers, these remnants of war are being swallowed up by nature.

Standing up to paddle Raikuu channel made it possible to face forward and enjoy the views of the most scenic part of the trip.

Standing up to paddle Raikuu channel made it possible to face forward and enjoy the views of the most scenic part of the trip.

The end of the chain of narrow canals and small ponds ended at a bridge and boat ramp at Lintusalmi. We stopped at the concession stand there for a snack and a coffee to gather our strength for the wide waters of Ruosteselkä Bay. We rowed under the bridge and straight into a 10–12-knot headwind.

The waves surging into the bay were building up, and we had to do some serious pulling to keep TURBO moving. Eventually we reached the lee of Hevossalo Island and took refuge in a small breakwater-protected harbor located between the channel separating Sääminginsalo and Hevossalo islands. As we cooked a hot lunch, the wind and waves calmed down a bit, and with our energy restored, we continued south into Puru Waters, a large lake to the southeast of Sääminginsalo. It was still an upwind battle, but TURBO made good speed, and as the afternoon was turning into evening, we landed at Pieni-Pekka after covering 12 miles since leaving the sheltered waters at Lintu Strait. The island was small, only 50 by 100 yards, and on its northern shore there was a gently sloping rock surface that looked just like a boat ramp. We rested TURBO’s bow on the rock, found a fire ring close by, and rested our backs lying on mattresses over the flat expanse of stone. This eastern part of our circumnavigation was more rugged and solitary than the western parts of the northern Saimaa waters, and was more to my taste.

After a 12-mile upwind battle to reach the island of Pikku-Pekka even solid granite offered a welcome measure of comfort.

After a 12-mile upwind battle to reach the island of Pikku-Pekka even solid granite offered a welcome measure of comfort.

I was too tired to scout the islet for a better place to camp, so I popped the tent up on sloped stone. Verneri found a softer spot higher up. After our evening meal we turned in and fell asleep to the sound of heavy rain beating on our tents.

 

I woke up early, having slept exceptionally well in spite of the rain and my hard, slanted perch on the bare rock. The wind was coming from the southwest at 15 knots and gusting to 20. We set out, taking the wind on the nose, and worked our way into the lee of the islands to south of us, and then crawled westward and into the shelter of northwest corner of the Enan peninsula. We peeked into the unprotected waters of Enanselkä to evaluate the wind and wave conditions. This 1 ½-mile crossing would be the challenge of the day. I decided that it was a go, so we started rowing as fast as we could in the rough conditions. TURBO rolled but rode up and over the waves nicely, only occasionally letting some spray get to us. It was difficult to avoid slamming our oars into the wave crests between strokes, but after about 15 minutes the worst of it was over, and we reached the western and more sheltered part of Enanselkä. Verneri had faced the challenge head-on and fearlessly. The harder it got, the more he seemed to enjoy it.

We took a shortcut through Laukan Bay, a small pond isolated from the surrounding waters by the Punkaharju Esker and the roads running along that ribbon of land. We ducked through two small tunnels and out into the bay. A thunderstorm passed over and heavy rain thoroughly drenched us. Weary, cold, soaked, and hungry, we turned north and rowed into Tuunaan Island harbor. After a satisfying lunch in the restaurant at the water’s edge, we got to a sauna to warm up and dried our soaked clothes.

After our sauna it was already early evening, but we wanted to find a more solitary place to stay for the night, so we launched again and rowed southwest. While rowing across the 1-1/2 mile-wide waters of the Jänne Waterway, we saw a huge dark gray cloud front approaching us, and it was obvious we would be soaked again. Verneri was rowing in the aft station, and as he looked over his shoulder at the approaching storm, I noticed he was smiling. “What’s up?” I asked. “Everything is going so well! We even had a sauna,” he said. What a wonderful companion. The rain came on hard and fast and set the surface of the water dancing. Pulling through the downpour we found a small, densely grown island to camp on, just a few hundred yards off our route.

Getting soaked once more by a thunderstorm, just after drying our gear in the sauna on Tuunaan Island, Verneri didn’t mind any of the challenges of the tour but seemed the enjoy them all the more when the going got tough.

Getting soaked once more by a thunderstorm, just after drying our gear in the sauna on Tuunaan Island, Verneri didn’t mind any of the challenges of the tour but seemed the enjoy them all the more when the going got tough.

The next day the skies had cleared and the sun warmed us as we began the day’s rowing. Not long after leaving camp, a black head the size of a football popped out of the water about 50 yards behind us. It was a rare Saimaa ringed seal. With a total population of only about 310 individuals, it is one of the most endangered species of seals in the world. Trapped inland by the rising of the land following the Ice Age, the Saimaa ringed seals are one of only three species of freshwater seals. The seal followed us for 10 minutes, popping up every now and then, each time closer to us.

This was the first really warm and sunny day of our tour, and we had grown so accustomed to rowing in rainy and cloudy conditions that we forgot to put sunscreen on—an oversight we would later regret. After 11 miles of rowing in a generally northerly direction through tightly packed clusters of islands, we reached the small city of Savonlinna. For lunch we were intent on finding a certain restaurant by the market, famous for its vendace, a freshwater whitefish found locally. The meal lived up to its reputation and was the best fish I had ever had, fried crispy in butter and served with a special dipping sauce. Verneri and I were in no hurry to continue, so we strolled across a floating walkway to Olaf Castle and took a tour of the 15th-century fortress with three tall round towers and ramparts that rise right out of Savonlinna’s bay.

We got back aboard TURBO, left the town behind us, and headed north. The weather forecast for the next day was for stronger winds, so I wanted to find a place for the night where we could continue our journey sheltered from the coming southeasterly wind. We found a tiny island only 20 yards wide, close by the eastern shoreline of Little Hauki Waterway, the southern extremity of the waters we had crossed at the beginning of our tour. The evening was peaceful and beautiful; the low, shining sun made rocks, bushes, and flowers glow in a coppery tone. We sat on a cliff, looking at the western sky across another of the many beautiful waterways of Saimaa.

As forecast, the wind had increased by morning and was blowing 14 knots from southeast. Our route was perfect, though, heading northwest, with some sheltering islands east of us. We started rowing, but with the following wind and waves coming from an angle that kept pushing the stern to port, we were continually pulling only the starboard oars. We stopped fighting it and hoisted our sail. We sped through narrow channels and past summer cottages where people might have been wondering about our hammock sail and the speed it produced. TURBO was exceeding 5 knots from time to time. The rig was working perfectly. The center of effort was low, and on a broad reach or a run, the boat was not heeling at all, but charging effortlessly through the water.

After sailing for two hours we reached the bay leading back to our starting point. We rounded the point, took the sail down, and started rowing to the southwest with the wind to our port side. The wind had increased to 20 knots, and the last half mile was hard work. When we finally reached the harbor and ramp, it started raining and the wind seemed to increase even more. We had finished just in time. We unpacked the boat and trailered TURBO. We had conquered small part of Saimaa, and there were 9,200 more miles of coastline to explore.

Mats Vuorenjuuri is the father of three and an entrepreneur, making a living in graphic design, photography, and freelance writing. He has sailed all his life, and wooden boats, sailing, and boating are his passions. He has restored both sailboats and motorboats, and in recent years has discovered the simplicity and joy of small boats. He currently owns a small, open plywood motorboat, a Herreshoff Coquina, and TURBO. He wrote about cruising the Finnish coast in his Coquina in our May 2016 issue.

If you have an interesting story to tell about your adventures with a small wooden boat, please email us a brief outline and a few photos.

Joe’s Roller Cart

 

Joe Liener, here with his ducker, GREEN BRIAR, used his roller cart to get his boat to and from the water.Ben Fuller

Joe Liener, here with his ducker, GREEN BRIAR, used his roller cart to get his boats to and from the water.

Decades ago, my friend Joe Liener introduced me to duckers and melonseeds at his little boathouse in Wittman, Maryland, on the eastern shore of Chesapeake Bay. Joe had retired some years back from his job as the master of the Philadelphia Naval Yard boatshop where he used what he called a spar cart to move heavy spars and beams. He used a small version of one to get his boats from his boathouse to the water.

The carts are simple, just a roller, an axle, and a frame. Joe’s was pretty light, a 4″ roller, a frame with some plywood for a top, and a couple of boards on it to fit his boats and keep them from rocking. Cheek pieces fastened to the frame had holes to take the roller axle. The cart could also be used, frame down, as a fixed roller, handy for getting a boat out of the water onto a dock or bank or sliding it off or on a trailer.

I thought a cart would be handy for my 13′ 6″ Good Little Skiff, especially since I had no trailer. The bugeye EDNA LOCKWOOD at the Chesapeake Bay Maritime Museum where I worked was getting new masts, so Joe suggested that we take a section of old mast for a roller and bore it for a steel-pipe axle, then make the frame.

A section from a bugeye’s retired mast serves as the roller.

That 2′ x 8″ roller has now been through several frames, one of which was destroyed in getting several thousand pounds of sandbagger off a marsh. My current frame has cheek pieces incorporated into it and is 26″ wide by 20″ long, all made out of 2x stuff. A piece of steel pipe (1/2″, schedule 80, 0.840 O.D.) works as an axle. Drilling the hole down the center of that old spar was not for the faint of heart. It took Joe’s assistance with a second set of eyes and a big drill for me to bore the hole. There are easier ways to make a roller.

I have made several roller carts using 4″ PVC pipe. Bigger pipe is available and better for going over rough ground. Using a holesaw I cut discs to fit the inside diameter of the pipe and drill a hole to take the axle. I use four discs, evenly spaced along the roller, which is somewhere in the 18″ to 24″ range. I position the hole for the axle so that the roller is about 1/2″ lower than the load, keeping it as low as possible if you need to lift something heavy onto it. Sleeves or bushings of nylon or other slippery stuff would make it easier to roll; I’ve just made a loose hole in the wooden cheek pieces.

I now have more boats than trailers, so I use my roller frequently to swap boats. To take a boat off a trailer, I tie the boat to a solid fixed point and pull the trailer until the boat is at the balance point. I put the roller cart down, roller up, and drop the boat onto the roller so I can slide it into the boathouse, usually using a bunch of 4″ pipe sections for additional rollers. When I use the roller cart to transport a boat, those with fairly flat bottoms like a dory, a skiff, or my ducker sit nicely on the frame. Boats with a very round or V bottom, or a shallow keel, need a hand or chocks on the cart frame to keep them upright.

I’ve used my roller to move heavy stuff like my catboat mast, and I tuck it into the back of the pickup when I am going to do a trailer launch on a shallow beach. It works well moving boats over marsh where I can’t take a trailer. For moving heavy, bulky stuff, Joe’s cart is hard to beat.

For tips on making roller carts, see this month’s From the Editor.

Ben Fuller, curator of the Penobscot Marine Museum in Searsport, Maine, has been messing about in small boats for a very long time. He is owned by a dozen or more boats ranging from an International Canoe to a faering.

You can share your tricks of the trade with other Small Boats Monthly readers by sending us an email.

Pogies

The looms of the author's carbon-fiber sculls are not much larger than the grips and the opening in the side of each pogie is smaller that it would need to be to be for wooden oars with larger looms.Dale McKInnon

The looms of the author’s carbon-fiber sculls are not much larger than the grips, and the opening in the side of each pogie is smaller that it would need to be for wooden oars with larger looms.

If I can keep my head, feet and hands warm while I’m rowing in cold weather, the rest of me stays warm; pogies are my winter hand covering of choice. I sewed my pogies 14 years ago from wind-blocking fleece and I’m still using them to row on cold winter days.

Pogies are remarkably simple and easy to make. Their primary purpose is to keep wind from reaching your hands, but they can be insulated and waterproofed as well. You can use fleece, windstopper fleece, Cordura, Gore-tex, and many other outdoor fabrics. Some of these technical fabrics can be expensive but, depending on fabric width, with just a half yard you can make two or three pairs of pogies.

The shape isn't critical. Err on the large side if in doubt, then resew to fit.SBM

The shape isn’t critical. Err on the large side if in doubt, then resew to fit.

The simple drawing here is the basic shape of a pogie. Unlike gloves, pogies can fit almost any hand, large or small. A good starting point for the pattern’s overall size is around 12″ tall and 8″ wide. The side opening should fit the loom; if the loom is larger than the grip, the pogies should slip over it and not crowd the rower’s hands. The bottom opening should provide good clearance for the sleeve of a coat as well as the hand. You can easily customize this for your needs. I’m right-handed and need to get into and out of the right-hand pogie more often, so I made the opening a bit wider than the left.

Make a paper pattern similar to the drawing. Leave a 1/2″ allowance for seams and hems at the openings. The exact shape isn’t critical. Fold your fabric in half. If it has an exterior face make sure it’s inside the fold. Lay the folded fabric out on a flat surface and align the pattern’s straight edge with the fold of the fabric. Mark the outline with chalk and carefully cut. When cutting two layers of fabric, it helps to pin them together before cutting. Machine or hand sew the seam. Backstitch the seam ends at the openings to reinforce them. (If you aren’t equipped to do any sewing, you can use a Dritz Liquid Stitch Permanent Adhesive for the seams.) Depending on your fabric you can hem the openings to prevent fraying. Some thickly woven fabrics like fleece do not fray or unravel on cut edges. Synthetic fabrics like nylon and Gore-Tex can be cut with a hot knife to seal the edges.

A two-layer pogie with a Gore-Tex shell and a fleece liner. The set on the right is inverted to show sewing details. The editor used these pogies during a November-to-January rowing trip from Pittsburg, Pennsylvania, to Cedar Key, Florida.Christopher Cunningham

Two-layer pogies with Gore-Tex shells and fleece liners. The set on the right is inverted to show sewing details. The editor used these pogies during a November-to-January rowing trip from Pittsburg, Pennsylvania, to Cedar Key, Florida.

Some do-it-yourselfers hem their pogies with webbing at the hand openings. That prevents the material from collapsing as you try to slide your hands in. And, depending on the material you use, you can also flatten the seam allowances and top-stitch them. This also provides a bit more stiffness to the pogie for easier entry. If you’ve used a waterproof fabric you can apply iron-on seam-seal tape or liquid seam sealer to waterproof them.

I put my pogies on the oars first, then slip my hands in. Some rowers do it the other way around. If it’s especially cold, I start out rowing with fleece gloves inside pogies and as I warm up, the gloves come off but I keep my hands in the pogies where they stay very comfortable.

Dale McKinnon began rowing in 2002 at the age of 57 and in 2004 rowed solo from Ketchikan, Alaska, to her home town, Bellingham, Washington. In 2005 she rowed from Ketchikan to Juneau. Her previous articles for Small Boats Monthly include rowing the Columbia River and the Columbia River estuary, how to row rough water, and reviews of NewGrips and CrewStop rowing gloves, Exped sleeping pads, and the Devlin Duckling 17

You can share your tricks of the trade with other Small Boats Monthly readers by sending us an email.

Thin Rip Table Saw Jig

The ball-bearing equipped jig, along with a shop-made zero-clearance table-saw insert, makes ripping strips for laminations safer than sawing thin stock the on the fence side of the blade.photographs by the author

The ball-bearing equipped jig, along with a shop-made, zero-clearance, table saw insert, makes ripping strips for laminations safer than sawing thin stock the on the fence side of the blade.

If I had my druthers, I’d make knees, breasthooks, and stems—all those angle-reinforcing structural parts of boats—out of grown crooks, but they’re hard to come by and take time to season. Laminating these parts is a good way to get the wood grain in them to turn around corners, and they’re fairly easy to make. The part of the process that I like least is cutting the required thin strips of wood on my table saw.

For decades I’ve set the rip fence up close to the saw blade and run the stock through with push-sticks. At the end of each cut it was always a struggle to get the new strip pulled past cleanly the blade. If I walked around to the back of the saw to pull the strip through, I’d interrupt the steady feed of wood through the blade, and the strips could easily bend or twist into the blade, resulting in some gouges or burns. There was also the risk of having the saw shoot the strip across the shop.

I recently came across a better way: thin-rip jigs. There are a few different versions available from woodworking supply stores, and a number of do-it-yourself versions described on the web. I bought Rockler’s Thin Rip Table Saw Jig. It has a metal device on the bottom that locks into the table’s miter track. The top of the jig slides side-to-side, and a knob locks it at a chosen setting. A ball bearing acts as a gauge and a guide for the wood being sawn.

The bottom of the jig has a metal bar that fits and locks in the table saw's miter track. The ball bearing reduces friction as the wood being sawn is pushed by the jig. The zero-clearance jig shown here is made of ash and is splined at the ends to prevent splitting.

The bottom of the jig has a metal bar that fits and locks in the table saw’s miter track. The ball bearing reduces friction as the wood being sawn is pushed by the jig. The zero-clearance jig shown here is made of ash and is splined at the ends to prevent splitting.

When working with any thin stock on the table saw, a zero-clearance insert is better for the wood and safer for the operator. If the gap in the saw’s standard insert is wider than the strip, the strip won’t be supported and can get pulled down by the saw blade.

I ran the stock through the saw blade (taking off just a bit of wood to assure that the stock had parallel sides), set the jig in the tracks, and placed it so its ball bearing could be set against a saw tooth that would be cutting the kerf on that side. The jig’s scale is marked in 1/16″ increments, making it easy to slide the bearing away from the blade to set the thickness of the strips. Partially tightening the knob locks that setting and leaves the jig to slide back along the track away from the blade; further tightening the knob locks everything in place.

With the rip fence pressing the stock lightly against the bearing, sawing can begin. At the end of the cut, a strip falls safely to the side of the blade with no binding, burning, or gouging. For every subsequent strips, the fence gets unlocked and moved to put the stock again against the bearing.

The last bit of each board may be thick enough to provide another strip, but the jig won’t be able to work with it because the fence would come in contact with the blade. The remnants could be run through a planer or carefully fed through the table saw in the conventional manner, between the blade and the fence.

The Rockler Thin Rip Jig is economical—it would cost me more in time and materials to make a jig that would work as well—and makes reducing a board to a pile of uniform, ready-to-laminate strips a whole lot faster and safer.

Christopher Cunningham is the editor of Small Boats Monthly.

The Thin Rip Table Saw Jig is available from Rockler for $26.99.

Is there a product that might be useful for boatbuilding, cruising or shore-side camping that you’d like us to review? Please email your suggestions.

EMZARA

Although EMZARA didn't wind up with the concave bottom section that makes the Jericho Bay Lobster Skiff distinctive, she still gets up on a plane quickly. The hogged bottom is more of an advantage for a tiller-steered outboard where there is a lot of weight in the stern.Nick Williams

Although EMZARA didn’t wind up with the concave bottom section that makes the Jericho Bay Lobster Skiff distinctive, she still gets up on a plane quickly. The intentionally hogged bottom is more of an advantage for a tiller-steered outboard where there is a lot of weight in the stern.

John Adamson visited the WoodenBoat campus in the fall of 2009 and was taken by two Jericho Bay Lobster Skiffs: the original plank-on-frame version built by Jimmy Steele in the early 1970s, sitting on a trailer parked in front of the WoodenBoat Store, and a strip-planked version built by Tom Hill, at anchor near the WoodenBoat boathouse. The skiff has an unusual feature: a hogged bottom. This concavity in the aft half of the hull, usually associated with old boats that have been improperly supported in storage, serves the same purpose as trim tabs, creating lift at the stern and keeping the bow down.

When John retired a few years later, he found himself with some extra time on his hands. He had enjoyed doing woodworking in the past and was ready to take on the challenges that boatbuilding provides. Living a dozen miles down the South Australia coast from Adelaide in Port Wilunga, he has the St. Vincent Gulf at his doorstep and the River Murray beyond his back yard, so he’d have lots of waterways to explore.

The memory of the Jericho Bay Lobster Skiff was still with him, and he purchased plans from The WoodenBoat Store. When the plans arrived, he got to work. To mill the strips for the hull, John had the good fortune to have a friend with a well-equipped cabinet shop where he could mill western red cedar into ninety 1″ x 1/2″ cove-and-bead strips for the hull and Douglas-fir into laminates for the stem.

The strip-built skiff is lighter than its lapstrake predecessor and the interior, without laps and frames, is just as smooth as the interior and easier to finish and maintain.John Adamson

The strip-built skiff is lighter than its lapstrake predecessor and the interior, without laps and frames, is just as smooth as the exterior and easier to finish and maintain.

He made molds from the full-sized patterns, and when he had them set up on the strongback, the unusual and intentional reverse curve in the bottom became apparent.

Whenever John found himself mulling over some part of the construction that he was unsure about, he posed his questions to the WoodenBoat Forum. Several forum members—“WildBill,” “MichelW,” and “Woodpile,” among them—had built Jericho skiffs using the same plans and were happy to give John the benefit of their experience. “Woodpile” even sent his drawings for the center console that John would eventually install in his boat. Tom Hill’s two-part article on the construction of the Jericho Bay Skiff in WoodenBoat Nos. 210 and 211 also helped point the way.

John used WEST System epoxy to join the strips, laminate the stem, and build up four thicknesses of 1/2” marine plywood for the transom. The planking went well, but when he removed the planked hull from the molds, the hog in the bottom all but disappeared. He realized too late that he should have preserved the reverse curve by installing the keel before releasing the hull from the strongback.

Tom Hill writes about the skiff: “Her high, full, and flared bow makes for a surprisingly dry rid to windward in a chop. Running downwind, her gentle stem curve, moderate deadrise, and round bilges make her forgiving and steady.”John Adamson

Tom Hill writes about the skiff: “Her high, full, and flared bow makes for a surprisingly dry ride to windward in a chop. Running downwind, her gentle stem curve, moderate deadrise, and round bilges make her forgiving and steady.”

After ’glassing the hull inside and out, he used jarrah, a species of eucalyptus common in Western Australia, for the inwales and outwales. The strips of ramin that grace the inboard face of the breasthook were cut from a slat of a Venetian blind he found lying on the side of a road—John’s father had taught him the importance of picking up anything that might be useful someday. He finished the interior bright with a two-part polyurethane varnish and painted the exterior with marine alkyd enamel—Oxford blue with a white boottop.

John bought a 20-hp Tohatsu four-stroke outboard to power his skiff. A hydraulic steering system took to the routing from the center console to the outboard without the wide curves that a cable system requires.

The fuel tank is secured under the seat to keep its weight out of the stern. The fuel and hydraulic steering lines are under a narrow cockpit sole, out of sight and out from underfoot.John Adamson

The fuel tank is secured under the seat to keep its weight out of the stern. The fuel and hydraulic steering lines are under a narrow cockpit sole, out of sight and out from underfoot.

John christened his skiff EMZARA. One his friends had taken to calling him Noah during the construction of the boat; Emzara was Noah’s wife. In the summer months—January to March in Australia—John fishes for squid, taking great pains to keep his catch from ink-staining the bright-finished interior. Later in the year, during the antipodal autumn, EMZARA takes to the lakes of the River Murray and the islands of Lake Alexandrina at the river’s mouth. Finnis River and Currency Creek both have deltas where they join the lower reaches of the River Murray. There in the safe haven of reeds and bulrushes, John finds black swans, pelicans, ducks, shags (cormorants), waterhens (coots), egrets, ibis, terns, snipe, bitterns, stilts, seagulls, and a myriad of small insect-eating birds.

EMZARA often explores the lower reaches of the River Murray in South Australia.John Adamson

EMZARA often explores the lower reaches of the River Murray in South Australia.

Like many who own small wooden boats, John laments that “there seem to be too many distractions that keep me off the water, but one is always optimistic.”

Have you recently launched a boat? Please email us. We’d like to hear about it and share your story with other Small Boats Monthly readers.

Topsails, Jibs, and Tarps

 

I was pleased to have Barry Long write an article on topsails. I get impatient in light air and I, too, like having more sails, either custom-made or cobbled-together ones, as much to get the boat moving as to have more things to fiddle with.

My 14′ Marblehead skiff started out with a sprit main and a jib and that was enough when there was a decent breeze, but sailing during the midsummer doldrums wasn’t much fun. I added a bowsprit and an outer jib and they helped a little, but if I was going to catch more wind, I needed to raise the rig. I added a topsail yard and a topsail much like the ones Barry writes about in his article in our December 2016 issue. I cut my topsail from a salvaged dinghy sail and used a club at the peak to gain a little extra sail area.

I have a few photos of Marblehead dory skiff with a topsail and outer jib added, but no record of the fifth sail, a flying jib.

I have a few photos of my Marblehead dory skiff with a topsail and outer jib added, but no record of the fifth sail, a flying jib.

The topsail was a step in the right direction and it seemed to utilize breeze beyond the reach of my mainsail. But between the tip of the bowsprit and the top of the topsail yard there was room for one more sail, so I made a flying jib. That brought my little dory skiff up to five sails. I thought it looked great, even though I only ever saw the full suit of sails at the dock. Once I was aboard I couldn’t see the two new jibs. To trim them, I watched the sheets and took up slack until they stopped shaking.

For a long downwind run aboard my sneakbox I set my tarp as a spinnaker.

For a long downwind run aboard my sneakbox I set my tarp as a spinnaker.

My most versatile extra sail was a lightweight coated-nylon tarp that I sewed up to use as a boom tent for nights spent aboard the skiff. Downwind, I used the topsail yard as a sprit and set the tarp opposite the sprit mainsail. An oar served as a whisker pole. A few years later I used the tarp as a spinnaker aboard my sneakbox. A few bits of webbing I’d sewn along the hem allowed me to gather the top edge, giving the tarp a nice curved shape, albeit rather puckered. While sailing the coast of the Gulf of Mexico I picked up a 6′ 1×3 on the beach and used it as a spinnaker pole swing forward for a long broad reach.

The tarp came in handy aboard my Gokstad faering as an addition to its square sail.

The tarp came in handy aboard my Gokstad faering as an addition to its square sail.

The same tarp came in handy aboard my Gokstad faering when there was too much wind to set the square sail oar not enough wind to make satisfactory progress. The last time my tarp was used as a sail was on Lake Ozette on Washington State’s Olympic peninsula. I had paddled with a group of eight kayakers to an island on the lake’s south end. In the morning we had the wind at our backs for the return trip. We rafted up and two kayakers held their paddles upright as masts. There was enough wind that we needed backstays tied to their paddle blades. We were going so fast that one of the kayaks on the outside of the raft got peeled off and he had to sprint hard to catch us, so I guessed we were doing over 6 knots.

I added a mizzen staysail to my Caledonia yawl and discovered I could raise a square sail alongside my cruising garvey’s sprit main and double the area for running downwind. Neither of those boats has a topsail. Not yet.

 

Afterword

I found a photo of my dory skiff with its fifth sail, a jib topsail.

Lightning Bug

I happened upon a Lightning Bug while I was kayaking around Seattle’s Lake Union. There is no shortage of fine wooden boats around the lake, but this 15’ motor launch built by Budsin Wood Craft of Marshallberg, North Carolina, drew me in for a closer look. LUCCIOLA, moored in front of one of the more interesting floating homes that line the east shore of the lake, was luminous in the autumn afternoon sun. The boat’s name, Italian for Lightning Bug, was written on the transom in gold leaf, outlined in black. Not every boat can carry off a gilded name, but the Lightning Bug’s lines and workmanship are exceptionally fine and deserve no less.

The Lightning Bug has a vacuum-bagged, cold-molded hull. Finished bright above the waterline, LUCCIOLA’s hull has two inner diagonal layers of cedar and an outer layer that is a combination of fore-and-aft mahogany planking above the waterline and diagonally laid cedar below. Fiberglass applied below the waterline protects the bottom. The seams between the mahogany planks are routered to a uniform width, then filled with epoxy and mahogany sanding dust. The mix is quite dark, almost black, and looks a bit like the shadows cast by lapstrake planking. It’s a nice touch and accentuates the boat’s shape. An ash outwale and guard outline the sheerstrake with a bright accent. The finish on the boat is flawless. Budsin puts at least 12 coats of varnish on the woodwork, and the result is radiant wood grain and a glassy shine.

This hull will be finished bright above the waterline and has an outer layer of mahogany planking to cover the topsides.courtesy of Budsin Electric Boats

This hull will be finished bright above the waterline and has an outer layer of mahogany planking to cover the topsides.

Boats ordered from Budsin with a painted hull have three diagonal layers of cedar and are ’glassed from keel to sheer. The hulls of all of the boats are braced inside by eight pairs of laminated cypress half frames, ultimately concealed by a ceiling of mahogany slats and the cockpit sole.

Hulls destined to be painted have three layers of diagonally laid cedar planking.courtesy of Budsin Electric Boats

Hulls destined to be painted have three layers of diagonally laid cedar planking.

The transom, decks, and coaming are all mahogany. The aft deck of LUCCIOLA has a small hatch that is the lid to an optional built-in cooler that has plenty of room for ice and drinks, even tall wine bottles.

The optional teak-grate sole and the folding table make for a well-appointed cockpit.courtesy of Budsin Electric Boats

The optional teak-grate sole and the folding table make for a well appointed cockpit.

The cockpit has two benches, with room for two to stretch out or for two couples seated shoulder-to-shoulder. The helmsman sits on the aft bench. The throttle is secured to the coaming, and the tiller is at the aft port corner of the coaming and connected to the rudder by the same kind of steering cable used for controlling an outboard motor from a wheel forward. The arrangement has no detectable play, makes operating the boat quite easy, and the swing of the tiller doesn’t interfere with the occupants. The controls are on the port side, leaving my right hand free for taking notes and shooting pictures. With the optional folding table, I could just as easily have eaten dinner while touring the lake with a companion.

Removing the forward seat reveals the box for the main batteries and the storage area under the foredeck.Christopher Cunningham

Removing the forward seat reveals the box for the main batteries and the storage area under the foredeck.

The seat backs fold down to provide access to the spaces under the foredeck and aft deck. There’s plenty of room in the bow for stowing items such as PFDs, a picnic basket, a cooler, and blankets. The batteries, a pair of 105 amp-hour, absorbed-glass-matt (AGM) batteries, are easily accessed: Sunbrella-covered seat cushions can be removed, the hinged seat back and seat folded down, and the whole unit lifted out. The aft seat covers the power plant: a 700 watt, 24-volt DC motor. There is room either side of the motor for two more AGM batteries, which would provide 1 ½ to 3 hours of reserve power. With the aft seat back folded down, there is access to a bit of storage space under the aft deck. Bulky items might not slip past the crossbeam that supports the motor, but smaller items such as fenders will find a spot there. Foam to meet Coast Guard flotation requirements is secured to the inner face of the transom. (Boats shipped to Europe have additional foam secured in the bow to meet the applicable requirements.) LUCCIOLA’s removable cockpit sole is made of two panels of 1/2″ marine plywood and covered with carpet. A teak grate is an option if you prefer a more traditional look. Beneath the cockpit sole there is an automatic electric bilge pump.

Removing the aft seat reveals the motor and two boxes for reserve batteries.Christopher Cunningham

Removing the aft seat reveals the motor and two boxes for reserve batteries.

 

The motor is remarkably smooth and quiet—I was never aware of it, even though I was sitting right over it—and drives a stainless-steel shaft supported beneath the hull by a bronze strut. A bronze skeg attached to the strut guards the bronze three-bladed propeller and supports the bottom of the rudder. Budsin offers a keel that provides additional protection for the prop in shallow waters where running aground is a possibility or if you’d like to pull the boat up on a beach.

LUCCIOLA has the standard arrangement for rudder, prop, and skeg.Christopher Cunningham

LUCCIOLA has the standard arrangement for rudder, prop, and strut.

 

A full keel is an option for boats that require extra protection of the prop and rudder.courtesy of Budsin Electric Boats

A full keel is an option for boats that require extra protection of the prop and rudder.

If LUCCIOLA had been equipped with Budsin’s optional sound system, I could easily have missed seeing it while I was aboard. Six speakers are discreetly installed along with an auxiliary cable connecting them to whatever gizmo you use to store your music collection on, and a discreetly located volume control is near the throttle. I didn’t miss having music. When a boat is as quiet as the Lightning Bug, I’m content listening to the sound of water lapping a wooden hull.

The planking seams have been routed and filled with a dark mix of mahogany dust and epoxy.Christopher Cunningham

The planking seams have been routed and filled with a dark mix of mahogany dust and epoxy.

Budsin sets the Lightning Bug’s top speed at 5 ½ mph, with a running time of 4-1/2 hours on fully charged batteries. Throttling back to 5 mph should stretch the running time up to 7 hours. The only instrumentation is a battery-charge indicator set forward of the helmsman where it’s easily seen, so I used my GPS in a part of the lake sheltered from the wind for speed trials. It recorded a top speed of 4.5 knots (5.2 mph).

A power cord is connected to a charger secured under the aft deck. Having the cord with the boat is a good idea; it’s safer to carry the cord from the boat to the power source than to carry an electrified cord from the power source across the water to the boat. The charging time is usually double the time that the batteries have been in use, so in most cases an overnight charge will bring the batteries up to a full charge.

The Lightning Bug's electric power plant can maintain 5 knots for 7 hours.Christopher Cunningham

The Lightning Bug’s electric power plant can maintain 5 knots for 7 hours.

The boat responds quickly to the helm. It’ll do a 180 in a boat-length radius, and at top speed it will bank into turns. Putting the boat in reverse requires a firm grip on the tiller and judicious use of throttle and helm. As with almost any rudder with a tiller, the blade will want to flop to one side and come up hard against its stops if the tiller is left untended.

The Lightning Bug is equipped with running lights; the stern light is removable and its socket can be used for a flagstaff.Christopher Cunningham

The Lightning Bug is equipped with running lights; the stern light is removable and its socket can be used for a flagstaff.

For shading the summer sun, Budsin offers a Sunbrella-fabric canopy supported by mahogany posts. In the fall, Lake Union is especially appealing in the evening when the lights of the city illuminate the skyline and their reflections are painted across the water; Lightning Bugs are outfitted with running lights fore and aft, cockpit illumination, and an all-around white light on a staff that fits and draws power from the flagstaff socket.

The Lightning Bug’s range of 35 miles between charges will theoretically get it to points with a 17-mile radius from home. That’s a lot of territory, but a boat that is so easy on the eyes and ears isn’t about merely getting from one place to another. The vessel is in and of itself the destination: a place to relax, enjoy solitude or the company of friends, and take in the view, both within and beyond the boat.

Christopher Cunningham is the editor of Small Boats Monthly.

Lightning Bug Particulars

[table]

LOA/15′

Beam/50″

Draft/14″

Weight/525 lbs

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lightingbugsections

ligtningbugprofile

The Lightning Bug is available as a finished boat from Budsin Electric Boats. Prices begin at $24,800 and vary according to options.

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats Monthly readers would enjoy? Please email us!

Milgate Duck Punt

Mersea Island, tucked into England’s Essex coast about 50 miles east northeast of London, is only truly an island twice a day, when the high tide covers the causeway that connects it to the mainland. There’s open water to the island’s southeast side at the junction of the Colne and Blackwater estuaries, and to the northwest mile after mile of tidal salt marsh with a wealth of wild waterfowl. This is the spiritual home of the Milgate duck punt.

The village of West Mersea occupies the southwest quadrant of the island, and has always lived by whatever the water and marshes could provide, so boats have long been an essential part of daily life. One of the many local businesses was a boatyard once owned by William Wyatt, who, as well as repairing the local fishing smacks and yachts, was also the local punt builder of choice. John Milgate, born in a cottage called Smugglers’ Way, just a few yards from Wyatt’s punt shed, started work at the yard at the age of 13, just after the Second World War. His retirement, 55 years later in 2001, didn’t stop him working on boats; he simply carried on in his own shed at home. The restoration of his 1892 smack, PURITAN OF COLCHESTER, was always going to be a lengthy job, so John wanted a simple, inexpensive boat to get him onto the water quickly, whenever the mood took him. He decided he needed a duck punt.

Setting the leeward chine deep in the water gives the hull lateral resistance for windward work.Gill Moon

Setting the leeward chine deep in the water gives the hull lateral resistance for windward work.

The problem at that time was that no one in West Mersea was building them anymore, so he’d have to come up with his own design, as well as rethink the construction process. The original shape had evolved over the best part of a century and a half, but construction techniques and materials had moved on radically. Many punts were home-built by eye, resulting in a lot of variation. Since many wildfowlers had to contend with shallow pockets, as well as shallow water, they built their punts out of whatever affordable materials happened to be available, and did the building as well as they could. The professionals, though, set higher standards, having good reason to build commissioned punts properly. No one wanted to lie in freezing bilgewater during a hard winter’s night on the marsh, so there was a penalty to pay for a leaky boat. The rule was that if a new punt leaked, its owner was due an amount of beer equal to the water the boat let in.

Professional builders also tended to evolve styles of their own, and the 1919 punt in the Mersea Museum shows that of William Wyatt. Milgate’s study of it revealed a slightly longer hull than some of its contemporaries, but the same 3′ beam. It was built solidly with 9″ x 3/4″ planks and 2-3/4″ of rocker in her otherwise flat bottom. A sheerstrake is clench-nailed onto the side, resulting in a couple of inches more freeboard than in punts from other parts of England’s east coast; this is probably because unlike many of those, it’s an open boat. The other obvious difference is that it isn’t quite double-ended, sporting a small triangular transom above the waterline. The short extended nose at the breasthook has a groove to take the punt-gun barrel. The matte gray finish was no surprise—there’d been plenty of Admiralty-surplus paint available in 1919. Not only was it inexpensive, it was also ideal for making stealthy progress among the mud banks, while stalking highly suspicious ducks. Powder and shot were expensive, so to have a chance of making a profitable bag, getting to within 70 yards of a flock to assure hitting the target was essential.

Having just come about, the punt sailor has dropped his steering oar over the starboard rail. There is no accommodation for seating other than the cockpit sole.Marc Davies

Having just come about, the punt sailor has dropped his steering oar over the new leeward rail. There is no accommodation for seating other than the cockpit sole.

Milgate’s plan was, in the spirit of both the amateur and professional punt builders, to make his new boat as quick and economical to build as possible, while retaining the William Wyatt aesthetic. The 17′ length of the museum’s boat would have been wasteful in terms of plywood, so the new design was shortened to 15′ 8-3/4″, with a beam of 32-1/2″. Milgate’s punt is built with just three sheets of 10mm (3/8″) plywood, using softwood frames in place of the original oak.

 

The Milgate duck punt could hardly be simpler to build, and architect Mies Van der Rohe, with his guiding principle that “Less is more,” would certainly have approved. There’s no daggerboard, rudder, or decks. It’s just a sleek, flat-bottomed sharpie that’s not quite double-ended. Instead of building the bottom first, adding the stem and sternposts, side panels, and finally the frames, the Milgate design is built upside down on a jig, starting with the side panels. The result of using ply and softwood is that the boat usually comes out rather lighter than a 19th- or 20th-century version, at around 140 lbs, and lighter still if you opt for a stitch-and-glue version. The build isn’t a long process, and many Milgate punt builders are convinced that the majority of the time is taken up by painting.

Punts built to the Milgate plans may appear to have two lapped strakes, but each side is made of a single plywood panel. A kerf about 28" long allows the upper part of the panel to flare to meet the transom. The lap is created by a false sheer strake applied over the side panel.Marc Davies

Punts built to the Milgate plans may appear to have two lapped strakes, but each side is made of a single plywood panel. A kerf about 28″ long allows the upper part of the panel to flare to meet the transom. The lap is created by a false sheer strake applied over the side panel.

The fitting-out is equally straightforward. Floorboards are essential unless you’re partial to lying on the frames and soaking up bilgewater. A couple of tholepins, or preferably, in my view, oarlocks for the steering oar are a must-have. A punt rows very well too, so budget for a pair of oars—you can even use the same oarlocks. When it comes to the sailing rig, most West Mersea duck punts use cast-offs from Optimist dinghy racers. The sails you see with the enduringly cool logo of a duck made up of a D and a P are custom-made by Gowan Ocean Sails, about 50 yards from the old Wyatt punt shed. The shed is now part of the facilities owned by the Dabchicks Sailing Club, founded in 1911 by William Wyatt and other West Mersea sailors.

 

So, now that it’s built, what exactly have we got? Getting to and around the marshes, while occasionally eluding unexpected game keepers, required an adaptable boat that was light to handle ashore, quick to launch, easy to push over mud, and comfortable being sailed, poled, paddled, or rowed. The Milgate Duck Punt is all of these things, as well as a good weight carrier in the bargain; it’ll comfortably take a couple of adults and a fair amount of gear.

Once aboard a duck punt, several things are immediately apparent; the first is just how stable she is, with her flat bottom and low crew position. Next comes the discovery of just how few inches of water are needed to sail her off the beach. Once afloat, a shift of weight to engage the leeward chine and the punt can go to windward. There’s no need to find water deep enough for a centerboard or rudder. Once you’re off the beach, you’ll also discover that the duck punt is no slouch under sail, either.

Martin “Lurch” Blackmore makes himself comfortable on the floorboards as he works to weather.Marc Davies

Martin “Lurch” Blackmore makes himself comfortable on the floorboards as he works to weather.

Steering becomes progressively more intuitive, as you get a feel for shifting your weight forward to initiate a gentle luff or aft to bear away, with more major adjustments being done with the short steering oar—usually referred to as a paddle. While this might sound like a case of coarse and fine adjustments, the reality is that you’ll soon be using both methods pretty much at the same time. It’s a bit like steering a bicycle on a winding road by leaning while turning the handlebars. The paddle is key when tacking. Four good strokes, the total allowed under the racing rules, should be more than enough to get the bow around before switching the paddle to the new leeward side for steering.

Duck punts are sailed with the helmsman lying down. There have been experiments with various types of backrest; according to Milgate, the most exotic of these was also the cause of the only recorded capsize. They are usually pretty comfortable for recumbent sailing, and taller skippers, like Martin “Lurch” Blackmore who sails No 10, POINTYBIRD, often stretch out with a leg draped over the side.

In the hands of a skilled sailor, a duck punt can take on a stiff breeze.Gill Moon

In the hands of a skilled sailor, a duck punt can take on a stiff breeze.

The Milgate punts can stand up to a bit of weather. In over 20 knots of breeze they’ll be absolutely flying, but still nowhere near the ragged edge. They’re quite maneuverable as well. The close racing in the tight spaces along the foreshore shows that with a bit of practice, the rudder and centerboard won’t be missed.

Aside from breaking out the oars if the wind dies or taking a punt out for a leisurely row on an evening tide after dusk, duck punts are also rowed quite seriously. The West Mersea Town Regatta, an annual event first held in 1838, includes rowing events for duck punts rowed as singles or as pairs.

The duck punt can do anything you’re likely to ask of it in and around thin water. It’s easy, quick, and above all inexpensive to build; the plans are free, and the build itself can be done for about $150. All these things helped convince my wife that I’ve got to have one. The only problem is convincing her that I also need to keep those more complicated and expensive boats that lurk in our garage.

Marc Fovargue-Davies is a Research Associate at the University of London’s Centre for Corporate Governance & Ethics. More importantly, he also works with Adrian Donovan, (who built, among others, his Morbic 12, CADFAEL, as well as a particularly fine pair of Whitehall skiffs), and the International Boatbuilding Training College at Lowestoft, England. Marc regularly contributes to both Water Craft and Classic Sailor.

Milgate Duck Punt Particulars

[table]

Length/14′ 6.75″

Beam/34.75″

Depth amidships/14.125″

[/table]

puntlines

Plans (5 sheets) for the Milgate Duck Punt are available online.

Is there a boat you’d like to know more about? Have you built one that you think other Small Boats Monthly readers would enjoy? Please email us!