Shetland boats caught my fancy a long while ago, and Ian Oughtred's careful interpretations of them retain their heart-catching beauty of line and also their incredible ability in turbulent water.I remember trying to photograph boats at the delightful Scottish Traditional Boat Festival at Portsoy on Scotland’s Moray Firth, when a short steep sea had built up with wind against a four-knot tide. Every small boat there, every skipper, was frustrated, stopped in their tracks, sails and spars lurching—except for one. Iain Oughtred appeared in his lovely Ness Yawl, JEANNIE II, and slithered over the tops of the waves as if on some sort of buoyant magic carpet. Iain left the other boats standing, sailed rings around them, came back to see what was holding them up, like an irritating youngster who has completely outpaced the oldies. She was the only boat that day that photographed well, with hull, rig, and sails doing her credit. If I needed to get back to harbor in a turbulent sea and didn’t want to spend all afternoon doing it, I would feel confident that a Ness Yawl would not disappoint me.

Photo by Kathy Mansfield

Iain Oughtred has made a practice of designing—and using—lightweight, glued-lap plywood rowing and sailing boats inspired by the Nordic tradition.

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